Generation Harmonia Mundi, Vol. 1: The Age of Revolutions

Release Date: 5/11/2018
Catalog Number: HMX2908904
Number of Discs: 3

Physical Format:

CD
In Stock
$31.99
Notes and Editorial Reviews
2018 Gramophone Magazine - Label of the Year

The harmonia mundi label was founded in 1958. Sixty years and several thousand recordings later, the company continues to affirm its unique identity with unflagging vitality. Anniversaries offer an opportunity to reflect on the distance traveled. This 16- disc set (volume one of two) invites listeners to re-live highlights of the label's first thirty years. It also pays tribute to the now legendary artists who built harmonia mundi in a passionate quest for excellence that caused a genuine revolution in the world of early music.

CONTENTS SUMMARY:

**CD 1-2 - A passion for the organ
Historic organs from Trujillo, Malaucène, Brescia & Trebel

**CD 3 - The discovery of the Old World
Ancient Greek music / Gauls / Roman chants

**CD 4 - From Renaissance to Baroque
Madrigals by Marenzio, Caccini, Bottrigari, Gesualdo, Monteverdi

**CD 5-11 - The Baroque revolution
Purcell: King Arthur/ Songs : O Solitude, Music for a while
Schütz: Motets / Kleine geistliche Konzerte & Symphoniae Sacrae
J. S. Bach: Magnificat BWV 243, Aria: Erbarme dich from (St. Matthew Passion)
Pergolesi: Stabat Mater / Cesti: Orontea (extraits/excerpts)
Lully: Atys (extraits/excerpts) / Le Bourgeois gentilhomme
Charpentier: Te Deum H.146 / Rameau: Les Indes galantes
De Lalande: Symphonies pour les Soupers du Roy 12eSuite

**CD 12-14 - A fresh look at the score
Mozart: Church Sonatas
Beethoven: Symphony “Eroica” transcribed by Franz Liszt
Johann Schobert: Piano Quartet op. VII n° 2
Chausson: Concert op. 21
Fauré: Requiem op. 48 (version 1893)
Brahms: Motets Op. 29 & Op. 74
Mélodies sur des poèmes de Victor Hugo

