An absolute must for anyone interested in opera or who loves this seminal English work.
This superb disc from Nimbus’s Prima Voce label features a 1952 recording of Purcell’s great opera
Dido and Aeneas with a star cast. The recording was made only a year before Flagstad retired from the stage.
The immediate opening is magical – the strings extremely resonant, rich and deeply emotional – Geraint Jones allows the music to breathe, creating an almost sobbing sound from the lamenting instruments. It is also very slow indeed compared to many modern performances – and it works very well taken at this pace. The faster section of the overture is very punctuated, staccato and rather mechanical, aRead more style which crops up from time to time on this recording. When the presumably fairly small chorus enter, it is an incredibly intimate moment – you really feel that they are there in the room with you. On the other hand, Flagstad’s voice is almost too big for such an intimacy, and she comes over as just slightly prosaic at times, particularly since Jones picks up the pace when the soloists join in. Schwarzkopf’s words aren’t always clear, her enunciation leaving something to be desired on occasion, but she has a pleasantly light touch, for example in “Fear no danger”. Hemsley is excellent – his voice warm and lyrical, and he is suitably commanding as Aeneas. The witches are also very good – appropriately sinister and menacing, and Arda Mandikian has a huge voice and is superb as the evil Sorceress.
There are exquisite bits in this version: the echo “In our deep vaulted cells” is very distant, and works well as such, as the
Sailors Dance is most beautifully performed. It is, however, uneven, and at times can come across as slightly heavy-handed – the playing is often very staccato, and occasionally one wishes for more phrasing and breathing in the strings. The work is made to seem more Handelian than normal, probably on account of the unusually sumptuous strings.
The ending is similarly mixed – Flagstad’s “Away, away! No, no, away!” is just brilliant – gloriously characterful, and really brings the imperious and stubborn queen to life. The following chorus “Great minds against themselves conspire” contains some utterly gorgeous singing from the chorus – radiant, delicate and shimmering. The opening of
Dido’s Lament left me slightly cold, as Flagstad comes across as resigned, rather than sorrowful and her words are not very clear. Even so, as she builds up to the great “Remember me” moment, she packs a real emotional punch – and together with the sobbing strings, is incredibly moving.
The disc concludes, as a bonus, with Brünnhilde’s
Immolation Scene from Act III, Scene III of
Götterdämmerung from 1948. Flagstad is here in a more typical role, and appears more at home – glorious singing and playing.
Although this recording of
Dido and Aeneas is not flawless, it is nonetheless an amazing rendition – fascinating to hear such singers as Flagstad and Schwarzkopf in these roles, and there are some staggeringly good, and touching, moments. Those familiar with Nimbus and their technology won’t be surprised at the superlative sound quality – so, overall, an absolute must for anyone interested in opera or who loves this seminal English work.
Dido and Aeneas, Z 626by Henry Purcell Performer:
Thomas Hemsley (Bass),
Kirsten Flagstad (Soprano),
Elisabeth Schwarzkopf (Soprano)
Period: Baroque Written: 1689; England
Götterdämmerung: Immolationby Richard Wagner Performer:
Kirsten Flagstad (Soprano),
Elisabeth Schwarzkopf (Soprano),
Thomas Hemsley (Bass)
Period: Romantic Written: 1874; Germany
Average Customer Review: ( 2 Customer Reviews )
Flagstad and purcellMarch 25, 2014By S. Page (Ann Arbor, MI)See All My Reviews"It's a lovely recording, and it has the added benefit of Elizabeth Schwarzkopf as Belinda. When I was 13 my parents took me to a Flagstad recital in Milwaukee. Looking back, I am still amazed to have heard her."Report Abuse
A little disappointingMarch 20, 2014By Haidee H. (West Vancouver, BC)See All My Reviews"I loved Thomas Hensley's performance as Aeneas. I made a mistake ordering this CD with Flagstad and Schwarzkopf because their accents did not enhance the words. Also the pace was a little slower than I was used to when I listened to it a long time ago at school. Sorry!"Report Abuse
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