Bach: Complete Edition

Release Date: 8/26/2014
Catalog Number: BRI94940
Number of Discs: 142

Physical Format:

CD
In Stock
$179.99
Notes and Editorial Reviews

Johann Sebastian Bach’s stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to Mendelssohn, who essentially effected a revival of the composer’s music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as ‘the Gospel according to Bach’.

Bringing together all of his works, this dynamic 142-CD set offers a resounding impression of this great spirit of our Western culture, presenting dynamic performances – many period-based, many acclaimed by the international press – that are divided according to genre, thus making for a highly user-friendly compendium. The set draws on all periods of his career, tracing the development of a style that was much influenced by contemporary and past fashions but which was always adapted to Bach’s own purpose, often far surpassing the models on which he drew. The German composer travelled a great deal from city to city, and the different circumstances of his various positions are reflected in the great range of works comprising his output: while his early years are dominated by much keyboard music, on account of the numerous organist posts he held during this period, later positions at various courts accorded him more personal and artistic freedom – in Cöthen, for example, Prince Leopold’s passion for music-making and his renowned resident orchestra resulted in a string of unforgettable works including the great Brandenburg Concertos, the Solo Cello Suites and the Well-Tempered Clavier Part 1, beside many others.

Bach was a master of all genres, whether sacred, secular, instrumental or vocal, and his oeuvre is a rich mixture of severe Baroque craftsmanship and expressive Romanticism. Thomas Zehetmair, Kristof Barati, the Gewandhausorchester Leipzig, René Jacobs, Peter Schreier and Lucia Popp are just a handful of the first-class performers and ensembles gracing this set. It is a collection not to be passed up.

R E V I E W S:

"Brilliant Classics embarked on a daring project in the year 2000, the year of the 250th anniversary of Johann Sebastian Bach's death: this budget label decided to release a complete set of Bach's works...some 65% of the 155 CDs in this set were newly recorded (the remainder was licensed from other labels), including Bach's almost 200 sacred cantatas...I highly recommend this set. I have recordings of all of Bach's works and yet I was delighted and surprised as I listened to the many pearls that I discovered here...if you like Bach's music, you owe it to yourself to get this - at its super-bargain price, even those recordings you don't like will not cause too much disappointment, but the quality of the excellent ones is such that you will certainly be delighted...If only to have the 60 CDs of sacred cantatas, and to discover what is an incredible collection of moving and memorable music, this set is worth having. Treat yourself to 160 CDs of Bach, then, take a few weeks off to enjoy this music." -- Kirk McElhearn, MusicWeb International, reviewing the original version of this set

"Brilliant's 2006 recordings of J.S. Bach's Brandenburg Concertos, performed by Pieter-Jan Belder and the Netherlandish original instruments ensemble Musica Amphion, have been reissued several times as two separate discs, though the original release containing all six concertos maintains a separate existence as a budget release. This volume contains the Concerto No. 4 in G major, BWV 1049, the Concerto No. 5 in D major, BWV 1050, and the Concerto No. 6 in B flat major, BWV 1051, all played in clean and colorful period style and recorded in a resonant church acoustic that gives the music a fresh, lustrous ambience. Because this, like other titles in Brilliant's catalog, has the drab appearance of a poorly produced cost-cutter release, some collectors may pass it by, but that would be a mistake since these are exceptional performances that can give many of the better-known authentic renditions a run for the money. As leader of the group and performer on recorder and harpsichord, Belder offers intelligent and expressive interpretations that closely follow accepted Baroque practices, and though he and his fellow musicians aren't widely known outside the circle of listeners interested in early music, they can be respected for their musicianship and scholarly credentials. While these Brandenburgs may not be everyone's favorite performances in the end, they deserve attention from experienced listeners and newcomers alike." -- Blair Sanderson, AllMusic.com, reviewing the Brandenburg Concertos

"In their fusion of grand rhetoric, sharp technique, and obvious musical intelligence, Baráti’s readings of this bedrock literature recall both the most majestic and the most thoughtful ones from an earlier era. Urgently recommended, especially to those who honor that tradition and who lament its coming to a premature and unfortunate end." -- Robert Maxham, FANFARE, reviewing the Sonatas and Partitas for Violin

"Jaap ter Linden's traversal of the Bach cello suites is exceptionally fine; right across these discs, his playing never falters. His painstakingly researching interpretations are vividly spontaneous, yet unusually acerbic and philosophically probing." -- Classic CD, reviewing the Cello Suites

Works on This Recording
1. Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Performer: Frank De Bruine (Oboe), Erwin Wieringa (French Horn), Theunis Van der Zwart (French Horn), Remy Baudet (Violino Piccolo), Pieter-Jan Belder (Harpsichord)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1717 ; ?Cöthen, Germany
2. Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Performer: Frank De Bruine (Oboe), Remy Baudet (Violin), Siebe Henstra (Harpsichord), Pieter-Jan Belder (Recorder), William Wroth (Trumpet)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1717-1718 ; ?Cöthen, Germany
3. Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Performer: Remy Baudet (Violin), Siebe Henstra (Harpsichord), Pieter-Jan Belder (Recorder), Saskia Coolen (Recorder)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: circa 1720 ; ?Cöthen, Germany
4. Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Performer: Remy Baudet (Violin), Pieter-Jan Belder (Harpsichord), Wilbert Hazelzet (Flute)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1720-1721 ; ?Cöthen, Germany
5. Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Performer: Staas Swierstra (Viola), Sayuri Yamagata (Viola), Mieneke Van der Velden (Viola da Gamba), Lucia Swarts (Cello), Pieter-Jan Belder (Harpsichord), Johannes Boer (Viola da Gamba)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1708-1710 ; ?Weimar, Germany
6. Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Performer: Mariette Holtrop (Viola), Staas Swierstra (Viola), Marten Boeken (Viola), Remy Baudet (Violin), Albert Brüggen (Cello), Sayuri Yamagata (Violin), Richte Van der Meer (Cello), Pieter-Jan Belder (Harpsichord), Rainer Zipperling (Cello), Irmgard Schaller (Violin)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1711-1713 ; ?Weimar, Germany
7. Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach
Performer: Günter Klier (Bassoon), Guido Titze (Oboe), Andreas Lorenz (Oboe)
Conductor: Ludwig Güttler
Orchestra/Ensemble: Virtuosi Saxoniae
Period: Baroque
Written: circa 1717-1723 ; Cöthen, Germany
8. Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Performer: Werner Zeibig (Double Bass), Roland Straumer (Violin), Heinz-Dieter Richter (Violin), Joachim Bischof (Cello), Eckart Haupt (Flute), Friedemann Jähnig (Viola)
Conductor: Ludwig Güttler
Orchestra/Ensemble: Virtuosi Saxoniae
Period: Baroque
Written: 1738-1739 ; Leipzig, Germany
9. Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach
Performer: Ludwig Güttler (Trumpet), Thomas Käppler (Timpani), Roland Straumer (Violin), Mathias Schmutzler (Trumpet), Roland Rudolph (Trumpet)
Conductor: Ludwig Güttler
Orchestra/Ensemble: Virtuosi Saxoniae
Period: Baroque
Written: circa 1729-1731 ; Leipzig, Germany
10. Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach
Performer: Thomas Käppler (Timpani), Ludwig Güttler (Trumpet), Günter Klier (Bassoon), Manfred Krause (Oboe), Guido Titze (Oboe), Mathias Schmutzler (Trumpet), Andreas Lorenz (Oboe), Roland Rudolph (Trumpet)
Conductor: Ludwig Güttler
Orchestra/Ensemble: Virtuosi Saxoniae
Period: Baroque
Written: circa 1729-1731 ; Leipzig, Germany
11. Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer: Thomas Zehetmair (Violin)
Conductor: Thomas Zehetmair
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
12. Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer: Thomas Zehetmair (Violin)
Conductor: Thomas Zehetmair
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
13. Concerto for Violin in D minor, BWV 1052 by Johann Sebastian Bach
Performer: Thomas Zehetmair (Violin)
Conductor: Thomas Zehetmair
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
14. Concerto for Violin in G minor, BWV 1056 by Johann Sebastian Bach
Performer: Thomas Zehetmair (Violin)
Conductor: Thomas Zehetmair
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
15. Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer: Karl Suske (Violin), Giorgio Krohner (Violin)
Conductor: Kurt Masur
Orchestra/Ensemble: Leipzig Gewandhaus Orchestra
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
16. Concerto for Harpsichord in D major, BWV 1054 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
17. Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
18. Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
19. Concerto for Harpsichord in E major, BWV 1053 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
20. Concerto for Harpsichord in A major, BWV 1055 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
21. Concerto for Harpsichord and 2 Recorders in F major, BWV 1057 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
22. Concerto for Harpsichord in G minor, BWV 1058 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
23. Concerto for 2 Harpsichords in C minor, BWV 1060 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord), Armin Thalheim (Harpsichord)
Period: Baroque
Written: 1738-1739 ; Leipzig, Germany
24. Concerto for 4 Harpsichords in A minor, BWV 1065 by Johann Sebastian Bach
Performer: Christine Schornsheim (Harpsichord), Mechtild Stark (Harpsichord), Armin Thalheim (Harpsichord), Violetta Liebsch (Harpsichord)
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
25. Concerto for 2 Harpsichords in C major, BWV 1061 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord), Pieter-Jan Belder (Harpsichord)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: 1738-1739 ; Leipzig, Germany
26. Concerto for 2 Harpsichords in C minor, BWV 1062 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord), Siebe Henstra (Harpsichord)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
27. Concerto for 3 Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord), Pieter-Jan Belder (Harpsichord), Siebe Henstra (Harpsichord)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
28. Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord), Pieter-Jan Belder (Harpsichord), Siebe Henstra (Harpsichord)
Conductor: Pieter-Jan Belder
Orchestra/Ensemble: Musica Amphion
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
29. Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto" by Johann Sebastian Bach
Performer: Elizabeth Perry (Violin), Menno Van Delft (Harpsichord), Marieke Schneemann (Flute)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: circa 1730 ; Leipzig, Germany
30. Concerto for Oboe d'Amore in A major, BWV 1055 by Johann Sebastian Bach
Performer: Rob Visser (Oboe d'amore)
Conductor: Krijn Koetsveld
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
31. Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach
Performer: Henk Rubingh (Violin), Rainer Kussmaul (Violin), Thomas Hengelbrock (Violin)
Conductor: Krijn Koetsveld
Orchestra/Ensemble: Amsterdam Bach Soloists
Period: Baroque
Written: circa 1738-1739 ; Leipzig, Germany
32. Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
33. Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
34. Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
35. Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
36. Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
37. Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach
Performer: Kristóf Baráti (Violin)
Period: Baroque
Written: 1720 ; Cöthen, Germany
38. Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
39. Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
40. Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
41. Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
42. Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
43. Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer: Jaap ter Linden (Cello)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
44. Partita for Flute solo in A minor, BWV 1013 by Johann Sebastian Bach
Performer: Michael Borgstede (Harpsichord), Jed Wentz (Flute)
Period: Baroque
Written: ?1720s ; ?Cöthen, Germany
45. Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach
Performer: Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque
Written: ?1738 ; Leipzig, Germany
46. Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach
Performer: Michael Borgstede (Harpsichord), Jed Wentz (Flute)
Period: Baroque
Written: ?1724 ; Leipzig, Germany
47. Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach
Performer: Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque
Written: circa 1717-1720 ; ?Cöthen, Germany
48. Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach
Performer: Michael Borgstede (Harpsichord), Jed Wentz (Flute)
Period: Baroque
Written: 1717-1720 ; ?Cöthen, Germany
49. Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer: Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque
Written: 1732-1735 ; Leipzig, Germany
50. Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Performer: Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
51. Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Performer: Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque
Written: 1747 ; Leipzig, Germany
52. Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: 1727-1731 ; Leipzig, Germany
53. Suite for Lute in E minor, BWV 996 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: circa 1708-1717 ; Weimar, Germany
54. Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: circa 1740 ; Leipzig, Germany
55. Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
56. Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: after 1720 ; Germany
57. Partita for Lute in C minor, BWV 997 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: 1737-1741 ; Leipzig, Germany
58. Fugue for Lute in G minor, BWV 1000 by Johann Sebastian Bach
Performer: Mario D'Agosto (Lute)
Period: Baroque
Written: circa ?1725 ; Leipzig, Germany
59. Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach
Performer: Daniele Boccaccio (Harpsichord), Patxi Montero (Viola da Gamba)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
60. Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach
Performer: Patxi Montero (Viola da Gamba), Daniele Boccaccio (Harpsichord)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
61. Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer: Daniele Boccaccio (Harpsichord), Patxi Montero (Viola da Gamba)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
62. Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1747 ; Leipzig, Germany
63. Canon trias harmonica, BWV 1072 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
64. Canon a 4 perpetuus, BWV 1073 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1713 ; Weimar, Germany
65. Canon a 4, BWV 1074 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1727 ; Leipzig, Germany
66. Canon a 2 perpetuus, BWV 1075 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1734 ; Leipzig, Germany
67. Canon triplex a 6, BWV 1076 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
68. Canon doppio sopr'il soggetto, BWV 1077 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1747 ; Leipzig, Germany
69. Canon super fa mi a 7 post tempus musicum, BWV 1078 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: 1749 ; Leipzig, Germany
70. Canon a 2, BWV deest by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
71. Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Ensemble
Period: Baroque
Written: ?1731 ; Leipzig, Germany
72. Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
73. Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
74. Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
75. Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
76. Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
77. Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
78. Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach
Performer: Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1717-1723 ; Cöthen, Germany
79. Anna Magdalena Bach Notebook by Johann Sebastian Bach
Performer: Johannette Zomer (Soprano), Pieter-Jan Belder (Harpsichord)
Period: Baroque
80. Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Performer: Valerio Losito (Baroque Violin), Federico Del Sordo (Harpsichord)
Period: Baroque
81. Sonata for Violin and Basso Continuo in G major, BWV 1021 by Johann Sebastian Bach
Performer: Valerio Losito (Baroque Violin), Federico Del Sordo (Harpsichord)
Period: Baroque
Written: by 1720 ; Cöthen, Germany
82. Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Ensemble Il Quadrifoglio
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
83. Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Heidelberg Bach Ensemble
Period: Baroque
Written: 1732-1735 ; Leipzig, Germany
84. Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1722 ; Cöthen, Germany
85. Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1738-1742 ; Leipzig, Germany
86. Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Leipzig, Germany
87. Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Germany
88. Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Leipzig, Germany
89. Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Germany
90. Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Leipzig, Germany
91. Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726-1731 ; Leipzig, Germany