**CD 15 - The twentieth century
Schoenberg: Piano Pieces Opp. 11, 19, 23 & 25
Berio: Laborintus - 2 CD

**CD 16 - A window on the world of Iranian music, Arabo-Andalusian music, Byzantine chant, Corsica, La Folia de la Spagna.
Works on This Recording
1. Te matrem Dei laudamus by Anonymous
Performer: Francis Chapelet (Organ)
Period: Renaissance
Performer: Francis Chapelet (Organ)
Period: Renaissance
3. Fabordón llano y fabordón glosado by Nicolas Gombert
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Flanders, Belgium
Performer: Francis Chapelet (Organ)
Period: Renaissance
Performer: Francis Chapelet (Organ)
Period: Renaissance
Performer: Francis Chapelet (Organ)
Period: Renaissance
7. Villancico "Jesucristo hombre y dios" by Anonymous
Performer: Francis Chapelet (Organ)
Period: Renaissance
8. Sacris solemnis by Anonymous
Performer: Francis Chapelet (Organ)
Period: Renaissance
9. Je vous... by Anonymous
Performer: Francis Chapelet (Organ)
Period: Renaissance
10. Pour ung plaisir by Thomas Crecquillon
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: by 1543 ;
11. Réveillez vous cueurs endormis "Le chant des oiseaux" by Clément Janequin
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; France
12. Libro de tientos y discursos...: Tiento de medio registro de tiple de cuarto tono by Francisco Correa de Arauxo
Performer: Francis Chapelet (Organ)
Period: Baroque
Written: by 1626 ; Spain
13. Libro de tientos y discursos...: Tiento de medio registro de baxon de sexto tono by Francisco Correa de Arauxo
Performer: Francis Chapelet (Organ)
Period: Baroque
Written: by 1626 ; Spain
14. O lux beata trinitas by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
15. Tiento del primer tono by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
16. Versets (4) del primer tono sobre "Saeculorum amen" by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
17. Die nobis Maria by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
18. Diferencias (3) sobre "Ave maris stella" by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
19. Tiento sobre “Malheur me bat” by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
20. Tiento del primer tono by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
Written: 16th Century ; Spain
21. Dulce memoriae, Chanson- Intavolierung by Antonio De Cabezón
Performer: Francis Chapelet (Organ)
Period: Renaissance
22. Apparatus musico-organisticus: Toccata no 10 in D major by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
23. Apparatus musico-organisticus: Toccata no 2 in G minor by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
24. Apparatus musico-organisticus: Toccata no 9 in E minor by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
25. Apparatus musico-organisticus: Toccata no 3 in A minor by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
26. Apparatus musico-organisticus: Toccata no 5 in C major by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
27. Apparatus musico-organisticus: Toccata no 1 in D minor by Georg Muffat
Performer: René Saorgin (Organ)
Period: Baroque
Written: by 1690 ; Germany
28. Canzoni alla francese in partitura...libro quarto, a 4: no 5, detta La Bellerofonte by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
Written: 1645 ; Italy
29. Canzoni alla francese in partitura...libro quarto, a 4: no 6, detta la Pesenti by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
Written: 1645 ; Italy
30. Canzoni alla francese in partitura...libro quarto, a 4: no 7, detta la Tarditi by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
Written: 1645 ; Italy
31. Canzoni alla francese in partitura...libro quarto, a 4: no 9, detta la Querina by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
Written: 1645 ; Italy
32. Ricercare decimo by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
33. Canzone Prima by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
34. Ricercare con obligo del basso by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
35. Toccata per la Levatione by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
36. Canzoni alla francese in partitura...libro quarto, a 4: no 1, detta la Rovetta by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
Period: Baroque
Written: 1645 ; Italy
37. Bergamasca by Girolamo Frescobaldi
Performer: René Saorgin (Organ)
38. Toccata for Organ in C major by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
39. Chaconne for Organ in F minor by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
40. Werde munter, mein Gemüte by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
41. Ricercare for Organ in C minor by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
