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Notes and Editorial Reviews
After her excellent recent debut CD entitled 'Virtuoso Piano Music', young Italian pianist Vanessa Benelli Mosell has returned almost immediately to the studio for Brilliant Classics for this all-Liszt follow-up.
Pianistically, this recording is every bit as thrilling as the first. Benelli Mosell's sculptured programme - styled after a Liszt recital - surrounds four of the Hungarian Rhapsodies with a miscellany of other pieces, both 'light' and virtuosic. What is particularly interesting about the works Benelli Mosell has chosen is, on the one hand, the fact that they all come from Liszt's earlier years, and on the other, that none of the four Rhapsodies is the Second! The point is that Benelli Mosell could easily have
followed the route favoured by every big-label 'superstar', which is to play Liszt's original No.2 and include a meretricious cadenza, or more usually to play the over-the-top arrangement vulgarised - in more senses than one - by Vladimir Horowitz. Instead she has elected not to spotlight directly her own personal brilliance, but rather to be a conduit for Liszt. In an online interview in Italian last year she explained how she had come to understand - from her study with Stockhausen of his Klavierstücke, no less - that the pianist's role is to communicate the composer's ideas to audiences, not his or her own.
Benelli Mosell has already demonstrated, in her debut disc, that Liszt is bread and butter to her, making astonishingly light work of his electric Rhapsodie Espagnole. Here she picks up where she left off, dazzling with her technique and surprising with her emotional maturity. There is no call for much in the way of pathos in her programme, to be sure, although Benelli Mosell's Liebestraum in A flat is markedly poetic. But when it comes to virtuosity, sensibility, panache, however, she has what it takes. Her articulation in particular is outstanding, with every note - Liszt permitting! - clean and precise.
According to Brilliant's own blurb, Pascal Rogé has described Benelli Mosell as "the most natural musical talent I have encountered in my entire life as a musician and teacher". Substantial praise indeed, but not necessarily helpful - in a market of virtuosos, such words, however accurate, tend to ring insincere. Rather surprisingly perhaps, given her instantly obvious talent, Benelli Mosell's own website seems to emphasise not her pianistic ability, but her nubililty - all pages are divided in two, one side providing a carousel of photos of her in various costumes posing sultrily for the camera.
There is more hyperbole to be found in Gerald Larner's booklet notes, which strike a provocative note from the first line: "It is no exaggeration to claim Liszt as the greatest of all 19th-century musicians." Has he forgotten Beethoven? Mendelssohn? Schubert?
Engineering quality is very high - an improvement on the first album in every regard. At Brilliant's bargain price - now considerably cheaper than Naxos - this is a recital worthy of wider attention.
-- Byzantion, MusicWeb International Read less
Works on This Recording
Capriccio alla Turca (on themes from Beethoven's The Ruins of Athens), S388/R125
3 Etudes de concert, S144/R5: No. 2 in F Minor, "La Leggierezza"
19 Hungarian Rhapsodies, S244/R106: No. 6 in D-Flat Major
19 Hungarian Rhapsodies, S244/R106: No. 10 in E Major, "Preludio"
19 Hungarian Rhapsodies, S244/R106: No. 11 in A Minor
19 Hungarian Rhapsodies, S244/R106: No. 12 in C-Sharp Minor
Liebestraume, S541/R211: No. 3. Nocturne in A-Flat Major
Bulhakov - Russischer Galopp, S478/R143
Rossini - Soirees musicales, S424/R236: IX. La danza (Tarantella)
Grand galop chromatique, S219/R41
Average Customer Review: ( 1 Customer Review )
A wonderful surprise March 13, 2013
By L. Ackerman (Washington, DC) See All My Reviews
"Putting aside the cover that shows Ms Benelli-Mosell in all her holly-wood glamorous beauty, I heard this with no expectations, except my decision to buy from having heard her dispatch of the motoric finale of Prokofiev's 7th Sonata with impresive clarity and firmness. So here are my five stars and its rationale. The program is very well organized (kudos to producers?) all tracks can shine individually and with good contrast, making a 65 minute recital feel shorter. The pianism is truly remarkable; personally, I love the clarity of her playing, probably enhanced by good management of the pedals. I find the recording quite acceptable. reason why you can hear so much of the notes here. In summary: a winner... and at a bargain price! I am not particularly fond of luring me to purchase with glamourous female artists on covers, yet, I have to admit that this lady is more than easy on the eyes, which is, well... quite a bonus. Still, ultimately it all boils down to the good produton and artistry, and she has loads of it to give."