The Spanish Guitar / Moreno

Release Date: 11/15/2019
Label: Glossa
Catalog Number: GCD920114
Orchestra/Ensemble: Orphénica Lyra, Ensemble La Romanesca
Number of Discs: 12

Physical Format:

CD
In Stock
$59.99
Notes and Editorial Reviews
With a capaciously-filled set of a dozen albums made up of attractive individual programmes and entitled The Spanish Guitar, Glossa reintroduces the superb playing of José Miguel Moreno. And with recordings from 1991-2004 which still sound fresh and vivid today. A new essay and all the sung texts are included in the physical booklet that completes this limited-edition set. José Miguel Moreno’s multi-century guided tour of Spanish instrumental music encompasses a magisterial pair of albums tracing the history of the Spanish guitar: compositions by Narváez, Mudarra, Murcia, Sanz, Sor, Tárrega and Llobet are all accorded their rightful places. A sizeable portion of the collection is dedicated to celebrating the Renaissance and Baroque eras with either the vihuela or the Baroque guitar. To discs of music by Luys Milán and Gaspar Sanz comes a clutch of albums adding vocal gems from Spain’s musical Siglo de Oro and bearing titles such as Claros y frescos ríos or Al alva venid. Moving onwards from Spain’s Classical era, the set ends with another of Moreno’s legendary albums, Las mujeres y cuerdas. As well as being joined by instrumental colleagues from Orphénica Lyra and La Romanesca, Moreno’s dexterous playing is also called upon in the service of accompanying a group of early music Spanish singers in their time: Nuria Rial, Marta Almajano, Raquel Andueza and Carlos Mena among them.
Works on This Recording
1. Cinco Diferencias sobre Vacas by Luis Venegas de Henestros
Performer: José Miguel Moreno (Vihuela)
2. Pues no me queréis hablar by Luis Venegas de Henestros
Performer: José Miguel Moreno (Vihuela)
3. Cinco Diferencias sobre Conde Claros by Luis Venegas de Henestros
Performer: José Miguel Moreno (Vihuela)
4. Pavana con su Glosa by Luis Venegas de Henestros
Performer: José Miguel Moreno (Vihuela)
Period: Baroque
5. Glosa sobre "Tan que vivray," for vihuela by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
6. Fantasia de redobles by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
7. Con que la lavare by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1554 ; Spain
8. De Antequera salio el moro, for vihuela by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
9. Morenica, dame un beso, for voice & vihuela by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1554 ;
10. Dezilde al cavallero que by Diego Pisador
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
11. Madona mala vostra by Diego Pisador
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
12. La cortesía, vilanesca by Diego Pisador
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1552 ;
13. Pavana muy llana para taner by Diego Pisador
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
14. Diferencias sobre el canto llano del "Caballero" by Antonio De Cabezón
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
15. Soneto no 22 "Lo que queda es lo seguro" by Enríquez de Valderrábano
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
16. Soneto no 27 by Enríquez de Valderrábano
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
17. Soneto no 8 by Enríquez de Valderrábano
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
18. Canción no 7 "A mi sufle" by Enríquez de Valderrábano
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
19. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 8 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
20. Fantasía for vihuela No 12 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
21. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 1 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
22. Libro de música de vihuela de mano intitulado El maestro: Quien amores ten by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
23. Falai miña amor by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
24. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 11 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
25. Libro de música de vihuela de mano intitulado El maestro: Pavana no 4 in D major by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
26. Pavana 5 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
27. Work(s): Differencias sobre vacas by Unspecified
Performer: José Miguel Moreno (Vihuela)
Period: Modern
28. Diferencias sobre "La Dama de demanda" for organ by Antonio De Cabezón
Period: Renaissance
Written: 1578 ; Spain
29. Fantasía for Vih no 22 by Esteban Daza
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1576 ; Spain
30. Trattado de glosas: Recercadas (9) on tenors - no 3 on the Passamezzo moderno by Diego Ortiz
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1553 ; Italy
31. Trattado de glosas: Recercadas (9) on tenors - no 2 on the Passamezzo moderno by Diego Ortiz
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1553 ; Italy
32. Diferencias de bacas by Luys Maymón
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
