Medieval & Renaissance

Release Date: 1/6/2017
Label: Decca
Catalog Number: 002550302
Number of Discs: 50

Physical Format:

CD
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Notes and Editorial Reviews
This final L’Oiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels. Ranging from Anonymous 13th century hymns to Dowland’s Lachrimae, the works explored in this 50CD, limited edition collection represent the dawn of the Western Music Tradition. Included are 6 albums new to CD, plus a 200-page booklet featuring historical overviews of the recorded works and a history of the label.
Works on This Recording
1. Vexilla regis prodeunt, hymn in mode 1 (Liber Usualis 575) by Anonymous
Period: Medieval
2. Service for Maundy Thursday by Anonymous
Period: Renaissance
3. Service for Good Friday by Anonymous
Period: Medieval
4. Improperia for the Office for Good Friday by Anonymous
Period: Medieval
5. Ecce lignum Crucis, antiphon by Anonymous
Period: Medieval
6. Crucem tuam adoramus, antiphon by Anonymous
Period: Medieval
7. Cum fabricator mundi, antiphon by Anonymous
Period: Medieval
8. Pange lingua, hymn by Anonymous
Period: Medieval
9. En ce gracieux tamps joli, virelai for 3 voices by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: circa 1385 ; France
10. Fuions de ci, fuions, povre compaigne, ballade by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: after 1382 ; France
11. Dieux gart qui bien le chantera, rondeau for 3 voices by Guido Lange] [de
Orchestra/Ensemble: London Medieval Ensemble
Period: Baroque
Written: circa 1370 ; France
12. Or voit tout en aventure, ballade for 3 voices by Guido Lange] [de
Orchestra/Ensemble: London Medieval Ensemble
Period: Baroque
Written: circa 1370 ; France
13. La harpe de melodie, virelai for 3 voices by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
14. En attendant esperance conforte, ballade by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
15. Tel me voit et me regarde, virelai by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
16. Si con cy gist mon cuer en grief martire, ballade by Johannes Olivier
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
17. Le Sault perilleux a l'aventure prins, ballade (from the Chantilly Manuscript) by Johannes Galiot
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
18. En atendant d'avoir la douce vie, rondeau (from the Chantilly Manuscript) by Johannes Galiot
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
19. En Albion de fluns environée, ballade by Anonymous
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: after 1350 ; France
20. Se j'ay perdu toute ma part, rondeau by Anonymous
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
21. In Gedeonis ara, CB 37 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
22. Homo qui vigeas, CB 22 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
23. Ecce torpet probitas, CB 3 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
24. Nomen a sollempnibus, CB 52 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
25. Planctus ante nescia by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
26. Michi confer, venditor, CB 16 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
27. Olim sudor Herculis, CB 63 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
28. Procurans odium, CB 12 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
29. Dulce solum natalis patrie, CB 119 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
30. Axe Phebus aureo, CB 71 by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
31. Alte clamat Epicurus, CB 211 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
32. Exiit dilucolo rustica puella, CB 90 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
33. Hiemali Tempore, CB 203 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
34. Tempus est iocundum, CB 179 by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
35. O Virgo splendens, canon for 3 voices (Llibre Vermell) by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
36. Stella splendens in monte, virelai for 2 voices (Llibre Vermell) by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
37. Laudemus virginem, canon for 3 voices by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
38. Mariam Matrem Virginem, virelai for 3 voices (Llibre Vermell) by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: circa 13th Century ; Spain
39. Polorum Regina by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
40. Cuncti simus concanentes by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: 14th Century ; Spain
41. Splendens ceptigera by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
42. Los Set gotxs recomptarem by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Written: 14th Century ;
43. Imperayritz de la Ciutat Joiosa by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
44. Ad Mortem Festinamus, virelai (fol. 26v) by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Written: circa 13th Century ;
45. Feast of Fools by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
46. Kyrie Asini by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
47. Hac in die salutari by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
48. Verbum Patris Hodie, for chorus by Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: 13th Century ;
49. Cantiga de Santa María 103, Quena Virgen ben servirá by Alfonso X (El Sabio)
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: 1280-1283 ; Spain
50. Belial vocatur by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: 13th Century ; Spain
51. Surrexit de tumulo by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: 13th Century ; Spain
52. Non e gran causa by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
53. Ex illustri nata prosapia by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
54. Alpha, bovi, et leoni / [Domino] by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
55. Planctus (4) by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
56. Verbum bonum et suave by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Contemporary
57. Agnus Dei / Regula Moris by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
58. Fa fa mi fa mi re by Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
