The Early Music Collection

Release Date: 6/14/2019
Label: Naxos
Catalog Number: 8503297
Number of Discs: 30

Physical Format:

CD
In Stock
$59.99
Notes and Editorial Reviews
The Early Music Collection is a wide-ranging survey that traces the history of Western music from plainchant, the music of the Catholic Church, through polyphony, to the end of the 17th century. It includes leading ensembles and instrumentalists. Many of the individual albums have been critically lauded.

Recent years have brought a vast expansion in our understanding and knowledge of early music periods. There has been investigation into the repertoire and techniques of other ages, coupled with a movement that has favored the use of instruments and ways of playing them that are more or less authentic. Even where surviving historical instruments or modern reproductions of them are not used, the styles of performance have been influenced. Above all the myth of unending progress has been abandoned in favor of an evaluation of each period and type of music on its own terms. Early Music, in fact, has become a flourishing industry, stimulated by the remarkable growth in production and distribution of early music. For our present purposes we limit the term Early Music to cover a period ranging from plainchant to the end of the 17th century. The period that followed, the age of Bach and Handel and the great synthesis of the Late Baroque, is generally more familiar to listeners and is, in any case, another story.

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Excerpts of select reviews from previously releases included in this set:

Gesualdo: Madrigals, Book 1 / Longhini, Delitiae Musicare

The nuances of dynamics and phrasing--not to mention the exceptional breath control and intonation--show an ensemble, like the music's composer, working at the highest artistic level.

– ClassicsToday

Ockeghem: Requiem / Holten, Musica Ficta

The account of the Missa Prolationum is particularly rich-textured, and beautifully balanced: the Sanctus and Benedictus strikingly so. The Requiem is also superbly sung, if with the rough edges smoothed off. The Intemerata Dei Mater opens the programme. It is sung with considerable feeling and immediately shows the splendid inner blend commanded by this group.

– Penguin Guide

Monteverdi: Madrigals Book 5 / Longhini, Delitiae Musicae


The singing here is superb--characterful and expressive in a way that often happens when singers are working with their native language. The basses in particular put an impressively firm bottom on the ensemble, and the two countertenors never sound strained.

– ClassicsToday
Works on This Recording
1. Adorate Deum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
2. Da pacem by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
3. Dominus illuminatio mea by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
4. Laetetur cor by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
5. Dirigatur by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
6. Domine, Domine noster by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
7. Iacta cogitatum tuum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
8. Laetatus sum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
9. Adorabo ad templum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
10. De profundis by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
11. Deus, iudex iustus by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
12. Laudate Deum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
13. De profundis by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
14. Domine convertere by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
15. Iubilate Deo universa terra by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
16. Iustitiae Domini by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
17. Circuibo by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
18. Dicit Dominus: Implete hydria by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
19. Dominus firmamentum meum by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
20. Qui manducat by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
21. Psalm 33 by Anonymous
Conductor: Alberto Turco
Orchestra/Ensemble: Nova Schola Gregoriana
Period: Medieval
22. O Euchari, in leta via by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
23. O virga mediatrix by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
24. Ave generosa by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
25. Laus Trinitati by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
26. Kyrie eleison by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
27. O presul vere civitatis by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
28. O pastor animarum by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
29. O viridissima virga, Ave by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
30. O virga ac diadema purpurae regis by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
31. O ignis spiritus Paracliti by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
32. Ordo virtutum: Procession by Hildegard of Bingen
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 12th Century ; Germany
33. Tan m'abelis jois et amors e chans by Berenguier de Palazol
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 12th Century ; Catalonia, Spain
34. Domna, pos vos ay chausida by Anonymous
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 13th Century ;
35. Non posc sofrir qu'a la dolor by Giraut de Bornelh
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
