Explorer Set - American Edition

Jeffrey Chappell performs three great pianos sonatas from the 20th Century, by Alberto Ginastera, Charles T. Griffes, and Samuel Barber

Anna Geniushene and Lukas Geniusas both have brilliant careers as soloists: Anna won the silver medal at the Van Cliburn International Piano Competition in 2022 and now records for Fuga Libera, while Lukas' two Rachmaninov recordings, a recital of solo works (ALPHA997) and songs with Asmik Grigorian (ALPHA796), have both won major awards. Partners in life and in art, they form a highly virtuosic and tightly knit duo. This highly varied programme pays tribute to American music with works by Gershwin, Stravinsky, Copland and McPhee, a succession of melting-pots that create fusions of classical music, jazz, Mexican music and Balinese rhythms. The spectacular and rebellious Fourth Ballad from Frederic Rzewski's North American Ballads (1978-79) is also included. This musical odyssey concludes with the vast fresco that is John Adam's magnificent Hallelujah Junction (1996).

SILENCE IS GOLDEN ist ein Dramedy-Album. Die Aufnahmen haben etwas gemein: sie bergen tonnenschwere Inhalte, die durch Humor leicht verdaulich werden. Musikalische Gesellschaftssatire von Schubert bis Ligeti.

This repertoire spans almost eighty years of classical composers' excursions into blues, folk, hip-hop, jazz, musical theater, samba, tango, techno and other genres. Each piece goes beyond mere stylistic imitation, cultivating an authentic expressivity within a transcribed musical language rooted in the Americas. ___Alexander Crosett

- The 20th century saw an immense and revolutionary development in musical styles and language, some radically parting from the fundamental musical traditions. This CD presents works for flute and piano by composers who adhered to their own, personal musical language, expressing only their own feelings of beauty, emotion and esthetics, without following current trends or theories. - Presented are the following composers: Rhene Baton, Francis Poulenc, Albert Roussel, Darius Milhaud, Ernst Krenek, Paul Hoffer, Samuel Barber, Ferenc Farkas, Franco Margola, Giuseppe Mule, Jean Michel Damase, Luciano Michelini: a very diverse selection of accessible, highly enjoyable music. - Gian-Luca Petrucci has been first flute in several of the top orchestras of Italy. He was professor at the Santa Cecilia Conservatory in Rome. As a scholar he published monographs on several (Italian) composers: Mercadante, Briccialdi, Gazzelloni, de Lorenzo and Mozart. His previous recordings for Brilliant Classics include works by Frederick The Great (BC 96538), Bohm (96862) and Mercadante (BC 96152).

Discover the brilliance of the iconic John Neumeier in this captivating double feature. The Glass Menagerie, inspired by Tennessee Williams' poignant drama, showcases Neumeier's extraordinary talent for storytelling through movement. At the center of this production is renowned ballet dancer Alina Cojocaru, who inspired John Neumeier to create the piece. Together with the acclaimed Hamburg Ballet, she delivers a performance that dances on the heartstrings and lingers in the soul. Complementing this masterpiece is John Neumeier - A Life for Dance, Andreas Morell's intimate documentary that offers a glimpse into the passion and vision of one of the greatest choreographers of our time. This edition is a must-have for dance enthusiasts and lovers of profound artistic expression.

Discover the brilliance of the iconic John Neumeier in this captivating double feature. The Glass Menagerie, inspired by Tennessee Williams' poignant drama, showcases Neumeier's extraordinary talent for storytelling through movement. At the center of this production is renowned ballet dancer Alina Cojocaru, who inspired John Neumeier to create the piece. Together with the acclaimed Hamburg Ballet, she delivers a performance that dances on the heartstrings and lingers in the soul. Complementing this masterpiece is John Neumeier - A Life for Dance, Andreas Morell's intimate documentary that offers a glimpse into the passion and vision of one of the greatest choreographers of our time. This edition is a must-have for dance enthusiasts and lovers of profound artistic expression.

With the energy of a jet engine, violinist Oscar Bohorquez and pianist Frank Braley dive into a whirlwind exploration of unknown and thrilling American repertoire. Duos by Paul Schoenfield, William Bolcom, Aaron Copland, Mike Mower, and Brazilian composer Mozart Camargo Guarnieri - blessed with a name as remarkable as his music - bring the rhythmic vitality of the Americas into your living room. From jungle and desert-infused melodies to the spirit of tango, samba, rumba, square dance, and New York jazz clubs, this album offers a wonderfully vibrant and captivating musical experience.