59. Dum pater familias, chant de pèlerins by Codex Calixtin Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
60. De grad' á Santa Maria (Cantiga 253) by El Escorial Co Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
61. Annua gaudia, Iacobi, conduit by Codex Calixtin Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
62. Ben Com'aos (Cantiga 49) by El Escorial Co Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
63. Regi perhennis glorie, trope de Benedicamus à saint Jacques by Codex Calixtin Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
64. Nostra phalanx plaudat leta, conduit by Codex Calixtin Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
65. A Madre de Deus (Cantiga 184) by El Escorial Co Anonymous
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
66. Congaudeant catholici, trope de Benedicamus by Codex Calixtin Anonymous
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
67. Cantigas (7) de amigo by Martin Codax
Performer: Catherine Bott
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
Written: circa 1230 ; Galicia
68. Je ne cesse de prier "Lai de la Fonteinne" by Guillaume de Machaut
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: 14th Century ; France
69. Pour ce que plus proprement ("Lay de consolation"), lai for voice by Guillaume de Machaut
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: 13th Century ;
70. Ain guet geporen edelman by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
71. Oben swebt by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
72. Frölich zärtlich lieplich by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
73. Der mai mit lieber zal, K 87 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
74. Wol auff, wir wellen slauffen, K 114 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
75. Du ausserweltes schöns mein herz, K 90 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
76. Frölich geschrai so well wir machen, K 93 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
77. Ach, senliches leiden, K 84 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
78. Stand auff, Maredel, liebes Gredel, K 106 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
79. Grasselik lif by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
80. Wach auff mein hort! by Oswald von Wolkenstein
Orchestra/Ensemble: New London Consort
Period: Medieval
81. Nu huss sprach der Michel von Wolkenstein by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
82. Durch Barbarei, Arabia, K 17 by Oswald von Wolkenstein
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Medieval
83. Ma bouche rit by Johannes Ockeghem
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
84. La despourveue et la bannie, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
85. D'ung aultre amer by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
86. Quant ce viendra, rondeau for 3 voices (attributed to Ockeghem and to Busnois) by Anonymous
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
87. Il me m'en chault plus, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
88. Presque transi by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
89. Ma maistresse et ma plus grant amye by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
90. Les desléaux ont la saison, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
91. Mort, tu as navré by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
92. Quant de vous seul, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
93. Au travail suis by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
94. Prenez sur moi vostre exemple by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
95. Fors seulement l'attente by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
96. L'autre d'antan by Johannes Ockeghem
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
97. S'elle m'amera je ne sçay by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
98. Alius discantus super "O rosa bella", for 2 voices (1 part by Ockeghem, 1 part by Giustiniani) by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
99. Tant fuz gentement resjouy by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
100. J'en ay deuil, chanson for 4 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
101. Malheur me bat, rondeau a 3 (doubtful) by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
102. Se vostre cuer eslongne, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
103. Qué es mi vida, preguntáis? by Johannes Cornago
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
104. Qu'es mi vida preguntays by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
105. Ce n'est pas jeu, rondeau for 3 voices (also as "Si mieulx ne vient"; attrib. to Ockeghem and to Hay by Anonymous
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
106. Resjöis-toy terre de France / Rex pacificus magnificatus est, for 4 voices (attributed) by Antoine Busnois
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
107. Departes vous, Malebouche et Envie, rondeau for 3 voices (attributed; also attributed to Ockeghem) by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
108. Ung aultre l'a, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
109. Aultre Vénus estes by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Flanders, Belgium
110. Baisiés moy dont fort, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
111. Fors seulement contre ce, chanson for 3 voices by Johannes Ockeghem
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
112. Serà quel zorno may, ballata by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
113. Dame que j'aym, virelai by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
114. Pres du soloil deduissant s'esbanoye, ballade by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
115. Dame de honour plesant by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
116. Dame souverayne, virelai by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
117. Trover Ne Puis by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
118. Pour Bel Acueil by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
119. Ne me chaut, virelai (Modena Bibl. Estense aM.5.24) by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
