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Berg: Lulu / Ludwig, Rothenberger, Unger, Borg, Meyer

Release Date: 04/02/2013 
Label:  Emi Classics   Catalog #: 123302   Spars Code: DDD 
Composer:  Alban Berg
Performer:  Toni BlankenheimKerstin MeyerErwin WohlfahrtKim Borg,   ... 
Conductor:  Leopold Ludwig
Orchestra/Ensemble:  Hamburg State Philharmonic Orchestra
Number of Discs: 1 
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Notes and Editorial Reviews

Powerful, brutal and moving, but with plenty of rough edges.

Alban Berg’s Lulu is one of those breathtaking works of art which comes around rarely - a piece which lies in wait and will leap out at people, changing their view of 20 th century music forever. Its appeal lies in the horrors of its narrative, a kind of aversive love/hate life/death scenario which grasps at the banality of our existence - for which by comparison with Lulu’s life we can count ourselves fortunate.
Orientating myself to the qualities of this live recording I had a listen to the Oehms Classics recording OC205 conducted by Stefan Anton Reck, which is has plenty of the bumps and intensity you might expect
Read more and some gripping vocal performances, holding onto its place as a leading contender. Spread over three discs and with a reconstructed Act III, Jeffrey Tate’s budget EMI version represents good value, though the female voices are frequently more convincing than the men. There is an English language version on the Chandos label conducted by Paul Daniel which is very good, though the switch in language does change the nature of the vocal parts irrevocably - more George Bellows than George Grosz. Pierre Boulez’s Deutsche Grammophon recording is in a class of its own, and to this day probably remains first choice for a CD only version (see r eview).
This 1968 recording is going to be nobody’s first choice when it comes to detail and refinement in terms of the recording and the orchestra. The cymbal crash and drum at the outset knock us firmly into the second-rate in this regard, and with a certain amount of wandering stereo imagery, the occasional dip in volume and some distortion at dynamic extremes, it is the character of the performance which will have to sell this version.
As the blurb and booklet tell us, this performance was a significant and daring Hamburg State Opera début for soprano Anneliese Rothenberger. Her ‘charming’ image certainly didn’t seem to fit with the role of Lulu but her acting surpassed expectations, and in an interview in 1997 she looked back on this production with affection: “I was amazed at how well it sounds … I really don’t know how I learned all that in such a short time.” She only sang the role 15 times, and in the end decided to “stick with Mozart and Strauss”.
This is not only Rothenberger’s production and all of the roles are taken powerfully, including a remarkable Schigolch from Kim Borg. If you can listen through the rough edges there are great dramatic rewards to be found in this at times brutal performance, showing up Jeffrey Tate’s cast as really rather beige by comparison. The missing Act III in this recording was substituted with the equivalent sections taken from the Lulu Suite with added spoken texts. This is by no means as satisfactory as the completion by Friedrich Cerha, but prevented the production from ending up as a truncated two-acter and builds into quite a moving final melodrama. Unless you’ve been hardened by horror movies, the final three minutes will keep you awake at night.
-- Dominy Clements, MusicWeb International
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Works on This Recording

Lulu by Alban Berg
Performer:  Toni Blankenheim (Baritone), Kerstin Meyer (Mezzo Soprano), Erwin Wohlfahrt (Tenor),
Kim Borg (Bass), Anneliese Rothenberger (Soprano), Gerhard Unger (Voice)
Conductor:  Leopold Ludwig
Orchestra/Ensemble:  Hamburg State Philharmonic Orchestra
Period: 20th Century 
Written: 1929-1935; Austria 

Sound Samples

Berg: Lulu: Prolog: Hereinspaziert in die Menagerie
Berg: Lulu, 1. Akt, 1. Szene: Darf ich eintreten?/Gnädige Frau.../Sie bekommen mich.../Wie ist dir?
Berg: Lulu, 1. Akt, 1. Szene: Machen Sie auf/Auf einmal springt.../Noch nicht wieder.../Kannst du die Wahrheit.../Ich möchte tauschen.../Canon/Wollen Sie mir...
Berg: Lulu, 1. Akt, 2. Szene: Eva! - Befehlen?/Ich finde, du siehst heute reizend aus
Berg: Lulu, 1. Akt, 2. Szene: Den hab' ich mir auch ganz anders vorgestellt
Berg: Lulu, 1. Akt, 2. Szene: Was tut denn Ihr Vater da?/Wenn ich Ihr Mann wäre
Berg: Lulu, 1. Akt, 2. Szene: Du hast eine halbe Million geheiratet
Berg: Lulu, 1. Akt, 2. Szene: Ich darf mich jetzt hier nicht sehen lassen
Berg: Lulu, 1. Akt, 2. Szene: Verwandlungsmusik
Berg: Lulu, 1. Akt, 3. Szene: Seit ich für die Bühne arbeite/Noch etwas, bitte
Berg: Lulu, 1. Akt, 3. Szene: Über die ließe sich.../Ich hatte bei Herrn Dr. Schön.../Sie hatte einen.../Das hättest du dir besser.../
Berg: Lulu, 1. Akt, 3. Szene: Wie kannst du die Szene gegen.../Mein Alter! Meine Welt/Sehr geehrtes Fräulein
Berg: Lulu, 2. Akt, 1. Szene: Sie glauben nicht, wie ich mich darauf freue/Könntest du dich für heute nachmittag...
Berg: Lulu, 2. Akt, 1. Szene: Gott sei Dank, daß wir.../Er hat sie nämlich.../Hast du oben abgeschlossen?
Berg: Lulu, 2. Akt, 1. Szene: Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden
Berg: Lulu, 2. Akt, 1. Szene: Sein Vater! .../Wo ist denn der hin?/Du Kreatur, die mich durch den...
Berg: Lulu, 2. Akt, 1. Szene: Wenn sich die Menschen.../Nieder, Mörderin.../Du kannst mich nicht...
Berg: Lulu, 2. Akt, 1. Szene: Verwandlung (Filmmusik)
Berg: Lulu, 2. Akt, 2. Szene: Er läßt auf sich warten wie ein Kapellmeister
Berg: Lulu, 2. Akt, 2. Szene: Sie wollten der verrückten Rakete.../Mit wem habe ich...
Berg: Lulu, 2. Akt, 2. Szene: Hü, kleine Lulu/O Freiheit! Herr Gott im Himmel
Berg: Lulu, 2. Akt, 2. Szene: Wenn deine beiden großen Kinderaugen.../Durch dieses Kleid empfinde ich...
Berg: Lulu, 3. Akt: Variationsmusik
Berg: Lulu, 3. Akt: Schlußmusik
Berg: Lulu, 3. Akt: Nein! Mörder! Polizei!

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