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Probably written in Köthen between 1718 and 1722, these sonatas realize a completed synthesis between severe style of the German music and the flexible and melodic writing of the Italian music. The harpsichord has a dialogue from equal to equal with the violin in a permanent exchange between both instruments. Miracles of balance and creativity, magic moments where both interpreters make only one.
Probably written in Köthen between 1718 and 1722, these sonatas realize a completed synthesis between severe style of the German music and the flexible and melodic writing of the Italian music. The harpsichord has a dialogue from equal to equal with the violin in a permanent exchange between both instruments. Miracles of balance and creativity, magic moments where both interpreters make only one. Read less
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