Mahler: Symphony No. 2 / Bychkov, Czech Philharmonic

Regular price $17.99
Label
PENTATONE
Release Date
April 7, 2023
Format
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    Featuring
    • COMPOSER
      Gustav Mahler
    • ORCHESTRA / ENSEMBLE
      Czech Philharmonic, Prague Philharmonic Choir
    • PERFORMER
      Christiane Karg, Elisabeth Kulman
    Product Details
    • RELEASE DATE
      April 07, 2023
    • UPC
      827949099267
    • CATALOG NUMBER
      PTC5186992
    • LABEL
      PENTATONE
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Symphony No. 2

      Composer: Gustav Mahler

      Ensemble: Czech Philharmonic, Prague Philharmonic Choir

      Performer: Christiane Karg (Soprano), Elisabeth Kulman (Mezzo-Soprano)

      Conductor: Semyon Bychkov


After critically-acclaimed recordings of Mahler’s Fourth and Fifth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Second, nicknamed “The Resurrection”. They are joined by soprano Christiane Karg, alto Elisabeth Kulman and the Prague Philharmonic Choir.

Starting with a funeral march, passing through the introspective alto song “Urlicht” and ending in choral bliss and euphoria, Mahler’s Second is a deeply spiritual and personal contemplation on the secret of life and the possibility of overcoming death. For Bychkov, the symphony “shows the life cycle in all its struggles: suffering, joy, irony, humour, love and doubt.” The Czech Philharmonic is one of the world’s most acclaimed orchestras, with a rich tradition of performing Czech masters and music from Central Europe.

Semyon Bychkov has led the greatest orchestras of the world, and is Chief Conductor and Music Director of the Czech Philharmonic as of the 2018/2019 season. Orchestra and maestro released recordings of Mahler’s Fourth and Fifth Symphony (both 2022) on Pentatone, kicking off a complete Mahler cycle. Elisabeth Kulman has participated on several Pentatone releases, while Christiane Karg makes her Pentatone debut.

REVIEW:

You marvel at the fresh depth and breadth that Bychkov and his players find within this towering work. The Russian-American conductor doesn’t labor over the funeral march, and in the shattering final movement he draws performances of exquisite balance, control and stillness. This is turning out to be one of the truly great Mahler sets.

-- The Sunday Times (U.K.)