92. Sonata in A minor, BWV 965 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
93. Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
94. Suite in F minor, BWV 823 [fragment] by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: 1708-1714 ; Weimar, Germany
95. Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
96. Prelude and Partita for Keyboard in F major, BWV 833 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: 1708-1714 ; Weimar, Germany
97. Fantasie in G minor, BWV 917 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
98. Sonata in D major, BWV 963 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1704 ;
99. Fugue in A minor, BWV 947 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
100. Fugue in A minor, BWV 958 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
101. Prelude in B minor, BWV 923 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
102. Fugue on a theme by Albinoni in B minor, BWV 951 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
103. Fugue on a theme by Albinoni in B minor, BWV 951a by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: by 1710 ; Weimar, Germany
104. Suite in G minor, BWV 822 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
105. Sonata in C major, BWV 966 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
106. Capriccio in E major, BWV 993 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1704 ;
107. Sonata in A minor, BWV 967 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: by 1715 ;
108. Fugue in A minor, BWV 959 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
109. Concerto and Fugue in C minor, BWV 909 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
110. Partita in A major, BWV 832 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
111. Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: by 1714 ; Weimar, Germany
112. Suite in B flat major, BWV 821 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: 1708-1714 ; Weimar, Germany
113. Fugue in B flat major, BWV 955 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
114. Overture in F major, BWV 820 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: 1708-1714 ; Weimar, Germany
115. Fugue on a theme by Albinoni in A major, BWV 950 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
116. Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992 by Johann Sebastian Bach
Performer: Christiane Wuyts (Harpsichord)
Period: Baroque
Written: circa 1704 ; Arnstadt, Germany
117. Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1735 ; Leipzig, Germany
118. Overture in the French style in B minor, BWV 831 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1735 ; Leipzig, Germany
119. Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
120. Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1741-1742 ; Nuremberg, Germany
121. English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
122. English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
123. English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
124. English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
125. English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
126. English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach
Performer: Bob van Asperen (Harpsichord)
Period: Baroque
Written: circa 1715 ; Weimar, Germany
127. Concerto in D major after Vivaldi, BWV 972 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
128. Concerto in G major after Vivaldi, BWV 973 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
129. Concerto in G minor after Vivaldi, BWV 975 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
130. Concerto in C major after Vivaldi, BWV 976 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
131. Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
132. Concerto in G major after Vivaldi, BWV 980 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
133. Concerto in F major after Vivaldi, BWV 978 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
134. Concerto in C minor after Benedetto Marcello, BWV 981 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
135. Concerto in G major after Duke Johann Ernst of Saxe-Weimar, BWV 592a by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
136. Concerto in D minor after Duke Johann Ernst of Saxe-Weimar, BWV 987 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
137. Concerto in B flat major after Duke Johann Ernst of Saxe-Weimar, BWV 982 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
138. Concerto in C major after Duke Johann Ernst of Saxe-Weimar, BWV 984 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
139. Concerto in G minor after Telemann, BWV 985 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
140. Concerto in G major after an unknown composer, BWV 986 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
141. Concerto in G minor after an unknown composer, BWV 983 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
142. Concerto in C major after an unknown composer, BWV 977 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
143. Concerto in B minor after an unknown composer, BWV 979 by Johann Sebastian Bach
Performer: Pieter Dirksen (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
144. French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
145. French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
146. French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
147. French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
148. French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
149. French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1724 ; Leipzig, Germany
150. Toccata in D minor, BWV 913 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: by 1708 ; Weimar, Germany
151. Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: by 1708 ; Weimar, Germany
152. Toccata in F sharp minor, BWV 910 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
153. Toccata in G minor, BWV 915 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: by 1708 ; Weimar, Germany
154. Toccata in D major, BWV 912 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: circa 1710 ; Weimar, Germany
