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Baroque Gold: 100 Great Tracks


Release Date: 06/30/2017 
Label:  Decca   Catalog #: 4832158  
Composer:  Jean-Baptiste LullyJohann Sebastian BachAntonio VivaldiJohann Pachelbel,   ... 
Performer:  Christopher HironsNigel NorthChristophe RoussetOttavio Dantone,   ... 
Conductor:  Reinhard GoebelPhilip PickettChristopher HogwoodJohn Eliot Gardiner,   ... 
Orchestra/Ensemble:  Musica Antiqua CologneNew London ConsortAcademy of Ancient Music,   ... 
Number of Discs: 6 
In Stock: Usually ships in 24 hours.  

Works on This Recording

1.
Te Deum, LWV 55 by Jean-Baptiste Lully
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1677; France 
2.
Te Deum, LWV 55 by Jean-Baptiste Lully
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1677; France 
3.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
4.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
5.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:  Christopher Hirons (Violin), Nigel North (Guitar)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1725; Venice, Italy 
6.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:  Christopher Hirons (Violin), Nigel North (Guitar)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1725; Venice, Italy 
7.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Germany 
8.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Germany 
9.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
10.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
11.
Italian Concerto, BWV 971: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
12.
Italian Concerto, BWV 971: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
13.
Concerto for Harpsichord in D minor, BWV 1052: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
14.
Concerto for Harpsichord in D minor, BWV 1052: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
15.
Concerti grossi (12), Op. 6: no 8 in G minor "Christmas" by Arcangelo Corelli
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1708-1712; Rome, Italy 
16.
Concerti grossi (12), Op. 6: no 8 in G minor "Christmas" by Arcangelo Corelli
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1708-1712; Rome, Italy 
17.
Concertos (6) for Organ, Op. 4: no 6 in B flat major HWV 294 - 1st movement, Andante allegro by George Frideric Handel
Performer:  Ottavio Dantone (Organ)
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1736; London, England 
18.
Concertos (6) for Organ, Op. 4: no 6 in B flat major HWV 294 - 1st movement, Andante allegro by George Frideric Handel
Performer:  Ottavio Dantone (Organ)
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1736; London, England 
19.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C major, BWV 846 by Johann Sebastian Bach
Performer:  Kenneth Gilbert (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
20.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C major, BWV 846 by Johann Sebastian Bach
Performer:  Kenneth Gilbert (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
21.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
22.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
23.
L'Orfeo: Prologue. Toccata by Claudio Monteverdi
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
Written: 1607; Italy 
24.
L'Orfeo: Prologue. Toccata by Claudio Monteverdi
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
Written: 1607; Italy 
25.
Fairy Queen, Z 629: Sinfonia to Act 4 by Henry Purcell
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
Written: 1692; England 
26.
Fairy Queen, Z 629: Sinfonia to Act 4 by Henry Purcell
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
Written: 1692; England 
27.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:  John Holloway (Violin), Nigel North (Archlute)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
28.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:  John Holloway (Violin), Nigel North (Archlute)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
29.
Rinaldo, HWV 7: Lascia ch'io pianga by George Frideric Handel
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1711; London, England 
30.
Rinaldo, HWV 7: Lascia ch'io pianga by George Frideric Handel
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1711; London, England 
31.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
32.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
33.
Dorilla in Tempe, RV 709: Dell'aura al sussurrar by Antonio Vivaldi
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Arnold Schoenberg Choir,  Il Giardino Armonico
34.
Dorilla in Tempe, RV 709: Dell'aura al sussurrar by Antonio Vivaldi
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Arnold Schoenberg Choir,  Il Giardino Armonico
35.
Clavierbüchlein no 2 for Anna Magdalena Bach: Minuet in G major, BWV Anh. 114 [attrib. Christian Petzold] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
36.
Clavierbüchlein no 2 for Anna Magdalena Bach: Minuet in G major, BWV Anh. 114 [attrib. Christian Petzold] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
37.
Clavierbüchlein no 2 for Anna Magdalena Bach: Minuet in G minor, BWV Anh. 115 [now known to be by Christian Pezold] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1725 
38.
Clavierbüchlein no 2 for Anna Magdalena Bach: Minuet in G minor, BWV Anh. 115 [now known to be by Christian Pezold] by Johann Sebastian Bach
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 1725 
39.
Adagio for Organ and Strings in G minor by Tomaso Albinoni
Conductor:  Maria Teresa Garatti
Orchestra/Ensemble:  I Musici
Period: Baroque 
Written: Venice, Italy 
40.
Adagio for Organ and Strings in G minor by Tomaso Albinoni
Conductor:  Maria Teresa Garatti
Orchestra/Ensemble:  I Musici
Period: Baroque 
Written: Venice, Italy 
41.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Simon Preston (Organ)
Period: Baroque 
Written: by 1708; Germany 
42.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Simon Preston (Organ)
Period: Baroque 
Written: by 1708; Germany 
43.