120. Se je me plaing, ballade by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
121. Belle sans per d'haulte douchour paree, virelai by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: by 1418 ;
122. Helas! merci, rondeau (Modena Bibl. Estense aM.5.24) by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
123. Già da rete d'amor by Matteo da Perugia
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
124. Reis glorios, verais lums e clardatz by Giraut de Bornelh
Performer: Catherine Bott
Period: Medieval
Written: 12th Century ; France
125. Trop est mes Maris Jalos by Etienne de Meaux
Performer: Catherine Bott
Period: Medieval
126. Lanquan (Lancan) li jorn son lonc en may by Jaufre Rudel de Blaye
Performer: Catherine Bott
Period: Medieval
127. Desconfortez, Plains de Dolor by Gace Brulé
Performer: Catherine Bott
Period: Medieval
128. Fine amolurs en esperance by Audefroi le Bastart
Performer: Catherine Bott
Period: Medieval
129. Quan vei la lauzeta mover by Bernart de Ventadorn
Performer: Catherine Bott
Period: Medieval
Written: 12th Century ; France
130. Bele Yolanz en ses chambres seoit, chanson by Anonymous
Performer: Catherine Bott
131. A chantar m'er de so qu'en no volria by Beatriz de Dia
Performer: Catherine Bott
Period: Medieval
Written: 12th Century ; France
132. Onques n'amai tant que jou fui amée, rondeau-motet by Richard De Fournival
Performer: Catherine Bott
Period: Medieval
Written: 12th Century ;
133. S'ie-us quier conseil, bel' amig' Alamanda' by Giraut de Bornelh
Performer: Catherine Bott
Period: Medieval
Written: 12th Century ; France
134. Fortz causa es que tot lo major dan by Gaucelm Faidit
Performer: Catherine Bott
Period: Medieval
135. Ce moys de may by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
136. Je n'ay doubté fors que des envieux, rondeau for 3 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
137. Se la face ay pale by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
138. J'ay grant dolour by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
139. Par le regard de vos beaux yeux by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
140. Resveiliés vous by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
141. Ma belle dame souveraine by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
142. Trop lonc temps by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
143. Dona i ardenti ray, ballata for 3 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
144. Helas, et quant vous veray? by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
145. J'ay mis mon cuer by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
146. O tres piteulx "Lamentatio constantinopolitanae" by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
147. He, compaignons, resvelons nous by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
148. Puisque celle qui me tient en prison, rondeau for 3 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
149. Entre vous, gentils amoureux by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
150. Mille bonjours je vous presente by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
151. Je me complains piteusement by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 1425 ; France
152. Entre les plus plaines danoy, rondeau for 3 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
153. Je vous pris by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
154. La belle se siet by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
155. Or me veult de bien by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; Portugal
156. J'atendray tant qi'il vous by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; France
157. Adieu ces bon vins de Lannoys by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 1426 ; France
158. Les douleurs, dont me sens tel somme, rondeau for 4 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
159. Belle, veulliés vostre mercy donner, rondeau for 3 voices by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
160. C'est bien raison by Guillaume Dufay
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 1433 ; France
161. Missa di dadi, for 4 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: by 1514 ;
162. Missa "Faisant regretz" by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
163. Mon mary ma'a diffamee, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
164. Ce povre mendiant by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
165. De tous biens pleine, motet for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
166. Fortuna d'un gran tempo by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
167. La belle se siet, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
168. Je me, song for 3 parts (poss. spurious) by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
169. Que vous madame by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
170. Cela sans plus by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
171. Je n'ose plus, song for 3 parts (text incomplete) by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
172. Si j'avoys Marion by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
173. En l'ombre d'un buissonet by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
174. Quant je vous voye, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
175. A la mort by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
176. La Bernardina by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
177. Fortuna disperata by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
178. Si j'ay perdu mon amy, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
179. Helas madame, song for 3 or 4 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
180. La plus des plus by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
181. Ile fantazies de Joskin by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
182. Entree suis en grant pensee, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
183. En l'ombre d'un buissonnet, Tout au long, song for 3 parts by Josquin Des Préz
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
184. J'ay pris amours, chanson for 3 voices by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: by 1500 ;
