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The Complete Bach Edition


Release Date: 02/23/2018 
Label:  Warner Classics   Catalog #: 567107  
Composer:  Johann Sebastian Bach
Performer:  Max van EgmondKurt EquiluzPaul EsswoodWalter Gampert,   ... 
Conductor:  Nikolaus HarnoncourtGustav LeonhardtTon KoopmanJaap Schröder,   ... 
Orchestra/Ensemble:  Vienna Concentus MusicusChorus ViennensisVienna Boys' Choir,   ... 
Number of Discs: 153 
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Notes and Editorial Reviews

The Complete Bach Edition represents the culmination of a process that began over five decades ago, in 1958, with the creation of the Das Alte Werk label.

After initially triggering an impassioned controversy, Nikolaus Harnoncourt’s belief that “Early music is a foreign language which must be learned by musicians and listeners alike” has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century. Their ideas have been shared by many fellow musicians, among them Ton Koopman, Il Giardino Armonico, Luca Pianca and Andreas Staier, all of whose performances
Read more appear in the Complete Bach Edition.

As an entirety, the set offers listeners the chance to rediscover the astonishing developments in Bach interpretation over the span of forty years and the tonal beauties of Bach’s works performed on period instruments.
Read less

Works on This Recording

1.
Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 32 Secs. 
Language: German 
2.
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 55 Secs. 
Language: German 
3.
Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 44 Secs. 
Language: German 
4.
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1708; Weimar, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 9 Secs. 
Language: German 
5.
Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 46 Secs. 
Language: German 
6.
Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 52 Secs. 
Language: German 
7.
Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 58 Secs. 
Language: German 
8.
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 3 Secs. 
Language: German 
9.
Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: circa 1732-1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 45 Secs. 
Language: German 
10.
Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 53 Secs. 
Language: German 
11.
Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 28 Minutes 53 Secs. 
Language: German 
12.
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 41 Secs. 
Language: German 
13.
Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Walter Gampert (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 13 Secs. 
Language: German 
14.
Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 42 Secs. 
Language: German 
15.
Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 5 Secs. 
Language: German 
16.
Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 49 Secs. 
Language: German 
17.
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: ?1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 14 Minutes 21 Secs. 
Language: German 
18.
Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 39 Secs. 
Language: German 
19.
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 51 Secs. 
Language: German 
20.
Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer:  Walker Wyatt (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 36 Minutes 51 Secs. 
Language: German 
21.
Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 47 Secs. 
Language: German 
22.
Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Peter Hinterreiter (Boy Soprano), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 57 Secs. 
Language: German 
23.
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 8 Secs. 
Language: German 
24.
Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 18 Secs. 
Language: German 
25.
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 39 Secs. 
Language: German 
26.
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 30 Secs. 
Language: German 
27.
Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 56 Secs. 
Language: German 
28.
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 23 Secs. 
Language: German 
29.
Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1738; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 37 Minutes 31 Secs. 
Language: German 
30.
Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 59 Secs. 
Language: German 
31.
Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 43 Secs. 
Language: German 
32.
Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 17 Secs. 
Language: German 
33.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: after 1740; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 20 Secs. 
Language: German 
34.
Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 57 Secs. 
Language: German 
35.
Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 30 Minutes 2 Secs. 
Language: German 
36.
Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 24 Secs. 
Language: German 
37.
Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 36 Secs. 
Language: German 
38.
Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 46 Secs. 
Language: German 
39.
Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 8 Secs. 
Language: German 
40.
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 30 Secs. 
Language: German 
41.
Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 12 Secs. 
Language: German 
42.
Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 44 Secs. 
Language: German 
43.
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 21 Secs. 
Language: German 
44.
Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 12 Secs. 
Language: German 
45.
Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer:  Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 28 Secs. 
Language: German 
46.
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 19 Secs. 
Language: German 
47.
Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 3 Secs. 
Language: German 
48.
Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 25 Minutes 24 Secs. 
Language: German 
49.
Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
Date of Recording: 1967-78 
Length: 3 Minutes 38 Secs. 
Language: German 
50.
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Marianne Kweksilber (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Written: 1730 
Date of Recording: 1967-78 
Length: 17 Minutes 51 Secs. 
Language: German 
51.
Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 26 Secs. 
Language: German 
52.
Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 28 Secs. 
Language: German 
53.
Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 0 Secs. 
Language: German 
54.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Michael Schopper (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 57 Secs. 
Language: German 
55.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1725 
Date of Recording: 1967-78 
Length: 22 Minutes 24 Secs. 
Language: German 
56.
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Seppi Kronwitter (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
57.
Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 8 Secs. 
Language: German 
58.
O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 9 Secs. 
Language: German 
59.
Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 39 Secs. 
Language: German 
60.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 45 Secs. 
Language: German 
61.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 28 Minutes 54 Secs. 
Language: German 
62.
Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 12 Secs. 
Language: German 
63.
Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 45 Secs. 
Language: German 
64.
Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 31 Minutes 15 Secs. 
Language: German 
65.
Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 32 Secs. 
Language: German 
66.
Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 49 Secs. 
Language: German 
67.
Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1743; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 10 Minutes 50 Secs. 
Language: German 
68.
Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 26 Secs. 
Language: German 
69.
Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 8 Secs. 
Language: German 
70.
Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer:  Lieuwe Visser (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1708; Mühlhausen, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 7 Secs. 
Language: German 
71.
Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 29 Secs. 
Language: German 
72.
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 57 Secs. 
Language: German 
73.
Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jörg Erler (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 29 Secs. 
Language: German 
74.
Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Adalbert Kraus (Tenor),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 33 Minutes 9 Secs. 
Language: German 
75.
Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 30 Minutes 32 Secs. 
Language: German 
76.
Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer:  Adalbert Kraus (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 49 Secs. 
Language: German 
77.
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 12 Secs. 
Language: German 
78.
Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 36 Secs. 
Language: German 
79.
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 29 Minutes 16 Secs. 
Language: German 
80.
Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 58 Secs. 
Language: German 
81.
Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 58 Secs. 
Language: German 
82.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1727; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 39 Secs. 
Language: German 
83.
Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 22 Secs. 
Language: German 
84.
Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 22 Secs. 
Language: German 
85.
Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 12 Secs. 
Language: German 
86.
Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 2 Secs. 
Language: German 
87.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 37 Secs. 
Language: German 
88.
Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 34 Secs. 
Language: German 
89.
Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Markus Klein (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 26 Secs. 
Language: German 
90.
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
91.
Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 2 Secs. 
Language: German 
92.
Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 3 Secs. 
Language: German 
93.
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 24 Minutes 52 Secs. 
Language: German 
94.
Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 36 Secs. 
Language: German 
95.
Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
96.
In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 26 Minutes 38 Secs. 
Language: German 
97.
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 27 Secs. 
Language: German 
98.
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 18 Secs. 
Language: German 
99.
Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1735; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 47 Secs. 
Language: German 
100.
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 4 Secs. 
Language: German 
101.
Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 21 Secs. 
Language: German 
102.
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 17 Secs. 
Language: German 
103.
Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 18 Secs. 
Language: German 
104.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 0 Secs. 
Language: German 
105.
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Raphael Harten (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 11 Secs. 
Language: German 
106.
Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 31 Secs. 
Language: German 
107.
Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 1 Secs. 
Language: German 
108.
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 19 Secs. 
Language: German 
109.
Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Stefan Frangoulis (Boy Soprano),
Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 55 Secs. 
