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Duruflé: Requiem, Motets / Ives, Chaundy, Harvey, Ford


Release Date: 11/11/2008 
Label:  Harmonia Mundi   Catalog #: 807480   Spars Code: n/a 
Composer:  Maurice Duruflé
Performer:  Richard PinelPeter HarveyMagid El-BushraMark Chaundy,   ... 
Conductor:  Bill Grayston Ives
Orchestra/Ensemble:  English SinfoniaMagdalen College Choir Oxford
Number of Discs: 1 
Recorded in: Multi 
Length: 1 Hours 15 Mins. 

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Notes and Editorial Reviews

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

Maurice Duruflé's Requiem is the Pelléas et Mélisande of its genre. Like Debussy's opera, this music exists in a kind of otherworld, removed from standard form and transcending the usual bonds of melodic structure and harmonic movement. The irregular phrasing and modal, largely scalewise melodies characteristic of the plainchant on which the work is based, are ideal vehicles for creating a kind of rhythmic and harmonic ambiguity that certainly owes something to Debussy but would never be confused with his music. This recording, which uses Duruflé's 1961 version for choir, small orchestra, and organ, is
Read more authoritatively and affectingly sung, with some super solo work in the Pie Jesu from countertenor Magid El-Bushra, exquisite tenor sound and singing throughout, and sublime trebles, especially at the opening of the In Paradisum. And the appropriate atmosphere--contemplation, exaltation, prayer, and reassurance--is enhanced by the perfect balance of all the performing forces (not an easy task!) in a spacious, vibrant acoustic. It all adds up to one of the best Duruflé Requiems on disc.

The four motets are slightly less successful, especially the Ubi caritas, presented a bit too squarely, taking the "plain" in plainchant too literally, missing expressive opportunity in the phrasing. But again, these are sung with lovely choral tone and balance and well-executed ensemble--not shabby at all, just not quite as compelling as performances by the Corydon Singers (Hyperion) or Trinity College, Cambridge (Conifer). Similarly, the Messe "Cum jubilo", sung here by 13 baritone voices, features first-rate ensemble singing, much of it quite impressive in its power, and, but for a few strained upper-register notes in the Gloria-movement solo, it too is a top choice for this work. The four works for solo organ, in exemplary performances by Martin Ford (Prélude sur l'Introit de l'Épiphanie; Fugue on a theme by Henri Rabaud; Chant donné en hommage à Jean Gallon; Méditation pour orgue), complement the choral selections nicely and further distinguish this program from several other recommendable recordings with otherwise identical repertoire. Highly recommended!

--David Vernier, ClassicsToday.com

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Works on This Recording

1.
Requiem, Op. 9 by Maurice Duruflé
Performer:  Richard Pinel (Organ), Peter Harvey (Bass), Magid El-Bushra (Alto),
Mark Chaundy (Tenor), Martin Ford (Organ)
Conductor:  Bill Grayston Ives
Orchestra/Ensemble:  English Sinfonia,  Magdalen College Choir Oxford
Period: 20th Century 
Written: 1947; Paris, France 
Length: 33 Minutes 19 Secs. 
2.
Motets (4) on Gregorian themes, Op. 10 by Maurice Duruflé
Performer:  Richard Pinel (Organ), Peter Harvey (Bass), Magid El-Bushra (Alto),
Mark Chaundy (Tenor)
Conductor:  Bill Grayston Ives
Orchestra/Ensemble:  English Sinfonia,  Magdalen College Choir Oxford
Period: 20th Century 
Written: 1960; France 
Length: 7 Minutes 44 Secs. 
3.
Mass "Cum jubilo", Op. 11 by Maurice Duruflé
Performer:  Richard Pinel (Organ), Peter Harvey (Bass), Magid El-Bushra (Alto),
Mark Chaundy (Tenor)
Conductor:  Bill Grayston Ives
Orchestra/Ensemble:  English Sinfonia,  Magdalen College Choir Oxford
Period: 20th Century 
Written: 1966; France 
Length: 18 Minutes 12 Secs. 
4.
Prelude on the Introit of the Epiphany, Op. 13 by Maurice Duruflé
Performer:  Martin Ford (Organ), Martin Ford (Organ)
Period: 20th Century 
Written: 1961; France 
Length: 2 Minutes 5 Secs. 
5.
Méditation for Organ by Maurice Duruflé
Performer:  Martin Ford (Organ), Martin Ford (Organ)
Period: 20th Century 
Written: 1964; France 
Length: 4 Minutes 2 Secs. 
6.
Hommage à Jean Gallon by Maurice Duruflé
Performer:  Martin Ford (Organ), Martin Ford (Organ)
Period: 20th Century 
Written: France 
Length: 1 Minutes 51 Secs. 
7.
Fugue in C minor "on a theme by Rabaud" by Maurice Duruflé
Performer:  Martin Ford (Organ)
Period: 20th Century 
Written: 1928; France 
Length: 4 Minutes 51 Secs. 

Sound Samples

Requiem, Op. 9: Introït
Requiem, Op. 9: Kyrie
Requiem, Op. 9: Domine Jesu Christe
Requiem, Op. 9: Sanctus
Requiem, Op. 9: Pie Jesu
Requiem, Op. 9: Agnus Dei
Requiem, Op. 9: Lux aeterna
Requiem, Op. 9: Libera me
Requiem, Op. 9: In Paradisum
Prélude sur l'Introït de l'Épiphanie
Fugue on a theme by Henri Rabaud
Quatre Motets sur des thèmes grégoriens, Op. 10: Ubi caritas
Quatre Motets sur des thèmes grégoriens, Op. 10: Tota pulchra es
Quatre Motets sur des thèmes grégoriens, Op. 10: Tu es Petrus
Quatre Motets sur des thèmes grégoriens, Op. 10: Tantum ergo
Chant donné en hommage à Jean Gallon
Méditation pour orgue
Messe "Cum Jubilo", Op. 11: Kyrie
Messe "Cum Jubilo", Op. 11: Gloria
Messe "Cum Jubilo", Op. 11: Sanctus
Messe "Cum Jubilo", Op. 11: Benedictus
Messe "Cum Jubilo", Op. 11: Agnus Dei

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