42. Was Gott tut, das ist wohlgetan by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
Written: 1683 ; Germany
43. Fantasia for Organ in G minor by Johann Pachelbel
Performer: Helmut Winter (Organ)
Period: Baroque
44. Orestes: Stasimon by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
45. Contrapollinopolis: Instrumental fragments by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
46. Premier Hymne Delphique à Apollon by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
47. Plaine de Tecmessa by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
48. Papyrus 29825, Vienna by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
Written: 3rd c. BC ;
49. Hymne au Soleil by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
50. Hymne a la Muse by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
51. Hymne a Nemesis by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
52. Papyrus Michigan Inv. 2958 by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
53. Aenaoi Nefalai by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
54. Alleluia Non vos reliquam by Anonymous
Performer: Iegor Reznikoff (Voice)
Period: Medieval
55. Alleluia Sancte Michael by Anonymous
Performer: Iegor Reznikoff (Voice)
Period: Medieval
56. Alleluia Oculis by Anonymous
Performer: Iegor Reznikoff (Voice)
57. Gloria laus et honor by Anonymous
Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Medieval
58. Cum audisset populus by Anonymous
Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Medieval
59. Collegerunt pontifices by Anonymous
Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Medieval
60. Popule meus by Anonymous
Conductor: Alfred Deller
Orchestra/Ensemble: Deller Consort
Period: Medieval
61. Alleluia Pimenon ton Israhil by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: Ensemble Organum
Period: Medieval
62. Introit: Resurrexi (Mode IV) (B) by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: Ensemble Organum
Period: Medieval
63. Alleluia Epi si Kyrie by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: Ensemble Organum
Period: Medieval
64. Madrigals a 5, Book 7: Cruda Amarilli che co 'l nom'ancora by Luca Marenzio
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble
Period: Renaissance
Written: by 1595 ; Italy
65. Madrigals a 5, Book 7: Cruda Amarilli che co 'l nom'ancora by Luca Marenzio
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble
Period: Renaissance
Written: by 1595 ; Italy
66. Madrigals a 5, Book 7: Care mie selve a Dio by Luca Marenzio
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble
Period: Renaissance
Written: by 1595 ; Italy
67. Madrigals a 5, Book 7: Questi vaghi concenti by Luca Marenzio
Conductor: Dominique Visse
Orchestra/Ensemble: Clément Janequin Ensemble
Period: Renaissance
Written: by 1595 ; Italy
68. Del cibo, onde il signor by Luca Marenzio
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Renaissance
69. Come inanti de l'alba ruggiadosa by Luca Marenzio
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Renaissance
70. Le nuove musiche: Amarilli mia bella by Giulio Caccini
Performer: Konrad Junghänel (Lute), René Jacobs (Countertenor)
Period: Baroque
Written: by 1602 ; Italy
71. Mi parto by Ercole Bottrigari
Performer: Konrad Junghänel (Lute), René Jacobs (Countertenor)
72. Poppea by Claudio Monteverdi
Performer: Konrad Junghänel (Lute), René Jacobs (Countertenor)
73. Scherzi musicali, volume 2: Eri già tutta mia by Claudio Monteverdi
Performer: Konrad Junghänel (Lute), René Jacobs (Countertenor)
Period: Baroque
Written: by 1632 ; Italy
74. Madrigals, Book 3: Ahi, disperata vita by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1595 ; Italy
75. Madrigals, Book 3: Sospirava il mio core by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1595 ; Italy
76. Madrigals, Book 3: O malnati messaggi by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1595 ; Italy
77. Madrigals, Book 3: Non t'amo, o voce ingrata by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1595 ; Italy
78. Madrigals, Book 4: Luci serene e chiare by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1596 ; Italy
79. Madrigals, Book 4: Sparge la morte al mio Signor by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1596 ; Italy
80. Madrigals, Book 4: Arde il mio cor by Carlo Gesualdo
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Renaissance
Written: by 1596 ; Italy
81. Madrigals, Book 8: Combattimento di Tancredi e Clorinda by Claudio Monteverdi
Conductor: René Clemencic
Orchestra/Ensemble: Clemencic Consort
Period: Baroque
Written: 1624 ; Italy
82. Firste Booke of Songes or Ayres: no 17, Come againe, sweet love doth now envite by John Dowland
