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Mozart: La Finta Giardiniera / Karthauser, Im, Jacobs

Mozart / Freiburger Barockorchester / Jacobs
Release Date: 10/09/2012 
Label:  Harmonia Mundi   Catalog #: 902126  
Composer:  Wolfgang Amadeus Mozart
Performer:  Nicolas RivenqSophie KarthäuserSunhae ImMarie-Claude Chappuis,   ... 
Conductor:  René Jacobs
Orchestra/Ensemble:  Freiburg Baroque Orchestra
Number of Discs: 3 
Recorded in: Stereo 
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Notes and Editorial Reviews

This strange opera, from Mozart’s 18th year, is a comedy in which the plot turns on an attempted murder a year before the action begins, in which one character (Count Belfiore) left another (Countess Violante) for dead, and on the insanity—or at least emotional collapse—of one or more characters. After its first performance in Munich (about which Mozart wrote to his father that it was a great success) it received only two more performances; when it was revived during Mozart’s lifetime it was in German translation, as a Singspiel. Then, in 1796, the opera was heard in Prague, somewhat abridged and with “fixed” orchestration—“fixed” in the manner of late Mozart. Some experts believe that Mozart
Read more himself did the revising; this current recording, under the ever-curious eyes and ears of René Jacobs, works with that assumption, to great success. (He keeps the new orchestration but restores the cuts.)

The original Munich performance featured 23 instrumentalists; Jacobs uses far more, with flutes, clarinets, bassoons, trumpets, timpani, and an expanded viola section. It makes sense, actually, since the Prague audience had adored Don Giovanni and was accustomed to “that” sound from Mozart. The result is not just more interesting but far less frivolously “young”-sounding and more darkly shaded than the original version (to be heard on a few recordings). If you can, compare any other recording of Arminda’s second-act rage aria, “Vorrei punirti indegno”, to the one on this present recording. While the aria’s greatness and depth of feeling is amazing in any case, the added violas, bassoons, and oboes make it sound like mature Mozart, adding pathos to the anger. In fact, since this is an opera most people, I included, have never found particularly pressing, Jacobs’ performance is a revelation. In addition to coming in at 20 minutes shorter than the proper, intelligent, and very dull Leopold Hager set (Philips), it is vocally acted so vividly that you actually get caught up in the nonsense—and some of it seems less nonsensical than previously.

Also, as is customary with Jacobs, recits are highly realistic and conversational, and are underpinned by commentary from the continuo (somewhat less manic than on his Mozart/da Ponte opera recordings). The cast is excellent. Jeremy Ovenden is the Belfiore; he uses his nice tenor with fluidity and manipulative passion. It is easy to see why Violante, now called Sandrina (the disguised gardener of the title) still loves him, and soprano Sophie Karthäuser portrays her mood swings with ease, and is particularly lovely in her first-act “turtledove” aria. Belfiore is currently wooing Arminda (before he and Sandrina eventually recognize one another, which leads to them both losing their minds simultaneously), here sung ideally by Alex Penda (yes, she’s the same soprano who has been known as Alexandrina Pendatchanska). She is thrilling in her virtuosity, and her display of rage at her betrayal is hair-raising.

Sandrina’s boss, the Podesta (mayor) who is wooing her, is sung by Nicolas Rivenq with just the right combination of menace and buffo personality: his is a character impossible to take seriously. The Cavalier Ramiro, who also seems to be after Arminda, is an unconvincing trouser role, nonetheless well sung by mezzo Marie-Claude Chappuis. Serpetta, the housemaid who oddly enough pines after her boss, the creepy Podesta, is adorably sung by Sunhae Im; Nardo, the other gardener, loves Serpetta and is well-characterized by bass Michael Nagy.

There are many felicitous moments in this work, finest among them sort-of blueprints for the finale of the second act of Figaro, wherein Mozart starts with one character (or a recitative), to which is added a character or two at a time, until all seven soloists are taking part. It’s less complex than that in the later comedy, but wildly entertaining—and yes, he was a mere teenager. The recording under Nikolaus Harnoncourt on Teldec is almost as exciting, but the “fixed” instrumentation adds more than bulk, and overall, Jacobs’ cast is better, making Harnoncourt’s a second choice.

-- Robert Levine, ClassicsToday.com Read less

Works on This Recording

La finta giardiniera, K 196 by Wolfgang Amadeus Mozart
Performer:  Nicolas Rivenq (Baritone), Sophie Karthäuser (Soprano), Sunhae Im (Soprano),
Marie-Claude Chappuis (Soprano), Jeremy Ovenden (Tenor), Michael Nagy (Baritone),
Alexandrina Pendatchanska (Soprano)
Conductor:  René Jacobs
Orchestra/Ensemble:  Freiburg Baroque Orchestra
Period: Classical 
Written: 1775; Munich, Germany 

