Franz Xaver Dussek (1731-99) was one of numerous talented composers writing in the Viennese classical style. The four symphonies featured here were supposedly composed in the 1760s and 70s, and bear a certain family resemblance to contemporaneous works by, say, Boccherini. They are cleverly scored, tuneful, and mostly brief. Three of them have three movements apiece, and last only about ten minutes. The Symphony in B flat (one of two featured here) is a larger work in four movements with a minuet. Here the influence of Haydn is quite striking. There’s no point in identifying the individual works by number as Dussek’s cataloger, Mr. Altner, has grouped them by key and then numbered them within each key-group, which is effectively useless forRead more our purposes, so don’t worry about it.
The performances by the Helsinki Baroque Orchestra under Häkkinen are what might be termed “generic period instrument,” but of high quality. The wind players–oboes, horns, and bassoon–have an attractive timbre and maintain good intonation throughout. The strings are typically dry and thin-toned, but rhythmically precise and alert; not a problem in quick movements but less alluring in the andantes. A touch more vibrato on sustained notes probably would have helped, particularly as the modern avoidance of it (as I never tire of pointing out) is completely lacking in historical foundation, and contrary to everything we know about what players of the day actually did.
Nevertheless, the playing is very good of its type, and I offer as an example the charming Andante from the G major Symphony so that you can listen and decide for yourself (sound sample). Certainly the music is of fine enough quality that it should appeal to anyone who enjoys the products of the First Viennese School. And who doesn’t? Excellent sonics flatter the players, and the decision not to use an obtrusive harpsichord continuo was very smart. Despite my slight reservation about the strings, which comes with the territory, this is a very recommendable release.
Sinfonia in B flat major, Altner Bb2: I. Allegro con spirito
Sinfonia in B flat major, Altner Bb2: II. Andante
Sinfonia in B flat major, Altner Bb2: III. Allegro assai
Sinfonia in A major, Altner A3: I. Largo maestoso - Allegro
Sinfonia in A major, Altner A3: II. Andante
Sinfonia in A major, Altner A3: III. Allegro assai
Sinfonia in B flat major, Altner Bb3: I. Allegro e vivo
Sinfonia in B flat major, Altner Bb3: II. Andante
Sinfonia in B flat major, Altner Bb3: III. Minuetto - Trio
Sinfonia in B flat major, Altner Bb3: IV. Allegro assai
Average Customer Review: ( 1 Customer Review )
Sublime MusicSeptember 29, 2012By Anthony G. (valley stream, NY)See All My Reviews"I can't praise the revelation and playing of these symphonies highly enough.The Dussek symphonies should be featured more frequently and, indeed, featured in the first place. Dussek is a highly underrated composer. His gifts for melody, passion, craft, and originality are rare in Nineteenth Century music, and, hold their own in our own time. Dussek, like Czerny, Cramer and Hummel often surpassed Chopin as a composer and have been unfairly neglected by audiences who suffer to hear the same Romantic war horses over and over again. Live concert performances contributed to the lessening of interest in great Classical music--and attendance at concerts-- because they do not expose the audience to different composers and different music composed in earlier centuries while torturing the listener with the mandatory twentieth century piece that is rarely inspired or interesting, and is programmed to edify and expand the listner's musical scope. They rarely do and actually dumb down the ticket holders. Thank God for the CD, and sources like ArchivMusic, which promulgate superior music that would otherwise remain buried."Report Abuse