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COMPOSERBUSONI, FERRUCIO
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PERFORMERPeter Donohoe
Busoni, Bach: Élégien - Toccata - Sonatina super Carmen -Toccata, Adagio and Fugue / Donohoe
- Chandos
- August 6, 2021
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RELEASE DATEAugust 06, 2021
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UPC095115223727
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CATALOG NUMBERCHAN 20237
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. Prelude: Quasi presto, arditamente -
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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II. Fantasia: Sostenuto, quasi adagio -
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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III. Ciaconna: Allegro risoluto
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 1. Nach der Wendung
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 2. All'Italia!
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 3. Meine Seele bangt und hofft zu dir
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 4. Turandots Frauengemach
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 5. Die Nächtlichen
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 6. Erscheinung
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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No. 7. Berceuse
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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Piano Sonatina No. 6 super Carmen, "Kammerfantasie"
Composer: Ferruccio Busoni
Performer: Peter Donohoe
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Toccata (Preludio)
Composer: Johann Sebastian Bach
Performer: Peter Donohoe
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Adagio (Intermezzo)
Composer: Johann Sebastian Bach
Performer: Peter Donohoe
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Fugue
Composer: Johann Sebastian Bach
Performer: Peter Donohoe
Featuring ⌄
Product Details ⌄
Works ⌄
Peter Donohoe CBE studied at Chetham’s School of Music and Leeds University before going on to study at the Royal Northern College of Music with Derek Wyndham and in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility, and commanding technique. He first came across the works of Busoni in the early 1980s and, as he states in his booklet note, ‘Busoni’s contribution to the musical history of the twentieth century is inestimable, and I feel very much enriched by the several decades of my exposure to it.’ The program he has chosen includes three of the pinnacles of Busoni’s virtuosic output: the Toccata, BV 287, the seven Elegien, and the Sonatina on Bizet’s Carmen, alongside the much earlier Bach transcription of which Peter Donohoe writes: ‘The Toccata, in particular, has always struck me as one of the most joyous pieces in the history of instrumental music, and Busoni’s transcription certainly brings out that joy.’
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