36. Ar mi posc en lauzar d'amor by Peire Cardenal
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Oni Wytars, Ensemble Unicorn
Period: Medieval
Written: 1204-1208 ; France
37. Bujo by Anonymous
Performer: Riccardo Delfino (Bagpipe)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
38. Bel m'es q'ieu chant e coindei by Raimon de Miraval
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
39. Cantaben els osells by Ramon Llull
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
40. Aital domna com eu sai by Berenguier de Palazol
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 12th Century ; Catalonia, Spain
41. Reis glorios, verais lums e clardatz by Giraut de Bornelh
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 12th Century ; France
42. Ara Lauzatz by Anonymous
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
43. Humils, forfaitz, repres e penedens by Guiraut Riquier
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 1273 ; Provence, France
44. Quan vei la lauzeta mover by Bernart de Ventadorn
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 12th Century ; France
45. Lanquan il jorn son lonc en may by Jaufre Rudel
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
Written: 12th Century ; France
46. Der han by Baptiste Romain
Performer: Marc Lewon (Lute/Veille/Voice), Baptiste Romain (Vielle/Lute/Voice)
Orchestra/Ensemble: Ensemble Leones
47. Mir ist ummaten leyde by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
48. Summer unde winder by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
49. Sinc an, guldîn huon! by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
50. Willekomen sumerweter süeze by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
Written: 13th Century ; Germany
51. Clausula by Baptiste Romain
Orchestra/Ensemble: Ensemble Leones
52. Guoten wib wol uch der eren by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
53. Non veul mari by Baptiste Romain
Orchestra/Ensemble: Ensemble Leones
54. Ich claghe de blomen by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
55. Der hedamerschol by Baptiste Romain
Orchestra/Ensemble: Ensemble Leones
56. Allez daz den sumer by Neidhart von Reuenthal
Orchestra/Ensemble: Ensemble Leones
57. Vil wol gelopter got by Walther von der Vogelweide
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
58. Je muir, je muir by Adam de la Halle
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
59. Carmina burana: no 200, Bache bene venies by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
60. Carmina burana: no 71, Axe Phebus aureo by Anonymous
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
61. Carmina burana: no 73, Clauso Chronos by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
62. Carmina burana: Katerine collaudemus by Anonymous
Performer: Bernhard Landauer (Countertenor), Eric Mentzel (Tenor)
Period: Medieval
63. Carmina burana: no 153, Tempus transit gelidum by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
64. Carmina burana: no 185, Ich was ein chint so wolgetan by Anonymous
Orchestra/Ensemble: Ensemble Oni Wytars, Ensemble Unicorn
Period: Medieval
65. Carmina burana: no 3, Ecce torpet probitas by Anonymous
Orchestra/Ensemble: Ensemble Oni Wytars, Ensemble Unicorn
Period: Medieval
66. Carmina burana: no 90, Exiit diluculo by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
67. Carmina burana: no 31, Vite perdite me legi by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
68. Carmina burana: no 12, Procurans odium by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
69. Carmina burana: no 179, Tempus est jocundum by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
70. Carmina burana: no 19, Fas et Nefas by Anonymous
Orchestra/Ensemble: Ensemble Unicorn, Ensemble Oni Wytars
Period: Medieval
71. Carmina burana: no 15, Celum non animum by Anonymous
Performer: Bernhard Landauer (Countertenor)
Period: Medieval
72. Messe de Nostre Dame by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
73. Plourés dames by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
74. Nes que on porroit by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
75. Sanc cuer, dolens by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
76. Longuement me sui tenus "Lai de bonne esperance" by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
77. Puis qu'en oubli by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
78. Dix et sept, cinq by Guillaume de Machaut
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
Written: 14th Century ; France
79. Vyol - Urlaub hab der wintter (The violet - Winter, be gone) by Neidhart von Reuenthal
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
80. Ich fragt ain wachter (I asked a watchman) by Hugo von Montfort
Performer: Miriam Andersen (Cow Horn)
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
81. Das Kchühorn by Monk of Salzburg
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
82. Frölich geschrai so well wir machen, K 93 by Oswald von Wolkenstein
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
83. Sois tart, tempre, main ou soir by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
84. Or sus vous dormés trop by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
Written: 13th Century ;
85. Durch Barbarei, Arabia, K 17 by Oswald von Wolkenstein
Performer: Tobie Miller (Symphonia)
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
86. Der sunnen glanst (The glittering sun) by Neidhart von Reuenthal
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
87. Do man den gumpel gampel sank (When it was the season to sing the hip-swing dance) by Neidhart von Reuenthal