185. Mon père m'a donné mari by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
186. Et ie boi d'autant, chanson (attrib. Heinrich Isaac) by Anonymous
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
187. Donna di dentro/Dammene up pocho/Fortuna d'un gran tempo, song for 4 voices by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 1480s ; Italy
188. Hor'è di maggio, song for 4 voices by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
189. La morra by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: by 1507 ; Italy
190. Innsbruck, ich muss dich lassen by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
191. Zwischen Berg und tieffem Tal, song for 4 voices by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
192. Der Hundt by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
193. Ave Maria by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
194. Se ben hor non scopro el foco by Bartolomeo Tromboncino
Performer: Emma Kirkby
Conductor: Anthony Rooley
Period: Renaissance
195. Che debb'io fare by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
196. Non val aqua al mio gran foco by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
197. Ite in pace, for 4 voices by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1505 ;
198. A la guerra a la guerra by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
199. Si è debil filo, for accompanied voice by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
200. O Sacrum Convivium by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
201. Ave Maria regina by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
202. Deh sì deh no deh si, for accompanied voice by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
203. Bench'el ciel me t'habbi tolto, for 4 voices by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1509 ;
204. Ostinato vo'seguire by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
205. Hor che'l ciel e la terra by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
206. Stavasi amor dormendo soto a un fagio by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
207. Vale diva, vale in pace by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
208. Virgine bella by Bartolomeo Tromboncino
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
209. Hora gridar 'oimè by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
210. Ben lo sa dio by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
211. Dona gentile by Guillaume Dufay
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
212. Gentil madonna by John Bedyngham
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
213. Chiara fontana by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
214. O pelegrina luce by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
215. O rosa bella (Chansonnier Cordiforme No. 7) by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
216. La gracia de voi by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
217. Perla mia cara by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
218. Mort mercé by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
219. Finir voglio la mia vita by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
220. O meschin inamorati by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
221. Comme ung homme desconforté by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
222. S'il vous plaist que vostre je soye by Johannes Regis
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
223. L'Autre jour par un matin, song by Traditional
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Classical
224. J'ay pris amours à 3 by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
225. De tous biens plaine by Hayne van Ghizeghem
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
226. J'ay mayns de bien, virelai for 3 voices by Antoine Busnois
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
227. Vostre bruit et vostre grant fame by Guillaume Dufay
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
228. Cent mille escus by Antoine Busnois
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
229. Le Souvenir de vous me tue by Robert Morton
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; Burgundy, France
230. L' Omme Banni de Sa Plaisance, for 3 voices by Barbingant
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
231. N'aray je jamais mieulx que j'ay by Robert Morton
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
232. Le serviteur hault guerdonné by Guillaume Dufay
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; France
233. Fortune par ta cruaulté by Johannes Vincenet
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
234. Est il mercy du quoy l'on peust finer? by Antoine Busnois
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
235. Comme femme desconfortee by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
236. Tout a par moy by Walter Frye
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
237. Mon seul plaisier by John Bedyngham
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 14th Century ;
238. Ma bouche plaint by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
239. Vray dieu d'amours by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
240. Helas je n'ay pas osé dire by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
241. Or ay je perdu by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
242. Adieu vous dy by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
243. Terriblement suis fortunee by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
244. De mon pouvoir vous veul complaire by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
245. Helas n'aray je jamais mieulx by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
246. Quant du dire adieu by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
247. Je ne vis onques la pareille by Guillaume Dufay
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 15th Century ; Burgundy, France
248. Faites moy sçavoir de la belle by Anonymous Cordiforme
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
249. Prophilias, un des nobles de Roume, ballade by Jehan Suzay
Orchestra/Ensemble: London Medieval Ensemble
