Le Plaintif / Cordevento

Release Date: 1/22/2021
Catalog Number: BRI95694
Orchestra/Ensemble: Cordevento
Number of Discs: 1
Length: 66 Minutes

Physical Format:

CD
In Stock
$11.99
Video
Notes and Editorial Reviews

An ‘illuminating’ series (Fanfare) reaches Volume 9, presenting the complete piano sonatas on instruments of the period. The French grand siècle is most often viewed through the gilt-framed mirrors of Versailles, showing the pomp and splendour, the feasts and formality of Louis XIV’s reign. However, the composers of his court took special pains to represent and analyze the human condition in all its moods, not least mourning and sadness. The entire aesthetic imaginary of this era is imbued with the power and charm of tears: the audience – in the words of philosopher Bernard de Fontenelle – wants ‘to be moved, agitated, [...] to shed tears. The pleasure one takes in crying is so curious that I cannot help but think about it.’ The aesthetic of sorrow and grief was so powerful that not even instrumental music could resist its charm. Marais, Hotteterre and their contemporaries wrote eloquent examples of the plainte and the tombeau as well as courantes and allemandes which conveyed a sad and lamenting mood, through slow tempos, minor modes dissonance and chromaticism. It is from this eloquent repertoire that Cordevento, expanded for the occasion to a five-person lineup, has assembled an imaginative programme. The lion’s share is drawn from two collections of suites en trio by Marin Marais and Antoine Dornel, performed by Erik Bosgraaf (recorder) and Robert Smith (treble viola da gamba) with their colleagues Izhar Elias, Israel Golani and Alessandro Pianu (respectively on baroque guitar, theorbo, harpsichord) providing attentive and generous continuo accompaniment. Erik Bosgraaf also takes the spotlight with a selection of pieces for solo recorder and basso continuo by Hotteterre, Philidor and Montéclair, while his Cordevento co-founders Izhar Elias and Alessandro Pianu contribute solo pieces by Campion and d’Anglebert.

 

REVIEW:

 

The aesthetics of grief and mourning have had a great influence on the instrumental music of Marin Marais, Pierre Philidor, and Jacques Hotteterre. This is expressed on the CD Le Plaintif, on which the Ensemble Cordevento has put together a program in which the recorders of Erik Bosgraaf in particular achieve special expressiveness.

 

– Pizzicato

Works on This Recording
1. I. Prélude by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
2. VIII. Plainte by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
Orchestra/Ensemble: Cordevento
Written: 1689 ;
4. Passacaille by Jean Henri d' Anglebert
Orchestra/Ensemble: Cordevento
Written: 1689 ;
5. Première suitte de pièces à 2 dessus, Op. 4, No. 2: VII. Rondo by Jacques Hotteterre
Orchestra/Ensemble: Cordevento
Written: 1712 ;
6. Pièces en trio: Suite No. 2a in G Minor: III. Sarabande by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
7. Pieces en trio: Suite No. 4 in B-Flat Major: VIII. Plainte by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
8. I. Ouverture by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
9. II. Air Grave by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
10. Concert No. 1 for 2 Flutes: VII. Plainte by Michel Pignolet de Montéclair
Orchestra/Ensemble: Cordevento
11. Nouvelles découvertes Sur la Guitarre: Allemande by François Campion
Orchestra/Ensemble: Cordevento
12. I. Prélude by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
13. II. Allemande by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
14. Suitte en Trio No. 5 in G Major, Op. 1: IV. Plainte by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
15. Suitte en Trio No. 3 in E Minor, Op. 1: VI. Passacaille by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
16. Pièces en trio: Suite No. 1 in C Major: II. Sarabande by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
17. Deuxième livre de pièces, Op. 5: I. Prélude by Jacques Hotteterre
Orchestra/Ensemble: Cordevento
Written: 1715 ;
18. V. Sarabande en rondeau by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
19. VI. Menuet by Marin Marais
Orchestra/Ensemble: Cordevento
Written: 1692 ;
20. I. Très Lentement by Pierre Danican Philidor
Orchestra/Ensemble: Cordevento
21. II. Allemande by Pierre Danican Philidor
Orchestra/Ensemble: Cordevento
22. III. Sarabande. Tres tendrement - Un peu plus gay, Et pique -Mouvement ordinaire by Pierre Danican Philidor
Orchestra/Ensemble: Cordevento
23. IV. Gigue. Gayment by Pierre Danican Philidor
Orchestra/Ensemble: Cordevento
24. Suitte en Trio No. 6 in E Minor, Op. 1: VI. Chaconne by Louis-Antoine Dornel
Orchestra/Ensemble: Cordevento
Written: 1709 ;
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