Language: German 
110.
Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer:  Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 8 Secs. 
Language: German 
111.
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Markus Huber (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 40 Secs. 
Language: German 
112.
Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Countertenor),
Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 37 Secs. 
Language: German 
113.
Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 1 Secs. 
Language: German 
114.
Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 55 Secs. 
Language: German 
115.
Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 34 Secs. 
Language: German 
116.
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 20 Secs. 
Language: German 
117.
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 18 Secs. 
Language: German 
118.
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 17 Secs. 
Language: German 
119.
Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 23 Secs. 
Language: German 
120.
Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Thomas Schilling (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 25 Secs. 
Language: German 
121.
Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 20 Secs. 
Language: German 
122.
Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor),
Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 24 Secs. 
Language: German 
123.
Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer:  Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 50 Secs. 
Language: German 
124.
Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 9 Secs. 
Language: German 
125.
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 1 Secs. 
Language: German 
126.
Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1978-84 
Length: 17 Minutes 43 Secs. 
Language: German 
127.
Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 4 Secs. 
Language: German 
128.
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Walter Heldwein (Bass), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 15 Minutes 49 Secs. 
Language: German 
129.
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 1 Secs. 
Language: German 
130.
Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Marius Van Altena (Tenor),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1715; Weimar, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 54 Secs. 
Language: German 
131.
Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Marius Van Altena (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 47 Secs. 
Language: German 
132.
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 26 Minutes 30 Secs. 
Language: German 
133.
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 13 Secs. 
Language: German 
134.
Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Walter Heldwein (Bass),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 51 Secs. 
Language: German 
135.
Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer:  Albert Hartinger (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 6 Secs. 
Language: German 
136.
Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 14 Secs. 
Language: German 
137.
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724-1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 47 Secs. 
Language: German 
138.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 28 Minutes 29 Secs. 
Language: German 
139.
Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Roger Cericius (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 9 Secs. 
Language: German 
140.
Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 11 Secs. 
Language: German 
141.
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 9 Minutes 38 Secs. 
Language: German 
142.
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Paul Esswood (Countertenor), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 38 Minutes 2 Secs. 
Language: German 
143.
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Thomas Hampson (Bass), Stefan Rampf (Boy Alto),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1723 
Date of Recording: 1978-84 
Length: 31 Minutes 36 Secs. 
Language: German 
144.
Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 35 Secs. 
Language: German 
145.
Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 19 Secs. 
Language: German 
146.
Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1708-1709; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 34 Secs. 
Language: German 
147.
Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1983-88 
Length: 16 Minutes 12 Secs. 
Language: German 
148.
Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 8 Secs. 
Language: German 
149.
Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 6 Secs. 
Language: German 
150.
Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 59 Secs. 
Language: German 
151.
Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1716; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 8 Secs. 
Language: German 
152.
Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 22 Secs. 
Language: German 
153.
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 35 Secs. 
Language: German 
154.
Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: after 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 11 Minutes 32 Secs. 
Language: German 
155.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 36 Secs. 
Language: German 
156.
Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 13 Secs. 
Language: German 
157.
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 37 Secs. 
Language: German 
158.
Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 14 Secs. 
Language: German 
159.
Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1883-88 
Length: 17 Minutes 26 Secs. 
Language: German 
160.
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 31 Secs. 
Language: German 
161.
Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 17 Minutes 53 Secs. 
Language: German 
162.
Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 42 Secs. 
Language: German 
163.
Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Christian Immler (Boy Alto), Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 27 Secs. 
Language: German 
164.
Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano),
Paul Esswood (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 39 Secs. 
Language: German 
165.
Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 42 Secs. 
Language: German 
166.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 1 Secs. 
Language: German 
167.
Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 47 Secs. 
Language: German 
168.
Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Stefan Gienger (Boy Soprano), Christian Immler (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 56 Secs. 
Language: German 
169.
Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer:  Christian Immler (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 37 Secs. 
Language: German 
170.
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 57 Secs. 
Language: German 
171.
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 21 Secs. 
Language: German 
172.
Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1732; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
173.
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 12 Secs. 
Language: German 
174.
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 54 Secs. 
Language: German 
175.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor),
Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
176.
Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 48 Secs. 
Language: German 
177.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 50 Secs. 
Language: German 
178.
Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 37 Secs. 
Language: German 
179.
Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer:  Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 26 Secs. 
Language: German 
180.
Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano), Thomas Hampson (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 15 Secs. 
Language: German 
181.
Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Robert Holl (Bass), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 27 Minutes 32 Secs. 
Language: German 
182.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:  Michael Emmermann (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 5 Secs. 
Language: German 
183.
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 50 Secs. 
Language: German 
184.
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1730; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 13 Secs. 
Language: German 
185.
Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:  Hans Stricker (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Stefan Gienger (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 39 Minutes 13 Secs. 
Language: German 
186.
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), John Elwes (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1737; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 57 Secs. 
Language: German 
187.
Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1708; Weimar, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 12 Secs. 
Language: German 
188.
Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), Kurt Equiluz (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 1 Secs. 
Language: German 
189.
Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 35 Minutes 14 Secs. 
Language: German 
190.
Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Barbara Bonney (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 42 Secs. 
Language: German 
191.
Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1719; Cöthen, Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 36 Minutes 1 Secs. 
Language: German 
192.
Durchlauchtster Leopold, BWV 173a by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: circa ?1722; Germany 
Date of Recording: 1999 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 18 Minutes 40 Secs. 
Language: German 
193.
Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Jeremy Ovenden (Tenor), Paul Agnew (Tenor),
Peter de Groot (Countertenor), Caroline Stam (Soprano), Donald Bentvelsen (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 47 Minutes 27 Secs. 
Language: German 
194.
Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 24 Minutes 51 Secs. 
Language: German 
195.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Agnes Giebel (Soprano)
Conductor:  Jaap Schröder
Orchestra/Ensemble:  Concerto Amsterdam
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
Length: 21 Minutes 31 Secs. 
Language: German 
196.
Amore traditore, BWV 203 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Jacques Villisech (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: Germany 
Length: 14 Minutes 26 Secs. 
Language: Italian 
197.
Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord), Agnes Giebel (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: ?1734; Leipzig, Germany 
Length: 23 Minutes 54 Secs. 
Language: Italian 
198.
Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer:  Dorothea Röschmann (Soprano), Axel Köhler (Countertenor), Hans-Georg Wimmer (Bass),
Christoph Genz (Tenor)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Ex Tempore,  Musica Antiqua Cologne
Period: Baroque 
Written: 1726; Germany 
Date of Recording: 1996 
Venue:  Broadcast Hall, German Radio, Cologne 
Length: 33 Minutes 1 Secs. 
Language: German 
199.
Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer:  Jacques Villisech (Bass), Tom Brand (Tenor), Wilhelmine Mattès (Alto),
Irmgard Jacobeit (Soprano)
Conductor:  André Rieu
Orchestra/Ensemble:  Amsterdam Chamber Orchestra,  Monteverdi Choir Hamburg
Period: Baroque 
Written: 10/07/1733; Leipzig, Germany 
Length: 42 Minutes 9 Secs. 
Language: German 
200.
Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Yvonne Kenny (Soprano), Marjana Lipovsek (Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Length: 40 Minutes 53 Secs. 
Language: German 
201.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:  Rotraud Hansmann (Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: circa 1734-1735; Leipzig, Germany 
Length: 27 Minutes 2 Secs. 