250. A l'arbe sec puis estre comparé, ballade by Jehan Suzay
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
251. Pictagoras Jabol et Orpheüs, ballade by Jehan Suzay
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: after 1350 ; France
252. Je me merveil aucune fois comment - J'ay pluseurs fois pour mon esbatement, ballad by Jaquemin de Senleches
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
253. Deus est ensi conme li pellicanz (The Lord is like the pelican) by Teobald I
Performer: Catherine Bott
Period: Medieval
254. Mi verry joy by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
255. O rosa bella by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
256. Le serviteur by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
257. Myn hertis lust by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
258. Durer ne puis, rondeau for 3 voices, MB 64 (also attrib. to Bedyngham) by John Dunstable
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: circa 1410-1453 ;
259. Fortune alas by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
260. Say bylle to hir by John Bedyngham
Orchestra/Ensemble: London Medieval Ensemble
261. Puisque m'amour, MB 55 by John Dunstable
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
262. Je languis en piteux martire, ballade for 3 voices (poss. spurious; poss. by Dufay) by John Dunstable
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: circa 1410-1453 ;
263. I pray you all, carol for 2 voices (poss. spurious) by John Dunstable
Orchestra/Ensemble: London Medieval Ensemble
Period: Medieval
Written: circa 1410-1453 ;
264. O rosa bella, MB 54 by John Dunstable
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
265. Alas, alas is my chief song by Walter Frye
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 15th Century ; England
266. Watlin frew, for 2 voices by Walter Frye
Orchestra/Ensemble: London Medieval Ensemble
267. So ys emprentid by Walter Frye
Orchestra/Ensemble: London Medieval Ensemble
268. Lagrime di S Pietro (Tansillo), madrigal for 7 voices, H. xx by Orlando de Lassus
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
269. Le Lagrime d'Erminia, recitative for voice and guitar (or harpsichord), Op. 6 by Biagio Marini
Performer: Nigel Rogers, Anthony Rooley (Lute)
Period: Baroque
Written: 12/10/1622 ;
270. Pavan for viol consort (Pavans, Galliards, Almains No. 11) by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
271. Galliard no 12 by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
272. Heres paternus by Anthony Holborne
Period: Renaissance
273. Muy Linda by Anthony Holborne
Period: Renaissance
Written: 16th Century ; England
274. Pavan "Infernum" by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
275. Galliard for viol consort (Pavans, Galliards, Almains No. 22) by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
276. Pavan "Paradizo" by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
277. The Sighes by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
278. Image of Melancholy by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
279. Pavans, Galliards, Almaines (65): Ecce quam bonum by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: by 1599 ; England
280. Pavana ploravit by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
281. Sic semper soleo by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
282. Pavan "The Funerals" by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
283. Galliard for viol consort (No. 32, Pavans and Galliards) by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
284. Almayne (56) for consort by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
285. Almain "The Honiesuckle" by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: 16th Century ; England
286. Pavans, Galliards, Almaines (65): As it fell on a holie eve by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
Written: by 1599 ; England
287. Heigh-ho holiday by Anthony Holborne
Orchestra/Ensemble: Consort of Musicke, Guildhall Waits
Period: Renaissance
288. Fanfare, for ensemble (after Susato's "La Morisque") by Philip Pickett
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Contemporary
289. Dansereye: Passe e medio / Reprise 'Le Pingue' by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ; Netherlands
290. Het derde musyck boexken...alderhande danserye: Sans roch by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
291. Het derde musyck boexken...alderhande danserye: Pour quoy by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
292. Het derde musyck boexken...alderhande denserye: Il estoit une filette by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
293. Ronde 3 by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
294. Ronde 4 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
295. Ronde, "Wo Bistu" by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
296. Dansereye: Den VI Ronde / Saltarelle by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ; Netherlands
297. Dansereye: Den XI Ronde / Aliud by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ; Netherlands
298. Dont vient céla, Bergerette by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
299. Dansereye: Danse de HErcules oft maticine / De Madrigale by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ; Netherlands
300. De post by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
301. Danserye: Les quatre Branles by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Written: pub 1551 ;
302. Fagott for winds by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
303. Het derde musyck boexken...alderhande danserye: Den Hoboeckendans by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
304. Dansereye: Basse danse 'Mon Desir' / Reprise 'Le cueur est bon' by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ; Netherlands
305. Allemaingne & Recoupe (Danserye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
306. Allemaingne 2 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
307. Allemaingne 3 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
308. Allemaingne 5 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
309. Allemaingne 6 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
