Gloria: Highlights of Sacred Choral Music / Bavarian Radio Choir

Release Date: 2/17/2017
Label: BR Klassik
Catalog Number: BRK900518
Number of Discs: 1
Length: 76 Minutes

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Notes and Editorial Reviews

Chorus, the name for a community of singers that evolved in Europe from the Middle Ages onwards, derived from the choros of Ancient Greek theatre. The first polyphony soon arose from the initially purely monophonic Latin church music, sung since Late Antiquity and collected and standardized under Pope Gregory I as Gregorian chant. The Renaissance then brought forth complex types of polyphonic a cappella works - these reached new heights during the course of the 16th century in multiple choirs, bringing new experiences in sound through the juxtaposition - whenever space allowed - of several choirs inside churches. The choir became increasingly functional - above all in operas, cantatas and oratorios. By the Late Baroque period, the development stage had been reached that still characterizes today's concept of the choir: a fixed choral ensemble, clearly differentiated from an instrumental one; works of primarily spiritual content; texts in Latin but, increasingly, in national languages as well; and everythin ggradually becoming more representational in character. The Chor des Bayerischen Rundfunks can be heard here performing highlights of sacred choral music dating from the Baroque period to modern times. Even today, three hundred years later, the large oratorio choirs by Bach and Handel are as vivid, realistic and captivating as ever. Haydn succeeded in preserving this for the sacred music of the Wiener Klassik era, which reached its peak in Beethoven's Missa solemnis. The heartfelt masses composed by Schubert are typical of early German Romanticism, Gounod's St. Cecilia Mass is the French equivalent here, and Dvorak's Stabat Mater represents Bohemian Romanticism of the mid to late 19th century. Verdi's famous Messa da Requiem testifies to the close relationship between Italian opera and Italian church music. The Mass written just before the end of World War II by the Hungarian composer akodaly is still Late Romantic in its musical language, while in his Berlin Mass, written shortly before the start of the 20th century, the Estonian composer Arvo Part maintains the Tintinnabuli style that informs and inspires his work. This representative cross-section of well-known and some less well-known choral numbers spans a period of almost three hundred years, impressively demonstrating not only what gives choral music its special character and aura, but also what has changed over the centuries and what has remained largely similar. Furthermore, it testifies to the unique choral culture of the Chor des Bayerischen Rundfunks and to the "crystal clear sound" and "immense plasticity" of its performances, which are regularly praised in the highest terms, along with supreme artistic quality of its interpretations.

Works on This Recording
1. Mass in B Minor, BWV 232: Gloria in excelsis Deo by Johann Sebastian Bach
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, Concerto Köln
Period: Baroque
Written: 1747-49 ; Leipzig, Germany
2. Messe solennelle de Sainte Cécile: Kyrie by Charles-François Gounod
Conductor: Mariss Jansons
Written: 1855 ;
3. Mass No. 2 in G Major, D. 167: Gloria: Gloria in excelsis Deo by Franz Schubert
Conductor: Mariss Jansons
Written: 1815 ;
4. Stabat Mater, Op. 58/B 71 by Antonín Dvorák
Conductor: Mariss Jansons
Period: Romantic
Written: 1876-1877 ; Bohemia
5. Mass in D Major, Op. 123, "Missa Solemnis": Kyrie: Kyrie eleison by Ludwig van Beethoven
Conductor: Bernard Haitink
Written: 1823 ;
6. Dixit Dominus, HWV 232: Dixit Dominus Domino meo by George Frideric Handel
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, Concerto Köln
Period: Baroque
Written: 1707 ; Italy
7. Magnificat in D Major, BWV 243: Gloria Patri by Johann Sebastian Bach
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, Concerto Köln
Period: Baroque
Written: circa 1728-1731 ; Leipzig, Germany
8. St. Matthew Passion, BWV 244, Part III: Chorale: O Haupt voll Blut und Wunden by Johann Sebastian Bach
Orchestra/Ensemble: Bavarian Radio Chorus
Written: 1742 ;
9. St. John Passion, BWV 245, Part I: Chorale: Herr, unser Herrscher by Johann Sebastian Bach
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, Concerto Köln
Written: 1724 ;
10. Die Schöpfung (The Creation), Hob.XXI:2: Part I: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) by Franz Joseph Haydn
Conductor: Bernard Haitink
Written: 1798 ;
11. Messa da Requiem: Dies irae: Dies irae, dies illa by Giuseppe Verdi
Conductor: Mariss Jansons
Written: 1874 ;
12. Missa brevis: Gloria by Zoltán Kodály
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus
Written: 1944 ;
13. Berliner Messe: Credo by Arvo Pärt
Conductor: Peter Dijkstra
14. Christmas Oratorio, BWV 248, Part I: Jauchzet, frohlocket, auf, preiset die Tage by Johann Sebastian Bach
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, Berlin Akademie für Alte Musik
Period: Baroque
Written: 1734-1735 ; Leipzig, Germany
15. Messiah, HWV 56, Part II: Hallelujah by George Frideric Handel
Conductor: Peter Dijkstra
Orchestra/Ensemble: Bavarian Radio Chorus, B'Rock
Written: 1741 ;
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