Bach: Complete Cantatas / Rilling, Stuttgart Bach Collegium

Release Date: 8/30/2011
Label: SWR Music
Catalog Number: 98630
Conductor: Helmuth Rilling
Number of Discs: 73

Physical Format:

CD
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$129.99
Notes and Editorial Reviews
Hänssler CLASSIC is proud to present Helmuth Rilling's landmark recording of the complete Bach Cantatas in a new, specially-price collector's edition. Rilling was the first conductor to ever record the complete Bach cantatas and still, 25 years after they were first released in celebration of the Bach tercentennial in 1985, they remain the standard by which all other interpretations are judged.

Praise for some of the original recordings that make up this set:

Complete Cantatas

"There is no question as to the excellence and distinction of many of Rilling's soloists, which feature a number of famous Bach specialists of the last quartet of a century...Rilling has proved a pragmatist in matters of historical performance practice; he adopts brisk tempos and light accents at times, but allows himself considerable expressive and agogic freedom." – Penguin Guide [2003/4 Edition]

In particular, Rilling's unaffectedly musical, period-performance-influenced but undogmatic approach seems designed to sustain long-term listener satisfaction. He's so strong in the basic qualities that matter most. For example, he has the best soloists of any major series of Bach vocal works--names like Arlene Auger, Juliane Banse, Matthias Goerne, Christophe Prégardien, Christine Schäfer--the list reads like a "who's who" of major late-20th-century singers. The choral singing also is uniformly superb.

– David Hurwitz, ClassicsToday.com

Christmas Cantatas
The intensity of colour and expression in these works is stunning – the surging, brass-capped elation of Unser Mund sei voll Lachens, so full of the simple joy of the Christian message, the searching meditation on temptation in Selig ist der Mann, the seemingly bottomless well of spiritual sustenance plumbed in the chorale conclusions. Rilling’s performances (on modern instruments) are neatly tailored and naturally benevolent in nature, buoyant with the wholesomeness and warmth that this great music so frequently emanates. There is simply no better way of celebrating a musical Christmas.

– Terry Blain, BBC Music Magazine

Secular Cantatas
I'm not sure whether Helmuth Rilling has acquired a reputation for seriousness, though his recorded legacy—crowned by his complete Bach sacred cantatas series—has tended toward music of high purpose; for a primarily choral conductor, it couldn't be otherwise. Nevertheless, he shows a light touch on this disc that is in keeping with this music's intent to entertain. Rilling continues to buck trends. His instruments are modern, and his choir is relatively large (49 voices) but always precise and flexible. He does not always forsake velocity, as collectors of the sacred cantatas series will recall: Pales's wonderful second aria and its appended instrumental interlude skip smartly along. "Sheep" obeys the speed limit, but just barely. As usual, Rilling has assembled a splendid set of young soloists, who not only sing well but also get with the action.