310. Allemaingne 7 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
311. Allemaingne 8 & Recoupes (2) (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
312. Bergerette (La Brosse) (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
313. Het derde musyck boexken...alderhande danserye: La Battaille by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
314. Pavane "Mille Regretz," for renaissance ensemble (from Danseyre) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
315. Gaillarde 2 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
316. Gaillarde 11 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
317. Gaillarde 9 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
318. Gaillarde 4 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
319. Gaillarde 7 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
320. Gaillarde Mille ducas by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
321. Gaillarde 3 (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
322. Gaillarde 15 ("Le Tout") (from Dansereye) by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: 1551 ;
323. Het derde musyck boexken...alderhande danserye: Danse du roy by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
324. Entree du Fol by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
325. Het derde musyck boexken...alderhande danserye: La Morisque by Tylman Susato
Conductor: Philip Pickett
Orchestra/Ensemble: New London Consort
Period: Renaissance
Written: by 1551 ; Antwerp, Belgium
326. My heavy sprite oprest with sorrowes might, for voice & lute by Anthony Holborne
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
327. Change thy mind since she doth change, song (No. 2 in the collection A Musicall Banquet) by Richard [Composer] Martin
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
328. O eyes, leave off your weeping, song (No. 3 in the collection A Musicall Banquet) by Robert Hales
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
329. Go, my flock, go get you hence, song (No. 4 in the collection A Musicall Banquet) by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
330. Oh, Dear! What Can the Matter Be?, folk song by Traditional
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
331. To plead my faith by Daniel Bacheler
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
332. In a grove most rich of shade, song (No. 7 in the collection A Musicall Banquet) by Guillaume Tessier
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
333. Farre from triumphing court by John Dowland
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1610 ; England
334. Lady if you so spight me by John Dowland
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1610 ; England
335. In darkness let mee dwell by John Dowland
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1610 ; England
336. Si le parler et le silence, chanson by Pierre Guédron
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
337. Ce penser qui sans fin by Pierre Guédron
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
338. Vous que le Bonheur rappelle, chanson by Pierre Guédron
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
339. Passava amor su arco desarmado by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
340. Sta notte mi sognava by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
341. Vuestros ojos tienen d'amor by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
342. Se di farmi morire, voce e liuto by Domenico Maria Melli
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
343. Dovrò dunque morire, song for voice & continuo or lute by Giulio Caccini
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1602 ;
344. Amarilli mia bella by Francesca Caccini
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
345. O bella piu che le stelle by Anonymous
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
346. Madrigals, Book 5 by Carlo Gesualdo
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1611 ; Italy
347. Arise, awake by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1601 ; England
348. Besides a fountain, madrigal for 4 voices by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1594 ;
349. No, no, Nigella by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
350. Singing alone satte my sweet Amarillis, madrigal for 5 voices by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1595 ;
351. With my love my life was nestled by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
352. Misteresse mine may you fare well by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1600 ; England
353. Stay, heart, run not so fast by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1597 ; England
354. Fyre and lightning from heaven by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1595 ; England
355. Phyllis, I fain would die now by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1595 ;
356. Hard by a cristall fountaine by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1601 ; England
357. In every place, madrigal for 4 voices by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1594 ;
358. O griefe, even on the bud by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1597 ; England
359. Absence, hear thou my protestation by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
360. Canzonets to 3 Voices: no 5, Deep lamenting by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1593 ; England
361. Sleepe slumb'ring eyes by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
362. Harke; Alleluia cheerely, madrigal for 6 voices by Thomas Morley
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1597 ;
363. Weepe, mine eyes by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1609 ; England
364. Lady, when I behold the Roses by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1598 ; England
365. Thus saith my Cloris bright by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1598 ; England
366. Adieu, sweet Amaryllis, madrigal (No. 12, The First Set of English Madrigals) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1609 ; England
367. Die hapless man (First Set of English Madrigals, No. 13) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
