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Brahms: Complete Works for Solo Piano / Douglas


Release Date: 01/19/2018 
Label:  Chandos   Catalog #: CHAN 10951(6)  
Composer:  Johannes Brahms
Performer:  Barry Douglas
Number of Discs: 6 
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Notes and Editorial Reviews

Barry Douglas’s complete Brahms cycle for solo piano is now available as a unique box set. It contains all the six widely acclaimed volumes of the series, each disc planned and presented as a stand-alone mixed recital, along with the original booklets. Completed within the course of five years, the series was seen by BBC Music as ‘a triumph of Brahmsian thoughts’. It offers ‘beautifully manicured playing’ (Pianist), ‘captures Douglas’s sound perfectly’ (International Piano), and will ‘leave you a different person’ (Gramophone).

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Reviews excerpts of some of individual volumes contained in this set:

Brahms: Works for Solo Piano, Vol. 6 Read more />
His hefty, full-bodied sound, built from the bottom up, befits the mellow power of Brahms’s sound world.

– Gramophone

Brahms: Works for Solo Piano, Vol. 5

Douglas's powerful tone and serious demeanour captures the composer's uncompromising side; yet there's a sense of flow that makes the intermezzos generous and warm without veering towards emotional indulgence.

– BBC Music Magazine

Brahms: Works for Solo Piano, Vol. 4

He comes fully alive throughout the C major Sonata. His proportioned rubatos in the first movement's second theme and broodingly sustained Andante imbue the unwieldy textures with colour and variety.

– Gramophone

Also available:

Brahms: Works for Solo Piano, Vol. 1
Brahms: Works for Solo Piano, Vol. 2
Brahms: Works for Solo Piano, Vol. 3 Read less

