Opera Rarities - Orfeo 40th Anniversary Edition

Release Date: 2/5/2021
Label: Orfeo
Catalog Number: ORF-C200081
Number of Discs: 10
Length: 664 Minutes

Physical Format:

CD
In Stock
$49.99
Notes and Editorial Reviews

On the dark side of fame awaits the slide into obscurity. That’s certainly true for a number of operas that, while popular and highly lucrative during their composers‘ lifetime, soon followed their creators into the shadowy realm of oblivion. Operas, for example, that only ever get mentioned in connection with some much more famous sibling. Giuseppe Gazzaniga’s Don Giovanni – premiered half a year before Mozart’s masterpiece – is such an example, as is Ruggero Leoncavallo’s La Boheme and George Bizet’s Djamileh, widely considered the predecessor of Carmen. Other operas just do not stand out among other works by a composer – Jules Massenet’s operas for example are hardly a footnote of music history, his opera Therese, a thoroughly forgotten work, however, is. Two examples for works that are scarcely performed or even known outside of what is now the Czech Republic are also included in this collection of Opera Rarities on ORFEO: Antonin Dvorak’s last opera Armida and Zdenek Fibich’s Sarka.

 

REVIEW:

 

Containing radio performance recordings of six works by Dvorak, Massenet, Leoncavallo, Bizet, Gazzaniga, and Fibich mentioned often in histories of music but almost never on the bill, this is a box certainly precious for those who love opera.

 

– Classical Music Daily (Giuseppe Pennisi)