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1738; London, England 
44.
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1738; London, England 
45.
Ich habe genug, BWV 82: Ich habe genug by Johann Sebastian Bach
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Rainer Kussmaul
Orchestra/Ensemble:  Berlin Baroque Soloists
Period: Baroque 
Written: 1727; Cöthen, Germany 
46.
Ich habe genug, BWV 82: Ich habe genug by Johann Sebastian Bach
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Rainer Kussmaul
Orchestra/Ensemble:  Berlin Baroque Soloists
Period: Baroque 
Written: 1727; Cöthen, Germany 
47.
Suite in D major: Prince of Denmark's March "Trumpet Voluntary" by Jeremiah Clarke
Performer:  Peter Hurford (Organ)
Orchestra/Ensemble:  Michael Laird Brass Ensemble
Period: Baroque 
Written: England 
48.
Suite in D major: Prince of Denmark's March "Trumpet Voluntary" by Jeremiah Clarke
Performer:  Peter Hurford (Organ)
Orchestra/Ensemble:  Michael Laird Brass Ensemble
Period: Baroque 
Written: England 
49.
Sonnerie de Sainte-Geneviève du Mont-de-Paris by Marin Marais
Performer:  Christophe Coin (Bass Viol), Monica Huggett (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: France 
50.
Sonnerie de Sainte-Geneviève du Mont-de-Paris by Marin Marais
Performer:  Christophe Coin (Bass Viol), Monica Huggett (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: France 
51.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
52.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
53.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:  Alison Bury (Violin), Nigel North (Guitar)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
54.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:  Alison Bury (Violin), Nigel North (Guitar)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
55.
Gloria in D major, RV 589: Gloria in excelsis Deo by Antonio Vivaldi
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: Venice, Italy 
56.
Gloria in D major, RV 589: Gloria in excelsis Deo by Antonio Vivaldi
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: Venice, Italy 
57.
Concerto for Harpsichord in F minor, BWV 1056: 2nd movement, Largo-Arioso by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
58.
Concerto for Harpsichord in F minor, BWV 1056: 2nd movement, Largo-Arioso by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
59.
Samson, HWV 57: Let the bright Seraphim by George Frideric Handel
Performer:  Renée Fleming (Soprano)
Conductor:  Harry Bicket
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Baroque 
Written: by 1743; London, England 
60.
Samson, HWV 57: Let the bright Seraphim by George Frideric Handel
Performer:  Renée Fleming (Soprano)
Conductor:  Harry Bicket
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Baroque 
Written: by 1743; London, England 
61.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera": 1st movement, Allegro by Antonio Vivaldi
Performer:  Lucie Horsch (Recorder)
Period: Baroque 
Written: circa 1725; Venice, Italy 
62.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera": 1st movement, Allegro by Antonio Vivaldi
Performer:  Lucie Horsch (Recorder)
Period: Baroque 
Written: circa 1725; Venice, Italy 
63.
Stabat Mater: Stabat Mater dolorosa by Giovanni Battista Pergolesi
Performer:  Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
64.
Stabat Mater: Stabat Mater dolorosa by Giovanni Battista Pergolesi
Performer:  Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
65.
Venus and Adonis: Overture by John Blow
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: ?1681; England 
66.
Venus and Adonis: Overture by John Blow
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: ?1681; England 
67.
Christmas Oratorio, BWV 248: no 10, Sinfonia in G major by Johann Sebastian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
68.
Christmas Oratorio, BWV 248: no 10, Sinfonia in G major by Johann Sebastian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
69.
Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach
Performer:  Richard Earle (Baroque Oboe), Anthony Robson (Baroque Oboe)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
70.
Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach
Performer:  Richard Earle (Baroque Oboe), Anthony Robson (Baroque Oboe)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
71.
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: by 1749; London, England 
72.
Solomon, HWV 67: Arrival of the Queen of Sheba by George Frideric Handel
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: by 1749; London, England 
73.
Judas Maccabaeus, HWV 63: See the conqu'ring hero comes by George Frideric Handel
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra,  Wandsworth School Boys' Choir
Period: Baroque 
Written: 1747; London, England 
74.
Judas Maccabaeus, HWV 63: See the conqu'ring hero comes by George Frideric Handel
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  English Chamber Orchestra,  Wandsworth School Boys' Choir
Period: Baroque 
Written: 1747; London, England 
75.
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
76.
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
77.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:  Catherine Mackintosh (Violin), Nigel North (Archlute)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
78.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:  Catherine Mackintosh (Violin), Nigel North (Archlute)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
79.
Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Nicola Benedetti (Violin), Christian Curnyn (Harpsichord), Catherine Rimer (Cello),
Thomas Dunford (Theorbo)
Period: Baroque 
Written: Italy 
80.
Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Nicola Benedetti (Violin), Christian Curnyn (Harpsichord), Catherine Rimer (Cello),
Thomas Dunford (Theorbo)
Period: Baroque 
Written: Italy 
81.