33. Fantasía for Vih no 21 by Esteban Daza
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1576 ; Spain
34. Tres libros de musica en cifras: Conde claros en doze maneras by Alonso de Mudarra
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1546 ; Spain
35. Cancionero musical de Palacio: Al alva venid buen amigo by Anonymous
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1520 ; Spain
36. Diferencias sobre "Conde claros" by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
37. Con que la lavare? by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
38. Vos me matastes by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1554 ; Spain
39. Si la noche haze escura by Diego Pisador
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
40. Gloss on "Tant que vivray" by Miguel de Fuenllana
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1554 ; Spain
41. Trattado de glosas: Recercadas (9) on tenors - no 5 on the Passamezzo antiguo by Diego Ortiz
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1553 ; Italy
42. Trattado de glosas: Recercadas (9) on tenors - no 7 on "La Romanesca" by Diego Ortiz
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1553 ; Italy
43. Diferencias de bacas by Francisco Páez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
44. Mille regretz "La Canción del Emperador" by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
45. Libro de música de vihuela de mano intitulado El maestro: Pavana no 6 in D major by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ; Spain
46. Libro de música de vihuela de mano intitulado El maestro: Pavana no 5 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
47. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 1 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
48. Libro de música de vihuela de mano intitulado El maestro: Pavana no 1 in A minor by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ; Spain
49. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 10 by Luis de Milan
Performer: José Miguel Moreno (Vihuela), Eligio Quinteiro (Vihuela)
Period: Renaissance
50. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 3 by Luis de Milan
Performer: Eligio Quinteiro (Vihuela), José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
51. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 22 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
52. Libro de música de vihuela de mano intitulado El maestro: Pavana no 4 in D major by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
53. Tento for vihuela No 4 by Luis de Milan
Performer: Eligio Quinteiro (Vihuela), José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
54. Libro de música de vihuela de mano intitulado El maestro: Pavana no 3 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
55. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 18 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
56. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 35 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
57. Libro de música de vihuela de mano intitulado El maestro: Madonna per voi ardo by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
58. Falai miña amor by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
59. Fantasía for vihuela No 12 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
60. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 8 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
61. Libro de música de vihuela de mano intitulado El maestro: Pavana no 2 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
62. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 11 by Luis de Milan
Performer: Eligio Quinteiro (Vihuela), José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
63. Sospirastes, baldovinos by Luis de Milan
Performer: Eligio Quinteiro (Vihuela), José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
64. Diferencias sobre "Guárdame las vacas" by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
65. Paseavase el rey Moro by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
66. Mille regretz "La Canción del Emperador" by Luis de Narváez
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
67. Fantasia by Lopez
Performer: José Miguel Moreno (Guitar)
Period: Renaissance
Written: ?1593 ;
68. Libro de música de vihuela de mano intitulado El maestro: Pavana no 2 by Luis de Milan
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: 1536 ;
69. Tres libros de musica en cifras: Pavana and galliard de Alexandra by Alonso de Mudarra
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1546 ; Spain
70. Tres libros de musica en cifras: Fantasia que contrahaze la harpa en la manera de Ludovico by Alonso de Mudarra
Performer: José Miguel Moreno (Vihuela)
Period: Renaissance
Written: by 1546 ; Seville, Spain
71. Passacalles y Obras de Guitarra: Giga by Santiago de Murcia
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1732 ;
72. Saldivar Codex no 4: Cumbees by Santiago de Murcia
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1732 ;
73. Poema harmónico: no 3, Marionas by Francisco Guerau