Works on This Recording
1. Sinfonie: Allegro con spirito by Giuseppe Gazzaniga
Performer: Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor), Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano)
Conductor: Stefan Soltesz
Written: 1787 ;
2. Sinfonie: Andante by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
3. Sinfonie: Allegro con spirito by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
4. Act I Scene 1: La gran bestia e il mio padrone (Pasquariello, Don Giovanni, Donna Anna, Commendatore) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
5. Act I Scene 2: Zh, zh? (Don Giovanni, Pasquariello, Duca Ottavio, Donna Anna) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
6. Act I Scene 3: Ecco col sangue istesso (Duca Ottavio, Donna Anna) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
7. Act I Scene 4: Vicin sperai l'stante (Duca Ottavio) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
8. Act I Scene 5: Posto che non mi parli (Don Giovanni, Pasquariello) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
9. Act I Scene 6: Povere femmine (Donna Elvira) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
10. Act I Scene 6: In questo luogo (Donna Elvira, Don Giovanni, Pasquariello) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
11. Act I Scene 7: E mi lascia così - Dell'Italia, ed Alemagna (Donna Elvira, Pasquariello) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
12. Act I Scene 8: Infelice ch´io sono (Donna Elvira) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
13. Act I Scene 9: Più di ciò non si parli - Per voi nemmeno in faccia (Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
14. Act I Scene 10: Or che sicura io son (Donna Ximena) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
15. Act I Scene 11: Bella cosa per una ragazza (Maturina, Pasquariello) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
16. Act I Scene 11: Oh, Oh! Poffar Diana! (Biagio, Pasquariello, Maturina, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
17. Act I Scene 12: Cosa c'e? - A me schiaffi sul mio viso! (Don Giovanni, Pasquariello, Maturina, Biagio) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
18. Act I Scene 13: Con vostra permissione (Maturina, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
19. Act I Scene 13: Chi? Dico! - Se pur degna voi mi fate (Maturina, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
20. Act II Scene 17: Io penso ad ogni modo (Pasquariello, Donna Ximena, Don Giovanni, Donna Elvira, Maturina) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
21. Act II Scene 18: Per quanto ben ti guardo (Donna Elvira, Maturina) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
22. Act II Scene 19: Questo mausoleo (Don Ottavio) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
23. Act II Scene 20: Io non so, detto sia con vostra permissione (Pasquariello, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
24. Act II Scene 20: Signor Commendatore (Pasquariello, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
25. Act II Scene 21: E la gran vita quella di servire (Lanterna, Donna Elvira, Don Giovanni, Pasquariello) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
26. Act II Scene 22: Voi Donn'Elvira qui! - Sposa più a voi non sono (Don Giovanni, Pasquariello, Donna Elvira) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
27. Act II Scene 23: Lo sai tu Pasquariello (Don Giovanni, Pasquariello, Lanterna) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
28. Act II Scene 24: Concertino by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
29. Act II Scene 25: Ma potere del mondo! (Pasquariello, Don Giovanni) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
30. Act II Scene 25: Finale: Far devi un brindisi alla citta (Don Giovanni, Pasquariello, Lanterna) by Giuseppe Gazzaniga
Performer: Anthony Spiri (Harpsichord), Anton Rosner (Tenor), Anton Scharinger (Bass), Eva Steinsky (Soprano), Günter von Kannen (Bass), Jean-Luc Chaignaud (Bass), John Aler (Tenor), Julie Kaufmann (Soprano), Margit Kinzel (Soprano), Pamela Coburn (Soprano), Robert Swensen (Tenor)
Conductor: Stefan Soltesz
Written: 1787 ;
31. Overture by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
32. Scene 1: Le soleil s'en va (Chorus, Haroun) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
33. Scene 2: Duet: Songez-y bien (Splendiano, Haroun) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
34. Scene 2: Tu veux savoir si je préfère (Haroun, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
35. Scene 3: Duet: Quelle pâleur est sur ta joue? (Haroun, Djamileh, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
36. Scene 3: Nour-Eddin, roi de Lahore (Djamileh, Haroun, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
37. Scene 4: Melodrama: Ah je t'ai ménagé une surprise (Djamileh, Haroun, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
38. Scene 4: Salut! Seigneur Haroun! (Chorus, Haroun) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
39. Scene 4: C'est Djamileh (Haroun, Chorus, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
40. Scene 5: Oublieé? Quand Ià… tout a l'heure… Ah! je rêve! (Djamileh, Haroun, Chorus) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
41. Scene 5: Je vais tout disposer selon tes désirs… Espère! (Splendiano, Djamileh) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
42. Scene 6: Melodrama: Venez puisqu'il le veut… (Haroun, Splendiano, Hassan) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
43. Scene 7: Froide et lente, indolente, et les yeux assoupis (Chorus) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
44. Scene 7: Melodrama: On nous a fait perdre notre temps (Haroun) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
45. Scene 8: Lied: On n'y regarde pas de si près! (Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
46. Scene 8: Melodrama: Si vous saviez (Haroun, Splendiano) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
47. Finale: Duet: Est-ce la crainte (Haroun, Djamileh) by Georges Bizet
Performer: Franco Bonisolli (Tenor), Jacques Pineau (Vocals), Jean-Philippe Lafont (Vocals), Lucia Popp (Soprano)
Conductor: Lamberto Gardelli
Written: 1871 ;
48. Vorspiel by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