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
88. Freu dich, du weltlich creatur, K 91 by Oswald von Wolkenstein
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
89. Zergangen ist meins herzens we by Oswald von Wolkenstein
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Medieval
90. Gegrusset seistu maria (Hail Mary, purest of virgins) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
91. Rondeau by Hermann Edlerawer
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
92. Von osterreich - Sig, säld und heil (From Austria - Victory, happiness and health) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
93. So stee ich hie auff diser erd (Thus I stand here on this earth) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
94. My ladi, my ladi, myn happ (My lady, my lady, my joy) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
95. Seigneur Leon, vous soyes bienvenus by Guillaume Dufay
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
Written: 15th Century ; France
96. Gespile, liebe gespile gút (Beloved, dear good beloved) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
97. Es sassen höld in ainer stuben (Sitting in a room, fair to behold) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
98. Ich sachs eins mals by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
99. Heya, heya nun wie si grollen (Hey, hey how they are raging) (attrib.) by Oswald von Wolkenstein
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
100. La Martinella by Johannes Martini
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
101. Pavane by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
102. Mantúaner dantz (Mantuan Dance) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
103. Maria zart, von edler art (Dear Mary, of noble descent) by Pfabinschwantz
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
104. Alle dei filius (Hallelujah. God's son) by Anonymous
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
105. Gottes namen faren wir (In God's name we travel), song for 4 voices by Paul Hofhaimer
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
106. Argentum et aurum, motet for 4 voices by Isaac Albeniz
Conductor: Marc Lewon
Orchestra/Ensemble: Ensemble Leones
Period: Renaissance
107. J'ay mis mon cuer by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
108. Par droit je puis bien complaindre by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
109. Quel fronte signorille by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
110. Puisque vous estez campieur by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
111. Belle, que vous ay je mesfait by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
112. Vergene bella by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
113. Se la face ay pale by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
114. Donnés l'assault by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
115. Par le regard de vos beaux yeux by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
116. Resvelons nous/Alons ent bien tos by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
117. Ce jour de l'an by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
118. Mon chier amy by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
119. Pour l'amour de ma doulce amye by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
120. Helas, mon dueil by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
121. Bon jour, bon mois by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
122. Resvelons nous/Alons ent bien tos by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 15th Century ; France
123. Adieu ces bon vins de Lannoys by Guillaume Dufay
Performer: Bernhard Landauer (Countertenor)
Conductor: Michael Posch
Orchestra/Ensemble: Ensemble Unicorn
Period: Renaissance
Written: 1426 ; France
124. Missa pro defunctis by Johannes Ockeghem
Conductor: Bo Holten
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
125. Missa prolationum by Johannes Ockeghem
Conductor: Bo Holten
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
126. Intemerata Dei mater by Johannes Ockeghem
Conductor: Bo Holten
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
127. Nesciens mater by Walter Lambe
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
Written: by 1490 ; England
128. Magnificat by William of Stratford
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
129. Nesciens mater by Anonymous
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Medieval
Written: circa 1400 ;
130. Passio Domini by Richard Davy
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
131. Stabat mater by John Browne
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
Written: by 1490 ; England
132. Magnificat by Hugh Kellyk
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
133. Credi in Deum/Jesus autem by Robert Wilkinson
Conductor: Antony Pitts
Orchestra/Ensemble: Tonus Peregrinus
Period: Renaissance
134. O Sapientia (from The "O" Antiphons, Mode I) by Anonymous
135. O Adonai, antiphon, Mode 2 by Anonymous
Period: Medieval
136. O radix Iesse by Sarum Chant
137. O clavis David, antiphon, Mode 2 by Anonymous
Period: Medieval
138. O oriens splendor lucis aeternae, antiphon in mode 2 by Anonymous
Period: Medieval
139. O Rex Gentium by Anonymous
140. O Emmanuel, antiphon by Anonymous
Period: Medieval
141. Missa Conceptio Tua by Pierre de La Rue
Period: Renaissance
Written: 1510s ;
142. Alma Redemptoris Mater, antiphon by Anonymous
Period: Medieval
143. Ther Is No Rose of Swych Vertu, carol (English) by Traditional
