The Complete Bach Edition

Release Date: 2/23/2018
Catalog Number: 567107
Number of Discs: 153

Physical Format:

CD
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$179.99
Notes and Editorial Reviews
The Complete Bach Edition represents the culmination of a process that began over five decades ago, in 1958, with the creation of the Das Alte Werk label.

After initially triggering an impassioned controversy, Nikolaus Harnoncourt’s belief that “Early music is a foreign language which must be learned by musicians and listeners alike” has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century. Their ideas have been shared by many fellow musicians, among them Ton Koopman, Il Giardino Armonico, Luca Pianca and Andreas Staier, all of whose performances appear in the Complete Bach Edition.

As an entirety, the set offers listeners the chance to rediscover the astonishing developments in Bach interpretation over the span of forty years and the tonal beauties of Bach’s works performed on period instruments.
Works on This Recording
1. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
2. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
3. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
4. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1708 ; Weimar, Germany
5. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
6. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
7. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
8. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
9. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1732-1735 ; Leipzig, Germany
10. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
11. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1735 ; Leipzig, Germany
12. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1714 ; Weimar, Germany
13. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Walter Gampert (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
14. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer: Peter Hinterreiter (Boy Soprano), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1735 ; Leipzig, Germany
15. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
16. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
17. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: ?1715 ; Cöthen, Germany
18. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
19. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
20. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Walker Wyatt (Bass)
Period: Baroque
Written: 1714 ; Cöthen, Germany
21. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
22. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer: Peter Hinterreiter (Boy Soprano), Max van Egmond (Bass), Walter Gampert (Boy Soprano), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
23. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
24. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
25. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
26. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
27. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
28. Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
29. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1738 ; Leipzig, Germany
30. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Period: Baroque
Written: 1715 ; Cöthen, Germany
31. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Hanover Boys' Choir, Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
32. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1724 ; Leipzig, Germany
33. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Period: Baroque
Written: after 1740 ; Leipzig, Germany
34. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
35. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
36. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
37. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
38. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
39. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1723 ; Leipzig, Germany
40. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
41. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
42. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
43. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
44. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Kurt Equiluz (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
45. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Kurt Equiluz (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
46. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1726 ; Leipzig, Germany
47. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1723 ; Leipzig, Germany
48. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1726 ; Leipzig, Germany
49. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Period: Baroque
Written: ?1723 ; ?Leipzig, Germany
50. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer: Marianne Kweksilber (Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Written: 1730 ;
51. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer: Seppi Kronwitter (Boy Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Hanover Boys' Choir, Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
52. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
Written: 1714 ; Cöthen, Germany
53. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1726 ; Leipzig, Germany
54. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer: Michael Schopper (Bass)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1726 ; Leipzig, Germany
55. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Written: 1725 ;
56. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Seppi Kronwitter (Boy Soprano), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
57. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: circa 1723-1724 ; Leipzig, Germany
58. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
59. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Seppi Kronwitter (Boy Soprano), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1714 ; Cöthen, Germany
60. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
61. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
62. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1723 ; Leipzig, Germany
63. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
64. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
65. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
66. Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Period: Baroque
Written: 1725 ; Leipzig, Germany
67. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Period: Baroque
Written: circa 1743 ; Leipzig, Germany
68. Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
69. Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
70. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Lieuwe Visser (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1708 ; Mühlhausen, Germany
71. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
72. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
73. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Jörg Erler (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
74. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Markus Klein (Boy Soprano), Adalbert Kraus (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
75. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
76. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Adalbert Kraus (Tenor), Detlef Bratschke (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
77. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
78. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
79. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
80. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: by 1744 ; Leipzig, Germany
81. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
82. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1727 ; Cöthen, Germany
83. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
84. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
85. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
86. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
87. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
88. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
89. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Markus Klein (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
90. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Max van Egmond (Bass), Markus Klein (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
91. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
92. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
93. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
94. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
95. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
96. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1734 ; Leipzig, Germany
97. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
98. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
99. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1735 ; Leipzig, Germany
100. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
101. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
102. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
103. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
104. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
105. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Markus Klein (Boy Soprano), Marius Van Altena (Tenor), Raphael Harten (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: by 1708 ; Mühlhausen, Germany
106. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Markus Klein (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
107. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
108. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
109. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass), Ruud Van der Meer (Bass), Stefan Frangoulis (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
110. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
111. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer: Markus Huber (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
112. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Detlef Bratschke (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
113. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
114. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
115. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
116. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
117. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer: Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Robert Holl (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
118. Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer: Markus Huber (Boy Soprano), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1728-1729 ; Leipzig, Germany
119. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
120. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Markus Huber (Boy Soprano), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Thomas Schilling (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
121. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
122. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Thomas Thomaschke (Bass), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
123. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer: Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
124. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer: Thomas Thomaschke (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
125. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
126. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Written: 1725 ;
127. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
128. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Walter Heldwein (Bass), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
129. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Robert Holl (Bass)
Period: Baroque
Written: 1707 ; Mühlhausen, Germany
130. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1715 ; Weimar, Germany
131. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
132. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer: Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
133. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
134. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Walter Heldwein (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
135. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer: Albert Hartinger (Bass), Alan Bergius (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
136. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
137. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1724-1725 ; Leipzig, Germany
138. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Thomas Hampson (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
139. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Roger Cericius (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
140. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
141. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Thomas Hampson (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
142. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Alan Bergius (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1728 ; Leipzig, Germany
143. Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Thomas Hampson (Bass), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto)
Written: 1723 ;
144. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
145. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Sebastian Hennig (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1728 ; Leipzig, Germany
146. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
147. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Sebastian Hennig (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Written: 1725 ;
148. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Christoph Wegmann (Boy Soprano)
Period: Baroque
Written: 1714 ; Cöthen, Germany
149. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
150. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
151. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1716 ; Cöthen, Germany
152. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Christoph Wegmann (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
153. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: ?1728 ; Leipzig, Germany
154. Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Christoph Wegmann (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: after 1723 ; Leipzig, Germany
155. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1729 ; Leipzig, Germany
156. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
157. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Tobias Eiwanger (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
158. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Robert Holl (Bass), Tobias Eiwanger (Boy Soprano)
Period: Baroque
Written: 1715 ; Cöthen, Germany
159. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Christoph Wegmann (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1728 ; Leipzig, Germany
160. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Tobias Eiwanger (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1715 ; Cöthen, Germany
161. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Christoph Wegmann (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
162. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
163. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Christian Immler (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
164. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
165. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
166. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Period: Baroque
Written: ?1729 ; Leipzig, Germany
167. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor), Matthias Echternach (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1714 ; Weimar, Germany
168. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer: Alan Bergius (Boy Soprano), Stefan Gienger (Boy Soprano), Kurt Equiluz (Tenor), Christian Immler (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
169. Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Christian Immler (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1729 ; Leipzig, Germany
170. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
171. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
172. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto)
Period: Baroque
Written: 1732 ; Leipzig, Germany
173. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
174. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
175. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
176. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Alexander Raymann (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
177. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1714 ; Cöthen, Germany
178. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Thomas Hampson (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
179. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
180. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Thomas Hampson (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
181. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
182. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Michael Emmermann (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
183. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Robert Holl (Bass)
Period: Baroque
Written: ?1728 ; Leipzig, Germany
184. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer: Helmut Wittek (Boy Soprano), Thomas Hampson (Bass)
Period: Baroque
Written: 1730 ; Leipzig, Germany
185. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Hans Stricker (Boy Soprano), Kurt Equiluz (Tenor), Stefan Gienger (Boy Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
186. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer: John Elwes (Tenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1737 ; Leipzig, Germany
187. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: ?1708 ; Weimar, Germany
188. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1739-1742 ; Leipzig, Germany
189. Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer: John Elwes (Tenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1727 ; Leipzig, Germany
190. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer: Barbara Bonney (Soprano)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1714 ; Cöthen, Germany
191. Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor: Ton Koopman
Period: Baroque
Written: 1719 ; Cöthen, Germany
192. Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano), Klaus Mertens (Bass)
Conductor: Ton Koopman
Period: Baroque
Written: circa ?1722 ; Germany
193. Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Peter de Groot (Countertenor), Caroline Stam (Soprano), Jeremy Ovenden (Tenor), Klaus Mertens (Bass), Donald Bentvelsen (Bass)
Conductor: Ton Koopman
Period: Baroque
Written: ?1729 ; Leipzig, Germany
194. Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano)
Conductor: Ton Koopman
Orchestra/Ensemble: Amsterdam Baroque Orchestra
Period: Baroque
Written: 1726-1727 ; Leipzig, Germany
195. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer: Agnes Giebel (Soprano)
Conductor: Jaap Schröder
Orchestra/Ensemble: Concerto Amsterdam
Period: Baroque
Written: circa 1718-1723 ; Cöthen, Germany
196. Amore traditore, BWV 203 by Johann Sebastian Bach
Performer: Gustav Leonhardt (Harpsichord), Jacques Villisech (Bass)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
197. Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer: Gustav Leonhardt (Harpsichord), Agnes Giebel (Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
Written: ?1734 ; Leipzig, Germany
198. Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Axel Köhler (Countertenor), Hans-Georg Wimmer (Bass), Dorothea Röschmann (Soprano)
Conductor: Reinhard Goebel
Orchestra/Ensemble: Ex Tempore, Musica Antiqua Cologne
Period: Baroque
Written: 1726 ; Germany
199. Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer: Tom Brand (Tenor), Wilhelmine Mattès (Alto), Jacques Villisech (Bass), Irmgard Jacobeit (Soprano)
Conductor: André Rieu
Period: Baroque
Written: 10/07/1733 ; Leipzig, Germany
200. Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer: Yvonne Kenny (Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass), Marjana Lipovsek (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
201. Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Rotraud Hansmann (Soprano)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: circa 1734-1735 ; Leipzig, Germany
202. Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer: Anne Grimm (Soprano), Sibylla Rubens (Soprano), Klaus Mertens (Bass), Christoph Prégardien (Tenor), Elisabeth von Magnus (Alto)
Conductor: Ton Koopman
Period: Baroque
Written: 1735 ; Leipzig, Germany
203. O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano)
Conductor: Ton Koopman
Orchestra/Ensemble: Amsterdam Baroque Orchestra
Period: Baroque
Written: ?1740 ; Leipzig, Germany
204. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Yvonne Kenny (Soprano), Robert Holl (Bass), Angela Maria Blasi (Soprano)
Period: Baroque
Written: 1713 ; Cöthen, Germany
205. Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer: Robert Holl (Bass), Angela Maria Blasi (Soprano)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1742 ; Leipzig, Germany
206. Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer: Elisabeth von Magnus (Alto), Anne Grimm (Soprano), Klaus Mertens (Bass), Christoph Prégardien (Tenor)
Conductor: Ton Koopman
Period: Baroque
Written: by 1733 ; Leipzig, Germany
207. Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Klaus Mertens (Bass), Els Bongers (Soprano), Elisabeth von Magnus (Alto)
Conductor: Ton Koopman
Period: Baroque
Written: 1733 ; Leipzig, Germany
208. Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Klaus Mertens (Bass), Els Bongers (Soprano)
Conductor: Ton Koopman
Period: Baroque
209. Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Klaus Mertens (Bass), Elisabeth von Magnus (Alto)
Conductor: Ton Koopman
Period: Baroque
Written: 1724 ; Leipzig, Germany
210. Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer: Caroline Stam (Soprano), Paul Agnew (Tenor)
Conductor: Ton Koopman
Written: after 1740 ;
211. Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer: Paul Agnew (Tenor), Caroline Stam (Soprano), Michael Chance (Countertenor)
Conductor: Ton Koopman
Period: Baroque
Written: 1727 ; Germany
212. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Klaus Mertens (Bass), Ruth Holton (Soprano)
Conductor: Ton Koopman
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
213. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Conductor: Ton Koopman
Period: Baroque
Written: 1714 ; Cöthen, Germany
214. Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer: Siegfried Lorenz (Bass), Edith Mathis (Soprano), Peter Schreier (Tenor)
Conductor: Peter Schreier
Period: Baroque
Written: 1725 ; Leipzig, Germany
215. Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer: Barbara Scherler (Alto)
Conductor: Fritz Werner
Period: Baroque
Written: ?1742 ; Leipzig, Germany
216. Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Angela Maria Blasi (Soprano), Delores Ziegler (Soprano), Jadwiga Rappé (Alto)
Period: Baroque
Written: 1747-49 ; Leipzig, Germany
217. Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Performer: Wally Staempfli (Soprano), Nicole Rossier-Maradan (Mezzo Soprano), Philippe Huttenlocher (Bass), Michel Brodard (Bass), Hannah Schaer (Alto), Claudine Perret (Alto), Mauricette Capt (Soprano)
Conductor: Michel Corboz
Period: Baroque
Written: after 1735 ; Leipzig, Germany
218. Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer: Claudine Perret (Alto), Wally Staempfli (Soprano), Nicole Rossier-Maradan (Mezzo Soprano), Philippe Huttenlocher (Bass), Michel Brodard (Bass), Mauricette Capt (Soprano), Hannah Schaer (Alto)
Conductor: Michel Corboz
Period: Baroque
Written: after 1735 ; Leipzig, Germany
219. Sanctus in D minor, BWV 239 by Johann Sebastian Bach
Conductor: Michel Corboz
Period: Baroque
Written: 1730s ; Leipzig, Germany
220. Sanctus in G major, BWV 240 by Johann Sebastian Bach
Conductor: Michel Corboz
Period: Baroque
Written: 1730s ; Leipzig, Germany
221. Sanctus in D major, BWV 241 by Johann Sebastian Bach
Conductor: Michel Corboz
Period: Baroque
Written: circa 1747 ; Leipzig, Germany
222. Missa brevis in G major, BWV 236 by Johann Sebastian Bach
Performer: John Elwes (Tenor), Philippe Huttenlocher (Bass), Wally Staempfli (Soprano), Nicole Rossier-Maradan (Mezzo Soprano), Michel Brodard (Bass), Olivier Dufour (Tenor), Mauricette Capt (Soprano), Hannah Schaer (Alto), Claudine Perret (Alto)
Conductor: Michel Corboz
Period: Baroque
Written: after 1735 ; Leipzig, Germany
223. Missa brevis in G minor, BWV 235 by Johann Sebastian Bach
Performer: John Elwes (Tenor), Philippe Huttenlocher (Bass), Nicole Rossier-Maradan (Mezzo Soprano), Michel Brodard (Bass), Olivier Dufour (Tenor), Hannah Schaer (Alto), Claudine Perret (Alto)
Conductor: Michel Corboz
Period: Baroque
Written: after 1735 ; Leipzig, Germany
224. Sanctus in D major, BWV 238 by Johann Sebastian Bach
Conductor: Michel Corboz
Period: Baroque
Written: 1723-1724 ; Leipzig, Germany
225. Christe eleison in g minor, BWV 242 by Johann Sebastian Bach