49. Act I Scene 1: Jak z dervišových prstů řinou (Chorus, Muezzin) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
50. Act I Scene 2: Co znamená trub hlahol výstražný (Hydraot, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
51. Act I Scene 2: Lstí zvítězíš; Ty zjevně neobrojíš (Ismen, Hydraot) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
52. Act I Scene 3: Za štíhlou gazelou (Armida, Hydraot, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
53. Act I Scene 3: Slyš, Armido! (Hydraot, Armida, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
54. Act I Scene 3: Odešel, jen se mih' (Armida, Hydraot, Ismen, Voices from Above, Voices from the Depths, Muezzin) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
55. Act II: Vorspiel by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
56. Act II Scene 1: Při tělu tvém, jež kněz výš vznáší (Chorus, Peter) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
57. Act II Scenes 2 and 4: Dost v poušti toho otálení (Gernand, Roger, Dudo, Sven, Ubald, Gernand's Vassals, Dudo's Vassals) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
58. Act II Scene 5: Ha, zpátky! (First Sentry, Second Sentry, Chorus, Armida, Dudo) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
59. Act II Scene 5: Ó, srdce, ztiš svůj tlukot smělý (Armida) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
60. Act II Scene 5: Co vidím, v táboře je žena cizí (Peter, Armida) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
61. Act II Scene 5: Jak tady spor (Rinald, Armida, Peter) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
62. Act II Scene 6: Vy, kteři jste mne vyvolili vůdcem (Gottfried von Bouillon, Rinald, Peter, Armida, Chorus) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
63. Act II Scene 6: Slyš, z hlubin bídy svojí (Armida, Chorus, Rinald, Peter, Gottfried von Bouillon) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
64. Act II Scene 6: Ó, duchu věčný, z moudrosti své moře (Gottfried von Bouillon, Armida) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
65. Act II Scenes 7-8: Mně nelze čekat dél (Rinald, Armida, Peter, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
66. Act III Scene 1: Poutníku, jenž pouště prachem (Chorus, Rinald, Armida) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
67. Act III Scene 1: Jen niž, jen niž se skloň až k srdci mému (Rinald, Armida, Chorus) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
68. Act III Scene 2: Na prahu děsných pouští (Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
69. Act III Scene 3: Dost, Armido, již nebezpečné hry (Ismen, Armida) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
70. Act III Scene 4: Pojd', večer již se smráká (Rinald, Armida, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
71. Act III Scenes 5-6: Poutníku, jenž pouště prachem (Chorus, Ismen, Ubald, Sven) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
72. Act III Scene 7: Tiše, tiše větřik dýše (Chorus) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
73. Act III Scene 8: Jen dále statně vydrž, svene můj (Ubald, Sven, Rinald, Armida, Ismen) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
74. Act IV Scene 1: Sám, v poušti sám o hrůzo, byl to sen (Rinald) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
75. Act IV Scene 2: Zde přepadeni maurů zálohou (Ubald, Sven, Peter, Rinald) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
76. Act IV Scene 3: Zas vlaje kristův prapor svatý (Chorus, Rinald, Peter, Ubald, Sven) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
77. Act IV Scene 4: Hoj, dobře já tě znám! (Ismen, Rinald) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
78. Act IV Scene 5: Zpět ustoupiž, já vzývám tebe v boj! (Armida, Rinald) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
79. Act IV: Finale: V sklon teskné dráhy jsme přec svoji (Armida, Rinald, Chorus) by Antonín Dvořák
Conductor: Gerd Albrecht
Written: 1923 ;
80. Prelude by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
81. Act I: Stínové vy duší zem řelých, ji (Vlasta, Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
82. Act I: Šárko! Ty! Ach, také bloudíš zvéř jak vyplašená! (Vlasta, Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
83. Act I: S teskným srdcem (Maidens, Svatava, Radka, Častava, Mlada, Libyna, Chorus, Šárka, Vlasta) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
84. Act I: Zdráv bud statný Přemysl, náš Kníže! (Men, Přemysl) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
85. Act I: Bože věčný, vládce světla (Vitoraz, Priests, Men, Šárka, Maidens, Přemysl, Ctirad) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
86. Act I: Svatým jménem tim (Vlasta, Maidens, Přemysl) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
87. Act I: Povstaň, Vlasto (Přemysl, Šárka, Ctirad, Vlasta, Maiden, Men) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
88. Act II: Prelude: Hejá! Hejá! (Vlasta, Maidens, Radka, Mlada) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
89. Act II: To statný čin byl, Radko! (Vlasta, Maidens, Mlada, Libyna, Svatava, Captives, Šárka, Častava, Hosta) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
90. Act II: Jako temný stín (Šárka, Svatava, Mlada, Radka, Maidens, Libyna) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
91. Act II: Vše ticho kolem! (Šárka, Ctirad) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
92. Act II: Tady spočinu (Ctirad, Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
93. Act II: Ano, nenáviděl jsem! (Ctirad, Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
94. Act II: Oh Běda! (Šárka, Ctirad, Maidens, Radka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
95. Act III: Prelude by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
96. Act III: S vojem svým jsem tebou vest se da! (Přemysl, Men, Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
97. Act III: Slyš věčná obloho (Šárka, Přemysl, Men) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
98. Act III: Kam mě vedeš, zrady přišero? (Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
99. Act III: Spravedlivý soud tvé viny (Vlasta, Maidens, Ctirad) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
100. Act III: Já nelekám se, smrti chladná (Ctirad, Maidens) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