Period: Medieval
144. Hail Mary Full of Grace (15th Century) by Traditional
Period: Renaissance
145. Nova! nova! Ave fit ex Eva by Traditional
146. Adiutorium nostrum by Antoine de Févin
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; France
147. Mater floreat by Pierre Moulu
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
148. Maudit soyt by Heinrich Isaac
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; Netherlands
149. Plus oultre by Anonymous
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
150. Plaine de dueil by Josquin Des Préz
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
151. Dulces exuviae by Marbrianus de Orto
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; France
152. Missa "Myn herte heeft altyt verlanghen": Kyrie by Mattias Gascogne
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; Netherlands (Holland
153. Caeleste beneficium introivit by Jean Mouton
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
154. Pie Jhesu by Josquin Des Préz
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
155. Pie Jhesu by Josquin Des Préz
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
156. Agnus Dei by Adrian Willaert
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
157. Salve Regina [Medieval] by Anonymous
Orchestra/Ensemble: Capilla Flamenca
Period: Medieval
158. Autant en emporte by Pierre de La Rue
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
159. Mijn hert heeft altijt by Pierre de La Rue
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: by 1518 ;
160. Celle que j'ay by Cornelius Rigo
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
161. Myn hert altyt heeft verlangen by Hans Neusidler
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ;
162. Soubz ce tumbel by Pierre de La Rue
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; France
163. Jam sauche by Pierre de La Rue
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
Written: 16th Century ; France
164. T'andernaken by Pierre Alamire
Orchestra/Ensemble: Capilla Flamenca
Period: Renaissance
165. Mass(es) by Juan de Anchieta
Performer: Loreto Fernández Imaz (Organ)
Conductor: Josep Cabré
Period: Renaissance
166. La Vida de Culin by Anonymous
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
167. Vecchie letrose by Adrian Willaert
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
Written: by 1545 ; Italy
168. Che faralla, che diralla, song by Michele Pesenti
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
169. Poi che volse la mia stella by Joan Ambrosio Dalza
Performer: Giuliano [Lute] Lucini (Lute)
Period: Renaissance
170. L'ultimo di di maggio by Sebastian Festa
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
171. Zephiro spira il bel tempo rimena, for accompanied voice by Bartolomeo Tromboncino
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
172. Alle stamenge, canto, CM 133 by Canciero de Mo Anonymous
Orchestra/Ensemble: Ring Around Quartet
173. Sú, sú, leva, alza le ciglia by Bartolomeo Tromboncino
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
174. Ahimè sospiri by Anonymous
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
Written: 15th Century ; Italy
175. Per dolor mi bagno il viso by Marchetto Cara
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
Written: by 1514 ; Italy
176. Ricercare ottavo by Vincenzo Capirola
Performer: Giuliano [Lute] Lucini (Lute)
Period: Renaissance
177. Un cavalier di Spagna by Francesco Patavino
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
178. Virgine bella by Bartolomeo Tromboncino
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
179. Non è tempo d'aspectare by Marchetto Cara
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
Written: 1504 ; Italy
180. D'un bel mattin d'amore by Giovanni Battista Zesso
Orchestra/Ensemble: Ring Around Quartet
181. Lirum bililirum (Un sonar de piva in fachinesco), madrigal by Rossino Mantovano
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
182. L'amor, donna, ch'io te porto, for vocal ensemble by Giacomo Fogliano
Orchestra/Ensemble: Ring Around Quartet
Written: by 1507 ;
183. Occhi miei, al pianger nati, frottola by Anonymous
Orchestra/Ensemble: Ring Around Quartet
Period: Renaissance
184. Missa "L'homme armé" sexti toni by Josquin Des Préz
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
185. Ave Maria by Josquin Des Préz
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
186. Absalon, fili mi by Josquin Des Préz
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
187. L'homme armé by Anonymous
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: 15th Century ; France
188. Laeta quies magni ducis by Anonymous
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Medieval
189. O mors inevitabilis by Jheronimus Vinders
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
190. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 10 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
191. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 3 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
192. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 5 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
193. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 18 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
194. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 7 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
195. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 26 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
196. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 35 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