Language: German 
202.
Auf, schmetternde Töne, BWV 207a by Johann Sebastian Bach
Performer:  Sibylla Rubens (Soprano), Elisabeth von Magnus (Alto), Anne Grimm (Soprano),
Christoph Prégardien (Tenor), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 33 Minutes 43 Secs. 
Language: German 
203.
O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: ?1740; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 39 Secs. 
Language: German 
204.
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer:  Yvonne Kenny (Soprano), Robert Holl (Bass), Kurt Equiluz (Tenor),
Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1713; Cöthen, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 33 Minutes 31 Secs. 
Language: German 
205.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Angela Maria Blasi (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1742; Leipzig, Germany 
Date of Recording: 05/1988 
Venue:  Zögernitz Casino, Vienna, Austria 
Length: 30 Minutes 26 Secs. 
Language: German 
206.
Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer:  Anne Grimm (Soprano), Christoph Prégardien (Tenor), Elisabeth von Magnus (Alto),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 45 Minutes 38 Secs. 
Language: German 
207.
Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Paul Agnew (Tenor), Klaus Mertens (Bass),
Els Bongers (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1733; Leipzig, Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 25 Minutes 25 Secs. 
Language: German 
208.
Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Els Bongers (Soprano), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 1996 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 32 Minutes 22 Secs. 
Language: German 
209.
Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Performer:  Elisabeth von Magnus (Alto), Klaus Mertens (Bass), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1997 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 16 Minutes 16 Secs. 
Language: German 
210.
Gloria in excelsis Deo, BWV 191 by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Caroline Stam (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Written: after 1740 
Length: 14 Minutes 44 Secs. 
Language: German 
211.
Ihr Tore zu Zion, BWV 193 by Johann Sebastian Bach
Performer:  Caroline Stam (Soprano), Michael Chance (Countertenor), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1727; Germany 
Length: 19 Minutes 50 Secs. 
Language: German 
212.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 6 Minutes 45 Secs. 
Language: German 
213.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1995 
Venue:  Waalse Church, Amsterdam, Netherlands 
Length: 4 Minutes 37 Secs. 
Language: German 
214.
Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Siegfried Lorenz (Bass), Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Christ Church, Berlin, Germany 
Length: 26 Minutes 44 Secs. 
Language: German 
215.
Bekennen will ich seinen Namen, BWV 200 by Johann Sebastian Bach
Performer:  Barbara Scherler (Alto)
Conductor:  Fritz Werner
Orchestra/Ensemble:  Pforzheim Southwest German Chamber Orchestra
Period: Baroque 
Written: ?1742; Leipzig, Germany 
Length: 3 Minutes 54 Secs. 
Language: German 
216.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Angela Maria Blasi (Soprano),
Delores Ziegler (Soprano), Jadwiga Rappé (Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
Date of Recording: 1986 
Venue:  Vienna, Austria 
Length: 110 Minutes 2 Secs. 
Language: Latin 
217.
Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Performer:  Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Hannah Schaer (Alto),
Mauricette Capt (Soprano), Wally Staempfli (Soprano), Michel Brodard (Bass),
Philippe Huttenlocher (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 28 Minutes 51 Secs. 
Language: Latin 
218.
Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Hannah Schaer (Alto),
Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano), Wally Staempfli (Soprano),
Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 35 Minutes 38 Secs. 
Language: Latin 
219.
Sanctus in D minor, BWV 239 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 1 Minutes 44 Secs. 
Language: Latin 
220.
Sanctus in G major, BWV 240 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1730s; Leipzig, Germany 
Length: 2 Minutes 44 Secs. 
Language: Latin 
221.
Sanctus in D major, BWV 241 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: circa 1747; Leipzig, Germany 
Length: 2 Minutes 8 Secs. 
Language: Latin 
222.
Missa brevis in G major, BWV 236 by Johann Sebastian Bach
Performer:  Michel Brodard (Bass), Philippe Huttenlocher (Bass), Olivier Dufour (Tenor),
John Elwes (Tenor), Hannah Schaer (Alto), Claudine Perret (Alto),
Nicole Rossier-Maradan (Mezzo Soprano), Mauricette Capt (Soprano), Wally Staempfli (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 29 Minutes 34 Secs. 
Language: Latin 
223.
Missa brevis in G minor, BWV 235 by Johann Sebastian Bach
Performer:  John Elwes (Tenor), Hannah Schaer (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Olivier Dufour (Tenor), Claudine Perret (Alto), Philippe Huttenlocher (Bass),
Michel Brodard (Bass)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
Length: 32 Minutes 22 Secs. 
Language: Latin 
224.
Sanctus in D major, BWV 238 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723-1724; Leipzig, Germany 
Length: 3 Minutes 22 Secs. 
Language: Latin 
225.
Christe eleison in g minor, BWV 242 by Johann Sebastian Bach
Performer:  Hannah Schaer (Alto), Claudine Perret (Alto), Nicole Rossier-Maradan (Mezzo Soprano),
Wally Staempfli (Soprano), Mauricette Capt (Soprano)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Chamber Orchestra
Period: Baroque 
Written: Germany 
Length: 2 Minutes 11 Secs. 
Language: Latin 
226.
Sanctus in C major, BWV 237 by Johann Sebastian Bach
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble,  Lausanne Chamber Orchestra
Period: Baroque 
Written: 1723; Leipzig, Germany 
Length: 1 Minutes 43 Secs. 
Language: Latin 
227.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Heldrun Gardow (Soprano), Robert Holl (Bass),
Kurt Equiluz (Tenor), Hildegard Heichele (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Venue:  Vienna, Austria 
Length: 27 Minutes 26 Secs. 
Language: Latin 
228.
Magnificat in E flat major, BWV 243a by Johann Sebastian Bach
Performer:  Emma Kirkby (Soprano), Judith Nelson (Soprano), Paul Elliott (Tenor),
Carolyn Watkinson (Alto), David Thomas (Bass)
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978 
Venue:  St. Paul's, Arnos Grove, London 
Length: 35 Minutes 34 Secs. 
Language: Latin 
229.
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  Karl Ridderbusch (Bass), Paul Esswood (Countertenor), Tom Sutcliffe (Countertenor),
James Bowman (Countertenor), Kurt Equiluz (Tenor), Michael Schopper (Bass),
Nigel Rogers (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Regensburg Cathedral Choir,  Cambridge King's College Choir  ... 
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
Date of Recording: 1970 
Venue:  Vienna, Austria 
Length: 174 Minutes 28 Secs. 
Language: German 
230.
Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer:  Siegmund Nimsgern (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 1972 
Venue:  Vienna, Austria 
Length: 154 Minutes 21 Secs. 
Language: German 
231.
Tilge, Höchster, meine Sünden, BWV 1083 by Johann Sebastian Bach
Conductor:  Gunar Letzbor
Orchestra/Ensemble:  Ars Antiqua Austria,  St. Florian Children's Choir
Period: Baroque 
Written: 1741-1746; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Florian Cathedral, Austria 
Length: 42 Minutes 52 Secs. 
Language: German 
232.
Easter Oratorio, BWV 249 by Johann Sebastian Bach
Performer:  Lisa Larsson (Soprano), Klaus Mertens (Bass), Gerd Türk (Tenor),
Elisabeth von Magnus (Alto), Elisabeth von Magnus (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1998 
Venue:  Amsterdam, The Netherlands 
Length: 41 Minutes 3 Secs. 