Orfeo ed Euridice: Che farò senza Euridice? by Christoph W. Gluck
Performer:  Daniel Behle (Tenor)
Conductor:  George Petrou
Orchestra/Ensemble:  Armonia Atenea
Period: Classical 
Written: 1762/1774; Vienna, Austria 
82.
Orfeo ed Euridice: Che farò senza Euridice? by Christoph W. Gluck
Performer:  Daniel Behle (Tenor)
Conductor:  George Petrou
Orchestra/Ensemble:  Armonia Atenea
Period: Classical 
Written: 1762/1774; Vienna, Austria 
83.
Concertos (6) in Seven Parts, Op. 2: no 3 in G major: Adagio - Allegro by John Stanley
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: England 
84.
Concertos (6) in Seven Parts, Op. 2: no 3 in G major: Adagio - Allegro by John Stanley
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: England 
85.
Sonata for Harpsichord in F major, K 469/L 431 by Domenico Scarlatti
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 18th Century 
86.
Sonata for Harpsichord in F major, K 469/L 431 by Domenico Scarlatti
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 18th Century 
87.
Messiah, HWV 56: And the glory of the Lord shall be revealed by George Frideric Handel
Conductor:  Simon Preston,  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1742; London, England 
88.
Messiah, HWV 56: And the glory of the Lord shall be revealed by George Frideric Handel
Conductor:  Simon Preston,  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1742; London, England 
89.
Messiah, HWV 56: Hallelujah! by George Frideric Handel
Conductor:  Simon Preston,  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1742; London, England 
90.
Messiah, HWV 56: Hallelujah! by George Frideric Handel
Conductor:  Simon Preston,  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1742; London, England 
91.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 12 in D minor "La Follia" by Francesco Geminiani
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: by 1729; London, England 
92.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 12 in D minor "La Follia" by Francesco Geminiani
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: by 1729; London, England 
93.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1727; London, England 
94.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: 1727; London, England 
95.
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
96.
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
97.
Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte" by Antonio Vivaldi
Performer:  Lucie Horsch (Recorder)
Orchestra/Ensemble:  Amsterdam Vivaldi Players
Period: Baroque 
Written: circa 1728; Venice, Italy 
98.
Concertos à cinque (12), Op. 9: no 1 for Violin, Strings & Continuo - Allegro by Tomaso Albinoni
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
99.
Aria with 30 Variations "Goldberg Variations" BWV 988: Aria by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 1741; Germany 
100.
Dido and Aeneas: When I am laid in earth (Dido's lament) by Henry Purcell
Conductor:  Tobias Ringborg
Orchestra/Ensemble:  Aarhus Symphony Orchestra
Period: Baroque 
Written: 1689; United Kingdom 
101.
Symphonies (8), Op. 2: no 1 in B flat major - Allegro by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
102.
Concerto for 3 Trumpets and Timpani in D Major, TV 54/D 4: IV. Presto by Georg Philipp Telemann
Performer:  Ian Wilson (Trumpet), Friedemann Immer (Natural Trumpet), Michael Laird (Trumpet)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Germany 
103.
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1749; London, England 
104.
Concerto for Violin no 2 in E major, BWV 1042: 1st movement, Allegro by Johann Sebastian Bach
Performer:  Rick Stotijn (Double Bass), Pauline Sachse (Viola), Monika Urbonaite (Violin),
Julia Maria Kretz (Violin), Cindy Albracht (Violin), Janine Jansen (Violin),
Boris Brovtsyn (Violin), Fredrik Paulsson (Violin), Tijmen Huisingh (Violin),
Nimrod Guez (Viola), Maarten Jansen (Cello), Jan Jansen (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
105.
Orfeo ed Euridice: Dance of the Blessed Spirits by Christoph W. Gluck
Conductor:  Laurence Equilbey
Orchestra/Ensemble:  Insula Orchestra
Period: Classical 
Written: 1762/1774; Vienna, Austria 
106.
Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude by Johann Sebastian Bach
Performer:  Lynn Harrell (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
107.
Les Indes galantes: Overture by Jean-Philippe Rameau
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1735/1761; France 
108.
Concerto for Harpsichord no 6 in E flat major: I. Allegro moderato by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
109.
Sonata for Harpsichord in E major, K 531/L 430 by Domenico Scarlatti
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 18th Century 
110.
Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1708-1710; ?Weimar, Germany 
111.
Chamber Concerto for Lute and 2 Violins in D major, RV 93 by Antonio Vivaldi
Performer:  Tom Finucane (Lute)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: Venice, Italy 
112.
Semele, HWV 58: Where'er you walk by George Frideric Handel
Performer:  Andreas Scholl (Countertenor)
Conductor:  Roger Norrington
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Baroque 
Written: 1744; London, England 
113.
Partita for Violin solo no 2 in D minor, BWV 1004: 5th movement, Chaconne by Johann Sebastian Bach
Performer:  Viktoria Mullova (Violin)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 

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