Notes and Editorial Reviews
Bach’s harpsichord concertos are arguably the first in the history of music designed specifically for this instrument. Composing them, Bach aimed to adapt the string writing of Italian instrumental concertos to a keyboard instrument, while simultaneously enriching this style with typically-German traits such as counterpoint and motivic development. Francesco Corti and il pomo d’oro present concertos BWV 1052, 1053, 1055 and 1058 as the first volume of what should become a cycle spanning four albums. Corti has chosen to combine these four concertos for the full orchestral sound they call for, while later recordings in this series will have a chamber setting in comparison. For tempo choices and melodic variations, Corti has been inspired by treatises from Bach’s time, as well as the composer’s own written-out ornamentations. Francesco Corti belongs to the most established harpsichordists of his generation. He makes his PENTATONE debut together with the multi-award-winning ensemble il pomo d’oro, who recorded two vocal recital albums with the label: Carnevale 1729 with Ann Hallenberg (2017), as well as Prologue with Francesca Aspromonte (2018).