197. Libro de música de vihuela de mano intitulado El maestro: Fantasia no 21 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
198. Fantasia del quinto tono by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
199. Fantasia del tercer tono by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
200. Fantasia del segundo tono by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
201. Cum sancto spiritu by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
202. Ya se asienta el Ramiro by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
203. Paseavase el rey Moro by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
204. Fantasia del primer tono by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
205. Diferencias sobre "O gloriosa domina" by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
206. Diferencias sobre "Conde claros" by Luis de Narváez
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1538 ; Spain
207. Libro de música de vihuela de mano intitulado El maestro: Pavana no 5 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
208. Libro de música de vihuela de mano intitulado El maestro: Tiento no 1 by Luis de Milan
Performer: Christopher Wilson (Vihuela)
Period: Renaissance
Written: by 1536 ; Valencia, Spain
209. Spem in alium by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: after 1559 ; England
210. Salve intemerata virgo by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: 16th Century ; England
211. Discomfort them, O Lord by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
212. Mass à 5 "Salve intemerata" by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: circa 1540 ; England
213. I call and cry to thee by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: 16th Century ; England
214. Salvator mundi, salva nos I by Thomas Tallis
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: by 1575 ; England
215. Missa "Papae Marcelli" by Giovanni Palestrina
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: by 1567 ; Italy
216. Missa "Aeterna Christi munera" by Giovanni Palestrina
Conductor: Jeremy Summerly
Orchestra/Ensemble: Oxford Camerata
Period: Renaissance
Written: by 1590 ; Italy
217. Lagrime di San Pietro by Orlando de Lassus
Conductor: Bo Holten
Orchestra/Ensemble: Ars Nova Vocal Ensemble
Period: Renaissance
Written: 16th Century ;
218. Prelude in G major, MB 116 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
219. Fantasy in G major no 2, MB 62 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
Written: by 1570 ; Lincoln, England
220. Prelude in A minor, MB 12 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
221. Fantasia in A minor, MB 13 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
222. Prelude in C major, MB 24 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
223. Fantasia in C major no 2, MB 25 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
Written: by 1591 ; England
224. Fantasia in G minor by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
225. Ut re mi fa sol la, in G major, MB 64 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
226. Ut mi re, MB 65 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
227. Fantasia in D minor, BK 46 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
Written: by 1591 ; England
228. Prelude "Doric Music" by John Bull
Performer: Glen Wilson (Harpsichord)
Period: Baroque
229. Praeludium by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
230. Ut re mi fa sol la in F major, MB 58 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
231. Prelude in G minor, MB 1 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
232. Fantasy in G major no 3, MB 63 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: 20th Century
233. Fantasia in C major no 1, MB 26 by William Byrd
Performer: Glen Wilson (Harpsichord)
Period: Renaissance
234. Canzon a 12 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
235. Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
236. Canzoni (6), 1608: Canzona seconda a 4 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
237. Sacrae symphoniae, Book 1: Canzon primi toni a 8 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
Written: by 1597 ; Venice, Italy
238. Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
239. Sacrae symphoniae, Book 1: Sonata octavi toni a 12 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
Written: by 1597 ; Venice, Italy
240. Canzoni (6), 1608: Canzon terza a 4 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
Written: by 1608 ; Venice, Italy
241. Canzoni et sonate (21): Canzon XII a 8, C 205 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
242. Canzoni et sonate (21): Canzon III a 6 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
243. Canzoni et sonate (21): Canzon VI a 7, C 200 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
244. Canzoni (6), 1608: Canzon a 4, C 186 "La Spiritata" by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
245. Canzoni et sonate (21): Canzon XVI a 12 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
246. Canzoni et sonate (21): Canzon V a 7 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
247. Canzoni et sonate (21): Canzon II a 6 by Giovanni Gabrieli
Conductor: Eric Crees
Orchestra/Ensemble: London Symphony Orchestra Brass
Period: Renaissance
248. Ah, alas you salt sea gods by Richard Farrant
Performer: Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano), Sarah Groser (Viola da Gamba), Peter Wendland (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
249. In Nomine à 4 by John Taverner