Sound Samples

La finta giardiniera: Ouverture
La finta giardiniera: Act I, Scena prima No.1 Introduzione Ramiro, Podestà, Sandrina, Nardo, Serpetta: Che lieto giorno
La finta giardiniera: Act I, Recitativo Podestà, Ramiro, Serpetta, Nardo, Sandrina: Viva, viva il buon gusto
La finta giardiniera: Act I, No.2 Aria Ramiro: Se l'augellin se n' fugge
La finta giardiniera: Act I, Scena secondaRecitativo Podestà, Serpetta, Nardo, Sandrina: Presto, Nardo
La finta giardiniera: Act I, No.3 Aria Podestà: Dentro il mio petto io sento
La finta giardiniera: Act I, Scena terzaRecitativo Sandrina, Nardo: Della nemica sorteScena quartaRamiro, Nardo, Sandrina: Gl'uomini s'han da amar
La finta giardiniera: No.4 Aria (Sandrina) Noi donne poverine
La finta giardiniera: Act I, Recitativo Ramiro: Sarei felice appienoScena quintaNardo: Io per me non capisco
La finta giardiniera: Act I, No.5 Aria Nardo: A forza di martelli
La finta giardiniera: Act I, Scena sestaRecitativo Podestà, Arminda, Serpetta: Mia cara nipotina
La finta giardiniera: Act I, Scena settimaNo.6 Aria Contino: Che beltà, che leggiadria
La finta giardiniera: Act I, Recitativo Contino, Arminda, Podestà, Serpetta: Sposa Arminda
La finta giardiniera: Act I, No.7 Aria Arminda: Si promette facilmente
La finta giardiniera: Act I, Scena ottavaRecitativo Podestà, Contino: Che dite, signor Conte
La finta giardiniera: Act I, No.8 Aria Contino: Da scirocco a tramontana
La finta giardiniera: Act I, Recitativo Podestà: Evviva, evviva! Scena nona Serpetta: In questa casa non si può più stare
La finta giardiniera: Act I, No.9a Cavatina Serpetta: Un marito oh dio, vorreiRecitativo Nardo: Come in questa canzoneNo.9b Cavatina Nardo: Un marito, oh dio, vorresti
La finta giardiniera: Act I, Recitativo Serpetta, Nardo: Bravo, signor buffone
La finta giardiniera: Act I, No.10 Aria Serpetta: Appena mi vedon
La finta giardiniera: Act I, Scena decimaNo.11 Cavatina Sandrina: Geme la tortorella
La finta giardiniera: Act I, Recitativo Arminda, Sandrina: Questa sarà la bella giardinieraScena undicesimaContino, Arminda: Vi son io
La finta giardiniera: Act I, No.12 Finale I (Setteto) Contino, Sandrina: Numi! Che incanto è questoScena dodicesimaArminda, Ramiro, Contino, Sandrina: Ecco il liquor, prendete
La finta giardiniera: Act I, Scena tredicesimaPodestà, Sandrina, Contino, Arminda, Ramiro: Che silenzio!Scena quattordicesimaPodestà, Serpetta, Nardo: Che tratto è questo
La finta giardiniera: Act I, Scena quindicesimaSandrina, Contino, Serpetta, Podestà, Nardo, Arminda, Ramiro: Ma voi che pretendete
La finta giardiniera: Act I, Arminda, Ramiro, Podestà, Serpetta, Nardo, Sandrina, Contino: Perfido! Indegno
La finta giardiniera: Act II, Scena 1Recitativo Ramiro, Arminda: Non fuggirmi spietataScena secondaContino, Arminda: Ah che son disperato
La finta giardiniera: Act II, No.13 Aria Arminda: Vorrei punirti indegno
La finta giardiniera: Act II, Scena terzaRecitativo Contino, Serpetta: Ah costei non è donnaScena quartaSerpetta, Nardo: Quanto lo compatisco
La finta giardiniera: Act II, No.14 Aria Nardo: Con un vezzo all'italiana
La finta giardiniera: Act II, Recitativo Serpetta: Costui mi dà piacerScena quintaSandrina, Contino: Che strano caso è il mio!
La finta giardiniera: Act II, No.15 Aria Contino: Care pupille belle
La finta giardiniera: Act II, Scena sestaRecitativo Podestà, Sandrina: Va', Conte disgraziato
La finta giardiniera: Act II, No.16 Aria Sandrina: Una voce sento al core
La finta giardiniera: Act II, Scena settimaRecitativo Podestà, Arminda, Ramiro: Ah che son stato un sciocco!
La finta giardiniera: Act II, No.17 Aria Podestà: Una damina
La finta giardiniera: Act II, Scena ottavaRecitativo Ramiro, Arminda: Sappi Arminda, ben mioScena nonaRamiro: Eppur dalla costanza
La finta giardiniera: Act II, No.18 Aria Ramiro: Dolce d'amor compagna
La finta giardiniera: Act II, Scena decimaRecitativo Podestà, Arminda, Serpetta, Contino: Credimi nipotinaScena undicesimaSandrina, Contino, Arminda, Serpetta, Podestà: Io lo difendo
La finta giardiniera: Act II, Scena dodicesimaNo.19a Recitativo Contino: Ah non partir... m'ascoltaNo.19b Aria Contino: Già divento freddo, freddo
La finta giardiniera: Act II, Scena tredicesimaRecitativo Nardo, Ramiro, Podestà, Serpetta: Oh poveretto me!Scena quattordicesimaSerpetta, Nardo: Va' pur, ma questa volta
La finta giardiniera: Act II, No.20 Aria Serpetta: Chi vuol godere il mondo
La finta giardiniera: Act II, Scena quindicesimaNo.21 Aria Sandrina: Crudeli, oh dio!Recitativo Sandrina: Dove son!
La finta giardiniera: Act II, No.22 Cavatina Sandrina: Ah dal piantoRecitativo Sandrina: Ma qui niuno m'ascolta
La finta giardiniera: Act II, Scena sedicesimaNo.23 Finale II (Setteto) Contino, Nardo, Sandrina, Arminda: Fra quest'ombre
La finta giardiniera: Act II, Ramiro, Podestà, Arminda, Contino, Serpetta, Nardo, Sandrina: Qui fermate
La finta giardiniera: Act II, Sandrina, Contino, Podestà, Ramiro, Arminda, Serpetta, Nardo: Mio Tirsi, deh senti

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