Splendeurs de Versailles

Release Date: 10/28/2016
Label: Alpha
Catalog Number: ALPHA260
Number of Discs: 10

Physical Format:

CD
Low Stock
$36.99
Notes and Editorial Reviews
Versailles is remembered for its court, its atmosphere, its music, and its splendor which defined a monument with an incomparably rich history. The works associated with the palace have traveled down the centuries, and today represent a precious part of the Western music tradition. In this release, Alpha retraces the musical life of the unique and luminous universe of Versailles. Le Poeme Harmonique, Café Zimmermann, Capriccio Stravagante, and many others invite themselves into the company of Jean-Baptiste Lully, Marc-Antoine Charpentier, and Jean-Henry d’Anglebert and share with us for a few hours the sumptuous concerts that made Versailles a place like no other.
Works on This Recording
1. Psyché: Ouverture (Prologue) by Jean-Baptiste Lully
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
Written: 1678 ; France
2. Pièces de clavecin: Suite no 2 in G minor - Prelude by Jean-Henri D'Anglebert
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
3. Vos mespris chaque jour by Michel Lambert
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
4. Sarabande for harpsichord in G major by Jacques Chambonnieres
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
5. Le bourgeois gentilhomme: Marche pour la cérémonie des Turcs by Jean-Baptiste Lully
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
6. Pièces de clavecin: Suite no 1 in G major - Prelude by Jean-Henri D'Anglebert
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
7. Ombre de mon amant by Michel Lambert
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
Written: 1689 ; France
8. Passacaille d'Armide de Lully by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
9. Gigue for 2 harpsichords in G major (from "Pièces de Clavessin") by Gaspard Le Roux
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
10. Le Bourgeois Gentilhomme: Marche pour la Cérémonie des Turcs (Reprise) by Jean-Baptiste Lully
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
11. L'Europe Galante: Sommeil by André [Composer] Campra
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
Written: 1697 ; Italy
12. Prélude for harpsichord in C major (Pièces de clavecin, No. 9) by Louis Couperin
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
13. Passacaille for harpsichord in C major (Pièces de clavecin, No. 27) by Louis Couperin
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
14. Paschalia (Courante) le Printemps, for harpsichord in A minor, G. 62 by Jacques Chambonnieres
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
15. L'Europe Galante: Mes Yeux by André [Composer] Campra
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
Written: 1697 ; Italy
16. Pièces de clavecin, Book 2: Ordre 9 in A major/A minor - Allemande by François Couperin
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
Written: by 1717 ; Paris, France
17. Les Voix Humaines, for viola da gamba & continuo in D major (Pièces de viole, Book II, No. 63) by Marin [Composer] Marais
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
18. Pièces de clavecin: Suite no 3 in D minor - Prelude by Jean-Henri D'Anglebert
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
19. Sarabande, for 2 violas da gamba & continuo in D minor (Pièces de viole, Book I, No. 69) by Marin [Composer] Marais
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
20. Le bourgeois gentilhomme: Quels spectacles charmants by Jean-Baptiste Lully
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
21. Amadis: Chaconne by Jean-Baptiste Lully
Conductor: Skip Sempé
Orchestra/Ensemble: Capriccio Stravagante
Period: Baroque
22. Consert des différents oiseaux ("Il sort de nos corps emplumez") by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
23. Rompez les charmes du sommeil by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
24. Fantasies (3) à 4 Violes: no 1 by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
25. Le mariage de Pierre de Provence avec la belle Maguelonne: Espagnol, je te supplie by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: by 1638 ; France
26. Ojos si quereis vivir by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
27. Airs de cour Book 3: Por la verde orilla del claro Tormes by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: by 1629 ; France
28. Airs de cour Book 3: L'auzel ques sul bouyssou by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: by 1629 ; France
29. Airs de cour Book 3: Non ha sotto il ciel by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: by 1629 ; France
30. Airs de cour Book 3: Seguir non più voglio la bella tiranna by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: by 1629 ; France
31. Tout se peint de verdure by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
32. Mariage de Pierre de Provence avec la belle Maguelonne, burlesque ballet by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: 1638 ;
