Bach: Complete Sacred Cantatas

Release Date: 1/15/2008
Catalog Number: 407420
Number of Discs: 60

Physical Format:

CD
In Stock
$139.99
Notes and Editorial Reviews
This is all 10 volumes of the complete Sacred Cantatas of J.S. Bach including 60 CDs in a deluxe box set.
Bach Cantatas Vol 1 - BWV 1-14, 16-19
Bach Cantatas Vol 2 - BWV 20-36
Bach Cantatas Vol 3 - BWV 37-52, 54-60
Bach Cantatas Vol 4 - BWV 61-78
Bach Cantatas Vol 5 - BWV 79-99
Bach Cantatas Vol 6 - BWV 100-117
Bach Cantatas Vol 7 - BWV 119-137
Bach Cantatas Vol 8 - BWV 138-140, 143-159, 161-162
Bach Cantatas Vol 9 - BWV 163-182
Bach Cantatas Vol 10 - BWV 183-188, 192, 194-199
Includes cantata(s) by Johann Sebastian Bach. Ensembles: Vienna Concentus Musicus, Leonhardt Consort. Conductors: Nikolaus Harnoncourt, Gustav Leonhardt.
Works on This Recording
1. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
2. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
3. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
4. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1708 ; Weimar, Germany
5. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
6. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
7. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
8. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
9. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1732-1735 ; Leipzig, Germany
10. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
11. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1735 ; Leipzig, Germany
12. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1714 ; Weimar, Germany
13. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer: Walter Gampert (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
14. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1735 ; Leipzig, Germany
15. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
16. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
17. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Period: Baroque
Written: ?1715 ; Cöthen, Germany
18. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
19. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
20. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Walker Wyatt (Bass)
Period: Baroque
Written: 1714 ; Cöthen, Germany
21. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
22. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer: Walter Gampert (Boy Soprano), Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
23. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
24. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
25. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
26. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer: Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
27. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
28. Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
29. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1738 ; Leipzig, Germany
30. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer: Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
31. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Hanover Boys' Choir, Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
32. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Hanover Boys' Choir, Leonhardt Consort
Period: Baroque
Written: 1724 ; Leipzig, Germany
33. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer: Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: after 1740 ; Leipzig, Germany
34. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
35. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
36. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
37. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
38. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
39. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1723 ; Leipzig, Germany
40. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
41. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
42. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
43. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
44. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
45. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
46. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
47. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1723 ; Leipzig, Germany
48. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
49. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Period: Baroque
Written: ?1723 ; ?Leipzig, Germany
50. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer: Marianne Kweksilber (Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Written: 1730 ;
51. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer: Seppi Kronwitter (Boy Soprano)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Hanover Boys' Choir, Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
52. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
Written: 1714 ; Cöthen, Germany
53. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1726 ; Leipzig, Germany
54. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer: Michael Schopper (Bass)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort, Hanover Boys' Choir
Period: Baroque
Written: 1726 ; Leipzig, Germany
55. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Written: 1725 ;
56. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Seppi Kronwitter (Boy Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
57. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Period: Baroque
Written: circa 1723-1724 ; Leipzig, Germany
58. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
59. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Seppi Kronwitter (Boy Soprano)
Period: Baroque
Written: 1714 ; Cöthen, Germany
60. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
61. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
62. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
63. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
64. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
65. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
66. Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer: Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
67. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: circa 1743 ; Leipzig, Germany
68. Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
69. Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
70. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer: Lieuwe Visser (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1708 ; Mühlhausen, Germany
71. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
72. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
73. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Jörg Erler (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
74. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Max van Egmond (Bass), Markus Klein (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Cöthen, Germany
75. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
76. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer: Detlef Bratschke (Boy Soprano), Adalbert Kraus (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
77. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
78. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer: Detlef Bratschke (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
79. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer: Detlef Bratschke (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
80. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: by 1744 ; Leipzig, Germany
81. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
82. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1727 ; Cöthen, Germany
83. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
84. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
85. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer: Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
86. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
87. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer: Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
88. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer: Detlef Bratschke (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
89. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Markus Klein (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
90. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Markus Klein (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1723 ; Leipzig, Germany
91. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
92. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
93. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
94. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1723 ; Leipzig, Germany
95. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
96. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1734 ; Leipzig, Germany
97. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
98. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
99. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1735 ; Leipzig, Germany
100. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
101. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
102. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
103. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
104. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano)
Period: Baroque
Written: 1723 ; Leipzig, Germany
105. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer: Marius Van Altena (Tenor), Max van Egmond (Bass), Raphael Harten (Countertenor), Markus Klein (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: by 1708 ; Mühlhausen, Germany
106. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Markus Klein (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
107. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
108. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
109. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Siegfried Lorenz (Bass), Stefan Frangoulis (Boy Soprano), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
110. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Markus Huber (Boy Soprano)
Period: Baroque
Written: 1725 ; Leipzig, Germany
111. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Markus Huber (Boy Soprano)
