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Reger: Piano Pieces / Wolfram Lorenzen


Release Date: 02/02/2013 
Label:  Troubadisc   Catalog #: 1438  
Composer:  Max Reger
Performer:  Wolfram Lorenzen
Number of Discs: 1 
Length: 1 Hours 8 Mins. 

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Notes and Editorial Reviews

An enjoyable recording, and a valuable introduction to one of the most neglected areas of this still scandalously neglected composer's work.

Reger's piano music is a mix of small and large. This disc gives a taste of both, with two Sonatinas and five Humoresques occupying the first half of the programme and a second half devoted to the monumental Bach Variations.
 
The contrapuntal intricacy associated with Reger is apparent in many of these movements, although simpler textures are also common, especially in the Sonatinas. Reger's adventurous harmonies are also evident in most of the works, but especially in the variations. The Sonatinas and Humoresques have a sense of lightness that is in direct
Read more opposition to Reger's dour reputation. True enough, the music occasionally gets too involved for its own good, and the main difference between these short works and similar music by, say the young Brahms, is the lack of memorable melodies. Perversely though, that lack adds a certain quality of its own; it means that the ear is not distracted by catchy melodic lines, and can concentrate instead on the subtle and variegated piano textures.
 
Reger was, after all, a concert pianist, and he clearly had a good ear for the instrument's capabilities. Working in the 20 th century meant that the instrument he had in mind was closer to today's grands than anything Beethoven, Schumann or even Brahms would have known. So when he wants to put some weight into climaxes, or even sudden sforzandos, he can rely on the instrument itself to provide the drama. He often helps it out by adding octave doublings, but these are always skilfully integrated into the contrapuntal textures.
 
As its title suggests, "Variations and Fugue on a Theme by Joh. Seb. Bach" owes a great deal to Brahms. Comparing Reger with Brahms always seems to me unfair on the later composer, but here more than anywhere else, Reger actively invites such comparisons. Reger's harmonies are a little more adventurous than those of Brahms, and he also has a tendency to fragment the theme in ways the Brahms would usually avoid. But like Brahms, Reger is able to maintain the beauty and identity of the Bach theme - taken from the cantata Aus Christi Himmelfahrt allein ich meine Nachfahrt gründe BWV 128 - to retain a strong sense of identity across this long set. And the fugue at the end forms an impressive and stirring conclusion.
 
Wolfram Lorenzen gives excellent performances of these works. He achieves impressive clarity, even in Reger's densest textures, but never at the expense of the music's drama. Reger includes a large number of dynamic indications in his piano works, and Lorenzen sensibly takes these more as a guide than as gospel, but always shaping the music in the way the notated dynamics suggest.
 
The recording was made in 1992, although this is, I suspect, its first release. The sound quality is good but not exceptional. The dry acoustic suggests a studio environment, but the piano sound is boomy in some registers, especially at the bottom. Nevertheless, an enjoyable recording, and a valuable introduction to one of the most neglected areas of this still scandalously neglected composer's work.  

-- Gavin Dixon, MusicWeb International 
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Works on This Recording

1.
Variations and Fugue for Piano on a theme of JS Bach, Op. 81 by Max Reger
Performer:  Wolfram Lorenzen (Piano)
Period: Romantic 
Written: 1904; Germany 
2.
Humoresques (5) for Piano, Op. 20 by Max Reger
Performer:  Wolfram Lorenzen (Piano)
Period: Romantic 
Written: 1896; Germany 
3.
Sonatinas (4) for Piano, Op. 89: no 1 by Max Reger
Performer:  Wolfram Lorenzen (Piano)
Period: Romantic 
4.
Sonatinas (4) for Piano, Op. 89: no 3 by Max Reger
Performer:  Wolfram Lorenzen (Piano)
Period: Romantic 

Sound Samples

Piano Sonatina in E minor, Op. 89, No. 1: I. Allegro moderato e con espressione
Piano Sonatina in E minor, Op. 89, No. 1: II. Andantino con variazioni
Piano Sonatina in E minor, Op. 89, No. 1: III. Vivace
5 Humoresken, Op. 20: No. 1. Allegretto grazioso
5 Humoresken, Op. 20: No. 2. Presto - Andante
5 Humoresken, Op. 20: No. 3. Andantino grazioso
5 Humoresken, Op. 20: No. 4. Prestissimo assai
5 Humoresken, Op. 20: No. 5. Vivace assai
Piano Sonatina in D major, Op. 89, No. 3: I. Moderato
Piano Sonatina in D major, Op. 89, No. 3: II. Poco vivace
Piano Sonatina in D major, Op. 89, No. 3: III. Allegro commodo
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Thema
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 1
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 2
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 3
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 4
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 5
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 6
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 7
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 8
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 9
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 10
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 11
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 12
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 13
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Variation 14
Variations and Fugue on a Theme of J.S. Bach, Op. 81: Fugue

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