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Handel: Arias & Suites From Alcina Hwv 34 / Schafer, Kussmaul, Et Al


Release Date: 05/12/2009 
Label:  Cavi Music   Catalog #: 8553143   Spars Code: n/a 
Composer:  George Frideric Handel
Performer:  Christine Schäfer
Conductor:  Rainer Kussmaul
Orchestra/Ensemble:  Berlin Baroque Soloists
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

Half-submerged in sea-water, hair drifting in the tidal wash, a menagerie of miniature lions, deer and reptiles clustered like charms around her neck, the sorceress gazes out from the picture. This is not just any Handel recital. This is Christine Schäfer’s Handel recital, with cover-art designed by its enigmatic star.

Fans of the German soprano will know to expect the unexpected. Yet this concept album of arias and dances from Alcina is a true oddity: half concerto for voice and orchestra, half Mad Song.

Some dizziness is to be expected when a tale of enchantments and transformations is itself transformed. Instead of performing Alcina’s arias in the order they appear in the opera, Schäfer and
Read more violinist Bernhard Forck of the Berliner Barock Solisten have devised a programme that darts between Acts I, II and III, using the orchestral sinfonias, menuets and gavottes to ease the ear from key to key, before closing with Morgana’s plaintive siciliano with obbligato cello, ‘Credete al mio dolore’.

The harmonic progression makes sense, but the narrative is compromised. Where Handel describes a powerful woman profoundly affected by specific events, Schäfer presents a glamour puss in the grip of a mood disorder.

Performed at A = 441 (a discomforting nudge higher than standard modern concert pitch), Alcina’s otherworldliness is intensified, particularly in the ‘Entrée des songes funestes’. Despite the extreme altitude, Schäfer’s ashes of roses voice beguiles.

-- Anna Picard, BBC Music Magazine
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Works on This Recording

1.
Alcina, HWV 34 by George Frideric Handel
Performer:  Christine Schäfer (Soprano)
Conductor:  Rainer Kussmaul
Orchestra/Ensemble:  Berlin Baroque Soloists
Period: Baroque 
Written: 1735; London, England 

Sound Samples

Alcina, HWV 34: Ouverture
Alcina, HWV 34, Atto I, Scena No. 2: Di', cor mio (Aria of Alcina)
Alcina, HWV 34: Musette
Alcina, HWV 34: Menuet
Alcina, HWV 34, Atto III, Scena No. 2: Ma quando tornerai
Alcina, HWV 34, Atto III: Sinfonia
Alcina, HWV 34, Atto II, Scena No. 8: Numi, che intendo - Ah! mio cor!
Alcina, HWV 34: Gavotte - Sarabande - Gavotte da capo
Alcina, HWV 34: Menuet II
Alcina, HWV 34: Gavotte II
Alcina, HWV 34: Tamburin
Alcina, HWV 34, Atto II, Scena No. 13: Ah! Ruggiero crudel
Alcina, HWV 34, Atto II, Scena No. 13: Ombra Pallide
Alcina, HWV 34: Entrée des songes agréables
Alcina, HWV 34, Atto I, Scena No. 10: Si Non quella
Alcina, HWV 34: Entrée des songes funestes
Alcina, HWV 34: Entrée des songes agréables effrayes et le combat des songes
Alcina, HWV 34, Atto III, Scena No. 5: Mi restano le lagrime
Alcina, HWV 34: Entrée
Alcina, HWV 34, Atto II, Scena No. 1: Credete al mio dolore

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