Notes and Editorial Reviews
Violist Nadia Sirota, one of the leading lights of New York’s “indie-classical” scene, takes center stage with her debut recording, first things first, issued by New Amsterdam Records on May 19. Hailed by Time Out New York as one of New York’s “brightest, busiest players,” Nadia has earned praise for her “command and eloquence” (Boston Globe), as well as her “energy, fluidity [and] ear for electronic coloration” (New York Times). The twenty- something musician has commissioned and premiered works by some of the most talented composers of her generation, particularly the three whose music appears on first things first: Marcos Balter, Judd Greenstein, and Nico Muhly. The disc comprises five solo tracks plus Muhly’s Duet No. 1 (with cellist Clarice Jensen) and Greenstein’s The Night Gatherers, featuring Nadia and The Chiara String Quartet.
A regular guest with such groups as The Meredith Monk Ensemble, Alarm Will Sound and Continuum, Nadia Sirota is a founding member of ACME (the American Contemporary Music Ensemble) and the Wordless Music Orchestra. In addition to performing classical concert music, Nadia can be heard on new and recent albums by Grizzly Bear, Ratatat, Doveman, and My Brightest Diamond. She received her undergraduate and Master’s degrees from the Juilliard School, where she won the top prize in Juilliard’s 2005 concerto competition. As a chamber musician, Nadia has collaborated with such artists as Joseph Kalichstein, Itzhak Perlman, and the Silk Road Ensemble, as well as with members of Kronos Quartet, the Chiara Quartet, and the Peabody Trio. In the fall of 2007, Nadia joined the faculty of the Manhattan School of Music for its new Masters Program in Contemporary Music Performance.
The music on first things first ranges from Balter’s experiments in color and texture (Ut, Live Water) to Muhly’s idiosyncratic takes on Minimalism (Duet No. 1, Etudes I and IA) to Greenstein’s tense, insistent Escape and lush, elegiac The Night Gatherers. Says Nadia, “For me this album is a kind of summation of projects and friendships that started in my early twenties. Nico I met at school, and Judd and Marcos were both Fellows at the Tanglewood Music Center with me… All of these personal connections make this record really special for me, but more importantly, all three of these guys have really strong, individual voices. Their music is innovative, and yet feels timely and inevitable. I am so pleased to interpret their work, and I am thrilled to release this first record.”