33. Air du Juif errant "Salamalec O Rocoha" by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
34. Jalouse envie tirez-vous d'icy by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
35. Amis enivrons nous by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: 17th Century ; France
36. Le sort me fait souffrir by Étienne Moulinié
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
37. Cadmus: Ouverture by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
38. Roland: Ritournelle des Fées by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
39. Phaëton: Petit Air pour les mesmes by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
40. Armide, opera, LWV 71 by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
41. Phaëton: Chaconne by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
42. Le Carnaval, Mascarade: Ouverture by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
43. Atys: Les Songes Agréables by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
44. La Naissance De Vénus: Sarabande Dieux Des Enfers by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
45. Triomphe de l'Amour: Air d'Apollon by Jean-Baptiste Lully
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
46. Pièces d'orgue: Fugue grave by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
Written: by 1689 ; France
47. Troisieme Fugue sur le Même Sujet, for organ by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
48. Quatrieme Fugue sur le Même Sujet, for organ by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
49. Cinquieme Fugue sur le Même Sujet, for organ by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
50. Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: circa ?1690 ; France
51. Te Deum, LWV 55 by Jean-Baptiste Lully
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: 1677 ; France
52. Deus judicium tuum regi da, motet for 3 voices, instruments & continuo, H. 166 by Marc-Antoine Charpentier
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
Written: 1677 ; France
53. Fugue sur les anches, for organ by Louis Marchand
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
54. Sola vivebat in antris, motet for 2 voices, 2 flutes & continuo, H. 373 by Marc-Antoine Charpentier
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
Written: circa 1685 ; France
55. Pièces d'orgue, Premier livre: Fond D'Orgue by Louis Marchand
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
56. Supplicatio pro defunctis, H 328 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1681-1682 ; France
57. Pièces d'orgue, Premier livre: Tierce En Taille by Louis Marchand
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
58. Quemadmodum desiderat cervus, H 174 by Marc-Antoine Charpentier
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
Written: 1679-1680 ; France
59. O salutaris hostia, motet for bass, 2 treble instruments & continuo, H. 248 by Marc-Antoine Charpentier
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
Written: 1679-1680 ; France
60. Pièces d'orgue, Premier livre: Fugue by Louis Marchand
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
61. Gratiarum actiones ex sacris codicibus excerptae pro restituta serenissimi Galliarum delphini salute by Marc-Antoine Charpentier
Orchestra/Ensemble: Ensemble Pierre Robert
Period: Baroque
Written: 1680 ; France
62. Prélude pour ce qu'on voudra, for strings, H. 521 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1679 ;
63. In odorem unguentorum, motet for high soprano, 2 flutes & continuo, H. 51 (Antiennes pour le vêpres) by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
64. Beati omnes qui timent Dominum, motet for 3 voices, 2 treble instruments & continuo, H. 178 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1681 ;
65. O sacramentum pietatis, motet for mezzo-soprano, 2 flutes, 2 violins & continuo, H. 274 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
66. Pie Jesu, motet for 3 voices, 2 treble instruments & continuo, H. 427 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1674-1676 ;
67. Super flumina Babylonis, H 170 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: ?1670s ; France
68. Sonata for 2 violins, cello obligato & organ, No 1 in B flat major by Élisabeth-Claude Jacquet de La Guerre
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
69. Gratiarum actiones pro restituta regis christistianissimi sanitate anno 1686, H 341 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1686 ; France
70. Magdalena lugens, H 343 by Marc-Antoine Charpentier
Conductor: Sébastien Daucé
Orchestra/Ensemble: Ensemble Correspondances
Period: Baroque
Written: 1686-1687 ; France
71. Tristes deserts, H 469 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
72. Sans frayeur dans ce bois, H 467 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: by 1680 ; France
73. Non, non je ne l'aime plus, H 455 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
74. Amour vous avez beau redoubler, H 445 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