Works on This Recording

1.
Variations and Fugue for Piano in B flat major on a theme by Handel, Op. 24 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1861; Germany 
2.
Rhapsodies (2) for Piano, Op. 79 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1879; Austria 
3.
Pieces (6) for Piano, Op. 118: no 5, Romance in F major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
4.
Pieces (6) for Piano, Op. 118: no 2, Intermezzo in A major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
5.
Intermezzi (3) for Piano, Op. 117: no 1 in E flat major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
6.
Fantasies (7) for Piano, Op. 116: no 7, Capriccio in D minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
7.
Fantasies (7) for Piano, Op. 116: no 4, Intermezzo in E major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
8.
Fantasies (7) for Piano, Op. 116: no 3, Capriccio in G minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
9.
Fantasies (7) for Piano, Op. 116: no 1, Capriccio in D minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
10.
Ballades (4) for Piano, Op. 10: no 4 in B major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854; Germany 
11.
Ballades (4) for Piano, Op. 10: no 2 in D major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 6 Minutes 54 Secs. 
12.
Pieces (6) for Piano, Op. 118: no 3, Ballade in G minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 17 Secs. 
13.
Intermezzi (3) for Piano, Op. 117: no 2 in B flat minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 53 Secs. 
14.
Pieces (4) for Piano, Op. 119: no 4, Rhapsody in E flat major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 5 Minutes 15 Secs. 
15.
Fantasies (7) for Piano, Op. 116: no 2, Intermezzo in A minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 55 Secs. 
16.
Fantasies (7) for Piano, Op. 116: no 6, Intermezzo in E major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 47 Secs. 
17.
Ballade for piano in B minor, Op. 10/3 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854 
Venue:  West Road Concert Hall, Cambridge 
Length: 4 Minutes 4 Secs. 
18.
Sonata for Piano no 3 in F minor, Op. 5 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1853; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 36 Minutes 5 Secs. 
19.
Theme and Variations for Piano in D minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1860; Germany 
20.
Sonata for Piano no 2 in F sharp minor, Op. 2 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1852; Germany 
21.
Pieces (4) for Piano, Op. 119: no 3, Intermezzo in C major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
22.
Pieces (4) for Piano, Op. 119: no 1, Intermezzo in B minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
23.
Fantasies (7) for Piano, Op. 116: no 5, Intermezzo in E minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
24.
Waltzes (16) for Piano 4 hands, Op. 39 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1865; Austria 
25.
Sonata for Piano no 1 in C major, Op. 1 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1852-1853; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 27 Minutes 57 Secs. 
26.
Intermezzi (3) for Piano, Op. 117: no 3 in C sharp minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 5 Minutes 20 Secs. 
27.
Pieces (4) for Piano, Op. 119: no 2, Intermezzo in E minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 4 Minutes 37 Secs. 
28.
Variations (16) for Piano in F sharp minor on a Theme by Schumann, Op. 9 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 13 Minutes 33 Secs. 
29.
Pieces (8) for Piano, Op. 76: no 1, Capriccio in F sharp minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 26 Secs. 
30.
Pieces (8) for Piano, Op. 76: no 2, Capriccio in B minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 21 Secs. 
31.
Pieces (8) for Piano, Op. 76: no 6, Intermezzo in A major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 29 Secs. 
32.
Ballades (4) for Piano, Op. 10: no 1 in D minor "Edward" by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 4 Minutes 43 Secs. 
33.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Thema. Non troppo presto - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 27 Secs. 
34.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 1. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 31 Secs. 
35.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 2. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 33 Secs. 
36.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 3. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 31 Secs. 
37.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 4. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 54 Secs. 
38.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 5. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 42 Secs. 
39.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 6. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 28 Secs. 
40.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 7. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 28 Secs. 
41.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 8. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 32 Secs. 
42.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 9. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 1 Minutes 25 Secs. 
43.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 10. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 1 Minutes 12 Secs. 
44.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 11. Andante - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 1 Minutes 21 Secs. 
45.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 12. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 57 Secs. 
46.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 13. () - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 35 Secs. 
47.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Variation 14. Allegro - by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 1 Minutes 20 Secs. 
48.
Variations on a Theme by Niccolò Paganini in A minor, Op. 35, Book 1: Presto, ma non troppo by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863 
Venue:  West Road Concert Hall, Cambridge 
Length: 0 Minutes 58 Secs. 
49.
Pieces (6) for Piano, Op. 118: no 1, Intermezzo in A minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 1 Minutes 58 Secs. 
50.
Hungarian Dances (21) for Piano 4 hands, WoO 1: no 5 in F sharp minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1868; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 2 Minutes 37 Secs. 
51.
Variations (28) for Piano on a theme by Paganini, Op. 35 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1862-1863; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 7 Minutes 8 Secs. 
52.
Variations (11) for Piano on an Original Theme, Set 1, Op. 21 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1857; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 14 Minutes 42 Secs. 
53.
Sarabande, WoO 5 posth: No. 2 in B minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1854-1855 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 13 Secs. 
54.
Scherzo for Piano in E flat minor, Op. 4 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1851; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 9 Minutes 26 Secs. 
55.
Pieces (8) for Piano, Op. 76: no 3, Intermezzo in A flat major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 2 Minutes 19 Secs. 
56.
Pieces (6) for Piano, Op. 118: no 4, Intermezzo in F minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 0 Secs. 
57.
[Ten] Hungarian Dances for Piano, Two Hands: Hungarian Dance, WoO 1 No. 3 in F major: Allegretto - [ by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1858-1868; Hungary 
Venue:  West Road Concert Hall, Cambridge 
Length: 2 Minutes 29 Secs. 
58.
Pieces (8) for Piano, Op. 76: no 4, Intermezzo in B flat major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 2 Minutes 16 Secs. 
59.
Variations (13) for Piano on a Hungarian Dance, Set 2, Op. 21 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1857; Germany 
Venue:  West Road Concert Hall, Cambridge 
Length: 2 Minutes 41 Secs. 
60.
Hungarian Dances (21) for Piano 4 hands, WoO 1: no 1 in G minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1868; Austria 
Venue:  West Road Concert Hall, Cambridge 
Length: 3 Minutes 8 Secs. 
61.
Rakoczy March, Anh III/10 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1853; Germany 
62.
Pieces (6) for Piano, Op. 118: no 6, Intermezzo in E flat minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1892; Austria 
63.
Canon for Piano in F minor, Anh III/2 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1864; Germany 
64.
Gigues (2) for Piano, WoO posth. 4 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1855; Germany 
65.
Pieces (8) for Piano, Op. 76: no 5, Capriccio in C sharp minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
66.
Pieces (8) for Piano, Op. 76: no 7, Intermezzo in A minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
67.
Pieces (8) for Piano, Op. 76: no 8, Capriccio in C major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1878; Austria 
68.
Gavotte for Piano in A major after Gluck, Anh. 1a/2 by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: ?1868; Germany 
69.
Studies (5) for Piano, Anh. 1a/1: no 1, Etude after Chopin by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: by 1869; Austria 
70.
Studies (5) for Piano, Anh. 1a/1: no 2, Rondo after Weber by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: 1852; Germany 
71.
Studies (5) for Piano, Anh. 1a/1: no 3, Presto after Bach in G minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: by 1879; Austria 
72.
Hungarian Dances (10) for Piano solo: no 4 in F sharp minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: by 1872; Austria 
73.
Hungarian Dances (10) for Piano solo: no 6 in D flat minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: by 1872; Austria 
74.
Hungarian Dances (10) for Piano solo: no 7 in F major by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: by 1872; Austria 
75.
Hungarian Dances (10) for Piano solo: no 8 in A minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
76.
Hungarian Dances (10) for Piano solo: no 9 in E minor by Johannes Brahms
Performer:  Barry Douglas (Piano)
77.
Hungarian Dances (10) for Piano solo: no 10 in E major by Johannes Brahms
Performer:  Barry Douglas (Piano)
78.
Studies (5) for Piano, Anh. 1a/1: no 5, Chaconne by Bach by Johannes Brahms
Performer:  Barry Douglas (Piano)
Period: Romantic 
Written: Austria 

