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COMPOSERGIPPS, RUTH
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ORCHESTRA / ENSEMBLETippett Quartet
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PERFORMERCigleris, Hulse, Honeybourne
Dedication - The Clarinet Chamber Music of Ruth Gipps / Tippett Quartet
- SOMM Recordings
- October 1, 2021
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RELEASE DATEOctober 01, 2021
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UPC748871064126
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CATALOG NUMBERSOMMCD 0641
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LABELSOMM Recordings
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NUMBER OF DISCS1
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GENRE
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Rhapsody in E-Flat, Op. 23
Composer: Ruth Gipps
Ensemble: Tippett Quartet
Performer: Peter Cigleris
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The Kelpie of Corrievreckan, Op. 5b
Composer: Ruth Gipps
Performer: Peter Cigleris, Duncan Honeybourne
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I. Allegro
Composer: Ruth Gipps
Performer: Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic
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II. Adagio
Composer: Ruth Gipps
Performer: Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic
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III. Energico
Composer: Ruth Gipps
Performer: Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic
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IV. Finale: Allegro moderato
Composer: Ruth Gipps
Performer: Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic
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Prelude for Bass Clarinet
Composer: Ruth Gipps
Performer: Peter Cigleris
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I. Maestoso, Allegro ma non troppo
Composer: Ruth Gipps
Performer: Peter Cigleris, Duncan Honeybourne
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II. Andante con moto
Composer: Ruth Gipps
Performer: Peter Cigleris, Duncan Honeybourne
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III. Scherzando
Composer: Ruth Gipps
Performer: Peter Cigleris, Duncan Honeybourne
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IV. Maestoso, Allegro molto
Composer: Ruth Gipps
Performer: Peter Cigleris, Duncan Honeybourne
Featuring ⌄
Product Details ⌄
Works ⌄
| SOMM Recordings celebrates the centenary of the birth of Ruth Gipps with Dedication, featuring five premiere recordings of chamber works inspired by her clarinetist-husband, Robert Baker, most of which were recently broadcast on BBC Radio 3’s Composer of the Week. Based on a Scottish legend, the early The Kelpie of Corrievreckan (Op.5b) is an evocative miniature for clarinet and piano revelling in Gipps’ facility for locating a human dimension within a tragic fantasy; the Op.23 E-flat Rhapsody for clarinet and string quartet described by Robert Matthew- Walker in his informative booklet notes adroitly placing Gipps’ music within the wider context of her career and personal life, as “a fluent, masterfully eloquent composition”. The Op.51 Prelude for Bass Clarinet is a heartfelt soliloquy with a series of dance-like variations at its heart. Two substantial works include the Quintet for Oboe, Clarinet and String Trio, Op.16 – a completion exercise for Gipps’ degree course at Durham University boasting an imaginative intertwining of the individual voices, and the Cobbett Prize-winning Clarinet Sonata composed at a single sitting. “I heard it in my mind and wrote it down as fast as I could scribble”, Gipps later recalled. Making their debuts on SOMM, clarinettist Peter Cigleris, oboist Gareth Hulse and pianist Duncan Honeybourne are joined by the Tippett Quartet, whose coupling of music by William Alwyn and Doreen Carwithen (SOMMCD 0194) was admired by The Strad for its “radiant insight and affection... beguiling lustre and allure”. SOMM’s coupling of Gipps’ Piano Concerto with works by Dora Bright (SOMMCD 273) was universally acclaimed, International Piano declaring it “a treat for fans of English music... unmissable”, MusicWeb International haiing it as “simply outstanding... really impressive”, with BBC Music Magazine remarking that Gipps’ Concerto “seizes one immediately with her distinctive personality and voice”. |
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