101. Act III: Morano svatá! Morano hrozná (Libyna, Svatava, Mlada, Radka, Hosta, Častava, Maidens, Vlasta, Šárka, Ctirad) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
102. Act III: Viz, tak slabá jsem (Šárka) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
103. Act III: On jest souzen! (Vlasta, Maidens, Ctirad, Šárka, Men, Přemysl) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
104. Act III: Viz, tam! Ten mrak? (Šárka, Ctirad, Apparitions) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
105. Act III: Ó, pojd! (Ctirad, Šárka, Apparitions) by Zdeněk Fibich
Performer: Adriana Hlavsová (Soprano), Adriana Kohútková (Soprano), Dalibor Jenis (Baritone), Eva Urbanová (Soprano), Hannah Esther Minutillo (Mezzo-soprano), Ida Kirilova (Vocals), Janez Lotric (Tenor), Klaudia Dernerová (Vocals), Marta Beňáčková (Mezzo-soprano), Simona Šaturová (Soprano), Vladimir Kubovcik (Bass)
Written: 1897 ;
106. Act I: Prelude by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
107. Act I Scene 1: Sellé, paqueté, bridé (Soldaten, Offiziere) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
108. Act I Scene 1: Pauvre gens! Braves gens! (Thérèse, Thorel, Offizier) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
109. Act I Scene 2: Leur devoir! … Le devoir! (Thérèse, Thorel) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
110. Act I Scene 3: Oui, je t'aime, André (Thérèse) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
111. Act I Scene 3: La chute des feuilles (Thérèse) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
112. Act I Scene 4: Le Parc! … Et le perron! (Armand) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
113. Act I Scene 5: Malheureux! c'est vous! (Thérèse, Armand) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
114. Act I Scenes 6-7: Lui … Mon ami (Thérèse, Thorel, Armand, Menge, Soldaten, Offiziere) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
115. Act II: Prelude by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
116. Act II Scene 1: Jour de Juin! Jour d'été (Thérèse, Thorel, Zwei Stimmen, Männerstimme) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
117. Act II Scenes 2-3: Ah! vous! (Thérèse, Thorel, Morel) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
118. Act II Scenes 3-4: Armand! (Thorel, Armand, Thérèse) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
119. Act II Scene 4: Avec toi! Loin de toi, c'est la mort (Armand, Thérèse) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
120. Act II Scene 5: Qui vient là? (Thérèse, Armand, Morel) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
121. Act II Scene 6: Les voir! … Le voir! (Thérèse, Armand) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
122. Act II Scene 7: Il est sauvé! … Adieu le cher passé! (Thérèse, Thorel, Menge) by Jules Massenet
Performer: Agnes Baltsa (Mezzo-soprano), Eftimios Michalopoulos (Bass), Francisco Araiza (Tenor), George Fortune (Vocals), Giancarlo Luccardi (Bass), Gino Sinimberghi (Tenor)
Conductor: Gerd Albrecht
Period: Romantic
Written: 1907 ; France
123. Act I: No, signor mio, così non puo durare (Gaudenzio, Schaunard, Becero, Rodolfo, Marcello, Eufemia, Colline, Mimi) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
124. Act I: Signori, poi che abbiamo fatto (Schaunard, Marcello, Eufemia) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
125. Act I: Ed ora vengano (Mimi, Marcello, Rodolfo, Schaunard, Colline, Musette, Eufemia, Barbemuche) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
126. Act I: Mimi Pinson la biondinetta (Musette, Schaunard, Rodolfo, Colline, Eufemia, Barbemuche, Marcello, Mimi) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
127. Act I: Sentite: se ne andassimo (Mimi, Musette, Schaunard, Colline, Marcello, Eufemia, Rodolfo, Barbemuche, Gaudenzio) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
128. Act I: O Musette (Marcello, Musette, Schaunard, Gaudenzio, Barbemuche) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
129. Act II: Auf! Ce n'è ancora? (Durand, Clerk, Widow, Tenants, Musette, Marcello) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
130. Act II: Io non ho che una povera stanzetta (Marcello, Musette, Schaunard, Rodolfo) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
131. Act II: L'immenso tesoro (Rodolfo, Musette, Marcello, Schaunard, Durand, Gentleman) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
132. Act II: Qualcun… (Musette, Durand, Barbemuche, Mimi, Eufemia, Visconte, Schaunard, Marcello, Chorus, Men, Rodolfo) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
133. Act II: Da quel suon soavemente (Musette) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
134. Act II: Brava, bravissima! Come cantava! (Chorus, Rodolfo, Gentleman, Schaunard, Barbemuche, Eufemia, Musette, Visconte, Mimi, Tenants, Pharmaeist, Old Lady, Durand, Marcello) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
135. Act III: E Che! Tu pur sei vedovo? (Marcello, Schaunard, Musette) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
136. Act III: E Destin! Debbo andarmene… Coraggio! (Musette, Mimi) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
137. Act III: Sei proprio tu che hai scritto ciò? (Marcello, Musette, Mimi, Rodolfo) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
138. Act III: Ecco … ho finito! (Musette, Marcello) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
139. Act IV: Scuoti, O vento, fra i sibili (Rodolfo, Marcello) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
140. Act IV: Brr! Che freddo! (Schaunard, Rodolfo, Marcello) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
141. Act IV: Buona sera, Durand … (Mimi, Marcello, Schaunard, Rodolfo) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
142. Act IV: Mimi Pinson la biondinetta (Musette, Marcello, Mimi, Rodolfo) by Ruggero Leoncavallo
Performer: Alan Titus (Baritone), Albert Gassner (Tenor), Alexander Malta (Bass), Alexandrina Milcheva (Mezzo-soprano), Bernd Weikl (Baritone), Franco Bonisolli (Tenor), Friedrich Lenz (Tenor), Joern Wilsing (Baritone), Lucia Popp (Soprano), Norbert Orth (Tenor), Raimund Grumbach (Baritone), Sofia Lis (Mezzo-soprano)
Conductor: Heinz Wallberg
Period: Romantic
Written: 1897 ; Italy
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