Customer Reviews

Average Customer Review:  1 Customer Review )
 The right amount of curtain in the frame January 29, 2018 By Dean Frey See All My Reviews "Brahms lived at the keyboard; from his early virtuoso days until just before he died his music for solo piano was always front and centre, and six CDs of this music will provide a three dimensional picture of what makes Brahms tick. I caught only a couple of Barry Douglas's six individual releases from Chandos over the past five years, so my immersion in this music during the last week has given me a pretty fresh idea of Douglas's point of view as he guides us through more than seven hours of music. I really like his idea of mixing things up and presenting six separate stand-alone mixed recitals made up of different periods, contrasting formats and pieces in keys that make musical sense. Each disc is a delight, though I must admit I powered through more than a few discs at a time when I got some serious Brahms momentum going. I've been reading Annie Leibovitz at Work, where the great photographer says "I love [Richard] Avedon's stripped-down portraits, but I'm very uncomfortable coming in close like that. Avedon trusted the face to take the picture. He didn't claim that his portraits were 'true', but they looked like reality." Barry Douglas abjures any close-in focus on the emotional core of any piece; he tends to have a more nuanced, a 'truer', in Leibovitz's sense, point of view. Leibovitz continues: "I usually pull back from the subjects of a portrait and include things around them in the picture. That's one of the reasons I love Diane Arbus. I used to study her pictures and try to figure out how she got just the right amount of curtain in a frame. Just a little piece of it, but just the right amount for the room she was working in." Douglas includes just the right amount of curtain in this lovely version of Brahms' Intermezzo, op. 118 no. 2, my favourite piano piece by Brahms. This isn't a cool approach, exactly (though maybe it's cool in Marshall McLuhan's sense), but it does eschew some of the effects I've heard from other pianists. To me it seems measured and classical, but in the end I'm just as moved by this performance as I am by those of Arthur Rubinstein or Glenn Gould. Composers more than writers or, especially, visual artists, tend to expose their emotional lives in their art, and so we often seem to know a composer more fully, even without letters or diaries or the testimony of contemporaries. As Friedrich Nietzsche said, "In music the passions enjoy themselves." The case of Johannes Brahms is instructive; we can hear in his early music a vigorous young man, well aware of his gifts but still holding back some of his strongest feelings and impulses. His own works are then charged with some romantic tumult as he encounters the music of Chopin and Liszt and Robert and Clara Schumann, while at the same time his more serene nature deepens as he studies Mozart, Bach and Handel. Finally, in the works of his final years, we hear call-backs to a lifetime of music, tinged with the dark colours of regret for lost love and missed opportunities, and nostalgia for former happy times. Ultimately his classical nature reasserts itself in more austere constructions which are never quite placid. All of these ebbs and flows are chronicled in this masterful survey by a pianist at the height of his powers. Every once in a while I come across a musical project that I realize will become something important in my life; recent ones include Haydn 2032 from Giovanni Antonini, and the Peterhouse Partbooks by Blue Heron. Barry Douglas's Brahms will, I'm sure, be another." Report Abuse
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