Performer: Claudine Perret (Alto), Wally Staempfli (Soprano), Nicole Rossier-Maradan (Mezzo Soprano), Mauricette Capt (Soprano), Hannah Schaer (Alto)
Conductor: Michel Corboz
Orchestra/Ensemble: Lausanne Chamber Orchestra
Period: Baroque
226. Sanctus in C major, BWV 237 by Johann Sebastian Bach
Conductor: Michel Corboz
Period: Baroque
Written: 1723 ; Leipzig, Germany
227. Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Heldrun Gardow (Soprano), Hildegard Heichele (Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: circa 1728-1731 ; Leipzig, Germany
228. Magnificat in E flat major, BWV 243a by Johann Sebastian Bach
Performer: David Thomas (Bass), Judith Nelson (Soprano), Paul Elliott (Tenor), Emma Kirkby (Soprano), Carolyn Watkinson (Alto)
Conductor: Simon Preston
Period: Baroque
Written: 1723 ; Leipzig, Germany
229. Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Tom Sutcliffe (Countertenor), Kurt Equiluz (Tenor), Nigel Rogers (Tenor), Karl Ridderbusch (Bass), Michael Schopper (Bass), Paul Esswood (Countertenor), James Bowman (Countertenor)
Period: Baroque
Written: Circa 1727 ; Leipzig, Germany
230. Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1734-1735 ; Leipzig, Germany
231. Tilge, Höchster, meine Sünden, BWV 1083 by Johann Sebastian Bach
Conductor: Gunar Letzbor
Period: Baroque
Written: 1741-1746 ; Leipzig, Germany
232. Easter Oratorio, BWV 249 by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano), Elisabeth von Magnus (Soprano), Elisabeth von Magnus (Alto), Gerd Türk (Tenor), Klaus Mertens (Bass)
Conductor: Ton Koopman
Period: Baroque
Written: 1732-1735 ; Leipzig, Germany
233. Saint John Passion, BWV 245: no 11a, Himmel, reisse, Welt erbebe by Johann Sebastian Bach
Performer: Olaf Bär (Baritone)
Conductor: Peter Schreier
Orchestra/Ensemble: Dresden Staatskapelle
Period: Baroque
Written: 1725 ; Leipzig, Germany
234. Saint John Passion, BWV 245: no 13a, Zerschmettert mich, ihr Felsen und ihr Hugel by Johann Sebastian Bach
Performer: Peter Schreier (Tenor)
Conductor: Peter Schreier
Orchestra/Ensemble: Dresden Staatskapelle
Period: Baroque
Written: 1725 ; Leipzig, Germany
235. Saint John Passion, BWV 245: no 19a, Ach windet euch so, geplagte Seelen by Johann Sebastian Bach
Performer: Peter Schreier (Tenor)
Conductor: Peter Schreier
Orchestra/Ensemble: Dresden Staatskapelle
Period: Baroque
Written: 1725 ; Leipzig, Germany
236. Saint John Passion, BWV 245 by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
238. Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Period: Baroque
Written: 1729 ; Leipzig, Germany
239. Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Period: Baroque
Written: circa 1725-1749 ; Leipzig, Germany
240. Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Period: Baroque
Written: 1723 ; Leipzig, Germany
241. Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Period: Baroque
Written: 1726 ; Leipzig, Germany
242. Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Period: Baroque
Written: circa 1723-1729 ; Leipzig, Germany
243. Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
244. Ach Gott, erhör' mein Seufen, BWV 254 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
245. Ach Gott und Herr, BWV 255 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
246. Ach lieben Christen, seid getrost, BWV 256 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
247. Wär' Gott nicht mit uns diese Zeit, BWV 257 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
248. Wo Gott der Herr nicht bei uns Hält, BWV 258 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
249. Ach, was soll ich Sünder machen, BWV 259 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
250. Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
251. Allein zu dir, Herr Jesu Christ, BWV 261 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
252. Alle Menschen müssen sterben, BWV 262 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
253. Alles ist an Gottes Segen, BWV 263 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
254. Als der gütige Gott, BWV 264 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
255. Als Jesus Christus in der Nacht, BWV 265 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
256. Als vierzig Tag' nach Ostern war, BWV 266 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
257. An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
258. Auf, auf, mein Herz, und du, mein ganzer Sinn, BWV 268 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
259. Aus meines Herzens Grunde, BWV 269 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
260. Befiehl du deine Wege, BWV 270 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
261. Dem Herren musst du trauen, BWV 271 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
262. Dein' ew'ge Treu' und Gnade, BWV 272 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
263. Christ, der du bist der helle Tag, BWV 273 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
264. Christe, der du bist Tag und Licht, BWV 274 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; Leipzig, Germany
265. Christe, du Beistand deiner Kreuzgemeinde, BWV 275 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; Leipzig, Germany
266. Christ ist erstanden, BWV 276 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; Leipzig, Germany
267. Christ lag in Todes Banden, BWV 277 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
268. Den Tod niemand bezwingen kunt, BWV 278 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
269. Hier ist das rechte Osterlamm, BWV 279 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
270. Christ, unser Herr, zum Jordan kam, BWV 280 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: 18th Century ; ?Leipzig, Germany
271. Mit Freud fahr ich von dannen, BWV 281 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
272. Christus, der ist mein Leben, BWV 282 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
273. Christus, der uns selig macht, BWV 283 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
274. Christus ist erstanden, hat überwunden, BWV 284 by Johann Sebastian Bach
Performer: Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor: Robin Gritton
Orchestra/Ensemble: Berlin Radio Chorus
Period: Baroque
Written: by 1787 ; ?Leipzig, Germany
275. Da der Herr Christ zu Tische sass, BWV 285 by Johann Seb