Ian Bostridge: Autograph

Release Date: 9/25/2015
Catalog Number: 552551
Number of Discs: 1

Physical Format:

CD
In Stock
$24.99
Works on This Recording
1. Der Erlkönig, D 328 by Franz Schubert
Period: Romantic
Written: 1815 ; Vienna, Austria
2. Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Period: Romantic
Written: 1822 ; Vienna, Austria
3. Ganymed, D 544/Op. 19 no 3 by Franz Schubert
Period: Romantic
Written: 1817 ; Vienna, Austria
4. Geheimes, D 719/Op. 14 no 2 by Franz Schubert
Period: Romantic
Written: 1821 ; Vienna, Austria
5. Versunken, D 715 by Franz Schubert
Period: Romantic
Written: 1821 ; Vienna, Austria
6. Erster Verlust, D 226/Op. 5 no 4 by Franz Schubert
Period: Romantic
Written: 1815 ; Vienna, Austria
7. Der Fischer, D 225/Op. 5 no 3 by Franz Schubert
Period: Romantic
Written: 1815 ; Vienna, Austria
8. Schwanengesang D957: No. 8 Der Atlas by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
9. Schwanengesang D957: No. 9 Ihr Bild by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
10. Schwanengesang D957: No. 10 Das Fischemädchen by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
11. Schwanengesang D957: No. 11 Die Stadt by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
12. Schwanengesang D957: No. 12 Am Meer by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
13. Schwanengesang D957: No. 13 Der Doppelgänger by Franz Schubert
Period: Romantic
Written: 1828 ; Austria
14. Liederkreis, Op. 24 by Robert Schumann
Period: Romantic
Written: 1840 ; Germany
15. Gutmann und Gutweib ("Und morgen fällt Sankt Martins Fest"), song for voice & piano (Goethe Lieder) by Hugo Wolf
Period: Post-Romantic
Written: 11/28/1888 ;
16. Goethe Lieder: no 50, Ganymed by Hugo Wolf
Period: Romantic
Written: 1889 ; Vienna, Austria
17. Eichendorff Lieder: no 2, Der Musikant by Hugo Wolf
Period: Romantic
Written: 1888 ; Vienna, Austria
18. Verschwiegene Liebe by Hugo Wolf
Period: Romantic
Written: ?1879 ; Vienna, Austria
19. Eichendorff Lieder: no 4, Das Ständchen by Hugo Wolf
Period: Romantic
Written: 1888 ; Vienna, Austria
20. Eichendorff Lieder: no 8, Nachtzauber by Hugo Wolf
Period: Romantic
Written: 1887 ; Vienna, Austria
21. Eichendorff Lieder: no 17, Seemanns Abschied by Hugo Wolf
Period: Romantic
Written: 1888 ; Vienna, Austria
22. Winterreise, D 911/Op. 89 by Franz Schubert
Period: Romantic
Written: 1827 ; Vienna, Austria
23. Orfeo: Act I: Rosa del Ciel by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
24. Orfeo: Act II: Tu se' morta, mia vita by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
25. Orfeo: Act III: Possente Spirto e formaidabil Nume by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
26. Orfeo: Ritomello by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
27. Orfeo: Act III: Non vivo io, nò, che poi di vita è priva by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
28. Orfeo: Act III: A lei volt' hò il camin per l'aer cieco by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
29. Orfeo: Act III: Orfeo son io che d'Euridice i passi by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
30. Orfeo: Act III: Sol tu, nobile Dio, puoi darmi aita by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
31. Orfeo: Act III: Ben mi lusinga alquanto by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
32. Orfeo: Act III: Ahi, sventurato amante by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
33. Orfeo: Sinfonia by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
34. Orfeo: Act III: Ei dorme, e la mia cetra by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
35. Orfeo: Act III: Sinfonia à 7 - Nulla impressa per uom si tenta in vano (Chorus of the Spiritus of He by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
36. Orfeo: Act V: Questi i campi di Tracia by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
37. Orfeo: Act V: ma tu, anima mia, se mia ritoma by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
38. Orfeo: Act V: Tu bella fusti e saggia by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
39. Orfeo: Act V: Hor l'altre Donne son superbe e perfide by Claudio Monteverdi
Conductor: Emmanuelle Haïm
Period: Baroque
Written: 1607 ; Italy
40. Dido and Aeneas: Act I: See, your Royal Guest appears by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
41. Dido and Aeneas: Act I: Cupid only throws the dart by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
42. Dido and Aeneas: Act I: If not for mine, for empire's sake by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
43. Dido and Aeneas: Act II: Behold, upon my bending spear by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
44. Dido and Aeneas: Act II: Haste, haste to town by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
45. Dido and Aeneas: Act II; Stay, Prince, and hear great JOve's command by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
46. Dido and Aeneas: Act III: Your counsel all is urged in vain by Henry Purcell
Conductor: Emmanuelle Haïm
Orchestra/Ensemble: Le Concert d'Astrée
Period: Baroque
Written: 1689 ; United Kingdom
47. Semele: Act II: Where'er you walk by George Frideric Handel
Conductor: Harry Bicket
Period: Baroque
Written: 1743 ; England
48. Serse: Act I: Frondi tenere by George Frideric Handel
Conductor: Harry Bicket
Period: Baroque
Written: 1738 ;
49. Serse: Act I: Ombra mai fu by George Frideric Handel
Conductor: Harry Bicket
Period: Baroque
Written: 1738 ;
50. Ariodante: Act III: Dopo notte, atra e funesta by George Frideric Handel
Conductor: Harry Bicket
Period: Baroque
Written: 1734 ;