75. Rendez-moi mes plaisirs, air for alto (or countertenor) & continuo, H. 463 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
76. Oiseaux de ces bocages, H 456 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
77. Quoi, je ne verrai plus, H 461 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
78. Epitaphium Carpentarij, H 474 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
79. Airs on stanzas from Le Cid, for alto (or countertenor) & continuo, H. 457-59 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: circa 1681 ; France
80. Celle qui fait tout mon tourment, H 450 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: 1695 ; France
81. Auprès du feu l'on fait l'amour, H 446 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
82. Veux-tu, compère Grégoire, air for 3 voices, H. 470 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
83. Beaux petits yeux d'écarlate, air for 3 voices & continuo, H. 448 by Marc-Antoine Charpentier
Performer: Edwin Crossley-Mercer (Voice), Cyril Auvity (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
84. Ruisseau qui nourris dans ce bois, H 466 by Marc-Antoine Charpentier
Performer: Cyril Auvity (Voice), Edwin Crossley-Mercer (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
85. Orphée descendant aux enfers, cantata for 3 voices, instruments & continuo, H. 471 by Marc-Antoine Charpentier
Performer: Cyril Auvity (Voice), Edwin Crossley-Mercer (Voice)
Conductor: Gérard Lesne
Orchestra/Ensemble: Seminario Musicale
Period: Baroque
Written: 1683-1684 ;
86. Offerte, H 514 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: circa ?1671 ; France
87. Antienne pour les violons, flûtes et hautbois, for 2 flutes, oboe, strings & continuo, H. 532 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1691 ;
88. Symphonie en g ré sol bmol, for 2 flutes (or violins) & continuo, H. 529 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: 1690-1691 ;
89. Ouverture pour le sacre d'un évêque, H 536 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1695 ;
90. Après Confitebor, for 2 flutes, strings & continuo, H. 516 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: 1675 ;
91. Motet a voix seule, H 361 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
92. Pour un reposoir: Ouverture dès que la procession paraît, H 523 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: 1682-1683 ; France
93. Ouverture pour le sacre d'un évêque, for 2 flutes, oboe, strings & continuo, H. 537 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1695 ;
94. Offerte non encore exécutée, for 2 flutes, 2 oboes, strings & bassoon, H. 522 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: 1679 ;
95. Ouverture pour l'eglise, H 524 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: 1683 ; France
96. Antienne, H 526 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?late 1680s ; France
97. Première leçon de ténèbres du mercredi saint, motet for baritone, instruments & continuo, H. 120 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1690 ;
98. Première leçon de ténèbres du mercredi saint, motet for bass, instrument & continuo, H. 121 (Leçons by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1690 ;
99. Première leçon de ténèbres du vendredi saint, motet for bass, instruments & continuo, H. 122 by Marc-Antoine Charpentier
Performer: Stephan MacLeod (Voice)
Conductor: Alexis Kossenko
Orchestra/Ensemble: Arte Dei Suonatori
Period: Baroque
Written: ?1690 ;
100. Pièces de clavecin: Suite no 1 in G major by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
101. Overture de Cadmus, for harpsichord in G major (transcribed from Lully) (Pièces de Claveçin) by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
102. Ritournelle des Fees, for harpsichord in G major (transcribed from Lully's "Roland") (Pièces de Clav by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
103. Pièces de clavecin: Suite no 2 in G minor by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
Written: by 1689 ; France
104. Ouverture de la Mascarade, for harpsichord in G minor (transcribed from Lully's "Le Carnaval") (Pièc by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
105. Les Sourdines d'Armide, for harpsichord in G minor (transcribed from Lully) (Pièces de Claveçin) by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
106. Les Songes agréables, for harpsichord in G minor (transcribed from Lully, from "Atys") (Pièces de Cl by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
107. Air d'Apollon, for harpsichord in G minor (transcribed Lully's "Le Triomphe de l'Amour") (Pièces de by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Harpsichord)
Period: Baroque
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
109. Leçons de tenébres by François Couperin
Conductor: Vincent Dumestre
Orchestra/Ensemble: Le Poème Harmonique
Period: Baroque
Written: 1713-1717 ; Paris, France
110. Seconde Fugue sur le Même Sujet, for organ by Jean-Henri D'Anglebert
Performer: Céline [Harpsichord] Frisch (Organ)
Orchestra/Ensemble: Café Zimmermann
Period: Baroque
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