Leonard Bernstein conducted regularly in Munich from the 1980s onwards. It was then that he learned to appreciate and love the Bavarian Radio Symphony Orchestra in particular. In October 1976, Bernstein appeared with an all-Beethoven programme, and in 1983 he began a series of annual concerts with the orchestra. In November of that year, he rehearsed Robert Schumann's Second Symphony and his own Divertimento (1980), which were performed in the Herkulessaal of the Munich Residenz. This BR-KLASSIK CD presents the live recording of that concert event. Bernstein commendably championed Robert Schumann's Second Symphony - a work from 1845 that was repeatedly perceived as still immature and in need of improvement, and which Schumann himself confessed to having written in poor health. The critic Joachim Kaiser picked up on both facts in his concert review for the Suddeutsche Zeitung: "So what did Bernstein do differently to silence this scholarly talk, at least for all those who were lucky enough to listen to his Schumann? (...) Bernstein believed not only in Schumann's melodies - not difficult in itself - but also, and fervently, in the work's great symphonic developmental arcs. And because he was able to inspire the musicians of the superbly organised Bavarian Radio Symphony Orchestra in such a natural, free and yet highly differentiated way, the power of Schumann emerged!" Bernstein's Divertimento, composed in 1980 for the 100th anniversary of the Boston Symphony Orchestra, consists of eight miniatures developed from the semitone B-C. It begins with a fanfare and progresses through a waltz, a mazurka, a samba and a blues to a Radetzky-like march. The music is jazz-like, full of happy syncopation, unusual time signatures and dance-like verve. Bernstein also draws on memories of his first concerts - popular programmes that he attended as a child with his father in Boston's Symphony Hall.

The Sonus Quintet is Germany's first reed quintet, consisting of clarinet, bass clarinet, saxophone, oboe, and bassoon. This unusual combination of woodwind instruments allows for imaginative and airy sounds beautifully showcased on the ensemble's GENUIN debut album. The program includes the quintet's own transcriptions and the original composition "Refraction" by David Biedenbinder from 2015. The album title "Light" is reflected in various ways in the works: Gershwin's "An American in Paris," Beethoven's "Moonlight Sonata," and Grieg's famous "Air" from the "Holberg Suite."

This is an album of first-rate contemporary American works for violin piano, with superb performances by Pia Liptak, violin, and Yi-Wen Chang, piano. Pia Liptak: Fantasy; Charles Ives: Second Sonata for Violin and Piano; Pia Liptak: Four Haiku; David Liptak: Sonata for Violin and Piano; Baljinder Sekhon: Three Little Lights

Around Gershwin is star accordionist Richard Galliano's tribute to George Gershwin, in-terweaving his music with works by early twentieth-century composers such as Debus-sy, Rachmaninoff, Satie, Ravel and Faure, as well as new compositions of his own. Seen through the lense of Galliano's masterful musicianship, these pieces create the sensa-tion of a sonic odyssey.

Presented as 'An Experiment in Modern Music' when it was premiered in 1924, Rhapsody in Blue made George Gershwin famous, and he soon set to work on a version for solo piano, recorded here by Claire Huangci. In her first solo disc for Alpha Classics, Claire was keen to celebrate this centenary alongside her roots in America, where she was born, studied music and made her debut as a concert artist at the age of nine. The brilliant improviser and transcriber Earl Wild (1915-2010) took Gershwin's songs (Liza, Fascinatin' Rhythm, Somebody Loves Me, I Got Rhythm, Embraceable You, Oh, Lady Be Good, The Man I Love) to form the basis of his Seven Virtuoso Etudes for solo piano. Equally virtuosic is the Op. 26 Sonata by Samuel Barber, whom Vladimir Horowitz (who premiered the work in Havana in December 1949) regarded as one of the few Americans capable of writing for the piano. The New Hampshire-born composer Amy Beach took her inspiration from the folk music of both the New World and the Balkans, while retaining her harmonic language inherited from the Romantics. Her Variations Op. 60 (1904) bear witness to these influences.

Click here to listen to the Naxos podcast interview with Paul Jacobs about this release.

This release features organ concertos by some of America's finest contemporary composers: Horatio Parker's 'imposing and brilliant' piece is heard alongside Christopher Rouse's concerto of contrasting light and dark sonorities, which is dedicated to album soloist Paul Jacobs, and Wayne Oquin's Resilience reflects the human capacity for tenacity and perseverance. The program ends with Ives' Variations on 'America' for solo organ.