Performer: Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance
Written: 1597 ; England
83. Second Booke of Songes or Ayres: no 1, I saw my lady weepe by John Dowland
Performer: Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance
Written: by 1600 ; England
84. Orlando sleepeth, P 61 by John Dowland
Performer: Robert Spencer (Lute), Alfred Deller (Countertenor)
Period: Renaissance
85. Second Booke of Songes or Ayres: no 19, Shall I sue, shall I seeke for grace? by John Dowland
Performer: Robert Spencer (Lute), Alfred Deller (Countertenor)
Period: Renaissance
Written: 1600 ; England
86. In darkness let mee dwell by John Dowland
Performer: Robert Spencer (Lute), Alfred Deller (Countertenor)
Period: Renaissance
Written: 1610 ; England
87. Firste Booke of Songes or Ayres: no 20, Come, heavy sleepe by John Dowland
Performer: Robert Spencer (Lute), Alfred Deller (Countertenor)
Period: Renaissance
Written: 1597 ; England
88. King Arthur, or The British Worthy, Z 628: Overture by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
89. King Arthur, or The British Worthy, Z 628: Woden, first to thee by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
90. King Arthur, or The British Worthy, Z 628: Brave souls, to be renown'd in story by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
91. King Arthur, or The British Worthy, Z 628: Come if you dare by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
92. King Arthur, or The British Worthy, Z 628: What ho! by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
93. King Arthur, or The British Worthy, Z 628: How blest are shepherds by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
94. King Arthur, or The British Worthy, Z 628: Shepherd, shepherd, leave decoying by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
95. King Arthur, or The British Worthy, Z 628: Hornpipe by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
96. King Arthur, or The British Worthy, Z 628: Act III, Scene 2 by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
97. King Arthur, or The British Worthy, Z 628: Two daughters by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
98. King Arthur, or The British Worthy, Z 628: How happy the lover by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
99. King Arthur, or The British Worthy, Z 628: Ye blust'ring Brethren of the skies by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
100. King Arthur, or The British Worthy, Z 628: Symphony in C major by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
101. King Arthur, or The British Worthy, Z 628: Your hay it is mow'd by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
102. King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
103. King Arthur, or The British Worthy, Z 628: You say 'tis love by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
104. King Arthur, or The British Worthy, Z 628: Trumpet Tune by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
105. King Arthur, or The British Worthy, Z 628: St. George, the Patron of our Isle by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
106. King Arthur, or The British Worthy, Z 628: Chaconne by Henry Purcell
Conductor: Alfred Deller
Orchestra/Ensemble: King's Musick, Deller Consort
Period: Baroque
Written: 1691 ; England
107. Retir'd from any mortal's sight, Z. 581 by Henry Purcell
Performer: Jane Ryan (Bass Viola da gamba), William Christie (Harpsichord), Wieland Kuijken (Bass Viola da gamba), Robert Elliott (Organ), Alfred Deller (Countertenor)
108. Oedipus, Z 583: Music for a while by Henry Purcell
Performer: Jane Ryan (Bass Viola da gamba), William Christie (Harpsichord), Wieland Kuijken (Bass Viola da gamba), Alfred Deller (Countertenor), Robert Elliott (Organ)
Period: Baroque
Written: ?1692 ; England
109. Prophetess, Z 627: Since from my dear Astrea's sight by Henry Purcell
Performer: Robert Elliott (Organ), William Christie (Harpsichord), Wieland Kuijken (Bass Viola da gamba), Jane Ryan (Bass Viola da gamba), Alfred Deller (Countertenor)
Period: Baroque
Written: 1690 ; England
110. O solitude, my sweetest choice, Z 406 by Henry Purcell
Performer: Jane Ryan (Bass Viola da gamba), William Christie (Harpsichord), Wieland Kuijken (Bass Viola da gamba), Alfred Deller (Countertenor), Robert Elliott (Organ)
Period: Baroque
Written: by 1687 ; England
111. Symphoniae sacrae, Op. 10: Wie ein Rubin in feinem, SWV 357 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1647 ; Germany
112. Symphoniae sacrae, Op. 10: Was betrübst du dich, SWV 353 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1647 ; Germany
113. Symphoniae sacrae, Op. 10: Herzlich lieb hab ich dich, o Herr, SWV 348 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1647 ; Germany