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1694 ; Spain
74. Poema harmónico compuesto de varias cifras por el temple de le guitarra española: no 1, Canario by Francisco Guerau
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1694 ; Spain
75. Instrucción de música sobre la guitarra española: Pavana por la D con Partidas al Aire Español by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1674 ; Spain
76. Instrucción de música sobre la guitarra española: Folías by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1674 ; Spain
77. Instrucción de música sobre la guitarra española: Lantururú by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1674 ; Spain
78. Instrucción de música sobre la guitarra española: Canarios by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Period: Baroque
Written: by 1674 ; Spain
79. Andante maestoso by Fernando Sor
Performer: José Miguel Moreno (Guitar)
Period: Romantic
Written: by 1822 ;
80. Andante espressivo by Fernando Sor
Performer: José Miguel Moreno (Guitar)
Period: Romantic
Written: by 1822 ;
81. Variations for Guitar on a theme from Mozart's "Magic Flute", Op. 9 by Fernando Sor
Performer: José Miguel Moreno (Guitar)
Period: Romantic
Written: by 1823 ; London, England
82. Variations for Guitar on "Marlborough s'en va-t-en-guerre", Op. 28 by Fernando Sor
Performer: José Miguel Moreno (Guitar)
Period: Romantic
Written: by 1827 ; Russia
83. Schubertian Songs (6) for Guitar: no 3, Ständchen by Johann Kaspar Mertz
Performer: José Miguel Moreno (Guitar)
Period: Romantic
Written: 1845 ; Hungary
84. Bardenklänge, Op. 13: Book 8, Lied ohne worte by Johann Kaspar Mertz
Performer: José Miguel Moreno (Guitar)
Period: Romantic
85. Preludes (16) for Guitar: no 8 in E major, Lágrima by Francisco Tarrega
Performer: José Miguel Moreno (Guitar)
Period: Romantic
86. Preludes (16) for Guitar: no 10 in D minor "Oremus" by Francisco Tarrega
Performer: José Miguel Moreno (Guitar)
Period: Romantic
87. Pavana by Francisco Tarrega
Performer: José Miguel Moreno (Guitar)
Period: Romantic
88. Canciones (10) populares catalanas: no 5, El testament d'Amelia by Miguel Llobet
Performer: José Miguel Moreno (Guitar)
Period: 20th Century
Written: by 1918 ; Spain
89. Canciones (10) populares catalanas: no 8, El Noi de la Mare by Miguel Llobet
Performer: José Miguel Moreno (Guitar)
90. Canciones (10) populares catalanas: no 4, La filadora by Miguel Llobet
Performer: José Miguel Moreno (Guitar)
Period: 20th Century
Written: by 1918 ; Spain
91. Dezilde al cavallero que by Diego Pisador
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
Written: 16th Century ; Spain
92. Qué me queréis, cavallero? by Anonymous
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
Written: by 1520 ; Spain
93. Quien te hiso, Juan Pastor by Joao de Badajos
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
94. En la fuente del rosel by Diego Pisador
Performer: José Miguel Moreno (Guitar/Vihuela)
Period: Renaissance
Written: 16th Century ; Spain
95. A tierras agenas by Esteban Daza
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
Written: 16th Century ; Spain
96. De Antequera sale el moro by Miguel de Fuenllana
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
Written: by 1554 ; Spain
97. Tres libros de musica en cifras: O gelosia d'amanti by Alonso de Mudarra
Performer: José Miguel Moreno (Guitar/Vihuela), Nuria Rial (Soprano)
Period: Renaissance
98. Libro de música de vihuela de mano intitulado El maestro: Pavana no 6 in D major by Luis de Milan
Performer: Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 1536 ; Spain
99. Cancionero musical de Palacio: Al alva venid buen amigo by Anonymous
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1520 ; Spain
100. A la vida bona by Juan Arañés
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: by 1624 ; Spain
101. Libro de música de vihuela de mano intitulado El maestro: Durandarte by Luis de Milan
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1536 ; Valencia, Spain
102. Galliard by Alonso de Mudarra
Performer: Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 16th Century ; Spain
103. Qué me queréis, caballero by Traditional
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
104. Si d'amor pena sentis by Anonymous
Performer: Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
105. Canarios by Antonio Martin y Coll
Performer: Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: by 1706 ;
106. Madre, la mi madre by Traditional
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
107. Ay luna que reluces by Traditional
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
108. No hay que decirle el primor by Anonymous
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
109. Tres libros de musica en cifras: Fantasia no 10 by Alonso de Mudarra
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1546 ; Spain
110. Libro de música de vihuela de mano intitulado El maestro: Sospirastes Baldovinos by Luis de Milan
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1536 ; Valencia, Spain
111. Villanos by Antonio Martin y Coll