368. Lady your words do spite me by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1598 ; England
369. Alas! what a wretched life (First Set of English Madrigals, No. 19) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
370. Lady, when I behold (First Set of English Madrigals, No. 24) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
371. When shall my wretched life (First Set of English Madrigals, No. 25) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
372. Of joys and pleasing pains (First Set of English Madrigals, No. 26) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
373. My throat is sore (First Set of English Madrigals, No. 27) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
374. Cruell, behold my heavie ending by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1598 ; England
375. Thou art but young, thou saye'st (First Set of English Madrigals, No. 29) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
376. Why dost thou shoot? (First Set of English Madrigals, No. 30) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
377. Sweet hony sucking bees by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1609 ; England
378. Yet sweet, take heed (Second Set of English Madrigals, No. 18) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
379. Ye that do live in pleasures plenty by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1609 ; England
380. O wretched man by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1609 ; England
381. Ah, cannot sigh, nor tears, nor aught else move thee by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1609 ; England
382. Draw on sweet night by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1609 ; England
383. Stay Coridon thou swaine by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: 1609 ; England
384. Softly, O softly drop my eyes (Second Set of English Madrigals, No. 33) by John Wilbye
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
385. Magnificat a 14 by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
386. Suscipe clementissime by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
388. Buccinate in neomenia tuba by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
Written: 1615/1617 ; Venice, Italy
389. Symphoniae sacrae, Book 2: In ecclesiis by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
Written: by 1615 ; Venice, Italy
390. Jubilate Deo, motet for 10 voices by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
391. Misericordia tua Domine by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissance
392. Surrexit Christus by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Romantic
Written: 1615 ; Venice, Italy
393. Symphoniae sacrae, Book 2: Magnificat a 17 by Giovanni Gabrieli
Conductor: Andrew Parrott
Period: Renaissaince
Written: 1615 ; Venice, Italy
394. Funeral Teares, for 1-2 voices, lute & bass viol by John Coprario
Performer: Emma Kirkby
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
Written: 1606 ;
395. Work(s): Fantasia 5: Almain - Galliard by John Coprario
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
396. Work(s): Fantasia 1: Fantasia (Ayre) No. 3 - Fantasia (Ayre) No. 2 by John Coprario
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
397. Work(s): Fantasia 8: Almain - Galliard by John Coprario
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Baroque
398. The First Set of Madrigals and Mottets, apt for Viols and Voyces, for 5 voices by Orlando Gibbons
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
399. Psalmes, Sonets and Songs: Though Amaryllis dance in green by William Byrd
Performer: Judith Nelson
Period: Renaissance
Written: by 1588 ; England
400. The Old Spagnoletta (Fitzwilliam Virginal Book), for keyboard by Giles [Composer] Farnaby
Period: Baroque
401. Galliard for keyboard, "Regina" by John [Composer] Bull
Period: Renaissance
402. Work(s): I must depart all hapless by Luca [Composer] Marenzio
Period: Renaissance
403. On the plains Fairy traines, madrigal for 5 voices by Thomas [Composer] Weelkes
Period: Renaissance
404. Flat Pavan and Galliard for 2 lutes by John [Composer] Johnson
Period: Renaissance
405. Sweet hart arise, madrigal for 5 voices by Thomas [Composer] Weelkes
Period: Renaissance
406. Welcome sweet pleasure, madrigal for 5 voices by Thomas [Composer] Weelkes
Period: Renaissance
407. Greensleeves by John [Composer] Johnson
Performer: Nigel North (Lute)
Period: Renaissance
Written: 16th Century ; England
408. Tomorrow the fox will come to town by Thomas Ravenscroft
Period: Renaissance
409. Pavan for keyboard "Spanish Paven" by John [Composer] Bull
Period: Renaissance
410. Coranto for keyboard, "Alarm" by John [Composer] Bull
Period: Renaissance
411. Coranto for keyboard, "Battle" by John [Composer] Bull
Period: Renaissance
412. I joy not in no earthly bliss by William Byrd
Performer: Judith Nelson
Period: Renaissance
Written: by 1588 ; England
413. Work(s): Gaillard by Anthony Holborne
Period: Renaissance
Written: 16th Century ;
414. Almain "Night Watch" by Anthony Holborne
Period: Renaissance
Written: 16th Century ; England
415. Last Will and Testament for viol consort by Anthony Holborne
Period: Renaissance
416. Tinternell by Anthony Holborne
Period: Renaissance
Written: 16th Century ; England
418. The Baffled Knight, song by Anonymous
Period: Renaissance
419. O God, give ear by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1588 ; England
420. O Lord, how long wilt thou forget? by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
421. If women could be fair by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1588 ; England
422. What pleasure have great princes? by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1588 ; England
423. In fields abroad, consort song for voice & 4 viols by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
424. The match that's made, madrigal for 5 voices by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
425. All as a sea by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
426. Susanna fair by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1558 ; England
427. Care for thy soul, anthem for 5 voices by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