114. Symphoniae sacrae, Op. 10: Herr, unser Herrscher, SWV 343 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1647 ; Germany
115. Kleine geistliche Konzerte, Op. 9: Was hast du verwirket, SWV 307 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: by 1639 ; Germany
116. Kleine geistliche Konzerte, Op. 9: O Jesu, nomen, SWV 308 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: by 1639 ; Dresden, Germany
117. Kleine geistliche Konzerte, Op. 9: Habe deine Lust, SWV 311 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: by 1639 ; Dresden, Germany
118. Kleine geistliche Konzerte, Op. 9: Bone Jesu, verbum Patris, SWV 313 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: by 1639 ; Dresden, Germany
119. Kleine geistliche Konzerte, Op. 8: Wohl dem, der nicht wandelt, SWV 290 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1636 ; Germany
120. Kleine geistliche Konzerte, Op. 8: O süsser, o freundlicher, SWV 285 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1636 ; Germany
121. Kleine geistliche Konzerte, Op. 8: Ihr heiligen, lobsinget dem Herren, SWV 288 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1636 ; Germany
122. Kleine geistliche Konzerte, Op. 8: Eile mich, Gott, zu erretten, SWV 282 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1636 ; Germany
123. Kleine geistliche Konzerte, Op. 8: Bringt her dem Herren, SWV 283 by Heinrich Schütz
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1636 ; Germany
124. Kleine geistliche Konzerte, Op. 9: Ich bin die Auferstehung und das Leben, SWV 324 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
Written: by 1639 ; Dresden, Germany
125. Kleine geistliche Konzerte, Op. 8: O lieber Herre Got, SWV 287 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
Written: 1636 ; Germany
126. Geistliche Chormusik, Op. 11/SWV 369-397: So fahr ich hin zu Jesu, SWV 379 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
127. Geistliche Chormusik, Op. 11/SWV 369-397: Selig sind die Toten, SWV 391 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
Written: 1648 ; Germany
128. Geistliche Chormusik, Op. 11/SWV 369-397: Die Himmel erzählen, SWV 386 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
129. Geistliche Chormusik, Op. 11/SWV 369-397: Also hat Gott die welt, SWV 380 by Heinrich Schütz
Orchestra/Ensemble: La Chapelle Royale
Period: Baroque
Written: 1648 ; Germany
130. Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer: Peter Kooy (Bass), Howard Crook (Tenor), Gérard Lesne (Countertenor), Barbara Schlick (Soprano), Agnès Mellon (Soprano)
Period: Baroque
Written: circa 1728-1731 ; Leipzig, Germany
131. Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer: René Jacobs (Countertenor)
Period: Baroque
Written: Circa 1727 ; Leipzig, Germany
132. Stabat Mater by Giovanni Battista Pergolesi
Performer: Sebastian Hennig (Boy Soprano), Richte Van der Meer (Cello), Dirk Vermeulen (Violin), Staas Swierstra (Violin), René Jacobs (Countertenor), Ruth Hesseling (Viola), Anthony Woodrow (Double Bass), Johan Huys (Organ)
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale
Period: Baroque
Written: 1736 ; Pozzuoli, Italy
133. Orontea: Excerpts by Pietro Antonio Cesti
Performer: Konrad Junghänel (Lute), Rainer Zipperling (Cello), Christopher Wilson (Lute), William Christie (Harpsichord), Yvon Reperant (Harpsichord), Jaap ter Linden (Cello)
Conductor: René Jacobs
Orchestra/Ensemble: Concerto Vocale, Ensemble Instrumental
Period: Baroque
134. Atys, LWV 53: Excerpt(s) by Jean-Baptiste Lully
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: 1676 ; France
135. March for Kettledrums by Jacques Philidor
Performer: Marie-Ange Petit (Percussion)
Period: Baroque
Written: 1685 ; France
136. Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor: William Christie
Orchestra/Ensemble: Les Arts Florissants
Period: Baroque
Written: circa ?1690 ; France
137. Sinfonies pour les soupers du roi: Suite no 2 in G major by Michel Richard Delalande
Conductor: Hugo Reyne
Orchestra/Ensemble: La Simphonie du Marais
Period: Baroque
Written: circa 1690-1700 ; France
138. Les Indes galantes by Jean-Philippe Rameau
Performer: Kenneth Gilbert (Harpsichord)
Period: Baroque
Written: 1735/1761 ; France
139. Church Sonata for Organ and Strings no 6 in B flat major, K 212 by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1775 ; Salzburg, Austria
140. Church Sonata for Organ and Strings no 1 in E flat major, K 67 (41h) by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1772 ; Salzburg, Austria
141. Church Sonata for Organ and Strings no 2 in B flat major, K 68 (41i) by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1772 ; Salzburg, Austria