Performer: Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
112. Que bonito niño chiquito by Anonymous
Performer: Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 15th Century ; Spain
113. Beatus ille qui procul negociis by Alonso de Mudarra
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
114. Por unos puertos arriba by Antonio de Ribera
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 16th Century ; Spain
115. Recercada no 2 by Diego Ortiz
Performer: Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 16th Century ; Spain
116. De la dulce mi enmiga by Gabriel Mena
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
117. Dónde estás, señora mía by Anonymous
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 15th Century ;
118. El Villano by Anonymous
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), Eligio Quinteiro (Guitar), José Miguel Moreno (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: 17th Century ; Spain
119. Media noche era por filo by Luis de Narváez
Performer: Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Raquel Andueza (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1538 ; Spain
120. Recercada no 8 by Diego Ortiz
Performer: Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 16th Century ; Spain
121. Flérida para mi dulce y sabrosa by Diego Pisador
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 1552 ; Spain
122. Prado verde by Francisco Guerrero
Performer: Jordi Domènech (Countertenor), Fernando Paz (Flute), José Miguel Moreno (Guitar), Eligio Quinteiro (Guitar), Alvaro Garrido (Percussion), Nuria Rial (Soprano), José Miguel Moreno (Vihuela), Fahmi Alqhai (Viola da Gamba)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: 16th Century ; Spain
123. Instrucción de música sobre la guitarra espanola, Book 1 by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: by 1674 ; Spain
124. Instrucción de música sobre la guitarra espanola, Book 2 by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: by 1674 ; Spain
125. Instrucción de música sobre la guitarra espanola, Book 3 by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Orchestra/Ensemble: Orphénica Lyra
Period: Baroque
Written: by 1674 ; Spain
126. Instrucción de música sobre la guitarra española: Folías by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1674 ; Spain
127. Los celos hacen estrellas: Peynándose estaba un olmo by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 1672 ; Madrid, Spain
128. Minerva: Tonante dios! by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Madrid, Spain
129. Canarios by Antonio Martin y Coll
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1706 ;
130. Ojos, pues me desdeñas by José Marin
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Spain
131. Susanne ung jour by Bartolemé de Selma y Salaverde
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
132. Los celos hacen estrellas: De las luces que en el mar by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 1672 ; Madrid, Spain
133. Cuydado, pastor by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Madrid, Spain
134. Instrucción de música sobre la guitarra española: Canarios by Gaspar Sanz
Performer: José Miguel Moreno (Guitar)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1674 ; Spain
135. Ay, que me rio de Amor by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Madrid, Spain
136. Compendio numeroso di zifras armonicas: Españoletas by Diego Fernandez de Huete
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1704 ; Spain
137. Aquella sierra nevada by José Marin
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Spain
138. No piense Menguilla ya by José Marin
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Spain
139. Poema harmónico: no 3, Marionas by Francisco Guerau
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1694 ; Spain
140. Salir el amor al mundo: Sosieguen, descansen by Sebastián Durón
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 1680 ; Seville, Spain
141. Ay, que me rio de Amor by Juan Hidalgo
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: 17th Century ; Madrid, Spain
142. Instrucción de música sobre la guitarra española: Lantururú by Gaspar Sanz
Performer: José Miguel Moreno (Guitar), Nuria Llopis (Harp ), Tony Millan (Harpsichord), Marta Almajano (Soprano), Juan Carlos de Mulder (Theorbo), José Miguel Moreno (Vihuela)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Baroque
Written: by 1674 ; Spain
143. Canzonette italiane (12): La semplice by Vicente Martin y Soler
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Classical
144. Canzonette italiane (12): La mercede by Vicente Martin y Soler
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Classical
145. Canzonette italiane (12): La Volubile by Vicente Martin y Soler
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Classical
146. Canzonette italiane (12): La costanza by Vicente Martin y Soler
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Classical
147. Andantes (6) for Guitar, Op. 320: Andante affetuoso con poco moto by Ferdinando Carulli