155. Toccata in C minor, BWV 911 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: circa 1717 ; Weimar, Germany
156. Toccata in G major, BWV 916 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: by 1710 ; Weimar, Germany
157. The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer: Menno Van Delft (Harpsichord)
Period: Baroque
Written: circa 1745-1750 ; Leipzig, Germany
158. Sonata in D minor, BWV 964 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
159. Little Preludes (6): no 1 in C major, BWV 933 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
160. Little Preludes (6): no 2 in C minor, BWV 934 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
161. Little Preludes (6): no 3 in D minor, BWV 935 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
162. Little Preludes (6): no 4 in D major, BWV 936 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
163. Little Preludes (6): no 5 in E major, BWV 937 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
164. Little Preludes (6): no 6 in E minor, BWV 938 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
165. Fantasia and Fugue in A minor, BWV 904 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1725 ; Leipzig, Germany
166. Adagio in G major, BWV 968 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
167. Prelude and Fughetta in G major, BWV 902 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
168. Fantasia on a Rondo in C minor, BWV 918 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: by 1710 ; ?Weimar, Germany
169. Fughetta in C minor, BWV 961 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
170. Suite in A minor, BWV 818a by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1722 ; Cöthen, Germany
171. Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1738 ; Leipzig, Germany
172. Fugue in A minor, BWV 944 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
173. Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
174. Prelude in D minor, BWV 940 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
175. Prelude in E minor, BWV 941 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
176. Prelude in A minor, BWV 942 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
177. Prelude in C major, BWV 943 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
178. Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
179. Fantasie in C minor, BWV 919 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: after 1712 ; ?Weimar, Germany
180. Suite in E flat major, BWV 819a by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: ?1730s ; Cöthen, Germany
181. Prelude and Fughetta in A minor, BWV 895 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: by 1725 ;
182. Fugue in C major, BWV 952 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
183. Fugue in C major, BWV 953 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1723 ;
184. Prelude and Fughetta in G major, BWV 902a by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
185. Prelude and Fughetta in D minor, BWV 899 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
186. Prelude and Fughetta in E minor, BWV 900 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Cöthen, Germany
187. Suite in A minor, BWV 818 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1722 ; Cöthen, Germany
188. Prelude and Fughetta in F major, BWV 901 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
189. French Suite no 2 in C minor, BWV 813a: Minuet by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
190. French Suite no 4 in E flat major, BWV 815a: Minuet by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
191. Prelude and Fugue in A minor, BWV 894 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1708-1717 ; Weimar, Germany
192. Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Cöthen, Germany
193. Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Cöthen, Germany
194. Prelude in C major, BWV 924 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: after 1720 ; Cöthen, Germany
195. Prelude in D minor, BWV 926 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
196. Praeambulum in F major, BWV 927 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: after 1720 ; Cöthen, Germany
197. Praeambulum in G minor, BWV 930 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: after 1720 ; Cöthen, Germany
198. Prelude in F major, BWV 928 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: after 1720 ; Cöthen, Germany
199. Prelude in D major, BWV 925 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
200. Prelude in A minor, BWV 931 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
201. Applicatio in C major, BWV 994 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
202. Wer nur den lieben Gott lässt walten, BWV 691 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1720 ; Cöthen, Germany
203. Allemande for Keyboard in G minor, BWV 836 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720-1722 ; Leipzig, Germany
204. Minuet in G major, BWV 841 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Leipzig, Germany
205. Minuet in G minor, BWV 842 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Leipzig, Germany
206. Minuet in G major, BWV 843 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1720 ; Leipzig, Germany
207. Prelude in G minor, BWV 929 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
208. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: by 1744 ; Leipzig, Germany
209. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1727 ; Cöthen, Germany
210. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1714 ; Cöthen, Germany
211. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
212. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass)
Period: Baroque
Written: 1726 ; Leipzig, Germany
213. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
214. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1734 ; Leipzig, Germany
215. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1715 ; Weimar, Germany
216. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
217. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
218. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
219. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
220. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
221. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
222. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
223. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
224. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
225. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
226. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
227. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
228. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1723 ; Cöthen, Germany
229. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
230. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Written: 1725 ;
231. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1716 ; Cöthen, Germany
232. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
233. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Nico Van der Meel (Tenor)
Period: Baroque
Written: ?1728 ; Leipzig, Germany
234. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Cöthen, Germany
235. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
236. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
237. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
238. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
239. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1714 ; Weimar, Germany
240. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
241. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
242. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor), Marjon Strijk (Soprano)
Period: Baroque
Written: by 1708 ; Mühlhausen, Germany
243. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
244. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
245. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
246. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
247. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
248. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
249. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
250. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
251. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
252. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
253. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
254. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
255. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Knut Schoch (Tenor), Marjon Strijk (Soprano), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
256. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
257. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1728 ; Leipzig, Germany
258. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: circa 1743 ; Leipzig, Germany
259. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
260. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
261. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
262. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
263. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
264. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
265. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
266. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
267. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
268. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: ?1708 ; Weimar, Germany
269. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
270. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
271. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
272. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
273. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
274. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
275. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
276. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
277. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto), Marjon Strijk (Soprano)
Period: Baroque
Written: 1726 ; Leipzig, Germany
278. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marjon Strijk (Soprano), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
279. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marjon Strijk (Soprano), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
280. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marjon Strijk (Soprano), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
281. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
282. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1728 ; Leipzig, Germany
283. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1724-1725 ; Leipzig, Germany
284. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
285. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Knut Schoch (Tenor), Bas Ramselaar (Bass)
Period: Baroque
Written: 1723 ; Leipzig, Germany
286. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
287. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marjon Strijk (Soprano)
Period: Baroque
Written: 1730 ; Leipzig, Germany
288. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
289. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
290. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: ?1729 ; Leipzig, Germany
291. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Written: 1725 ;
292. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Bas Ramselaar (Bass), Marcel Beekman (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
293. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
294. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Bas Ramselaar (Bass), Marcel Beekman (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
295. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
296. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Written: 1725 ;
297. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
298. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Knut Schoch (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
299. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer: Sytse Buwalda (Alto), Knut Schoch (Tenor), Bas Ramselaar (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
