Limited 4xLP This Is It: The Movie is made up of intimate and spectacular footage filmed during rehearsals for Jackson's proposed July 2009 comeback shows. When he died in June of 2009, he left behind hundreds of hours of footage, which have been edited together to create a glorious tribute to his majestic talents. Disc One features some of his biggest hits sequenced in the same order as they appear in the film.
Heut' ist der schönste Tag - Tenor Hits of the 1930s
SWR
CD
$20.99Mar 12, 2021
A collection of well-known hits ("Schlager") made famous by singers like Joseph Schmidt, Richard Heuberger or Mischa Spoliansky, many of them composed for popular movies of that time. They maintained their popularity until nowadays and are performed on this album by the young rising star from Austria, the tenor Martin Miterrutzner, accompanied by the Deutsche Radio Philharmonie under the baton of Christoph Poppen, who has already established his reputation with original and innovative repertoire. Mitterrutzner is an extraordinary gifted tenor with a wide repertoire from Bach to Britten, whose voice is also perfectly equiped for an exquisite rendering of the emotive hits of the 1930’s.
This Was Then is the ninth full-length album by pianist/composer Erik Deutsch. His long-running NYC sextet has once again been enlisted to conjure their magic: Tony Mason on drums, Jeff Hill on bass, Avi Bortnick on drums, Mike McGinnis on Reeds, and Brian Drye on trombone; plus special guests Mauro Refosco on percussion and Victoria Reed on vocals. In between touring full time with The Black Crowes, piloting multiple projects, and recording with an incredible variety of artists, Deutsch has found the time to create an excellent new album of original material. Stylistically, This Was Then may be Deutsch's finest work yet, as the music cruises effortlessly thru genre, tempo, and mood. Sure, some of Deutsch's previous musical tendencies are present once again, but nothing feels like a redux-rather an updated vision or a glance towards a fresh path altogether. The production team of Erik and Jeff Hill has elevated their vision and skill (they've been working together editing, overdubbing, mixing, and producing Deutsch's records since the 2012 release Demonio Teclado). Once presented with what the duo has accomplished sonically, it's nearly impossible to deny the uniqueness present within the artistry of this record. Simply put, "jazz" artists these days don't typically offer this level of production to their records; and having said that, it's clear that Deutsch's vision of jazz music (evident in his catalog over for the past 20 years) has been thoughtful and clear, and that he has continued to not only stay the course but expand and elevate his concept along the way. So sit back, relax, and soak in this musical journey. You may ask yourself "is this record about the memorable compositions? Or the stellar musicianship and improvisation? Or the tones and sonic palettes? Or the production and aural brilliance of the recording?" The answer is whatever you choose it to be, whatever you want it be, and whatever you want from it in that very moment. It's a gift that will continue to give, to reveal more magic upon each listen, and hopefully bring joy and inspiration to your ears and heart. Is it jazz? Is it fusion? Is it cinematic? It's music- made by a musician who cares and a group of talented folks who get it.