Language: German 
233.
Saint John Passion, BWV 245: no 11a, Himmel, reisse, Welt erbebe by Johann Sebastian Bach
Performer:  Olaf Bär (Baritone)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 19 Secs. 
Language: German 
234.
Saint John Passion, BWV 245: no 13a, Zerschmettert mich, ihr Felsen und ihr Hugel by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 4 Minutes 51 Secs. 
Language: German 
235.
Saint John Passion, BWV 245: no 19a, Ach windet euch so, geplagte Seelen by Johann Sebastian Bach
Performer:  Peter Schreier (Tenor)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1988 
Venue:  Dresden, Germany 
Length: 5 Minutes 56 Secs. 
Language: German 
236.
Saint John Passion, BWV 245 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Anton Scharinger (Bass), Marjana Lipovsek (Alto),
Franz Leitner (Tenor), Angela Maria Blasi (Soprano), Anthony Rolfe Johnson (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Arnold Schoenberg Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1993 
Venue:  Vienna, Austria 
Length: 110 Minutes 5 Secs. 
Language: German 
237.
Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Nikolaus Harnoncourt,  Robin Gritton
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir,  Berlin Radio Chorus
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 12 Minutes 44 Secs. 
Language: German 
238.
Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 40 Secs. 
Language: German 
239.
Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1725-1749; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 7 Minutes 48 Secs. 
Language: German 
240.
Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 20 Minutes 1 Secs. 
Language: German 
241.
Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 8 Minutes 2 Secs. 
Language: German 
242.
Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Stockholm Bach Choir
Period: Baroque 
Written: circa 1723-1729; Leipzig, Germany 
Date of Recording: 1979 
Venue:  Stockholm, Sweden 
Length: 5 Minutes 45 Secs. 
Language: German 
243.
Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 47 Secs. 
Language: German 
244.
Ach Gott, erhör' mein Seufen, BWV 254 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 59 Secs. 
Language: German 
245.
Ach Gott und Herr, BWV 255 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 44 Secs. 
Language: German 
246.
Ach lieben Christen, seid getrost, BWV 256 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
247.
Wär' Gott nicht mit uns diese Zeit, BWV 257 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
248.
Wo Gott der Herr nicht bei uns Hält, BWV 258 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
249.
Ach, was soll ich Sünder machen, BWV 259 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
250.
Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
251.
Allein zu dir, Herr Jesu Christ, BWV 261 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 38 Secs. 
Language: German 
252.
Alle Menschen müssen sterben, BWV 262 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
253.
Alles ist an Gottes Segen, BWV 263 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
254.
Als der gütige Gott, BWV 264 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 26 Secs. 
Language: German 
255.
Als Jesus Christus in der Nacht, BWV 265 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 40 Secs. 
Language: German 
256.
Als vierzig Tag' nach Ostern war, BWV 266 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
257.
An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 46 Secs. 
Language: German 
258.
Auf, auf, mein Herz, und du, mein ganzer Sinn, BWV 268 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
259.
Aus meines Herzens Grunde, BWV 269 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
260.
Befiehl du deine Wege, BWV 270 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 22 Secs. 
Language: German 
261.
Dem Herren musst du trauen, BWV 271 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
262.
Dein' ew'ge Treu' und Gnade, BWV 272 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 21 Secs. 
Language: German 
263.
Christ, der du bist der helle Tag, BWV 273 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 48 Secs. 
Language: German 
264.
Christe, der du bist Tag und Licht, BWV 274 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
265.
Christe, du Beistand deiner Kreuzgemeinde, BWV 275 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 15 Secs. 
Language: German 
266.
Christ ist erstanden, BWV 276 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 15 Secs. 
Language: German 
267.
Christ lag in Todes Banden, BWV 277 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
268.
Den Tod niemand bezwingen kunt, BWV 278 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 10 Secs. 
Language: German 
269.
Hier ist das rechte Osterlamm, BWV 279 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 8 Secs. 
Language: German 
270.
Christ, unser Herr, zum Jordan kam, BWV 280 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 29 Secs. 
Language: German 
271.
Mit Freud fahr ich von dannen, BWV 281 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
272.
Christus, der ist mein Leben, BWV 282 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 49 Secs. 
Language: German 
273.
Christus, der uns selig macht, BWV 283 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 19 Secs. 
Language: German 
274.
Christus ist erstanden, hat überwunden, BWV 284 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 2 Secs. 
Language: German 
275.
Da der Herr Christ zu Tische sass, BWV 285 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 4 Secs. 
Language: German 
276.
Danket dem Herren, denn er ist sehr freundlich, BWV 286 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 33 Secs. 
Language: German 
277.
Dank sei Gott in der Höhe, BWV 287 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Language: German 
278.
Das alte Jahr vergangen ist, BWV 288 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
279.
Wir bitten dich, du ewger Sohn, BWV 289 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
280.
Das walt' Gott Vater und Gott Sohn, BWV 290 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
281.
Das walt' mein Gott, Vater, Sohn und heil'ger Geist, BWV 291 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
282.
Den Vater dort oben, BWV 292 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 1 Secs. 
Language: German 
283.
Der du bist drei in Einigkeit, BWV 293 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
284.
Der Tag, der ist so freudenreich, BWV 294 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 24 Secs. 
Language: German 
285.
Des heil'gen Geistes reiche Gnad', BWV 295 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 43 Secs. 
Language: German 
286.
Die Nacht ist kommen, BWV 296 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 14 Secs. 
Language: German 
287.
Die Sonn' hat sich mit ihrem Glanz gewendet, BWV 297 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 3 Secs. 
Language: German 
288.
Dies sind die heil'gen zehn Gebot', BWV 298 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
289.
Dir, dir, Jehova, will ich singen, BWV 299 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
290.
Du grosser Schmerzensmann, von Vater so geschlagen, BWV 300 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
291.
Du, o schönes Weltgebäude, BWV 301 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 18 Secs. 
Language: German 
292.
Ein' feste Burg is unser Gott, BWV 302 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
293.
Mit unsrer Macht ist nichts gethan, BWV 303 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 7 Secs. 
Language: German 
294.
Eins ist Not! ach Herr, dies Eine, BWV 304 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
295.
Erbarm' dich mein, o Herre Gott, BWV 305 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 28 Secs. 
Language: German 
296.
Erstanden ist der heil'ge Christ, BWV 306 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
297.
Es ist gewisslich an der Zeit, BWV 307 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 5 Secs. 
Language: German 
298.
Es spricht der Unweisen Mund wohl, BWV 308 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 17 Secs. 
Language: German 
299.
Es steh'n vor Gottes Throne, BWV 309 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
300.
Es wird schier der letzte Tag herkommen, BWV 310 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 38 Secs. 
Language: German 
301.
Es woll' uns Gott genädig sein, BWV 311 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 27 Secs. 
Language: German 
302.
So danken Gott, und loben dich, BWV 312 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
303.
Für Freuden lasst uns springen, BWV 313 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
304.
Gelobet seist du, Jesu Christ, BWV 314 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
305.
Gib dich zufrieden und sei stille, BWV 315 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
306.
Gott, der du selber bist das Licht, BWV 316 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 25 Secs. 