Performer: Peter Wendland (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Alison Crum (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
250. In nomine by Anonymous
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
251. In Nomine "Reporte" by Christopher Tye
Performer: Peter Wendland (Bass Viola da gamba), Alison Crum (Bass Viola da gamba), John Bryan (Viola da Gamba), Roy Marks (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
252. In Nomine "Crye" by Christopher Tye
Performer: Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), John Bryan (Viola da Gamba), Roy Marks (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
253. Send forth thy sighs by Nathaniel Pattrick
Performer: Sarah Groser (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano), Peter Wendland (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
254. Climb not too high by Nathaniel Pattrick
Performer: Roy Marks (Bass Viola da gamba), Sarah Groser (Bass Viola da gamba), Catherine King (Mezzo Soprano), Alison Crum (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
255. De la court by Robert Parsons
Performer: Peter Wendland (Bass Viola da gamba), Sarah Groser (Viola da Gamba), Alison Crum (Viola da Gamba), Roy Marks (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
256. Eliza, her name gives honour by John Bennet
Performer: Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), Alison Crum (Viola da Gamba), Roy Marks (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
257. Pavin of Albarti by Innocenzio Alberti
Performer: Alison Crum (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
258. Gallyard by Anonymous
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Alison Crum (Bass Viola da gamba), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
259. O Jove, from stately throne by Richard Farrant
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
260. Solfaing Song à 5 by Thomas Tallis
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Alison Crum (Bass Viola da gamba), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
261. Ah, silly poor Joas by Anonymous
Performer: Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
262. Ye sacred muses "Elegy for Thomas Tallis" by William Byrd
Performer: Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: by 1585 ; England
263. Fantasia for 5 Viols by William Mundy
Performer: Peter Wendland (Bass Viola da gamba), Alison Crum (Viola da Gamba), Roy Marks (Viola da Gamba), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
264. A Songe of Mr. R. Parsons by Robert Parsons
Performer: Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
265. Mr. Parsons his Songe "The Songe called Trumpetts" by Robert Parsons
Performer: Susanna Pell (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Alison Crum (Viola da Gamba), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba), Peter Wendland (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
266. Pandolpho 1 "Pour down, you pow'rs divine" by Robert Parsons
Performer: Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
267. Ut re mi fa sol by Robert Parsons
Performer: Roy Marks (Bass Viola da gamba), Alison Crum (Bass Viola da gamba), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
268. Quis me statim rupto vetat fato mori? by William Byrd
Performer: Alison Crum (Bass Viola da gamba), Sarah Groser (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano), Peter Wendland (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
269. Penelope that longed for the sight by William Byrd
Performer: Peter Wendland (Bass Viola da gamba), Alison Crum (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da Gamba), Sarah Groser (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 1589 ; England
270. In Nomine by Thomas Tallis
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 16th Century ; England
271. Oh death, rock me asleep by Traditional
Performer: Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano), Sarah Groser (Viola da Gamba), John Bryan (Viola da Gamba)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
272. Toccata for Keyboard "Ionian" by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
273. Ballo del granduca by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
274. Ricercar for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
275. Malle Sijmen (Silly Simon), variations for organ (doubtful), SwWV 323 by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
276. Mein junges Leben hat ein End by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
277. Echo Fantasia for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
278. Onder een linde groen "Unter der Linden grüne" by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
279. Toccata for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
280. Erbarm dich mein, o Herre Gott by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
281. Polish Dance for Keyboard by Jan Pieterszoon Sweelinck
Performer: James Christie (Organ)
Period: Renaissance
282. Solus cum sola, P 10 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
283. Mellancholy Galliard, P 25 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
284. Sir John Smith, his Almaine, P 47 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
285. The Lady Russells Paven, P 17 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
286. Lady Rich, her Galliard, P 43 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
287. Lady Laiton's Almain, P 48 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
288. Mr Knights Galliard, P 36 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
