Bach: Cantatas / Gardiner

Release Date: 10/29/2013
Label: SDG
Catalog Number: SDG186
Number of Discs: 56

Physical Format:

CD
In Stock
$299.99
Notes and Editorial Reviews
"One of the most ambitious musical projects of all time" - Gramophone

For the first time on one label, the complete live recordings from the Bach Cantata Pilgrimage in an elegant, limited edition box set. The CDs in the box are packed in individual sleeves with Steve McCurry's evocative portrait photos from the existing series, so the "feel" of the collection is much the same as the individual releases.

The set contains:

56 audio CDs All 28 existing volumes from our Bach Cantatas series

+ 4 additional CDs previously released by Deutsche Grammophon. Featuring Magdalena Kozena/ Paul Agnew/ Mark Padmore/ Sara Mingardo/ James Gilchrist/ Peter Harvey 3rd Sunday after Epiphany (BWV 72/ 73/ 111/ 156) Feast of the Purification of Mary (BWV 83/ 82/ 125/ 200) 9th Sunday after Trinity (BWV 94/ 168/ 105) 11th Sunday after Trinity (BWV179/ 199/ 113)

+ 1 bonus CD-R Index of the cantatas by CD and by cantata number Sung texts with English translations Original sleeve notes in English and German (French notes available online)
Works on This Recording
1. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer: David Henschel (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
2. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer: David Henschel (Bass), Paul Agnew (Tenor), Wilke te Brummelstroete (Alto), Gillian Keith (Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
3. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer: David Henschel (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1738 ; Leipzig, Germany
4. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer: David Henschel (Bass), Paul Agnew (Tenor), Gillian Keith (Soprano), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
5. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer: David Henschel (Bass), Paul Agnew (Tenor), Gillian Keith (Soprano), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1723 ; Cöthen, Germany
6. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer: David Henschel (Bass), Paul Agnew (Tenor), Joanne Lunn (Soprano), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
7. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Thomas Guthrie (Bass), Katherine Fuge (Soprano), Robin Tyson (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
8. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Katherine Fuge (Soprano), Thomas Guthrie (Bass), Robin Tyson (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
9. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer: Niklas Eklund (Trumpet), Malin Hartelius (Soprano)
Orchestra/Ensemble: English Baroque Soloists
Written: 1730 ;
10. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Thomas Guthrie (Bass), Mark Padmore (Tenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
11. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Marten Root (Flute), Malin Hartelius (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
12. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Malin Hartelius (Soprano), William Towers (Countertenor), Marten Root (Flute)
Period: Baroque
Written: circa 1735 ; Leipzig, Germany
13. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Malin Hartelius (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
14. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Robin Tyson (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
15. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Julian Clarkson (Bass), Brigitte Geller (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1714 ; Weimar, Germany
16. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Julian Clarkson (Bass), Brigitte Geller (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
17. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass), James Gilchrist (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
18. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass), James Gilchrist (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
19. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer: Brigitte Geller (Soprano), Mark Padmore (Tenor), Julian Clarkson (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1728 ; Leipzig, Germany
20. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass), James Gilchrist (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
21. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
22. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
23. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
24. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
25. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: by 1744 ; Leipzig, Germany
26. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), James Gilchrist (Tenor), Peter Harvey (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
27. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1730 ; Leipzig, Germany
28. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), James Gilchrist (Tenor), Peter Harvey (Bass), Robin Tyson (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
29. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), James Gilchrist (Tenor), Peter Harvey (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
30. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Robin Tyson (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
31. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Joanne Lunn (Soprano), William Towers (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
32. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Julian Podger (Tenor), Paul Agnew (Tenor), Gerald Finley (Bass), Joanne Lunn (Soprano), Peter Harvey (Baritone), William Towers (Countertenor), Richard Roberts (Countertenor)
Period: Baroque
Written: 1716 ; Cöthen, Germany
33. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Peter Harvey (Baritone), Joanne Lunn (Soprano), Julian Podger (Tenor), Paul Agnew (Tenor), Gerald Finley (Bass), William Towers (Countertenor), Richard Roberts (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
34. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer: Julian Podger (Tenor), Joanne Lunn (Soprano), Peter Harvey (Baritone), Katherine Fuge (Soprano), Gerald Finley (Bass), Paul Agnew (Tenor), Richard Roberts (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
35. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Peter Harvey (Baritone), Joanne Lunn (Soprano), Julian Podger (Tenor), Paul Agnew (Tenor), Gerald Finley (Bass), William Towers (Countertenor), Richard Roberts (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
36. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer: Julian Podger (Tenor), Joanne Lunn (Soprano), Peter Harvey (Baritone), Katherine Fuge (Soprano), Gerald Finley (Bass), Paul Agnew (Tenor), Richard Roberts (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
37. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Peter Harvey (Baritone), Joanne Lunn (Soprano), Julian Podger (Tenor), Paul Agnew (Tenor), Gerald Finley (Bass), William Towers (Countertenor), Richard Roberts (Countertenor)
Period: Baroque
Written: 1735 ; Leipzig, Germany
38. Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Performer: Julian Podger (Tenor), Peter Harvey (Baritone), Joanne Lunn (Soprano), Gerald Finley (Bass), Paul Agnew (Tenor), Katherine Fuge (Soprano), William Towers (Countertenor), Richard Roberts (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
39. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Baritone), James Oxley (Tenor), Alex Holton (Soprano), Claudia Schubert (Mezzo Soprano), Malin Hartelius (Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1723 ; Cöthen, Germany
40. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Baritone), James Oxley (Tenor), Alex Holton (Soprano), Claudia Schubert (Mezzo Soprano), Malin Hartelius (Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
41. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Baritone), James Oxley (Tenor), Alex Holton (Soprano), Claudia Schubert (Mezzo Soprano), Malin Hartelius (Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1729 ; Leipzig, Germany
42. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer: Peter Harvey (Baritone), Alex Holton (Soprano), James Oxley (Tenor), James Gilchrist (Tenor), Malin Hartelius (Soprano), Claudia Schubert (Mezzo Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
43. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer: James Oxley (Tenor), James Gilchrist (Tenor), Peter Harvey (Baritone), Alex Holton (Soprano), Claudia Schubert (Mezzo Soprano), Malin Hartelius (Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
44. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer: Peter Harvey (Baritone), Alex Holton (Soprano), James Oxley (Tenor), James Gilchrist (Tenor), Malin Hartelius (Soprano), Claudia Schubert (Mezzo Soprano), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
45. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano), Christoph Genz (Tenor), Panito Iconomou (Bass Baritone), Nathalie Stutzmann (Alto), Derek Lee Ragin (Countertenor)
Period: Baroque
Written: 1714 ; Weimar, Germany
46. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Lisa Larsson (Soprano), Panito Iconomou (Bass Baritone), Nathalie Stutzmann (Alto), Derek Lee Ragin (Countertenor)
Period: Baroque
Written: circa 1723-1724 ; Leipzig, Germany
47. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Lisa Larsson (Soprano), Panito Iconomou (Bass Baritone), Nathalie Stutzmann (Alto), Derek Lee Ragin (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
48. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Lisa Larsson (Soprano), Panito Iconomou (Bass Baritone), Nathalie Stutzmann (Alto), Derek Lee Ragin (Countertenor)
Period: Baroque
Written: after 1740 ; Leipzig, Germany
49. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Malin Hartelius (Soprano), William Towers (Countertenor), Robin Tyson (Countertenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
50. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Malin Hartelius (Soprano), Robin Tyson (Alto), William Towers (Countertenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
51. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Malin Hartelius (Soprano), William Towers (Countertenor), Robin Tyson (Alto), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
52. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Malin Hartelius (Soprano), Robin Tyson (Alto), William Towers (Countertenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: ?1723 ; ?Leipzig, Germany
53. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Peter Harvey (Bass), Malin Hartelius (Soprano), William Towers (Countertenor), Robin Tyson (Alto), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
54. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Malin Hartelius (Soprano), William Towers (Countertenor), Robin Tyson (Alto), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1728 ; Leipzig, Germany
55. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Gillian Keith (Soprano), Joanne Lunn (Soprano), Katherine Fuge (Soprano), William Towers (Countertenor), Robin Tyson (Countertenor)
Written: 1725 ;
56. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Gillian Keith (Soprano), Joanne Lunn (Soprano), Katherine Fuge (Soprano), William Towers (Countertenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
57. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Gillian Keith (Soprano), Joanne Lunn (Soprano), Katherine Fuge (Soprano), Robin Tyson (Countertenor), William Towers (Countertenor)
Written: 1725 ;
58. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Gillian Keith (Soprano), James Gilchrist (Tenor), Joanne Lunn (Soprano), Peter Harvey (Bass), William Towers (Countertenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
59. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass), James Gilchrist (Tenor), Gillian Keith (Soprano), Angharad Gruffydd Jones (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1729 ; Leipzig, Germany
60. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer: Gillian Keith (Soprano), Stephen Varcoe (Bass), James Gilchrist (Tenor), Angharad Gruffydd Jones (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1708 ; Weimar, Germany
61. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer: Stephen Varcoe (Bass), James Gilchrist (Tenor), Gillian Keith (Soprano), Angharad Gruffydd Jones (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
62. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer: Gillian Keith (Soprano), Stephen Varcoe (Bass), James Gilchrist (Tenor), Angharad Gruffydd Jones (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
63. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Stephen Varcoe (Bass), Gillian Keith (Soprano), Angharad Gruffydd Jones (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
64. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Stephen Varcoe (Bass), Angharad Gruffydd Jones (Soprano), Gillian Keith (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
65. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer: Katherine Fuge (Soprano), Charles Daniels (Tenor), Norbert Meyn (Tenor), Stephen Varcoe (Baritone), Gillian Keith (Soprano), Daniel Taylor (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
66. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer: Norbert Meyn (Tenor), Charles Daniels (Tenor), Stephen Varcoe (Baritone), Gillian Keith (Soprano), Katherine Fuge (Soprano), Daniel Taylor (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
67. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer: Norbert Meyn (Tenor), Stephen Varcoe (Baritone), Gillian Keith (Soprano), Katherine Fuge (Soprano), Charles Daniels (Tenor), Daniel Taylor (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
68. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer: Norbert Meyn (Tenor), Stephen Varcoe (Baritone), Gillian Keith (Soprano), Katherine Fuge (Soprano), Charles Daniels (Tenor), Daniel Taylor (Countertenor), William Towers (Countertenor)
Period: Baroque
Written: 1731 ; Leipzig, Germany
69. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Gillian Keith (Soprano), Katharine Fuge (Soprano), Jonathan Brown (Bass), Peter Harvey (Bass), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
70. Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer: Katharine Fuge (Soprano), Gillian Keith (Soprano), Christoph Genz (Tenor), Jonathan Brown (Bass), Peter Harvey (Bass), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
71. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Jonathan Brown (Bass), Peter Harvey (Bass), Katharine Fuge (Soprano), Gillian Keith (Soprano), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
72. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Jonathan Brown (Bass), Peter Harvey (Bass), Katharine Fuge (Soprano), Gillian Keith (Soprano), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
73. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer: Jonathan Brown (Bass), Christoph Genz (Tenor), Peter Harvey (Bass), Katharine Fuge (Soprano), Gillian Keith (Soprano), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
74. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer: Jonathan Brown (Bass), Christoph Genz (Tenor), Peter Harvey (Bass), Katharine Fuge (Soprano), Gillian Keith (Soprano), Nathalie Stutzmann (Alto), Robin Tyson (Alto)
Period: Baroque
Written: 1728 ; Leipzig, Germany
75. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer: Gillian Keith (Soprano), Katharine Fuge (Soprano), Peter Harvey (Bass), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
76. Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer: Katharine Fuge (Soprano), Gillian Keith (Soprano), Peter Harvey (Bass), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
77. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Katharine Fuge (Soprano), Gillian Keith (Soprano), Peter Harvey (Bass), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
78. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer: Katharine Fuge (Soprano), Gillian Keith (Soprano), Peter Harvey (Bass), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1714 ; Cöthen, Germany
79. Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Katharine Fuge (Soprano), Gillian Keith (Soprano), Daniel Taylor (Countertenor)
80. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer: Nicolas Testé (Bass), Kobie van Rensburg (Tenor), Paul Agnew (Tenor), Peter Harvey (Bass), Magdalena Kozená (Soprano), Joanne Lunn (Soprano), Nathalie Stutzmann (Alto), William Towers (Countertenor)
Period: Baroque
Written: 1715 ; Cöthen, Germany
81. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer: Nicolas Testé (Bass), Kobie van Rensburg (Tenor), Paul Agnew (Tenor), Peter Harvey (Bass), Magdalena Kozená (Soprano), Joanne Lunn (Soprano), William Towers (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
82. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer: Nicolas Testé (Bass), Kobie van Rensburg (Tenor), Paul Agnew (Tenor), Peter Harvey (Bass), Joanne Lunn (Soprano), Magdalena Kozená (Soprano), William Towers (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1732 ; Leipzig, Germany
83. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer: Nicolas Testé (Bass), Joanne Lunn (Soprano), Magdalena Kozená (Soprano), Kobie van Rensburg (Tenor), Paul Agnew (Tenor), Peter Harvey (Bass), William Towers (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1708 ; Mühlhausen, Germany
84. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), Kobie van Rensburg (Tenor), Peter Harvey (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1707 ; Mühlhausen, Germany
85. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), Kobie van Rensburg (Tenor), Peter Harvey (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
86. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), Kobie van Rensburg (Tenor), Peter Harvey (Bass), William Towers (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
87. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
88. Brandenburg Concerto no 3 in G major, BWV 1048: 1st movement, Allegro by Johann Sebastian Bach
Performer: Stephan Loges (Bass), Paul Agnew (Tenor), Christoph Genz (Tenor), Lisa Larsson (Soprano), Peter Harvey (Bass), Ruth Holton (Soprano), Daniel Taylor (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1711-1713 ; ?Weimar, Germany
89. Brandenburg Concerto no 3 in G major, BWV 1048: 2nd movement, Adagio by Johann Sebastian Bach
Performer: Stephan Loges (Bass), Paul Agnew (Tenor), Christoph Genz (Tenor), Lisa Larsson (Soprano), Peter Harvey (Bass), Ruth Holton (Soprano), Daniel Taylor (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1711-1713 ; ?Weimar, Germany
90. Brandenburg Concerto no 3 in G major, BWV 1048: 3rd movement, Allegro by Johann Sebastian Bach
Performer: Stephan Loges (Bass), Christoph Genz (Tenor), Paul Agnew (Tenor), Lisa Larsson (Soprano), Peter Harvey (Bass), Ruth Holton (Soprano), Daniel Taylor (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1711-1713 ; ?Weimar, Germany
91. Erwünschtes Freudenlicht, BWV 184: no 1, Erwünschtes Freudenlicht by Johann Sebastian Bach
Performer: Stephan Loges (Bass), Christoph Genz (Tenor), Paul Agnew (Tenor), Lisa Larsson (Soprano), Peter Harvey (Bass), Ruth Holton (Soprano), Daniel Taylor (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
92. Erwünschtes Freudenlicht, BWV 184: no 2, Gesegnete Christen, glückselige Herde by Johann Sebastian Bach
Performer: Lisa Larsson (Soprano), Stephan Loges (Bass), Ruth Holton (Soprano), Christoph Genz (Tenor), Paul Agnew (Tenor), Peter Harvey (Bass), Daniel Taylor (Countertenor), Nathalie Stutzmann (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
93. Erwünschtes Freudenlicht, BWV 184: no 3, So freuet euch, ihr auserwählten Seelen! by Johann Sebastian Bach
Performer: Christoph Genz (Tenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1724 ; Leipzig, Germany
94. Erwünschtes Freudenlicht, BWV 184: no 4, Glück und Segen sind bereit by Johann Sebastian Bach
Performer: Christoph Genz (Tenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1724 ; Leipzig, Germany
95. Erwünschtes Freudenlicht, BWV 184: no 5, Herr, ich hoff je, du werdest die by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
96. Erwünschtes Freudenlicht, BWV 184: no 6, Guter Hirte, Trost der Deinen by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
97. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 1, Er rufet seinen Schafen mit by Johann Sebastian Bach
Performer: Christoph Genz (Tenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
98. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 2, Komm, leite mich, es sehnet by Johann Sebastian Bach
Performer: Nathalie Stutzmann (Alto)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
99. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 3, Wo find ich dich? by Johann Sebastian Bach
Performer: Christoph Genz (Tenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
100. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 4, Es dünket mich, ich seh dich by Johann Sebastian Bach
Performer: Christoph Genz (Tenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
101. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 5, Sie vernahmen aber nicht by Johann Sebastian Bach
Performer: Stephan Loges (Bass), Nathalie Stutzmann (Alto)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
102. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 6, Öffnet euch, ihr beiden Ohre by Johann Sebastian Bach
Performer: Stephan Loges (Bass)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
103. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 7, Nun, werter Geist, ich folg by Johann Sebastian Bach
Period: Baroque
Written: 1725 ; Leipzig, Germany
104. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 1, Es ist ein trotzig und v by Johann Sebastian Bach
Period: Baroque
Written: 1725 ; Leipzig, Germany
105. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 2, Ich meine, recht verzagt by Johann Sebastian Bach
Performer: Daniel Taylor (Countertenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
106. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 3, Dein sonst hell beliebte by Johann Sebastian Bach
Performer: Ruth Holton (Soprano)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
107. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 4, So wundre dich, o Meiste by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
108. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 5, Ermuntert euch, furchtsa by Johann Sebastian Bach
Performer: Daniel Taylor (Countertenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1725 ; Leipzig, Germany
109. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: No 6, Auf dass wir also allzug by Johann Sebastian Bach
Period: Baroque
Written: 1725 ; Leipzig, Germany
110. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 1, O heilges Geist- by Johann Sebastian Bach
Performer: Ruth Holton (Soprano)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1715 ; Cöthen, Germany
111. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 2, Die sündige Gebur by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1715 ; Cöthen, Germany
112. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 3, Jesu, der aus gro by Johann Sebastian Bach
Performer: Daniel Taylor (Countertenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1715 ; Cöthen, Germany
113. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 4, Ich habe ja, mein by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1715 ; Cöthen, Germany
114. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 5, Jesu, meines Tode by Johann Sebastian Bach
Performer: Daniel Taylor (Countertenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1715 ; Cöthen, Germany
115. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165: no 6, Sein Wort, sein T by Johann Sebastian Bach
Period: Baroque
Written: 1715 ; Cöthen, Germany
116. Gelobet sei der Herr, mein Gott, BWV 129: no 1, Gelobet sei der Herr, mein Gott by Johann Sebastian Bach
Period: Baroque
Written: 1726 ; Leipzig, Germany
117. Gelobet sei der Herr, mein Gott, BWV 129: no 2, Gelobet sei der Herr, mein Gott, mein Heil by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1726 ; Leipzig, Germany
118. Gelobet sei der Herr, mein Gott, BWV 129: no 3, Gelobet sei der Herr, mein Gott, mein Trost by Johann Sebastian Bach
Performer: Ruth Holton (Soprano)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1726 ; Leipzig, Germany
119. Gelobet sei der Herr, mein Gott, BWV 129: no 4, Gelobet sei der Herr, mein Gott, der ewig lebet by Johann Sebastian Bach
Performer: Daniel Taylor (Countertenor)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1726 ; Leipzig, Germany
120. Gelobet sei der Herr, mein Gott, BWV 129: no 5, Dem wir das Heilig itzt mit Freuden lassen klingen by Johann Sebastian Bach
Period: Baroque
Written: 1726 ; Leipzig, Germany
121. Fürchte dich nicht by Johann Christoph Bach
Period: Baroque
122. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer: Stephan Loges (Bass)
Period: Baroque
Written: 1724 ; Leipzig, Germany
123. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer: Stephan Loges (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
124. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Period: Baroque
Written: 1734 ; Leipzig, Germany
125. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer: Panito Iconomou (Bass), Paul Agnew (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
126. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Period: Baroque
Written: circa 1708-1709 ; Cöthen, Germany
127. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer: Panito Iconomou (Bass)
Period: Baroque
Written: 1725 ; Leipzig, Germany
128. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Brindley Sherratt (Bass), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
129. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer: Brindley Sherratt (Bass), Christoph Genz (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
130. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer: Brindley Sherratt (Bass), Christoph Genz (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
131. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer: Gotthold Schwarz (Bass), Joanne Lunn (Soprano), Christoph Genz (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
132. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer: Brindley Sherratt (Bass), Christoph Genz (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
133. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer: Brindley Sherratt (Bass), Christoph Genz (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
134. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer: James Oxley (Tenor), Miah Persson (Soprano), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
135. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer: Miah Persson (Soprano)
Period: Baroque
Written: 1727 ; Leipzig, Germany
136. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer: James Oxley (Tenor), Miah Persson (Soprano), Jonathan Brown (Bass), Wilke te Brummelstroete (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
137. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), Gillian Keith (Soprano), James Gilchrist (Tenor)