Wagner defined Die Meistersinger von Nürnberg as the most complete work that he had ever created. The Bayreuth Festival 2025 presents the comedy in a new production staged by Matthias Davids, whose playful irreverence stands between tradition and renewal. Under the exceptional baton of Daniele Gatti, who debuted in Bayreuth in 2008 with Parsifal, the cast showcases it's brilliance and finesse. Georg Zeppenfeld, at the core of the performance, interprets Hans Sachs with excellent vocal skills and particular sensibility. Equally remarkable performances are given by Michael Spyres and Christina Nilsson, respectively, as Walther and Eva, and by Michael Nagy as a finely drawn Beckmesser. The result is a compelling piece of music theatre: 'A comedy of manners where themes of art, tradition and human love arise naturally.' (Seen and Heard International) Michael Spyres 'has everything a Stolzing needs: he is effortlessly present, sounds light yet embodied in the upper register, a German knight with italianità.' (BR-KLASSIK)
Vinyl LP pressing. With it's warmth, power and clarity, the music has the distinctive hallmark which makes Haffner probably the most popular drummer/bandleader in Europe, known from his albums and from thousands of concerts in more than 100 countries. And at the same time it marks an evolution in his music. Indeed, perhaps one of the key factors behind Haffner's success is that his music will always contain elements of the familiar alongside the new, and that Haffner always brings the audience along with him to participate in the flow of his ideas - and also in the 'life rhythm' which he communicates so brilliantly, and instills in everyone around him. A versatile approach and the highest level of musicianship are also factors which Wolfgang Haffner has in common with his fellow musicians on 'Life Rhythm'. At the core is his regular, completely 'played-in' trio with keyboard player Simon Oslender, also a drummer and a band leader in his own right, and Thomas Stieger, one of the most sought-after bassists on the German pop and jazz scenes. They are joined by trumpeter Sebastian Studnitzky, Haffner's regular collaborator since his ACT debut 'Shapes', and Finnish guitarist Arto Mikala, a real discovery with remarkable variety in his sound. Haffner also welcomes some unique musical personalities to bring their own highly individual colours to the band: Nils Landgren has been a good friend and touring colleague for more than 20 years. Also appearing are saxophone icon Bill Evans, Sting's guitarist Dominic Miller, Balkan beat star Shantel, the refined bassist Nicolas Fiszman, oud virtuoso Thomas Konstantinou and Bruno Muller, one of the finest of German jazz guitarists.
Wiener Philharmoniker - "Deluxe Edition Vol. 2" / This luxurious hardback boxset provides a fascinating cross-section of the 170-year history of one of the world's greatest orchestras: the Wiener Philharmoniker. A lavishly illustrated 100-page hardcover coffee table book houses 20 CDs of recordings with 19 conductors spanning the past 70 years. Collectors will once again love the premium quality of this set and it's authority and comprehensive approach to this beloved orchestra. [20 CD Boxset]
Soprano Elsa Dreisig follows her debut album Miroir(s) with a recital of songs in collaboration with pianist Jonathan Ware. Taking it's title, Morgen, from one of Richard Strauss's best-loved lieder, it interweaves his music (notably the Four Last Songs) with thematically linked works by Sergey Rachmaninov and Henri Duparc. As Elsa Dreisig says, "Morgen is an inner journey through the seasons of the soul."
Riehm: Wer sind diese kinder - Hamamuth - stadt der engel
Wergo
SACD
$20.99Aug 30, 2013
Both the piano work Hamamuth - Stadt der Engel and the piano concerto Wer sind diese Kinder are composer Rolf Riehm's attempts to substantially broaden the spectrum of political music. Hamamuth - Stadt der Engel focuses on the omnipresence of violence experienced during the Iraq War. Both works show that it would be insufficient to look for their political facets exclusively on a semantic level. The physical understanding of music appears to be almost equally important. These powerful works are performed by the SWR Sinfonie Orchester Baden-Baden conducted by Beat Furrer.
One of the 20th century's most questing and influential singers Dietrich Fischer-Dieskau is celebrated above all for his extraordinary skill and insight in lieder. This complete collection of lieder and songs recorded for HMV, EMI Electrola, Teldec & Erato is brought together here for the very first time, showcasing not only his exceptional talent but also the evolution of his artistry and voice throughout his career, from 1951 to 1992. His relentless drive to renew the genre shines through as he explores a vast repertoire, from Schubert to Schoenberg, led by an unbounded curiosity that brought new dimensions to the art of singing. "... nobody could surely have prophesied that the singer would become such a prodigious phenomenon with a colossal achievement on record, never before matched and unlikely to be repeated in the future." Gramophone Magazine.
