Schutz: Complete Recordings, Vol. 2 / Rademann, Dresden Chamber Choir

Release Date: 10/6/2017
Label: Carus
Catalog Number: CV83042
Number of Discs: 8

Physical Format:

CD
In Stock
$69.99
Notes and Editorial Reviews
The first part of the Heinrich Schutz Complete Recording with the Dresdner Kammerchor under Hans-Christoph Rademann has set new artistic and editorial standards. Now the second of three album sets is being released. It encompasses Volumes 9 to 14 of the Complete Recording, including the St John Passion. This work, representative of the high standard of the whole series, was awarded the German Record Critics’ Award in 2016. Once again, top performers such as Hille Perl, Lee Santana, Dorothee Mields, Harry van der Kamp, and many others join the ensemble. Vol. 9 Auferstehungshistorie (The Resurrection) (album 12) Vol. 10 Weihnachtshistorie (Christmas History) (album 13) Vol. 11 Matthäuspassion (St Matthew Passion) (CD 14) Vol. 12 Symphoniae Sacrae III (CD 15–16) Vol. 13 Johannespassion (St John Passion) (album 17) Vol. 14 Symphoniae Sacrae I (albums 18–19).
Works on This Recording
1. Ich weiß, daß mein Erlöser lebet, for 2 sopranos, alto, 2 tenors & bass, SWV 457 by Heinrich Schütz
Performer: Ludger Rémy (Organ)
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
2. Christ ist erstanden von der Marter alle, SWV 470 by Heinrich Schütz
Performer: Stefan Kunath (Alto), Hille Perl (Viola da Gamba), Georg Poplutz (Tenor), Ludger Rémy (Harpsichord), Gerlinde Sämann (Soprano), Lee [Lute] Santana (Lute)
Period: Baroque
Written: 1614-1615 ; Germany
3. Die Auferstehung unsres Herren Jesu Christ, Op. 3/SWV 50 by Heinrich Schütz
Performer: Felix Rumpf (Baritone), Ludger Rémy (Organ), Marie Luise Werneburg (Soprano), Isabel Jantschek (Soprano), Hille Perl (Viola da Gamba), Georg Poplutz (Tenor), Oliver Kaden (Tenor), Gerlinde Sämann (Soprano), Lee [Lute] Santana (Lute), Tobias Mäthger (Tenor)
Period: Baroque
Written: 1623-1627 ; Germany
4. Cantate Domino canticum novum, for double chorus (after G. Gabrieli's "Cantate Domino" for 8 voices) by Heinrich Schütz
Performer: Ludger Rémy (Organ), Hille Perl (Viola da Gamba)
Orchestra/Ensemble: Dresden Chamber Choir, Sirius Viols
Period: Baroque
Written: 1650-1651 ;
5. Surrexit pastor bonus, SWV 469 by Heinrich Schütz
Performer: Ludger Rémy (Organ), Georg Poplutz (Tenor), Felix Schwandtke (Bass), Hille Perl (Viola da Gamba), Marie Luise Werneburg (Soprano), Stefan Kunath (Alto), Gerlinde Sämann (Soprano), Lee [Lute] Santana (Lute), Margret Baumgartl (Violin), Tobias Mäthger (Tenor)
Period: Baroque
6. Es gingen zween Menschen hinauf, SWV 444 by Heinrich Schütz
Performer: Felix Rumpf (Baritone), Ludger Rémy (Organ), Hille Perl (Viola da Gamba), Maria Stosiek (Soprano), Gerlinde Sämann (Soprano), Stefan Kunath (Alto), Lee [Lute] Santana (Lute)
Period: Baroque
7. Magnificat anima mea, SWV 468 by Heinrich Schütz
Performer: Gerlinde Sämann (Soprano), Georg Poplutz (Tenor), Felix Schwandtke (Bass), Stefan Kunath (Alto), Tobias Mäthger (Tenor)
Period: Baroque
Written: by 1665 ; Germany
8. Hodie Christus natus est, SWV 456 by Heinrich Schütz
Performer: Georg Poplutz (Tenor), Marie Luise Werneburg (Soprano), Gerlinde Saemann (Soprano), Stefan Kunath (Alto), Felix Schwandtke (Bass), Tobias Mäthger (Tenor)