51. Idomeneo: Act I: Eccoci salvi alfin by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
52. Idomeneo: Act I: Oh voi, di Marte e di Netuno all'ire by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
53. Idomeneo: Act I: Vedrommi intorno l'ombra dolente by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
54. Idomeneo: Act I: Cieli! che veggo? by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
55. Idomeneo: Act I: Spiagge romite, e voi scoscese rupi by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
56. Idomeneo: Act II: Quaimi contruba i sensi equivoca favella? by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
57. Idomeneo: Act II: Fuor del mar ho un mar in seno by Wolfgang Amadeus Mozart
Period: Classical
Written: 1781 ;
58. Entführung aus dem Serail: Act I: Hier soll ich dich denn sehen by Wolfgang Amadeus Mozart
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Classical
Written: 1782 ;
59. Entführung aus dem Serail: Act II: Wenn der Freude Tränen fließen by Wolfgang Amadeus Mozart
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Classical
Written: 1782 ;
60. Entführung aus dem Serail: Act III: Welch ein Geschick... Meinetwegen sollst du sterben! by Wolfgang Amadeus Mozart
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Classical
Written: 1782 ;
61. Tempest: Act I: Sorcerer, die by Thomas Adès
Conductor: Thomas Adès
63. Tempest: Act III: Who was here by Thomas Adès
Conductor: Thomas Adès
64. Our Hunting Fathers, Op. 8 by Benjamin Britten
Conductor: Daniel Harding
Period: 20th Century
Written: 1936 ; England
65. Nocturne Op. 60: When must I wink, then do mine eyes best see (Sonnet XLIII) by Benjamin Britten
Conductor: Simon Rattle
Period: Modern
Written: 1958 ;
66. Auden Songs (3), for tenor & piano by Hans W. [Composer] Henze
Period: Modern
Written: 1983 ;
67. The Rape of Lucretia: Act I: Rome is now ruled by the Etruscan upstart by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
68. The Rape of Lucretia: Act I:It is an axiom among kings by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
69. The Rape of Lucretia: Act I: Here the thirsty evening has drunk the wine of light by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
70. The Rape of Lucretia: Act I: Tarquinius does not dare by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
71. The Rape of Lucretia: Act I: My horse! My horse! - Interlude - Tarquinius does not wait by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
72. The Rape of Lucretia: Act I: The oatmeal slippers of sleep by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
73. The Rape of Lucretia: Act I: When Tarquinius desires by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
74. The Rape of Lucretia: Act II: Act I: Lucretia... What do you want? by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
75. The Rape of Lucretia: Act II: Interlude - here is this scene you see by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
76. The Rape of Lucretia: Act II: Epilogue: Is it all? by Benjamin Britten
Conductor: Oliver Knussen
Orchestra/Ensemble: Aldeburgh Festival Ensemble
Period: Modern
Written: 1946 ;
77. Billy Budd: Proluge: I am old man who has experienced much by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
78. Billy Budd: Act I: Boy! - Yes, sir! by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
79. Billy Budd: Act I: Act I: Mr. Redburn and Mr. Flint, sir by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
80. Billy Budd: Act I: Ay, at Spithead the men may have had their grievances by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
81. Billy Budd: Act I: We are, sir. Claggart is an able one by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
82. Billy Budd: Act II: Claggart, John Claggart, beware! by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
83. Billy Budd: Act II: Master-at-Arms and foretopman by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
84. Billy Budd: Act II: God o'mercy! by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
85. Billy Budd: Act II: Gentleman, William Budd here has Killed the Master-at-Arms by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
86. Billy Budd: Act II: I accept their verdict by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
87. Billy Budd: Epilogue: We committed his body to the deep by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1951 ; United Kingdom
88. The Turn of the Screw: Act II: Colloquy and Solilquy by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1954 ; United Kingdom
89. The Turn of the Screw: Act II: The Bedroom by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1954 ; United Kingdom
90. The Turn of the Screw: Variation XII by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1954 ; United Kingdom
91. The Turn of the Screw: Act II: Quint by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1954 ; United Kingdom
92. The Turn of the Screw: Act II: Miles by Benjamin Britten
Conductor: Daniel Harding
Period: Modern
Written: 1954 ; United Kingdom
93. Dichterliebe, Op. 48 by Robert Schumann
Period: Romantic
Written: 1840 ; Germany
94. The Diary of One Who Disappeared (Zápisník zmizelého), song cycle for mezzo-soprano, tenor, female c by Leos Janácek
Period: Post-Romantic
Written: 1917-1920 ;
95. Schwanengesang, D 957: no 13, Der Doppelgänger by Franz Schubert
Period: Romantic
Written: 1828 ; Vienna, Austria
96. Ian Bostridge, An Interview Portrait by Spoken Word
Period: Contemporary
97. Ian Bostridge, An Interview Portrait by Spoken Word
Period: Contemporary
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