142. Church Sonata for Organ and Strings no 5 in F major, K 145 (124b) by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1774 ; Salzburg, Austria
143. Church Sonata for Organ and Strings no 7 in F major, K 224 (241a) by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1776 ; Salzburg, Austria
144. Church Sonata for Organ and Strings no 10 in F major, K 244 by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1776 ; Salzburg, Austria
145. Church Sonata for Organ and Strings no 17 in C major, K 336 (336d) by Wolfgang Amadeus Mozart
Orchestra/Ensemble: London Baroque
Period: Classical
Written: 1780 ; Salzburg, Austria
146. Symphonies (9) after Beethoven for Piano, S 464: no 3 in E flat major by Franz Liszt
Performer: Georges Pludermacher (Piano)
Period: Romantic
Written: 1863-1864 ;
147. Sonatas en quatuor (3) for Harpsichord and Strings, Op. 7: no 2 in F minor by Johann Schobert
Performer: Philipp Bosbach (Cello), Véronique Méjean (Violin), Luciano Sgrizzi (Piano), Chiara Banchini (Violin)
Period: Classical
Written: 1764 ;
148. Concert for Piano, Violin and String Quartet in D major, Op. 21 by Ernest Chausson
Performer: Régis Pasquier (Violin), Genevieve Simonot (Violin), Roland Pidoux (Cello), Bruno Pasquier (Viola), Roland Daugareil (Violin), Jean-Claude Pennetier (Piano)
Period: Romantic
Written: 1889-1891 ; France
149. Sérénade by Charles Gounod
Performer: Graham Johnson (Piano), Felicity Lott (Soprano)
Period: Romantic
Written: 1857 ; France
150. Feuilles d'album: no 4, Guitare by Georges Bizet
Performer: Graham Johnson (Piano), Felicity Lott (Soprano)
Period: Romantic
Written: 1866 ; France
151. Eglogue by Léo Delibes
Performer: Graham Johnson (Piano), Felicity Lott (Soprano)
Period: Romantic
152. S'il est un charmant gazon, M 78 by César Franck
Performer: Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic
153. Le papillon et la fleur, Op. 1 no 1 by Gabriel Fauré
Performer: Graham Johnson (Piano), Felicity Lott (Soprano)
Period: Romantic
Written: 1861 ; France
154. Requiem, Op. 48 by Gabriel Fauré
Performer: Peter Kooy (Bass), Agnès Mellon (Soprano)
Period: Romantic
Written: 1887-1890 ; France
155. Motets (2), Op. 29 by Johannes Brahms
Period: Romantic
Written: ?1860 ; Germany
156. Motets (2), Op. 74 by Johannes Brahms
Period: Romantic
Written: 1863-1877 ; Austria
157. Pieces (5) for Piano, Op. 23 by Arnold Schoenberg
Performer: Claude Helffer (Piano)
Period: 20th Century
Written: 1920-1923 ; Vienna, Austria
158. Suite for Piano, Op. 25 by Arnold Schoenberg
Performer: Claude Helffer (Piano)
Period: 20th Century
Written: 1921-1923 ; Vienna, Austria
159. Pieces (3) for Piano, Op. 11 by Arnold Schoenberg
Performer: Claude Helffer (Piano)
Period: 20th Century
Written: 1909 ; Vienna, Austria
160. Little Pieces (6) for Piano, Op. 19 by Arnold Schoenberg
Performer: Claude Helffer (Piano)
Period: 20th Century
Written: 1911 ; Vienna, Austria
161. Laborintus no 2 by Luciano Berio
Performer: Janette Baucomont (Soprano), Edoardo Sanguineti (Spoken Vocals), Claudine Meunier (Alto), Christiane Legrand (Soprano)
Conductor: Luciano Berio
Period: 20th Century
Written: 1965 ; USA
162. Improvisation a 6 temps by Anonymous
Performer: Djamchid Chemirani (Zarb)
163. M'saddar - Sana'a by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
164. M'shalya - Touchia - Sana'a by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
165. Iqbalni-l-yawm by Anonymous
166. Ya Rabbi by Anonymous
Period: Medieval
167. Alyāwma-’Ulliga by Anonymous
168. U primu fiore by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: E Voce di U Cumune
169. Lettera a Mamma by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: E Voce di U Cumune
170. Ponte novu by Anonymous
Conductor: Marcel Pérès
Orchestra/Ensemble: E Voce di U Cumune
171. Nana andaluza by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
172. Antidotum tarantulæ by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
173. Chorea by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
Period: Renaissance
Written: 16th Century ;
174. Tarentella neapoli tonum phrygium by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
175. Fons vitæ - Dementia præcox angelorum - Supra solfamirevt by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
176. Extravagans - Laurea minima - In vitro by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
177. Vulgaris - Sine populi notione - Vagula et blandula by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
178. De tolerentia ætherea - Fuga ficta et carrus triumphalis by Anonymous
Conductor: Gregorio Paniagua
Orchestra/Ensemble: Atrium Musicae
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