Written: 1640-50 ;
9. Heute ist Christus der Herr geboren, SWV 439 by Heinrich Schütz
Performer: Isabel Jantschek (Soprano), Gerlinde Saemann (Soprano)
Orchestra/Ensemble: Dresden Baroque Orchestra
Period: Baroque
Written: 1632 ; Germany
10. Ach Herr, du Schöpfer aller Ding, SWV 450 by Heinrich Schütz
Period: Baroque
11. O bone Jesu, fili Mariae, SWV 471 by Heinrich Schütz
Performer: Maria Stosiek (Soprano), Isabel Jantschek (Soprano), Georg Poplutz (Tenor), Felix Schwandtke (Bass), Gerlinde Saemann (Soprano)
Period: Baroque
12. Historia, der freuden und gnadenreichen Geburth...Die Geburt unsers Herren Jesu Christi, SWV 435 by Heinrich Schütz
Period: Baroque
Written: 1664 ; Germany
13. Litania, SWV 458 by Heinrich Schütz
Performer: Ludger Rémy (Organ), Ulrike Hofbauer (Soprano), Sarah Perl (Violone)
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
14. O du allersüßester und liebster Herr Jesu, SWV 340 by Heinrich Schütz
Performer: Ulrike Hofbauer (Soprano), Ludger Rémy (Organ), Isabel Jantschek (Soprano), Felix Schwandtke (Bass), Karina Muller (Violin), Margret Baumgartl (Violin), Stefan Kunath (Alto), Sarah Perl (Violone), Tobias Mäthger (Bass)
Period: Baroque
15. In dich habe ich gehoffet, Herr, SWV 446 by Heinrich Schütz
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
16. Saint Matthew Passion, SWV 479 by Heinrich Schütz
Performer: Isabel Jantschek (Soprano), Cenek Svoboda (Tenor), Martin Schicketanz (Bass), Felix Rumpf (Baritone), Sandra Bernhardt (Soprano), Georg Poplutz (Tenor), Felix Schwandtke (Bass), Stefan Kunath (Alto), Franziska Neumann (Contralto), Tobias Mäthger (Bass)
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
Written: 1666 ; Germany
17. Symphoniae Sacrae, Book 3, motets (21) for voices, instruments & continuo, SWV 398-418 (Op. 12) by Heinrich Schütz
Performer: Ulrike Hofbauer (Soprano), Dorothee Mields (Soprano), Isabel Jantschek (Soprano), Maria Stosiek (Soprano), Martin Schicketanz (Bass), Georg Poplutz (Tenor), Felix Schwandtke (Bass), David Erler (Tenor)
Period: Baroque
18. Litania, SWV 458 by Heinrich Schütz
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
19. Saint John Passion, SWV 481 by Heinrich Schütz
Performer: Ludger Rémy (Organ), Marie Luise Werneburg (Soprano), Felix Rumpf (Baritone), Harry van der Kamp (Bass), Friedemann Condé (Tenor), Jan Kobow (Tenor), Tobias Mäthger (Tenor), Lee [Lute] Santana (Theorbo), Frauke Hess (Violone)
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
Written: 1692-1697 ; Germany
20. Geistliche Gesänge, Op. 13: Unser Herr Jesus Christus, SWV 423 by Heinrich Schütz
Orchestra/Ensemble: Dresden Chamber Choir
21. Ach Herr, du Sohn Davids, SWV Anh. 2 by Heinrich Schütz
Orchestra/Ensemble: Dresden Chamber Choir
Period: Baroque
22. Symphoniae sacrae, Op. 6 by Heinrich Schütz
Performer: Ludger Rémy (Organ), Dorothee Mields (Soprano), Sebastian Krause (Trombone), Fernando Gunther (Trombone), Julian Nagel (Trombone), Margret Baumgartl (Violin), Felix Schwandtke (Bass), Karina Muller (Violin), Masafumi Sakamoto (Trombone), Andreas Arend (Theorbo), Matthias Müller (Violone)
Period: Baroque
Written: 1629 ; Germany
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