Language: German 
307.
Gott, der Vater, wohn' uns bei, BWV 317 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 42 Secs. 
Language: German 
308.
Gottes Sohn ist kommen, BWV 318 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 54 Secs. 
Language: German 
309.
Gott hat das Evangelium, BWV 319 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 52 Secs. 
Language: German 
310.
Gott lebet noch, BWV 320 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 23 Secs. 
Language: German 
311.
Gottlob, es geht nunmehr zu Ende, BWV 321 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 56 Secs. 
Language: German 
312.
Gott sei gelobet und gebenedeiet, BWV 322 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 6 Secs. 
Language: German 
313.
Gott sei uns gnädig, BWV 323 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 37 Secs. 
Language: German 
314.
Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 29 Secs. 
Language: German 
315.
Heilig, heilig, BWV 325 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 2 Minutes 47 Secs. 
Language: German 
316.
Herr Gott, dich loben alle wir, BWV 326 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 36 Secs. 
Language: German 
317.
Für deinen Thron tret' ich hiermit, BWV 327 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 42 Secs. 
Language: German 
318.
Herr Gott, dich loben wir, BWV 328 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 6 Minutes 59 Secs. 
Language: German 
319.
Herr, ich denk' an jene Zeit, BWV 329 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 6 Secs. 
Language: German 
320.
Herr, ich habe missgehandelt, BWV 330 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 55 Secs. 
Language: German 
321.
Doch, wie könnt ich dir entfliehen, BWV 331 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 11 Secs. 
Language: German 
322.
Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 39 Secs. 
Language: German 
323.
Herr Jesu Christ, du hast bereit't, BWV 333 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 9 Secs. 
Language: German 
324.
Herr Jesu Christ, du höchstes Gut, BWV 334 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 16 Secs. 
Language: German 
325.
Herr Jesu Christ, mein's Lebens Licht, BWV 335 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 46 Secs. 
Language: German 
326.
Herr Jesu Christ, wah'r Mensch und Gott, BWV 336 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Sigurd Brauns (Organ), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
327.
Herr, nun lass in Friede, BWV 337 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Katharina Maechler (Cello), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 57 Secs. 
Language: German 
328.
Herr, straf mich nicht in deinem Zorn, BWV 338 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Katharina Maechler (Cello), Laszlo Tamas (Violone)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
329.
Herr, wie du willst, so schick's mit mir, BWV 339 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 20 Secs. 
Language: German 
330.
Herzlich lieb hab ich dich, o Herr, BWV 340 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
331.
Heut' ist, o Mensch, ein grosser Trauertag, BWV 341 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 59 Secs. 
Language: German 
332.
Heut' triumphieret Gottes Sohn, BWV 342 by Johann Sebastian Bach
Performer:  Sigurd Brauns (Organ), Laszlo Tamas (Violone), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 51 Secs. 
Language: German 
333.
Hilf, Gott, lass mir's gelinge, BWV 343 by Johann Sebastian Bach
Performer:  Katharina Maechler (Cello), Laszlo Tamas (Violone), Sigurd Brauns (Organ)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 1 Minutes 12 Secs. 
Language: German 
334.
Hilf, Herr Jesu, lass gelingen, BWV 344 by Johann Sebastian Bach
Performer:  Laszlo Tamas (Violone), Sigurd Brauns (Organ), Katharina Maechler (Cello)
Conductor:  Robin Gritton
Orchestra/Ensemble:  Berlin Radio Chorus
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  Berlin, Germany 
Length: 0 Minutes 53 Secs. 
Language: German 
335.
Fugue in G minor, BWV 578 "Little G minor" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 3 Minutes 41 Secs. 
336.
Canzona in d, BWV 588 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 8 Secs. 
337.
Prelude and Fugue in A minor, BWV 543 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 43 Secs. 
338.
Fantasie and Fugue in C minor, BWV 562 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 4 Minutes 21 Secs. 
339.
Prelude and Fugue in C major, BWV 531 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 5 Minutes 59 Secs. 
340.
Fantasie in G major, BWV 572 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1706; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 8 Minutes 10 Secs. 
341.
Fantasie in C major, BWV 570 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 2 Minutes 21 Secs. 
342.
Chorale Preludes (6) BWV 645-650 "Schübler" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Written: c1748-49 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 18 Minutes 18 Secs. 
343.
Wo soll ich fliehen hin?, BWV 5: Wo soll ich fliehen hin? by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
344.
Wo soll ich fliehen hin?, BWV 5: Führ auch mein Herz und Sinn by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 41 Secs. 
Language: German 
345.
Wer nur den lieben Gott lässt walten, BWV 93: Wer nur den lieben Gott lässt walten by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 53 Secs. 
Language: German 
346.
Wer nur den lieben Gott lässt walten, BWV 93: Sing, bet und geh auf Gottes Wegen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 54 Secs. 
Language: German 
347.
Meine Seele erhebet den Herrn, BWV 324 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 28 Secs. 
Language: German 
348.
Ach, bleib' bei uns, Herr Jesu Christ, BWV 253 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 41 Secs. 
Language: German 
349.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57: no 8, Richte dich, Liebste by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 0 Secs. 
Language: German 
350.
Chorales (18) for Organ, BWV 651-668 "Leipzig" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 93 Minutes 9 Secs. 
351.
Wenn wir in höchsten Nöten sein, BWV 431 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 56 Secs. 
Language: German 
352.
Wer mich liebet, der wird mein Wort halten, BWV 59: Komm, heiliger Geist, Herre Gott by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 39 Secs. 
Language: German 
353.
Der Geist hilft unser Schwachheit auf, BWV 226: Du heilige Brunst, süsser Trost by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 35 Secs. 
Language: German 
354.
An Wasserflüssen Babylon, BWV 267 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 47 Secs. 
Language: German 
355.
Schmücke dich, o liebe Seele, BWV 180: no 1, Schmücke dich, o liebe Seele by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
356.
Herr Jesu Christ, dich zu uns wend', BWV 332 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 42 Secs. 
Language: German 
357.
O Lamm Gottes, unschuldig, BWV 401 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 4 Secs. 
Language: German 
358.
Nun danket alle Gott, BWV 386 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 10 Secs. 
Language: German 
359.
Von Gott will ich nicht lassen, BWV 418 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 57 Secs. 
Language: German 
360.
Schwingt freudig euch empor, BWV 36: Lob sei Gott dem Vater g'ton by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 11 Secs. 
Language: German 
361.
Allein Gott in der Höh' sei Ehr', BWV 260 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 2 Minutes 7 Secs. 
Language: German 
362.
Jesus Christus, unser Heiland, BWV 363 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 57 Secs. 
Language: German 
363.
Komm, Gott Schöpfer, heiliger Geist, BWV 370 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: by 1787; ?Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 2 Secs. 
Language: German 
364.
Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 22 Secs. 
365.
Trio Sonata for Organ no 3 in D minor, BWV 527 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 31 Secs. 
366.
Trio Sonata for Organ no 4 in E minor, BWV 528 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 9 Minutes 37 Secs. 
367.
Trio Sonata for Organ no 5 in C major, BWV 529 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 21 Secs. 
368.
Trio Sonata for Organ no 6 in G major, BWV 530 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 53 Secs. 
369.
Toccata, Adagio and Fugue in C major, BWV 564 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 14 Minutes 1 Secs. 