Period: Baroque
Written: 1731 ; Leipzig, Germany
112. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), René Jacobs (Countertenor), Sebastian Hennig (Boy Soprano), Detlef Bratschke (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
113. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer: Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
114. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
115. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
116. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
117. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Markus Huber (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
118. Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Markus Huber (Boy Soprano)
Period: Baroque
Written: 1728-1729 ; Leipzig, Germany
119. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor), Markus Huber (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
120. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass), Thomas Schilling (Countertenor), Markus Huber (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
121. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
122. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Thomaschke (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
123. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer: Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
124. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
125. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
126. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Written: 1725 ;
127. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer: Sebastian Hennig (Boy Soprano), Max van Egmond (Bass), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
128. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto), Alan Bergius (Boy Soprano), Walter Heldwein (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
129. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano), Robert Holl (Bass)
Period: Baroque
Written: 1707 ; Mühlhausen, Germany
130. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), René Jacobs (Countertenor), Marius Van Altena (Tenor), Sebastian Hennig (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1715 ; Weimar, Germany
131. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
132. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer: Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
133. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
134. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano), Walter Heldwein (Bass), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
135. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Albert Hartinger (Bass), Alan Bergius (Boy Soprano)
Period: Baroque
Written: 1725 ; Leipzig, Germany
136. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano), Robert Holl (Bass), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
137. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Stefan Rampf (Boy Alto), Alan Bergius (Boy Soprano)
Period: Baroque
Written: 1724-1725 ; Leipzig, Germany
138. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Alan Bergius (Boy Soprano)
Period: Baroque
Written: 1731 ; Leipzig, Germany
139. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Roger Cericius (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
140. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
141. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Alan Bergius (Boy Soprano)
Period: Baroque
Written: 1729 ; Leipzig, Germany
142. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Alan Bergius (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1728 ; Leipzig, Germany
143. Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto)
Written: 1723 ;
144. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
145. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer: Sebastian Hennig (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1728 ; Leipzig, Germany
146. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor), Ansgar Pfeiffer (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
147. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer: Sebastian Hennig (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor: Gustav Leonhardt
Written: 1725 ;
148. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Christoph Wegmann (Boy Soprano)
Period: Baroque
Written: 1714 ; Cöthen, Germany
149. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
150. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
151. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1716 ; Cöthen, Germany
152. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Christoph Wegmann (Boy Soprano)
Period: Baroque
Written: 1729 ; Leipzig, Germany
153. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor: Gustav Leonhardt
Period: Baroque
Written: ?1728 ; Leipzig, Germany
154. Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Christoph Wegmann (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: after 1723 ; Leipzig, Germany
155. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor), Tobias Eiwanger (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1729 ; Leipzig, Germany
156. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
157. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Tobias Eiwanger (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
158. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Robert Holl (Bass), Tobias Eiwanger (Boy Soprano)
Period: Baroque
Written: 1715 ; Cöthen, Germany
159. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1728 ; Leipzig, Germany
160. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor), Tobias Eiwanger (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1715 ; Cöthen, Germany
161. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Christoph Wegmann (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
162. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Panito Iconomou (Boy Alto), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1723 ; Leipzig, Germany
163. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer: Christian Immler (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1725 ; Leipzig, Germany
164. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Boy Alto), Robert Holl (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1726 ; Leipzig, Germany
165. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer: Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Orchestra/Ensemble: Leonhardt Consort
Period: Baroque
Written: 1726 ; Leipzig, Germany
166. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Robert Holl (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: ?1729 ; Leipzig, Germany
167. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1714 ; Weimar, Germany
168. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Christian Immler (Boy Alto), Robert Holl (Bass), Alan Bergius (Boy Soprano), Stefan Gienger (Boy Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
169. Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Christian Immler (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1729 ; Leipzig, Germany
170. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Marius Van Altena (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
171. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Paul Esswood (Countertenor), Matthias Echternach (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1725 ; Leipzig, Germany
172. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1732 ; Leipzig, Germany
173. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Panito Iconomou (Boy Alto), Robert Holl (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
174. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1723 ; Leipzig, Germany
175. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Marius Van Altena (Tenor), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
176. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
177. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Robert Holl (Bass)
Period: Baroque
Written: 1714 ; Cöthen, Germany
178. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1725 ; Leipzig, Germany
179. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Alexander Raymann (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1724 ; Leipzig, Germany
180. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1715 ; Cöthen, Germany
181. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
182. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer: Max van Egmond (Bass), Michael Emmermann (Boy Soprano), Paul Esswood (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1726 ; Leipzig, Germany
183. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano), Paul Esswood (Countertenor)
Period: Baroque
Written: ?1728 ; Leipzig, Germany
184. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer: Thomas Hampson (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: 1730 ; Leipzig, Germany
185. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Hans Stricker (Boy Soprano), Stefan Gienger (Boy Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
186. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer: Harry Van der Kamp (Bass), René Jacobs (Countertenor), Jan Patrick O'Farrell (Boy Soprano), John Elwes (Tenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: circa 1737 ; Leipzig, Germany
187. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Thomas Hampson (Bass), Helmut Wittek (Boy Soprano)
Period: Baroque
Written: ?1708 ; Weimar, Germany
188. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer: Harry Van der Kamp (Bass), Kurt Equiluz (Tenor), René Jacobs (Countertenor), Jan Patrick O'Farrell (Boy Soprano)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1739-1742 ; Leipzig, Germany
189. Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer: Harry Van der Kamp (Bass), John Elwes (Tenor), Jan Patrick O'Farrell (Boy Soprano), René Jacobs (Countertenor)
Conductor: Gustav Leonhardt
Period: Baroque
Written: 1727 ; Leipzig, Germany
190. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer: Barbara Bonney (Soprano)
Orchestra/Ensemble: Vienna Concentus Musicus
Period: Baroque
Written: 1714 ; Cöthen, Germany
Customer Reviews