300. Lass, Fürstin, lass noch einen Strahl, BWV 198: Excerpt(s) by Johann Sebastian Bach
Performer: Sytse Buwalda (Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
301. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1725 ; Leipzig, Germany
302. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
303. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1725 ; Leipzig, Germany
304. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: ?1728 ; Leipzig, Germany
305. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: circa 1732-1735 ; Leipzig, Germany
306. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
307. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1726 ; Leipzig, Germany
308. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1714 ; Cöthen, Germany
309. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
310. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
311. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1731 ; Leipzig, Germany
312. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
313. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Orchestra/Ensemble: Netherlands Bach Collegium
Period: Baroque
Written: 1726 ; Leipzig, Germany
314. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marjon Strijk (Soprano), Robert Getchell (Tenor), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: ?1715 ; Cöthen, Germany
315. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1738 ; Leipzig, Germany
316. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
317. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
318. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
319. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass)
Period: Baroque
Written: 1727 ; Leipzig, Germany
320. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
321. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Marjon Strijk (Soprano), Sytse Buwalda (Alto)
Period: Baroque
Written: circa 1735 ; Leipzig, Germany
322. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer: Bas Ramselaar (Bass), Marcel Beekman (Tenor), Marjon Strijk (Soprano), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
323. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
324. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
325. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Sytse Buwalda (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
326. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Sytse Buwalda (Alto), Bas Ramselaar (Bass), Nico Van der Meel (Tenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
327. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Nico Van der Meel (Tenor), Rudolf Schock (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
328. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Bas Ramselaar (Bass), Marcel Beekman (Tenor), Sytse Buwalda (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
329. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1737 ; Leipzig, Germany
330. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
331. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
332. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Written: 1730 ;
333. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726 ; Leipzig, Germany
334. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1735 ; Leipzig, Germany
335. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
336. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1727 ; Leipzig, Germany
337. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1715 ; Cöthen, Germany
338. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
339. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
340. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: ?1723 ; ?Leipzig, Germany
341. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
342. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
343. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
344. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
345. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1728 ; Leipzig, Germany
346. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
347. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
348. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726 ; Leipzig, Germany
349. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
350. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
351. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
352. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
353. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1739-1742 ; Leipzig, Germany
354. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726 ; Leipzig, Germany
355. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
356. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
357. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
358. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1726 ; Leipzig, Germany
359. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Cöthen, Germany
360. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: circa 1723-1724 ; Leipzig, Germany
361. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1714 ; Cöthen, Germany
362. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
363. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
364. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
365. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
366. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1714 ; Weimar, Germany
367. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1725 ; Leipzig, Germany
368. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1732 ; Leipzig, Germany
369. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1708 ; Mühlhausen, Germany
370. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
371. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
372. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
373. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1724 ; Leipzig, Germany
374. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)
Period: Baroque
Written: 1723 ; Leipzig, Germany
375. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer: Pieter-Jan Belder (Harpsichord)