370.
Toccata and Fugue in D minor, BWV 538 "Dorian" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 12 Minutes 34 Secs. 
371.
Prelude and Fugue in E major, BWV 566 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 10 Secs. 
372.
Kyrie, Gott Vater in Ewigkeit, BWV 669 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 31 Secs. 
373.
Christe, aller Welt Trost, BWV 670 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 4 Secs. 
374.
Kyrie, Gott heiliger Geist, BWV 671 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 54 Secs. 
375.
Kyrie, Gott Vater in Ewigkeit, BWV 672 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 14 Secs. 
376.
Christe, aller Welt Trost, BWV 673 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 9 Secs. 
377.
Kyrie, Gott heiliger Geist, BWV 674 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 22 Secs. 
378.
Allein Gott in der Höh' sei Ehr', BWV 675 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 41 Secs. 
379.
Allein Gott in der Höh' sei Ehr', BWV 676 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 20 Secs. 
380.
Allein Gott in der Höh' sei Ehr', BWV 677 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 15 Secs. 
381.
Dies sind die heilgen zehen Gebot, BWV 678 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 17 Secs. 
382.
Dies sind die heiligen zehen Gebot, BWV 679 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 55 Secs. 
383.
Wir gläuben all'an einen Gott, BWV 680 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 13 Secs. 
384.
Wir gläuben all'an einen Gott, BWV 681 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
385.
Vater unser im Himmelreich, BWV 682 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 9 Minutes 24 Secs. 
386.
Vater unser im Himmelreich, BWV 683 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 42 Secs. 
387.
Christ, unser Herr, zum Jordan kam, BWV 684 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 35 Secs. 
388.
Christ, unser Herr, zum Jordan kam, BWV 685 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 1 Minutes 29 Secs. 
389.
Aus tiefer Not schrei ich zu dir, BWV 686 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 5 Minutes 40 Secs. 
390.
Aus tiefer Not schrei ich zu dir, BWV 687 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 6 Minutes 28 Secs. 
391.
Jesus Christus, unser Heiland, BWV 688 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
392.
Jesus Christus, unser Heiland, BWV 689 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 4 Minutes 48 Secs. 
393.
Duet for Organ in E minor, BWV 802 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 0 Secs. 
394.
Duet for Organ in F major, BWV 803 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 35 Secs. 
395.
Duet for Organ in G major, BWV 804 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 2 Minutes 41 Secs. 
396.
Duet for Organ in A minor, BWV 805 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 3 Minutes 2 Secs. 
397.
Vom Himmel hoch, da komm' ich her, BWV 769 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1747; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 11 Secs. 
398.
Fugue in C minor, BWV 575 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 21 Secs. 
399.
Prelude and Fugue in C minor, BWV 549 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 38 Secs. 
400.
Prelude in G major, BWV 568 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 10 Secs. 
401.
Allabreve in D major, BWV 589 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 36 Secs. 
402.
Prelude and Fugue in G minor, BWV 535 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 36 Secs. 
403.
Prelude and Fugue in E minor, BWV 533 "Little Prelude and Fugue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1707; Arnstadt, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 4 Minutes 38 Secs. 
404.
Prelude in A minor, BWV 569 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 6 Secs. 
405.
Fugue in G major, BWV 577 "Gigue" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 3 Minutes 51 Secs. 
406.
Trio for Organ in D minor, BWV 583 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque  
Written: Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 5 Minutes 42 Secs. 
407.
Pedal-Exercitium, BWV 598 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 2 Minutes 33 Secs. 
408.
Pastorale in F major, BWV 590 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 25 Secs. 
409.
Orgelbüchlein, BWV 599-644 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1714-1717; Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 69 Minutes 34 Secs. 
410.
Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1700; Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 19 Minutes 0 Secs. 
411.
Partite sopra "Ach, was soll ich Sünder machen?", BWV 770 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 9 Minutes 16 Secs. 
412.
In dulci jubilo, BWV 729 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 2 Minutes 11 Secs. 
413.
Ich hab'mein'Sach'Gott heimgestellt, BWV 707 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Date of Recording: 05/1998 
Venue:  Benedictine Abbey, Ottobeuren, Germany 
Length: 3 Minutes 56 Secs. 
414.
Wachet auf, ruft uns die Stimme, BWV 140: no 7, Gloria sei dir gesungen by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
415.
Prelude and Fugue in B minor, BWV 544 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 11 Minutes 14 Secs. 
416.
Trio Sonata for Organ no 2 in C minor, BWV 526 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 10 Minutes 47 Secs. 
417.
Toccata and Fugue in F major, BWV 540 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 13 Minutes 8 Secs. 
418.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 8 Minutes 14 Secs. 
419.
Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 1995 
Venue:  St. Jacob's Church, Hamburg, Germany 
Length: 11 Minutes 31 Secs. 
420.
Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1739; Leipzig, Germany 
Date of Recording: 10/1996 
Venue:  Dom St. Marien, Frieburg, Germany 
Length: 15 Minutes 54 Secs. 
421.
Prelude and Fugue in C minor, BWV 546 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 12 Minutes 55 Secs. 
422.
Prelude and Fugue in G major, BWV 550 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: by 1708 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 14 Secs. 
423.
Prelude and Fugue in C major, BWV 545 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 10 Minutes 54 Secs. 
424.
Prelude and Fugue in D minor, BWV 539 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1720-1725 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 29 Secs. 
425.
Prelude and Fugue in F minor, BWV 534 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 58 Secs. 
426.
Passacaglia in C minor, BWV 582 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: circa 1708-1712; Arnstadt, Germany 
Date of Recording: 06/1994 
Venue:  Great Church, Maassluis, Netherlands 
Length: 12 Minutes 27 Secs. 
427.
Fantasie and Fugue in C minor, BWV 537 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708 - 1717; ?Weimar, Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 7 Minutes 54 Secs. 
428.
Prelude and Fugue in G major, BWV 541 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: 1708-1717; Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 6 Minutes 46 Secs. 
429.
Prelude and Fugue in C major, BWV 547 by Johann Sebastian Bach
Performer:  Ton Koopman (Organ)
Period: Baroque 
Written: after 1723; Germany 
Date of Recording: 12/1996 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 8 Minutes 40 Secs. 
430.
Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 1 Minutes 29 Secs. 
Language: German 
431.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Ulrike Wild (Organ)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 09/1994 
Venue:  Great Church, Leeuwarden, Netherlands 
Length: 0 Minutes 31 Secs. 
Language: German 
432.
Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 21 Minutes 52 Secs. 
433.
Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
Length: 33 Minutes 23 Secs. 
434.
English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 54 Secs. 
435.
French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 8 Minutes 3 Secs. 
436.
English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 40 Secs. 
437.
French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 6 Minutes 44 Secs. 
438.
English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 15 Minutes 38 Secs. 
439.
French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 9 Minutes 48 Secs. 
440.
English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 21 Minutes 51 Secs. 
441.
French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 7 Minutes 29 Secs. 
442.
English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 20 Minutes 39 Secs. 
443.
French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 11 Minutes 45 Secs. 
444.
English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 25 Minutes 59 Secs. 
445.
French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach
Performer:  Alan Curtis (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 07/1979 
Venue:  Museum of Art and Commerce, Hamburg 
Length: 10 Minutes 8 Secs. 
