Notes and Editorial Reviews
Mackerras unseated? This magical version from Australia comes close
Chandos certainly has guts, going toe-to-toe with Mackerras’s Gramophone Award-winning set. Hickox’s Australian forces need not fear the comparison. Cheryl Barker may not have the refulgent tones of Renée Fleming on Decca (who has?) but she is even more moving in conveying Rusalka’s desperation. Mackerras is still my must-own, but this runs it close.
-- Gramophone [3/2008]
Mackerras unseated? This magical version from Australia comes close
Chandos certainly has guts, going toe-to-toe with Mackerras’s Gramophone Award-winning set. Hickox’s Australian forces need not fear the comparison. Cheryl Barker may not have the refulgent tones of Renée Fleming on Decca (who has?) but she is even more moving in conveying Rusalka’s desperation. Mackerras is still my must-own, but this runs it close.
-- Gramophone [3/2008]
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Works on This Recording
1.
Rusalka, Op. 114/B 203 by Antonín Dvorák
Performer:
Bruce Martin (Bass),
Anne-Marie Owens (Mezzo Soprano),
Rosario La Spina (Tenor),
Cheryl Barker (Soprano),
Elizabeth Whitehouse (Soprano)
Conductor:
Richard Hickox
Orchestra/Ensemble:
Australian Opera and Ballet Orchestra,
Australian Opera Chorus
Period: Romantic
Written: 1900; Bohemia
Date of Recording: 03/2007
Venue: Live Sydney Opera House, Australia
Language: Czech
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