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: circa 1830 ; Paris, France
148. Ariettas (6), Op. 95: no 4, Le dimore amor non ama by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: by 1818 ; Vienna, Austria
149. Ariettas (6), Op. 95: no 3, Quando sarà quel dì by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: by 1818 ; Vienna, Austria
150. Ariettas (6), Op. 95: no 5, Ad altro laccio by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: by 1818 ; Vienna, Austria
151. Sonatinas (3) for Guitar, Op. 71: no 3, Andantino sostenuto by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
152. Cavatinas (6), Op. 39: no 2, Confuso, smarrito by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
153. Amor, perchè m'accendi by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: by 1807 ;
154. Leçons progressives (24), Op. 31: no 23 in E major, Mouvement de prière réligeuse by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: after 1825 ; Paris, France
155. Variations for Guitar on Rossini's "Di tanti palpiti", Op. 87 by Mauro Giuliani
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
156. Lagrime mie d'affanno by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
157. Perduta l'anima by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: after 1815 ; London, England
158. Povero cor by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: after 1815 ; London, England
159. Io mentitor by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: after 1815 ; London, England
160. La molinara: Nel cor più non mi sento by Giovanni Paisiello
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Classical
Written: 1789/1790 ; Italy
161. Bardenklänge, Op. 13: Book 8, Lied ohne worte by Johann Kaspar Mertz
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
162. Seguidillas (12) for Voice and Guitar: no 6, Muchacha, y la verguenza by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: 1800-1808 ; Spain
163. Seguidillas (12) for Voice and Guitar: no 7, Si dices que mis ojos by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
164. Seguidillas (12) for Voice and Guitar: no 11, Las mujeres y cuerdas by Fernando Sor
Performer: José Miguel Moreno (Guitar), Marta Almajano (Soprano)
Period: Romantic
Written: 1800-1808 ; Spain
165. Al alva venid by Anonymous
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Written: 15th Cent ;
166. L'amor, dona, ch'io te porto by Anonymous
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
167. Rodrigo Martínez by Anonymous
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
168. Paseavase el rey Moro by Luis de Narváez
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: by 1538 ; Spain
169. Más vale trocar by Juan del Enzina
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
170. Si habrá en este baldrés? by Juan del Enzina
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
171. Qu'es de ti, desconsolado? by Juan del Enzina
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
172. Oy comamos y bebamos by Juan del Enzina
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
173. Recercada no 5 by Diego Ortiz
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
174. Recercada no 4 by Diego Ortiz
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
175. Recercada no 2 by Diego Ortiz
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
176. En la fuente del rosel by Juan Vasquez
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
177. Con que la lavare by Juan Vasquez
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
178. De los álamos vengo, madre by Juan Vasquez
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
179. Tant que vivray en aage florissant by Claude de Sermisy
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; France
180. Tres libros de musica en cifras: Si me llaman a mi by Alonso de Mudarra
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
181. Tres libros de musica en cifras: Isabel, perdiste la tu faxa by Alonso de Mudarra
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
182. Recercada no 3 by Diego Ortiz
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
183. Recercada no 7 by Diego Ortiz
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 16th Century ; Spain
184. De Antequera sale el moro by Miguel de Fuenllana
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: by 1554 ; Spain
185. La mañana de San Juan by Diego Pisador
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
186. Tres libros de musica en cifras: Romanesca o Guardame las vacas by Alonso de Mudarra
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: by 1546 ; Spain
187. A los maytines era by Anonymous
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: circa 1500 ; Spain
188. Niña y viña by Anonymous
Performer: Marta Almajano (Soprano)
Orchestra/Ensemble: Ensemble La Romanesca
Period: Renaissance
Written: 15th Century ; Spain
189. Orphenica lyra by Miguel de Fuenllana
Performer: Carlos Mena (Countertenor), Nuria Rial (Soprano)
Orchestra/Ensemble: Orphénica Lyra
Period: Renaissance
Written: by 1554 ;
Customer Reviews