446.
Suite in E flat major, BWV 819 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 13 Minutes 53 Secs. 
447.
Suite in E flat major, BWV 819a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?1730s; Cöthen, Germany 
Length: 3 Minutes 25 Secs. 
448.
Suite in B flat major, BWV 821 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 11 Minutes 32 Secs. 
449.
Minuet in G major, BWV 841 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 1 Minutes 25 Secs. 
450.
Minuet in G minor, BWV 842 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 0 Minutes 59 Secs. 
451.
Minuet in G major, BWV 843 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
Length: 2 Minutes 4 Secs. 
452.
Trio in B minor, BWV 814a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722-1725; Leipzig, Germany 
Length: 1 Minutes 24 Secs. 
453.
Scherzo in D minor, BWV 844 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Leipzig, Germany 
Length: 2 Minutes 20 Secs. 
454.
Suite in A minor, BWV 818a by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 14 Minutes 34 Secs. 
455.
Suite in A minor, BWV 818 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
Length: 5 Minutes 48 Secs. 
456.
Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 20 Minutes 36 Secs. 
457.
Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 32 Minutes 26 Secs. 
458.
Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 117 Minutes 16 Secs. 
459.
Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: 1738-1742; Leipzig, Germany 
Date of Recording: 1989 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 148 Minutes 3 Secs. 
460.
Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1988 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 10 Secs. 
461.
Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 41 Secs. 
462.
Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 19 Minutes 24 Secs. 
463.
Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
Date of Recording: 04/1998 
Venue:  Temple, Sommières, France 
Length: 33 Minutes 18 Secs. 
464.
Prelude and Fugue in A minor, BWV 894 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 10 Minutes 53 Secs. 
465.
Prelude and Fughetta in E minor, BWV 900 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 4 Minutes 9 Secs. 
466.
Prelude and Fughetta in G major, BWV 902a: Prelude by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 4 Secs. 
467.
Fantasia and Fugue in A minor, BWV 904 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1725; Leipzig, Germany 
Length: 10 Minutes 21 Secs. 
468.
Prelude in C major, BWV 924 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 54 Secs. 
469.
Prelude in D major, BWV 925 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 55 Secs. 
470.
Prelude in D minor, BWV 926 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 9 Secs. 
471.
Praeambulum in F major, BWV 927 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
472.
Prelude in F major, BWV 928 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 19 Secs. 
473.
Praeambulum in G minor, BWV 930 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
Length: 1 Minutes 44 Secs. 
474.
Prelude in A minor, BWV 931 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 1 Secs. 
475.
Little Preludes (6): no 5 in E major, BWV 937 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 39 Secs. 
476.
Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 32 Secs. 
477.
Prelude in D minor, BWV 940 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 10 Secs. 
478.
Applicatio in C major, BWV 994 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 0 Minutes 52 Secs. 
479.
Little Preludes (6): no 1 in C major, BWV 933 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 38 Secs. 
480.
Little Preludes (6): no 2 in C minor, BWV 934 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 49 Secs. 
481.
Little Preludes (6): no 3 in D minor, BWV 935 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 43 Secs. 
482.
Little Preludes (6): no 4 in D major, BWV 936 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: Germany 
Length: 3 Minutes 14 Secs. 
483.
Little Preludes (6): no 6 in E minor, BWV 938 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 1 Minutes 51 Secs. 
484.
Prelude in E minor, BWV 941 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 34 Secs. 
485.
Prelude in C major, BWV 943 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 2 Minutes 6 Secs. 
486.
Fugue in A minor, BWV 944 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: ?Weimar, Germany 
Length: 8 Minutes 11 Secs. 
487.
Fugue in B flat major, BWV 955 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 5 Minutes 16 Secs. 
488.
Fugue in A minor, BWV 958 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 9 Secs. 
489.
Fugue in A minor, BWV 959 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Length: 3 Minutes 15 Secs. 
490.
Sonata in D major, BWV 963 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 10 Minutes 17 Secs. 
491.
Capriccio in E major, BWV 993 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Written: circa 1704 
Length: 5 Minutes 59 Secs. 
492.
Toccata in D major, BWV 912 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 10 Minutes 35 Secs. 
493.
Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 5 Minutes 53 Secs. 
494.
Toccata in F sharp minor, BWV 910 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1710 ; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 27 Secs. 
495.
Toccata in G major, BWV 916 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1710; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 7 Minutes 49 Secs. 
496.
Toccata in C minor, BWV 911 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1717; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 9 Minutes 53 Secs. 
497.
Toccata in D minor, BWV 913 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 12 Minutes 27 Secs. 
498.
Toccata in G minor, BWV 915 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: by 1708; Weimar, Germany 
Date of Recording: 1999 
Venue:  Charlottenburg Castle, Berlin, Germany 
Length: 8 Minutes 25 Secs. 
499.
Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 11/1970 
Venue:  Bennebroek, Holland 
Length: 11 Minutes 19 Secs. 
500.
Prelude and Fughetta in A minor, BWV 895 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1725 
Length: 2 Minutes 44 Secs. 
501.
Fugue in C major, BWV 952 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Date of Recording: 02/1964 
Venue:  Bennebroek, Holland 
Length: 2 Minutes 7 Secs. 
502.
Suite in F minor, BWV 823 [fragment] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Length: 6 Minutes 33 Secs. 
503.
Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1704; Arnstadt, Germany 
Date of Recording: 02/1970 
Venue:  Bennebroek, Holland 
Length: 12 Minutes 54 Secs. 
504.
Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: by 1714; Weimar, Germany 
Length: 15 Minutes 36 Secs. 
505.
Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
Written: ?1731; Leipzig, Germany 
Length: 9 Minutes 22 Secs. 
506.
Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 12 Minutes 25 Secs. 
507.
Overture in the French style in B minor, BWV 831 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 06/1988 
Venue:  Assas Castle, Hérault, France 
Length: 27 Minutes 26 Secs. 
508.
Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
Length: 47 Minutes 41 Secs. 
509.
Sonata in D minor, BWV 964 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Written: Germany 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 18 Minutes 14 Secs. 
510.
Sonata in A minor, BWV 965 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 33 Secs. 
511.
Sonata in C major, BWV 966 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 17 Minutes 2 Secs. 
512.
Adagio in G major, BWV 968 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Written: Germany 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 19 Minutes 25 Secs. 
513.
Fugue in B flat major, BWV 954 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Studios, Cologne, Germany 
Length: 3 Minutes 41 Secs. 
514.
Prelude and Partita for Keyboard in F major, BWV 833 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 9 Minutes 14 Secs. 
515.
Prelude and Fugue in A major, BWV 896 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: by 1710 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 41 Secs. 
516.
Prelude and Fughetta in D minor, BWV 899 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 30 Secs. 
517.
Fantasie in G minor, BWV 917 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 51 Secs. 
518.
Prelude in G minor, BWV 929 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 44 Secs. 
519.
Prelude and Fughetta in G major, BWV 902 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 49 Secs. 
520.
Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1738; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 30 Secs. 
521.
Prelude and Fughetta in F major, BWV 901 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 9 Secs. 
522.
Prelude in C minor, BWV 921 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 26 Secs. 
523.
Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 56 Secs. 
524.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C, BWV 846 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 43 Secs. 