428. Psalmes, Sonets and Songs: Lullaby, my sweet little baby by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1588 ; England
429. Come to me, grief, for ever by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: circa 1580 ; England
430. O that most rare breast by William Byrd
Conductor: Anthony Rooley
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1588 ; England
431. Prelude and Ground a 5 by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
432. In Nomine a 5 no 4 by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
433. Fantasia a 4 no 1 in G minor by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
434. Browning a 5 by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
Written: by 1580 ; England
435. Fantasia a 4, for instrumental consort in A minor (incomplete) by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
436. In Nomine a 5 no 2 "On the sharpe" by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
437. Fantasia a 6 no 3 in G minor by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
438. Pavan and Galliard a 6 in C major by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
439. Fantasia a 3 no 2 in C major by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
440. Fantasia a 5 in C major by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
441. Work(s): In nomine à 4 (I) / In nomine à 4 (II) by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
442. Christe Redemptor a 4 by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
443. Fantasia a 6 no 2 in G minor by William Byrd
Orchestra/Ensemble: Consort of Musicke
Period: Renaissance
444. Pavan and Galliard in G minor no 3, MB 4 by William Byrd
Performer: Christopher Hogwood (Organ)
Period: Renaissance
445. Qui passe for my Lady Nevell, MB 19 by William Byrd
Performer: Christopher Hogwood (Virginal)
Period: Renaissance
446. The Battle, MB 94 by William Byrd
Performer: Christopher Hogwood (Virginal)
Period: Renaissance
Written: by 1591 ; England
447. Sellinger's Round, MB 84 by William Byrd
Performer: Christopher Hogwood (Virginal)
Period: Renaissance
448. Alman in C major, MB 44 "Monsieur's Alman" by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
449. Hugh Aston's Ground, MB 20 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
450. Galliard Jig, for keyboard, MB 18 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
451. The seconde grownde in C major, MB 42 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
452. Echo Pavan and Galliard in G major, MB 114 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
453. The Carman's Whistle, MB 36 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
454. Fantasia in G no 1 "Voluntary for my Lady Nevell", MB 61 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Renaissance
Written: by 1591 ; England
455. My Lady Nevell's Ground, BK 57 by William Byrd
Performer: Christopher Hogwood (Virginal)
Period: Renaissance
Written: by 1591 ; England
456. The woods so wild, MB 85 by William Byrd
Performer: Christopher Hogwood (Virginal)
Period: Renaissance
457. Walsingham, MB 8 by William Byrd
Performer: Christopher Hogwood (Harpsichord)
Period: Baroque
458. Mall Symms, for lute by Anonymous Book
Performer: Anthony Rooley (Lute)
Period: Renaissance
459. Spanish Pavan for lute by Thomas Robinson
Performer: Anthony Rooley (Lute)
Period: Baroque
460. John Come Kiss Me Now, for lute by Anonymous Book
Performer: Anthony Rooley (Lute)
Period: Renaissance
461. Work(s): Fancy by John Dowland
Performer: Anthony Rooley (Lute)
Period: Renaissance
462. Lachrimae Pavan by John Dowland
Performer: Anthony Rooley (Lute)
Period: Renaissance
Written: 1612 ; England
463. Frogg Galliard, P 23A by John Dowland
Performer: Anthony Rooley (Lute)
Period: Renaissance
464. Work(s): Pavan and Galliard by Daniel Bacheler
Performer: Anthony Rooley (Lute)
Period: Renaissance
465. Prelude for lute No. 6 by Anonymous Book
Performer: Anthony Rooley (Lute)
Period: Renaissance
466. Fantasia for lute (from the Cosens Lute Book) by Laurencinus Romanus
Performer: Anthony Rooley (Lute)
Period: Renaissance
467. Exercitium, for lute (from the Cosens Lute Book) by Laurencinus Romanus
Performer: Anthony Rooley (Lute)
Period: Renaissance
468. Mistress Anne Grene by John Danyel
Performer: Anthony Rooley (Lute)
Period: Renaissance
469. Paven for lute by Anonymous Book
Performer: Anthony Rooley (Lute)
Period: Renaissance
470. Work(s): Two Galliards by Thomas Smyth
Performer: Anthony Rooley (Lute)
Period: Renaissance
471. John Bluedevills last farewell, for lute (from the Cosens Lute Book) by W. Hollis
Performer: Anthony Rooley (Lute)
Period: Renaissance
472. Fille, vous avez mal gardé by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
473. Par ung jour de matinee (Hab mich lieb) by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
474. Et qui le dira by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
475. Helas que devera by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
476. Maudit soyt by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
Written: 16th Century ; Netherlands
477. Je ne puis vivre a mon aise by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
478. Le serviteur, song for 3 voices (after DuFay) by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
479. Fortuna desperata by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
480. Ne più bella di queste by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
481. La Martinella by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
482. Un di lieto by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
483. Es het ein Baur ein Töchterlein by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
484. O Venus bant by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
485. Ain frewlich Wesen, song for 4 voices by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
486. Mich wundert hart by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
487. Wann ich des Morgens by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
488. Greiner, zancker, schnöpffitzer by Heinrich Isaac
Orchestra/Ensemble: London Medieval Ensemble
Period: Renaissance
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