289. Mrs Cliftons Allmaine, P 53 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
290. Dr. Cases Paven, P 12 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
291. Sir Robert Sydney, his Galliard by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
292. Sir Henry Guilford, his Almain by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
293. Pavana Johan Douland, P 94 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
294. Earl of Derby, his Galliard by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
295. Almain for Lute, P 51 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
296. La mia Barbara, P 95 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
297. The Battle Galliard by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
298. Almain for Lute, P 49 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
299. Galliard after Daniel Bacheler, P 28 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
300. Almain for Lute, P 96 by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
301. Mrs Brigide Fleetwoods Paven, P 11 "Solus sine sola" by John Dowland
Performer: Nigel North (Lute)
Period: Renaissance
302. Madrigals, Book 1 by Carlo Gesualdo
Performer: Carmen Leoni (Harpsichord)
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Renaissance
Written: by 1594 ; Italy
303. Come let us sound with melodie the praises by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
304. Tune thy musicke to thy hart by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
305. Come, you pretty false-ey'd wanton by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
306. There is none, O none but you by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
307. Sweet exclude me not nor be divided by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
308. (21) Ayres: I care not for these ladies by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Written: pub 1601 ;
309. Though you are yoong and I am olde by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
310. Fire, fire, fire, fire loe here I burne by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
311. What then is love but mourning? by Philip Rosseter
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
312. Shall I come sweet love to thee? by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
313. Beauty, since you so much desire by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
314. What is it that all men possesse, among themselves conversing? by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
315. The sypres curten of the night is spread by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
316. Jacke and Jone they thinke no ill by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
317. It fell on a sommers daie by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
318. When to her lute Corrina sings by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
319. My sweetest Lesbia by Philip Rosseter
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
320. Her rosie cheekes, her ever smiling eyes by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
321. Faire, if you expect admiring by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1601 ; England
322. There is a garden in her face by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
323. Author of light, revive my dying spright by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
324. Never weather-beaten saile more willing bent to shore by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
325. Most sweet and pleasing are thy waes O God by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
326. To musicke bent is my retyred minde by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1613 ; England
327. Thou joy'st fond boy, to be by many loved by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
328. Turne all thy thoughts to eyes by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
329. Vayle love mine eyes, O hide from me by Thomas Campion
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
Written: by 1617 ; England
330. Miserere my maker by Anonymous
Performer: Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance
331. Madrigals, Book 5: Cruda Amarilli by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
332. Madrigals, Book 5: O Mirtillo, Mirtill'anima mia by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
333. Madrigals, Book 5: Era l'anima mia già presso a l'ultim' hore by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
334. Madrigals, Book 5: Ecco Silvio by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
335. Madrigals, Book 5: Dorinda, ah dirò mia by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
336. Madrigals, Book 5: Ecco piegando le ginocchie a terra by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
337. Madrigals, Book 5: Ferir quel petto, Silvio by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
338. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
339. Madrigals, Book 5: Deh, bella e cara by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
340. Madrigals, Book 5: Ma tu più che mai dura by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
341. Madrigals, Book 5: Che dar più vi poss'io? by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
342. Madrigals, Book 5: M'è più dolce il penar per Amarilli by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
343. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Ahi, come a un vago sol cortese giro by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
344. Madrigals, Book 5: Troppo ben può questo tiranno amore by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
345. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Amor, se giusto sei by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
346. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - T'amo, mia vita! by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
347. Madrigals, Book 5: E cosi a poc'a pocco torno farfalla by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
348. Madrigals, Book 5: Questi vaghi concenti by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
349. Madrigals, Book 5: Cruda Amarilli by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
350. Madrigals, Book 5: O Mirtillo, Mirtill'anima mia by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
351. Madrigals, Book 5: Era l'anima mia già presso a l'ultim' hore by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
352. Madrigals, Book 5: Ecco Silvio by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
353. Madrigals, Book 5: Dorinda, ah dirò mia by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
354. Madrigals, Book 5: Ecco piegando le ginocchie a terra by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
355. Madrigals, Book 5: Ferir quel petto, Silvio by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
356. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
357. Madrigals, Book 5: Deh, bella e cara by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
358. Madrigals, Book 5: Ma tu più che mai dura by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Mantua, Italy
359. Madrigals, Book 5: Che dar più vi poss'io? by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
360. Madrigals, Book 5: M'è più dolce il penar per Amarilli by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
361. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Ahi, come a un vago sol cortese giro by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
362. Madrigals, Book 5: Troppo ben può questo tiranno amore by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
363. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Amor, se giusto sei by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
364. Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - T'amo, mia vita! by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
365. Madrigals, Book 5: E cosi a poc'a pocco torno farfalla by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
366. Madrigals, Book 5: Questi vaghi concenti by Claudio Monteverdi
Conductor: Marco Longhini
Orchestra/Ensemble: Delitiae Musicae
Period: Baroque
Written: by 1605 ; Italy
367. Pavane and Allemand a 4 in F major by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
368. In nomine a 3 no 1 by Thomas Tomkins
Performer: Timothy Roberts (Organ)
Period: Renaissance
Written: 1648 ; England
369. Above the stars my saviour dwells by Thomas Tomkins
Orchestra/Ensemble: Red Byrd, Rose Consort of Viols
Period: Renaissance
370. Fantasias (15) à 3: no 14 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
371. Fantasias (15) à 3: no 1 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
372. A Fancy for two to play (Musica Britannica 32) by Thomas Tomkins
Performer: John Bryan (Harpsichord), Timothy Roberts (Harpsichord)
Period: Baroque
373. Ut re mi a 4 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
374. O Lord, let me know mine end by Thomas Tomkins
Orchestra/Ensemble: Red Byrd, Rose Consort of Viols
Period: Renaissance
375. Fantasias (15) à 3: no 12 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
376. In nomine a 3 no 2 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 1652 ; England
377. Pavan and Galliard "Lord Strafford" by Thomas Tomkins
Performer: Timothy Roberts (Harpsichord)
Period: Renaissance
378. Fantasia a 6 by Thomas Tomkins
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
379. Pavan in A minor by Thomas Tomkins
Performer: Timothy Roberts (Organ)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
380. Galliard by Thomas Simpson
Performer: Timothy Roberts (Organ)
Orchestra/Ensemble: Rose Consort of Viols
Period: Renaissance
Written: 1617 ; England
381. Thou art my king by Thomas Tomkins
Orchestra/Ensemble: Red Byrd, Rose Consort of Viols
Period: Renaissance
382. Consort Sett a 4 in G minor by William Lawes
Performer: Jacob Heringman (Theorbo), David [lute/guitar] Miller (Theorbo)
Period: Baroque
Written: 17th Century ; England
383. Consort Sett a 5 in C major by William Lawes
Performer: Timothy Roberts (Organ)
Orchestra/Ensemble: Rose Consort of Viols
Period: Baroque
Written: 17th Century ; England
384. Royall Consorts (10): Suite no 1 in D minor by William Lawes
Performer: Jacob Heringman (Theorbo), David [lute/guitar] Miller (Theorbo)
Period: Baroque
Written: circa 1630 ; England
385. Alman for 2 Lutes by William Lawes
Period: Baroque
Written: 17th Century ; England
386. Corant I for 2 Lutes by William Lawes
Period: Baroque
Written: 17th Century ; England
387. Corant II for 2 Lutes by William Lawes
Period: Baroque
Written: 17th Century ; England
388. Divisions for 2 Bass Viols and Organ in G minor by William Lawes
Performer: Timothy Roberts (Organ)
Orchestra/Ensemble: Rose Consort of Viols
Period: Baroque
Written: 17th Century ; England
389. Consort Sett a 5 in A minor by William Lawes
Performer: Timothy Roberts (Organ)
Orchestra/Ensemble: Rose Consort of Viols
Period: Baroque
Written: 17th Century ; England
390. Royall Consorts (10): Suite no 6 in D major by William Lawes
Performer: David [lute/guitar] Miller (Theorbo), Jacob Heringman (Theorbo)
Period: Baroque
Written: circa 1630 ; England
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