525.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 2 in C minor, BWV 847 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 2 Secs. 
526.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 6 in D minor, BWV 851 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 0 Minutes 55 Secs. 
527.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 10 in E minor, BWV 855 - Prelude by Johann Sebastian Bach
Performer:  Olivier Baumont (Clavichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
Length: 1 Minutes 20 Secs. 
528.
Fantasia on a Rondo in C minor, BWV 918 by Johann Sebastian Bach
Performer:  Andreas Staier (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
Length: 4 Minutes 20 Secs. 
529.
Suite in G minor, BWV 822 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 13 Minutes 9 Secs. 
530.
Fugue in A minor, BWV 947 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 26 Secs. 
531.
Fugue in A major, BWV 949 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 55 Secs. 
532.
Fugue on a theme by Albinoni in B minor, BWV 951 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 32 Secs. 
533.
Fugue in C major, BWV 946 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1708; ?Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 2 Minutes 13 Secs. 
534.
Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 3 Minutes 54 Secs. 
535.
Fugue on a theme by Albinoni in A major, BWV 950 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 16 Secs. 
536.
Fugue in C major, BWV 953 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1723 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 26 Secs. 
537.
Minuet in C minor, BWV 813a by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 0 Minutes 56 Secs. 
538.
Allemande for Keyboard in G minor, BWV 836 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1720-1722; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 41 Secs. 
539.
Fughetta in C minor, BWV 961 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 33 Secs. 
540.
Concerto in D major after Vivaldi, BWV 972 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 44 Secs. 
541.
Concerto in G major after Vivaldi, BWV 973 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 6 Minutes 41 Secs. 
542.
Concerto in G minor after Vivaldi, BWV 975 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 28 Secs. 
543.
Concerto in C major after Vivaldi, BWV 976 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 27 Secs. 
544.
Concerto in F major after Vivaldi, BWV 978 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 7 Minutes 10 Secs. 
545.
Concerto in G major after Vivaldi, BWV 980 by Johann Sebastian Bach
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Length: 9 Minutes 23 Secs. 
546.
Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 9 Secs. 
547.
Concerto in C major after an unknown composer, BWV 977 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 59 Secs. 
548.
Concerto in B minor after an unknown composer, BWV 979 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 21 Secs. 
549.
Concerto in C minor after Benedetto Marcello, BWV 981 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 44 Secs. 
550.
Concerto in B flat major after Duke Johann Ernst of Saxe-Weimar, BWV 982 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 15 Secs. 
551.
Concerto in G minor after an unknown composer, BWV 983 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 42 Secs. 
552.
Concerto in C major after Duke Johann Ernst of Saxe-Weimar, BWV 984 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 7 Minutes 21 Secs. 
553.
Concerto in G minor after Telemann, BWV 985 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 48 Secs. 
554.
Concerto in G major after an unknown composer, BWV 986 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 4 Minutes 41 Secs. 
555.
Concerto in D minor after Duke Johann Ernst of Saxe-Weimar, BWV 987 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 6 Minutes 19 Secs. 
556.
Prelude in A minor, BWV 942 by Johann Sebastian Bach
Performer:  Zuzana Ruzicková (Harpsichord)
Period: Baroque 
Length: 0 Minutes 47 Secs. 
557.
Partita in A major, BWV 832 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 8 Minutes 38 Secs. 
558.
Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 24 Minutes 43 Secs. 
559.
Suite for Lute in E minor, BWV 996 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: circa 1708-1717; Weimar, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 15 Minutes 9 Secs. 
560.
Partita for Lute in C minor, BWV 997 by Johann Sebastian Bach
Performer:  Michele Barchi (Lute-harpsichord)
Period: Baroque 
Written: 1737-1741; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 17 Minutes 39 Secs. 
561.
Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach
Performer:  Michele Barchi (Harpsichord)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 10 Minutes 3 Secs. 
562.
Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 1 Minutes 35 Secs. 
563.
Fugue for Lute in G minor, BWV 1000 by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: circa ?1725; Leipzig, Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 5 Minutes 19 Secs. 
564.
Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer:  Luca Pianca (Lute)
Period: Baroque 
Written: after 1720; Germany 
Date of Recording: 1998-99 
Venue:  San Rocco Oratorio, Manno, Italy 
Length: 21 Minutes 38 Secs. 
565.
Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 24 Minutes 27 Secs. 
566.
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 13 Minutes 58 Secs. 
567.
Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 18 Minutes 32 Secs. 
568.
Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
Date of Recording: 1982 
Venue:  Doopsgezinde Church, Haarlem, Holland 
Length: 20 Minutes 47 Secs. 
569.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1981-83 
Venue:  Teldec Studios, Berlin, Germany 
Length: 25 Minutes 13 Secs. 
570.
Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Bass Viola da gamba), Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 58 Secs. 
571.
Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 13 Minutes 33 Secs. 
572.
Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 45 Secs. 
573.
Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 7 Secs. 
574.
Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 14 Minutes 59 Secs. 
575.
Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola da gamba), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 16 Minutes 14 Secs. 
576.
Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Harpsichord), Susan Sheppard (Cello)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 16 Minutes 15 Secs. 
577.
Sonata for Violin and Basso Continuo in G major, BWV 1021 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Davitt Moroney (Chamber Organ)
Period: Baroque 
Written: by 1720; Cöthen, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 8 Minutes 40 Secs. 
578.
Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Performer:  John Holloway (Violin), Davitt Moroney (Chamber Organ), Susan Sheppard (Cello)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 1988 
Venue:  Finchcocks, Goudhurst, Kent, England 
Length: 11 Minutes 0 Secs. 
579.
Suite for Violin and Harpsichord in A major after S. L. Weiss, BWV 1025 by Johann Sebastian Bach
Performer:  Gerald Hambitzer (Harpsichord), Werner Ehrhardt (Violin)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 32 Minutes 26 Secs. 
580.
Fugue for Violin and Harpsichord in G minor, BWV 1026 by Johann Sebastian Bach
Performer:  Werner Ehrhardt (Violin), Gerald Hambitzer (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
Date of Recording: 04/1999 
Venue:  Teldec Studios, Berlin, Germany 
Length: 4 Minutes 42 Secs. 
581.
Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 12 Minutes 4 Secs. 
582.
Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 13 Minutes 26 Secs. 
583.
Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer:  Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Bass Viola da gamba)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Date of Recording: 1968 
Venue:  Vienna, Austria 
Length: 14 Minutes 6 Secs. 
584.
Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach
Performer:  Leopold Stastny (Flute), Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1738; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 54 Secs. 
585.
Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Leopold Stastny (Flute), Herbert Tachezi (Harpsichord)
Period: Baroque 
Written: ?1724; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 12 Minutes 22 Secs. 
586.
Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: circa 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 15 Minutes 25 Secs. 
587.
Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach
Performer:  Nikolaus Harnoncourt (Cello), Herbert Tachezi (Harpsichord), Leopold Stastny (Flute)
Period: Baroque 
Written: 1717-1720; ?Cöthen, Germany 
Date of Recording: 1975 
Venue:  St. George's Church, Attergau 
Length: 11 Minutes 47 Secs. 
588.
Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer:  Alice Harnoncourt (Violin), Herbert Tachezi (Harpsichord), Nikolaus Harnoncourt (Cello),
Leopold Stastny (Flute)
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1975 
Venue:  St. George's C