Notes and Editorial Reviews
The violin sonatas of Joaquin Turina have in recent years attracted the attention of violinists looking for attractive Spanish repertoire beyond Sarasate, but this complete survey is unrivalled on disc. The real discovery for many listeners will be Turina’s Op.28, El Poema de una sanluqueña (Poem of a Sanlúcar Girl). This 20-minute, four-movement fantasy was written in 1923 and inspired by a cruel remark overheard by the composer: ‘Sanlúcar girls don’t marry and Sanlúcar boys marry outsiders’ – Sanlúcar being a coastal city just north of Cadiz. Turina’s idea was to immerse himself in the hopes and dreams of such a young woman. The movement titles - ‘In front of the mirror’ – ‘The Song of the Moon’ – ‘Hallucinations’ – ‘The Rosary in the Church’ – hint at the varied expressive and musical worlds, including oblique references to Andalucian folksong as well as highly impressionistic evocations that owe not a little to Ravel and Debussy. The Variaciones Clásicas of 1932 show another, more formally rigorous side to Turina’s craft as a composer, though the theme itself is no less imbued with a Romantic, yearning quality through its transformation as a Cuban folksong, a seguidilla and finally a dashing zapateado. The last two pieces of the collection appear as occasional pieces that are included in broader cycles. Euterpe is part of an ambitious work that seeks to represent the coming of the Greek muses to Spain, each of the them being represented by a different scoring: this is written in the lively tempo of a Sevillan dance. Finally, with Homenage a Navarra, Turina elegantly acknowledges the heritage of Sarasate in a short work based on his compatriot’s melodies.