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Mozart: Symphonies No 35, 36, 38, 39, 40, 41 / Marriner


Release Date: 10/02/2007 
Label:  Emi Classics   Catalog #: 836   Spars Code: n/a 
Composer:  Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Number of Discs: 3 
Recorded in: Stereo 
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Works on This Recording

1.
Symphony no 35 in D major, K 385 "Haffner" by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1782; Vienna, Austria 
Length: 25 Minutes 43 Secs. 
2.
Symphony no 36 in C major, K 425 "Linz" by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1783; Linz, Austria 
Length: 31 Minutes 19 Secs. 
3.
Symphony no 38 in D major, K 504 "Prague" by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1786; Vienna, Austria 
Length: 12 Minutes 51 Secs. 
4.
Symphony no 39 in E flat major, K 543 by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1788; Vienna, Austria 
Length: 10 Minutes 45 Secs. 
5.
Symphony no 40 in G minor, K 550 by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1788; Vienna, Austria 
Length: 7 Minutes 25 Secs. 
6.
Symphony no 41 in C major, K 551 "Jupiter" by Wolfgang Amadeus Mozart
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1788; Vienna, Austria 
Length: 32 Minutes 36 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Great Recording September 14, 2014 By Joshua D. (Elk Grove, CA) See All My Reviews "I'm not sure if this is the best recording of Mozart's late symphonies, but it sure sounded like one of his best. It is a more modern approach to his works, but those are the kind of methods that I prefer. The audio is great, almost as good as the players. The entire orchestra never deviates or stray away from their intended metronomic course, and Sir Neville Mariner is there to make sure everyone is in tip top shape. All in all, this may not be the best recording for die hard fans of traditional playings of Mozart's works, but if you're new to Mozart's music, this is a wonderful place to start." Report Abuse
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