– George Chien, Fanfare
Works on This Recording
1. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
2. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
3. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
4. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1708 ; Weimar, Germany
5. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
6. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
7. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
8. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
9. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
10. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1735 ; Leipzig, Germany
11. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Weimar, Germany
12. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
13. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1735 ; Leipzig, Germany
14. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
15. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
16. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1715 ; Cöthen, Germany
17. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
18. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
19. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
20. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Cöthen, Germany
21. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Aldo Baldin (Tenor), Niklaus Tüller (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Cöthen, Germany
22. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer: Helen Watts (Alto), Arleen Augér (Soprano), Walter Heldwein (Bass), Adalbert Kraus (Tenor), Katharina Pugh (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
23. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
24. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass), Doris Soffel (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
25. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
26. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
27. Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1731 ; Leipzig, Germany
28. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Arleen Augér (Soprano), Aldo Baldin (Tenor), Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass), Mechthild Georg (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1738 ; Leipzig, Germany
29. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Arleen Augér (Soprano), Aldo Baldin (Tenor), Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass), Mechthild Georg (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
30. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
31. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
32. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: after 1740 ; Leipzig, Germany
33. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
34. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1731 ; Leipzig, Germany
35. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
36. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
37. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
38. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
39. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
40. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
41. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
42. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
43. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
44. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
45. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
46. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
47. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
48. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1723 ; ?Leipzig, Germany
49. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Written: 1730 ;
50. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
51. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
52. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
53. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
54. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Written: 1725 ;
55. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1727 ; Leipzig, Germany
56. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: circa 1723-1724 ; Leipzig, Germany
57. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
58. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
59. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
60. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
61. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
62. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
63. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
64. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
65. Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Philippe Huttenlocher (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
66. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: circa 1743 ; Leipzig, Germany
67. Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
68. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1708 ; Mühlhausen, Germany
69. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
70. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
71. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
72. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Cöthen, Germany
73. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
74. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Helen Donath (Soprano), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
75. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Carolyn Watkinson (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
76. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Philippe Huttenlocher (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
77. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: by 1744 ; Leipzig, Germany
78. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Siegmund Nimsgern (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
79. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Dietrich Fischer-Dieskau (Bass)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1727 ; Cöthen, Germany
80. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Walter Heldwein (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
81. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1727 ; Leipzig, Germany
82. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
83. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer: Helen Watts (Alto), Arleen Augér (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
84. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Walter Heldwein (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
85. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer: Ingeborg Reichelt (Soprano), Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Verena Gohl-Müller (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
86. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Philippe Huttenlocher (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
87. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer: Siegmund Nimsgern (Bass), Adalbert Kraus (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
88. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Helen Watts (Alto), Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Helen Donath (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
89. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
90. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass), Ann Murray (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
91. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Helen Donath (Soprano), Else Paaske (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
92. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Walter Heldwein (Bass), Adalbert Kraus (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
93. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Siegmund Nimsgern (Bass), Helen Donath (Soprano), Marga Höffgen (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
94. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass), Helen Donath (Soprano), Heldrun Gardow (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1734 ; Leipzig, Germany
95. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer: Walter Heldwein (Bass), Lutz-Michael Harder (Tenor), Arleen Augér (Soprano), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
96. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), John Bröcheler (Bass), Lutz-Michael Harder (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
97. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: circa 1735 ; Leipzig, Germany
98. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
99. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
100. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
101. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
102. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
103. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: by 1708 ; Mühlhausen, Germany
104. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
105. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
106. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
107. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
108. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
109. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Walter Heldwein (Bass), Inga Nielsen (Soprano), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1731 ; Leipzig, Germany
110. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Niklaus Tüller (Bass), Arleen Augér (Soprano), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
111. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Gabriele Schnaut (Soprano), Kurt Equiluz (Tenor), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
112. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Lutz-Michael Harder (Tenor), Arleen Augér (Soprano), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
113. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer: Helen Watts (Alto), Arleen Augér (Soprano), Philippe Huttenlocher (Bass), Lutz-Michael Harder (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
114. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
115. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Ann Murray (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
116. Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Helen Donath (Soprano), Wolfgang Schöne (Bass), Hildegard Laurich (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1728-1729 ; Leipzig, Germany
117. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Doris Soffel (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
118. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Niklaus Tüller (Bass), Helen Donath (Soprano), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
119. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Philippe Huttenlocher (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
120. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Arleen Augér (Soprano), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
121. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Wolfgang Schöne (Bass), Marga Höffgen (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
122. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer: Helen Watts (Alto), Adalbert Kraus (Tenor), Wolfgang Schöne (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
123. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Wolfgang Schöne (Bass), Lutz-Michael Harder (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
124. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Written: 1725 ;
125. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
126. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Adalbert Kraus (Tenor), Kathrin Graf (Soprano), Gabriele Schnaut (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
127. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Adalbert Kraus (Tenor)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1707 ; Mühlhausen, Germany
128. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Kurt Equiluz (Tenor), Arleen Augér (Soprano), Helen Watts (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1715 ; Weimar, Germany
129. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Klaus Kärcher (Oboe d'amore), Hans-Joachim Erhard (Organ), Hedda Rothweiler (Oboe d'amore), Hubert Buchberger (Violin), Kurt Etzold (Bassoon), Philippe Huttenlocher (Bass), Aldo Baldin (Tenor), Hans Haublein (Cello), Hans-Joachim Erhard (Harpsichord), Albert Michael Locher (Double Bass), Arleen Augér (Soprano), Doris Soffel (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
130. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer: Hedda Rothweiler (Oboe), Jacques Chambon (Oboe), Jürgen Wolf (Cello), Günter Pfitzenmaier (Bassoon), Montserrat Torrent (Organ), Peter Gartiser (Double Bass), Walter Forchert (Violin), Adalbert Kraus (Tenor), Martha Schuster (Harpsichord), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
131. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
132. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Niklaus Tüller (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
133. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
134. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Aldo Baldin (Tenor), Arleen Augér (Soprano), Ria Bollen (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
135. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Inga Nielsen (Soprano), Philippe Huttenlocher (Bass), Adalbert Kraus (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724-1725 ; Leipzig, Germany
136. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Aldo Baldin (Tenor), Arleen Augér (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1731 ; Leipzig, Germany
137. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer: Eva Csapó (Soprano), Wolfgang Schöne (Bass), Adalbert Kraus (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
138. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Adalbert Kraus (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1724 ; Leipzig, Germany
139. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1729 ; Leipzig, Germany
140. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Kurt Equiluz (Tenor), Helen Donath (Soprano), Marga Höffgen (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1728 ; Leipzig, Germany
141. Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Arleen Augér (Soprano), Wolfgang Schöne (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Written: 1723 ;
142. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
143. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Aldo Baldin (Tenor), Arleen Augér (Soprano), Mechthild Georg (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1728 ; Leipzig, Germany
144. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer: Magdalene Schreiber (Soprano), Hanns-Friedrich Kunz (Bass), Peter Maus (Tenor), Margret Jetter (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
145. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Adalbert Kraus (Tenor), Nobuko Yamamoto (Soprano), Hildegard Laurich (Alto)
Conductor: Helmuth Rilling
Written: 1725 ;
146. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Arleen Augér (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
147. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer: Walter Heldwein (Bass), Adalbert Kraus (Tenor), Ann Murray (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
148. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Walter Heldwein (Bass), Ann Murray (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
149. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer: Hanns-Friedrich Kunz (Bass), Friedreich Melzer (Tenor), Ingeborg Reichelt (Soprano), Norma Lerer (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1716 ; Cöthen, Germany
150. Ich steh' mit einem Fuss im Grabe, BWV 156: Sinfonia/Arioso by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Wolfgang Schöne (Bass), Hildegard Laurich (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1729 ; Leipzig, Germany
151. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Adalbert Kraus (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1728 ; Leipzig, Germany
152. Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: after 1723 ; Leipzig, Germany
153. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Philippe Huttenlocher (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1729 ; Leipzig, Germany
154. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer: Hildegard Laurich (Alto), Adalbert Kraus (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
155. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Arleen Augér (Soprano), Wolfgang Schöne (Bass), Alyce Rogers (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
156. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer: Niklaus Tüller (Bass), Adalbert Kraus (Tenor), Arleen Augér (Soprano), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
157. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer: Edith Wiens (Soprano), Lutz-Michael Harder (Tenor), Walter Heldwein (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1728 ; Leipzig, Germany
158. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Wolfgang Schöne (Bass), Arleen Augér (Soprano), Alyce Rogers (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
159. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer: Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
160. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer: Niklaus Tüller (Bass), Adalbert Kraus (Tenor), Kathrin Graf (Soprano), Heldrun Gardow (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
161. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer: Siegmund Nimsgern (Bass), Theo Altmeyer (Tenor), Nancy Burns (Soprano), Verena Gohl-Müller (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
162. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer: Carolyn Watkinson (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
163. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer: Julia Hamari (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1726 ; Leipzig, Germany
164. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Walter Heldwein (Bass), Aldo Baldin (Tenor), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1729 ; Leipzig, Germany
165. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Wolfgang Schöne (Bass), Eva Csapó (Soprano), Doris Soffel (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Weimar, Germany
166. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer: Judith Beckmann (Soprano), Niklaus Tüller (Bass), Adalbert Kraus (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
167. Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer: Julia Hamari (Soprano), Aldo Baldin (Tenor), Wolfgang Schöne (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1729 ; Leipzig, Germany
168. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
169. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer: Inga Nielsen (Soprano), Walter Heldwein (Bass), Carolyn Watkinson (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
170. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer: Peter Schreier (Tenor), Arleen Augér (Soprano), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1732 ; Leipzig, Germany
171. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Kurt Equiluz (Tenor), Aldo Baldin (Tenor), Wolfgang Schöne (Bass), Gabriele Schreckenbach (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
172. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer: Wolfgang Schöne (Bass), Arleen Augér (Soprano), Kurt Equiluz (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
173. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Walter Heldwein (Bass), Adalbert Kraus (Tenor), Carolyn Watkinson (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
174. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
175. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Aldo Baldin (Tenor), Doris Soffel (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
176. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer: Peter Schreier (Tenor), Walter Heldwein (Bass), Arleen Augér (Soprano), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
177. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer: Niklaus Tüller (Bass), Adalbert Kraus (Tenor), Arleen Augér (Soprano), Gabriele Schnaut (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
178. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Arleen Augér (Soprano), Aldo Baldin (Tenor), Hildegard Laurich (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1715 ; Cöthen, Germany
179. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer: Philippe Huttenlocher (Bass), Arleen Augér (Soprano), Kurt Equiluz (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1723 ; Leipzig, Germany
180. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer: Maria Friesenhausen (Soprano), Wolfgang Schöne (Bass), Hildegard Laurich (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Leipzig, Germany
181. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer: Walter Heldwein (Bass), Arleen Augér (Soprano), Aldo Baldin (Tenor), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1728 ; Leipzig, Germany
182. Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer: Niklaus Tüller (Bass), Kurt Equiluz (Tenor), Helen Watts (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
183. Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer: Adalbert Kraus (Tenor), Nobuko Yamamoto (Soprano)
Conductor: Helmuth Rilling
Written: after 1740 ;
184. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer: Niklaus Tüller (Bass), Helen Donath (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1730 ; Leipzig, Germany
185. Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Judith Beckmann (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1727 ; Germany
186. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano), Judith Beckmann (Soprano), Adalbert Kraus (Tenor), Walter Heldwein (Bass), Julia Hamari (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1724 ; Leipzig, Germany
187. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer: Shihomi Inoue-Heller (Soprano), Andreas [baritone] Schmidt (Baritone), Oly Pfaff (Tenor), Elisabeth Graf (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: circa 1737 ; Leipzig, Germany
188. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer: Doris Soffel (Soprano), Niklaus Tüller (Bass), Aldo Baldin (Tenor)
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1708 ; Weimar, Germany
189. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer: Constanza Cuccaro (Soprano), Philippe Huttenlocher (Bass), Mechthild Georg (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1739-1742 ; Leipzig, Germany
190. Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: 1727 ; Leipzig, Germany
191. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer: Arleen Augér (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1714 ; Cöthen, Germany
192. Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer: Mechthild Georg (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1742 ; Leipzig, Germany
193. Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: ?1729 ; Leipzig, Germany
194. Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer: Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: circa 1718-1723 ; Cöthen, Germany
195. Amore traditore, BWV 203 by Johann Sebastian Bach
Performer: Dietrich Henschel (Bass)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
196. Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer: Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1726-1727 ; Leipzig, Germany
197. Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Andreas [baritone] Schmidt (Baritone), Sibylla Rubens (Soprano), Yvonne Naef (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1725 ; Leipzig, Germany
198. Quodlibet, BWV 524 [fragment] by Johann Sebastian Bach
Performer: Harro Bertz (Double Bass), Andreas [baritone] Schmidt (Baritone), Sibylla Rubens (Soprano), Michael Gross (Cello), Marcus Ullmann (Tenor), Michael Behringer (Harpsichord), Ingeborg Danz (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1707 ; Cöthen, Germany
199. Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer: Ingeborg Danz (Alto), Michael Volle (Bass), Stanford Olsen (Tenor), Christine Schäfer (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 10/07/1733 ; Leipzig, Germany
200. Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer: Christine Schäfer (Soprano), Stanford Olsen (Tenor), Michael Volle (Bass), Ingeborg Danz (Alto)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1735 ; Leipzig, Germany
201. Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer: Marcus Ullmann (Tenor), Marlis Petersen (Soprano), Klaus Häger (Bass)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1726 ; Germany
202. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer: Eva Kirchner (Soprano), James [tenor] Taylor (Tenor), Matthias Goerne (Bass), Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1713 ; Cöthen, Germany
203. Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer: Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: ?1734 ; Leipzig, Germany
204. O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer: Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: ?1740 ; Leipzig, Germany
205. Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer: Christine Schäfer (Soprano), Thomas Quasthoff (Bass), James [tenor] Taylor (Tenor)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: circa 1734-1735 ; Leipzig, Germany
206. Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer: Thomas Quasthoff (Bass), Jan Karas (French Horn), Francis Goutou (Cello), Harro Bertz (Double Bass), Christine Schäfer (Soprano), Boris Kleiner (Harpsichord), Jean-Claude Gérard (Flute)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1742 ; Leipzig, Germany
207. Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Conductor: Helmuth Rilling
Period: Baroque
Written: by 1733 ; Leipzig, Germany
208. Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer: Ingeborg Danz (Alto), Marcus Ullmann (Tenor), Andreas [baritone] Schmidt (Baritone), Sibylla Rubens (Soprano)
Conductor: Helmuth Rilling
Period: Baroque
Written: 1733 ; Leipzig, Germany
209. Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer: Markus Schäfer (Tenor), Sibylla Rubens (Soprano), Dietrich Henschel (Bass)
Conductor: Helmuth Rilling
Period: Baroque
210. Angenehmes Wiederau, freue dich, BWV 30a by Johann Sebastian Bach
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1737 ; Leipzig, Germany
211. Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer: Andreas [baritone] Schmidt (Bass), Marcus Ullmann (Tenor), Eva Oltiványi (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1725 ; Leipzig, Germany
212. Die Freude reget sich, BWV 36b by Johann Sebastian Bach
Performer: Marcus Ullmann (Tenor), Christiane Oelze (Soprano), Ingeborg Danz (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: ?1735 ; Germany
213. Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer: Marcus Ullmann (Tenor), Ingeborg Danz (Alto)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: 1719 ; Cöthen, Germany
214. Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer: Klaus Häger (Bass), Marlis Petersen (Soprano)
Conductor: Helmuth Rilling
Orchestra/Ensemble: Stuttgart Bach Collegium
Period: Baroque
Written: circa ?1722 ; Germany
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