Period: Baroque
Written: ?1715 ; Cöthen, Germany
138. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), James Gilchrist (Tenor), Angharad Gruffydd Jones (Soprano), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
139. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), James Gilchrist (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
140. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer: Stephen Varcoe (Baritone), James Gilchrist (Tenor), Joanne Lunn (Soprano), Michael Chance (Countertenor)
Period: Baroque
Written: circa 1732-1735 ; Leipzig, Germany
141. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer: James Gilchrist (Tenor), Stephen Varcoe (Baritone), Joanne Lunn (Soprano), Michael Chance (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
142. Der Gerechte kommt um by Johann Kuhnau
Performer: Stephen Varcoe (Baritone), Joanne Lunn (Soprano), James Gilchrist (Tenor), Michael Chance (Countertenor)
Period: Baroque
143. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), Katharine Fuge (Soprano), Kobie van Rensburg (Tenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
144. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), Katharine Fuge (Soprano), Kobie van Rensburg (Tenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
145. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer: Stephan Loges (Baritone), Katharine Fuge (Soprano), Kobie van Rensburg (Tenor), Richard Wyn Roberts (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
146. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Ruth Holton (Soprano)
Period: Baroque
147. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Ruth Holton (Soprano), Lucy Ballard (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
148. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Lucy Ballard (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
149. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Ruth Holton (Soprano), Lucy Ballard (Alto)
Period: Baroque
Written: ?1729 ; Leipzig, Germany
150. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Sally Bruce-Payne (Mezzo Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
151. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer: Ruth Holton (Soprano), Peter Harvey (Bass)
Period: Baroque
Written: 1727 ; Leipzig, Germany
152. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Period: Baroque
Written: 1723 ; Leipzig, Germany
153. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
154. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Period: Baroque
Written: 1726 ; Leipzig, Germany
155. Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Period: Baroque
Written: 1729 ; Leipzig, Germany
156. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
157. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Period: Baroque
Written: 1726 ; Leipzig, Germany
158. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Period: Baroque
Written: 1724 ; Leipzig, Germany
159. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), Christoph Genz (Tenor), Magdalena Kozená (Mezzo Soprano), Sara Mingardo (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
160. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Peter Harvey (Bass), Magdalena Kozená (Mezzo Soprano), Sara Mingardo (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
161. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), Christoph Genz (Tenor), Magdalena Kozená (Mezzo Soprano), Sara Mingardo (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
162. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer: Gotthold Schwarz (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), William Towers (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
163. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer: Gotthold Schwarz (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), William Towers (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
164. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer: Gotthold Schwarz (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), William Towers (Countertenor)
Period: Baroque
Written: 1726 ; Leipzig, Germany
165. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer: Gotthold Schwarz (Bass), Joanne Lunn (Soprano), Paul Agnew (Tenor), William Towers (Countertenor)
Period: Baroque
Written: ?1728 ; Leipzig, Germany
166. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer: Stephen Varcoe (Baritone), James Gilchrist (Tenor), Lisa Larsson (Soprano), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
167. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer: Stephen Varcoe (Baritone), Lisa Larsson (Soprano), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
168. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer: Stephen Varcoe (Baritone), Lisa Larsson (Soprano), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
169. Geistliche Chormusik, Op. 11/SWV 369-397: Die Himmel erzählen, SWV 386 by Heinrich Schütz
Performer: Stephen Varcoe (Baritone), Lisa Larsson (Soprano), James Gilchrist (Tenor), Daniel Taylor (Countertenor)
Period: Baroque
170. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer: Vernon Kirk (Tenor), Katharine Fuge (Soprano), Robin Tyson (Countertenor)
Period: Baroque
Written: 1714 ; Cöthen, Germany
171. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer: Katharine Fuge (Soprano), Robin Tyson (Countertenor), Vernon Kirk (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
172. Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto" by Johann Sebastian Bach
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: circa 1730 ; Leipzig, Germany
173. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Bernarda Fink (Mezzo Soprano), Claron McFadden (Soprano), Dietrich Henschel (Baritone)
Period: Baroque
Written: 1713-1715 ; Cöthen, Germany
174. Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer: Christoph Genz (Tenor), Bernarda Fink (Mezzo Soprano), Claron McFadden (Soprano), Dietrich Henschel (Baritone)
Written: after 1740 ;
175. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer: Magdalena Kozená (Mezzo Soprano), Sally Bruce-Payne (Mezzo Soprano), Peter Harvey (Bass), James Gilchrist (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
176. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer: Magdalena Kozená (Mezzo Soprano), Sally Bruce-Payne (Mezzo Soprano), Peter Harvey (Bass), James Gilchrist (Tenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
177. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Robin Tyson (Countertenor), Joanne Lunn (Soprano)
Period: Baroque
Written: 1726 ; Leipzig, Germany
178. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), Robin Tyson (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
179. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Robin Tyson (Countertenor), Joanne Lunn (Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
180. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Joanne Lunn (Soprano), Robin Tyson (Countertenor)
Period: Baroque
Written: 1723 ; Leipzig, Germany
181. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), William Kendall (Tenor), Gillian Keith (Soprano), Susan Hamilton (Soprano), Hilary Summers (Alto)
Period: Baroque
Written: 1724-1725 ; Leipzig, Germany
182. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), William Kendall (Tenor), Gillian Keith (Soprano), Susan Hamilton (Soprano), Hilary Summers (Alto)
Period: Baroque
Written: 1715 ; Cöthen, Germany
183. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), William Kendall (Tenor), Gillian Keith (Soprano), Susan Hamilton (Soprano), Hilary Summers (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
184. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), William Kendall (Tenor), Gillian Keith (Soprano), Susan Hamilton (Soprano), Hilary Summers (Alto)
Period: Baroque
Written: 1731 ; Leipzig, Germany
185. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer: Meg Bragle (Mezzo Soprano), Lenneke Ruiten (Soprano), Dietrich Henschel (Baritone), Andrew Tortise (Tenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
186. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer: Meg Bragle (Mezzo Soprano), Andrew Tortise (Tenor), Lenneke Ruiten (Soprano), Dietrich Henschel (Baritone)
Period: Baroque
Written: 1726 ; Leipzig, Germany
187. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer: Meg Bragle (Mezzo Soprano), Lenneke Ruiten (Soprano), Dietrich Henschel (Baritone), Andrew Tortise (Tenor)
Written: 1725 ;
188. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Katherine Fuge (Soprano), Daniel Taylor (Alto)
Period: Baroque
Written: 1724 ; Leipzig, Germany
189. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Katherine Fuge (Soprano), Daniel Taylor (Alto)
Period: Baroque
Written: 1725 ; Leipzig, Germany
190. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), James Gilchrist (Tenor), Katherine Fuge (Soprano), Daniel Taylor (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
191. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Stephan Loges (Bass), Magdalena Kozená (Soprano), William Towers (Alto)
Period: Baroque
Written: 1714 ; Cöthen, Germany
192. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Magdalena Kozená (Soprano), Stephan Loges (Bass), William Towers (Alto)
Period: Baroque
Written: 1723 ; Leipzig, Germany
193. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Mark Padmore (Tenor), Stephan Loges (Bass), William Towers (Alto), Magdalena Kozená (Soprano)
Period: Baroque
Written: 1724 ; Leipzig, Germany
194. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), Steve Davislim (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1724 ; Leipzig, Germany
195. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer: Peter Harvey (Bass), Steve Davislim (Tenor), Robin Tyson (Countertenor)
Period: Baroque
Written: 1725 ; Leipzig, Germany
196. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer: Peter Harvey (Bass)
Period: Baroque
Written: 1727 ; Cöthen, Germany
197. Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer: Robin Tyson (Countertenor)
Period: Baroque
Written: ?1742 ; Leipzig, Germany
198. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), Stephen Varcoe (Baritone), Sara Mingardo (Alto)
Period: Baroque
Written: 1726 ; Leipzig, Germany
199. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer: Stephen Varcoe (Baritone)
Orchestra/Ensemble: English Baroque Soloists
Period: Baroque
Written: 1724 ; Leipzig, Germany
200. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer: Julian Podger (Tenor), Sara Mingardo (Alto), Joanne Lunn (Soprano), Stephen Varcoe (Baritone)
Period: Baroque
Written: 1725 ; Leipzig, Germany
201. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer: Joanne Lunn (Soprano), Stephen Varcoe (Baritone), Julian Podger (Tenor), Sara Mingardo (Alto)
Period: Baroque
Written: 1729 ; Leipzig, Germany
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