For me, Strauss is one of the greatest composers," Diana Damrau has said. "The way he handles the soprano voice is a joy. And to be able to sing his music with my voice feels like coming home." The centrepiece of this album of Strauss songs is the sublime Vier letzte Lieder, in which Damrau - born and trained in Bavaria - joins forces with the Bavarian Radio Symphony Orchestra and it's long-standing Chief Conductor Mariss Jansons. Her partner in a tempting and diverse selection of songs with piano is Helmut Deutsch. "Not only is Strauss's music gorgeous," says Damrau, "there's the way he combines words and notes - and the psychology.
Ralph Alessi's fourth appearance as a leader for the label follows a singular album run that's been met with nothing but praise from The New York Times to The Guardian. On his new album, Alessi's unique tone is as limber, piercing and present as ever, enveloped by a fresh quartet line-up - pianist Florian Weber, B"nz Oester on bass and drummer Gerry Hemingway - that navigates through the trumpeter's idiosyncratically swinging compositions with a sixth sense.
A Bay Area native, tenor saxophonist Dayna Stephens makes his auspiciousdebut on the Criss Cross label with Today Is Tomorrow - a soaring, lyrical, deeply swinging collection of originals and jazz classics (Hoagy Carmichael's Skylark, Joe Henderson's Black Narcissus). As a 2003 graduate of the Thelonious Monk Institute, Stephens had the opportunity to work with the likes of Dave Holland, Wayne Shorter and Herbie Hancock, whohelped strengthen his complex sensibility as a composer and improviser. In recent years Dayna has appeared with the likes of Carlos Santana, Kenny Barron, Terence Blanchard, Gretchen Parlato and many others. Joining Stephens on Today Is Tomorrow is a stellar cast, featuring Aaron Parks on piano and the sturdy rhythm section of Kiyoshi Kitagawa on bass and Donald Edwards on drums. Supplementing the lineup are Julian Lage, one of the jazz scene's most exciting newcomers on guitar, and Michael Rodriguez, a fiery trumpeter with credits including Charlie Haden and Gonzalo Rubalcaba. Stephens pilots them through the set with finesse and heart, proving himself a player quickly on the rise.
Limited five 180gm vinyl LP set. Herbert von Karajan's recording of Wagner's 'Die Walkure' features an outstanding cast, including Austrian star soprano Gundula Janowitz (Sieglinde), legendary bass-baritone Thomas Stewart (Wotan), Jon Vickers (Siegmund), and the dazzling Regine Crespin (Brunnhilde). It captivates with it's expressive range and lyrical accents. Karajan skillfully allows his orchestra, the Berliner Philharmoniker, to take a back seat to showcase the great singers. As classical music magazine Gramophone aptly puts it, even half a century after it's release, his recording, "still has surprises in store." For the first time, the ORIGINAL SOURCE SERIES uses the original stereo master tape, a two-track audio tape, as it's source. Remastered by the Emil Berliner Studios on 180g virgin vinyl by Optimal and housed in a 5-LP lift-lid box set. Limited and numbered.
Diana Damrau and Jonas Kaufmann, reigning stars of opera, are also consummate interpreters of song. In early 2018, with master pianist Helmut Deutsch, they performed Hugo Wolf's multi-faceted Italienisches Liederbuch in 12 cities around Europe. "One couldn't ask for more," wrote the Telegraph after their London concert, which took place two days before this live recording was made in the German city of Essen. - Acclaimed as the "leading coloratura soprano in the world" (New York Sun), Diana Damrau continues to amaze audiences with her unique voice and arresting stage presence. A regular guest at the most renowned opera companies and concert halls, she was awarded the titleBayerische Kammersangerinin 2007 and named "Best Female Singer" at the 2014International Opera Awards.
The first entry in Richard Wagner’s legendary Ring Cycle, considered by the composer to be the “prelude” to the trilogy that follows.
On Sebastian Weigle’s account of Wagner’s “Rienzi” on Oehms, The Guardian writes, “his interpretation… has an exhilarating momentum that at times pulls you in – despite yourself.”
The two centuries old Frankfurt Opera and Museum Orchestra is one of the great German opera orchestras, with a conducting heritage that includes Louis Spohr and Sir Georg Solti.
