Notes and Editorial Reviews
This 6-CD set brings together 100 of Callas’s greatest arias, duets and ensembles across her extensive EMI catalogue. The CDs are themed according to the material on them as follows: CD1: Bellini; CD2: Donizetti & Rossini; CD3: Verdi; CD4: Puccini; CD5 French Operatic Heroines; and CD6: Dramatic Heroines. All Callas’s great stage roles are represented, including Norma, Tosca, Violetta (La traviata), Lucia di Lammermoor, Anna Bolena, Medea, and Aida, as well as characters she sang only in the studio, like Carmen, Mimì and Santuzza.
This 6-CD set brings together 100 of Callas’s greatest arias, duets and ensembles across her extensive EMI catalogue. The CDs are themed according to the material on them as follows: CD1: Bellini; CD2: Donizetti & Rossini; CD3: Verdi; CD4: Puccini; CD5 French Operatic Heroines; and CD6: Dramatic Heroines. All Callas’s great stage roles are represented, including Norma, Tosca, Violetta (La traviata), Lucia di Lammermoor, Anna Bolena, Medea, and Aida, as well as characters she sang only in the studio, like Carmen, Mimì and Santuzza. Read less
Works on This Recording
1.
La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
2.
La sonnambula: D'un pensiero by Vincenzo Bellini
Performer:
Nicola Monti (Tenor),
Fiorenza Cossotto (Mezzo Soprano),
Giuseppe Morresi (Bass),
Nicola Monti (Tenor),
Giuseppe Morresi (Bass),
Fiorenza Cossotto (Mezzo Soprano),
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
3.
La sonnambula: D'un pensiero by Vincenzo Bellini
Performer:
Nicola Monti (Tenor),
Fiorenza Cossotto (Mezzo Soprano),
Giuseppe Morresi (Bass),
Nicola Monti (Tenor),
Giuseppe Morresi (Bass),
Fiorenza Cossotto (Mezzo Soprano),
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
4.
La sonnambula: Ah, non credea mirarti by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Monti (Tenor),
Nicola Monti (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
5.
La sonnambula: Ah, non credea mirarti by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Monti (Tenor),
Nicola Monti (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
6.
La sonnambula: Ah, non giunge uman pensiero by Vincenzo Bellini
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
7.
La sonnambula: Ah, non giunge uman pensiero by Vincenzo Bellini
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
8.
I puritani: Son vergin vezzosa "Polacca" by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Aurora Cattelani (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Aurora Cattelani (Soprano),
Carlo Forti (Bass),
Giuseppe Di Stefano (Tenor),
Carlo Forti (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
9.
I puritani: Son vergin vezzosa "Polacca" by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Aurora Cattelani (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Aurora Cattelani (Soprano),
Carlo Forti (Bass),
Giuseppe Di Stefano (Tenor),
Carlo Forti (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
10.
I puritani: Oh vieni al tempio by Vincenzo Bellini
Performer:
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano),
Angelo Mercuriali (Tenor),
Angelo Mercuriali (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
11.
I puritani: Oh vieni al tempio by Vincenzo Bellini
Performer:
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano),
Angelo Mercuriali (Tenor),
Angelo Mercuriali (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
12.
I puritani: Qui la voce sua soave by Vincenzo Bellini
Performer:
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
13.
I puritani: Qui la voce sua soave by Vincenzo Bellini
Performer:
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
14.
I puritani: Vien, diletto, è in ciel la luna by Vincenzo Bellini
Performer:
Giuseppe Di Stefano (Tenor),
Angelo Mercuriali (Tenor),
Nicola Rossi-Lemeni (Bass),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Rolando Panerai (Baritone)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
15.
I puritani: Vien, diletto, è in ciel la luna by Vincenzo Bellini
Performer:
Giuseppe Di Stefano (Tenor),
Angelo Mercuriali (Tenor),
Nicola Rossi-Lemeni (Bass),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Rolando Panerai (Baritone)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1835; Italy
16.
I puritani: Ch'ei provó lontan da me by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
17.
I puritani: Ch'ei provó lontan da me by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
18.
I puritani: Vieni fra queste braccia by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
19.
I puritani: Vieni fra queste braccia by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1835; Italy
20.
Norma: Casta diva by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
21.
Norma: Casta diva by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
22.
Norma: Mira, o Norma by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Christa Ludwig (Mezzo Soprano),
Christa Ludwig (Mezzo Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
23.
Norma: Mira, o Norma by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Christa Ludwig (Mezzo Soprano),
Christa Ludwig (Mezzo Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1831; Italy
24.
Norma: Deh non volerli vittime by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Franco Corelli (Tenor),
Franco Corelli (Tenor),
Nicola Zaccaria (Bass),
Nicola Zaccaria (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
25.
Norma: Deh non volerli vittime by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Franco Corelli (Tenor),
Franco Corelli (Tenor),
Nicola Zaccaria (Bass),
Nicola Zaccaria (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1831; Italy
26.
Il pirata: Col sorriso d'innocenza by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1827; Italy
27.
Il pirata: Col sorriso d'innocenza by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1827; Italy
28.
Il pirata: Oh! sole! ti vela by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1827; Italy
29.
Il pirata: Oh! sole! ti vela by Vincenzo Bellini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1827; Italy
30.
Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Valiano Natali (Tenor),
Valiano Natali (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
31.
Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Valiano Natali (Tenor),
Valiano Natali (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
32.
Lucia di Lammermoor: Chi mi frena in tal momento? (Sextet) by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Valiano Natali (Tenor),
Valiano Natali (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
33.
Lucia di Lammermoor: Chi mi frena in tal momento? (Sextet) by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Valiano Natali (Tenor),
Valiano Natali (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
34.
Lucia di Lammermoor: Spargi d'amaro pianto "Mad Scene" by Gaetano Donizetti
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Valiano Natali (Tenor),
Valiano Natali (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
35.
Lucia di Lammermoor: Spargi d'amaro pianto "Mad Scene" by Gaetano Donizetti
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Valiano Natali (Tenor),
Valiano Natali (Tenor),
Anna Maria Canali (Mezzo Soprano),
Anna Maria Canali (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Florence Maggio Musicale Orchestra,
Florence Maggio Musicale Chorus
Period: Romantic
Written: 1835; Italy
36.
Il turco in Italia: Non si dà follia maggiore by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
37.
Il turco in Italia: Non si dà follia maggiore by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
38.
Il turco in Italia: Serva...Servo by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Franco Calabrese (Bass),
Franco Calabrese (Bass)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
39.
Il turco in Italia: Serva...Servo by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Franco Calabrese (Bass),
Franco Calabrese (Bass)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
40.
Il turco in Italia: No, mia vita by Gioachino Rossini
Performer:
Franco Calabrese (Bass),
Nicola Rossi-Lemeni (Bass),
Maria Callas (Soprano)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
41.
Il turco in Italia: No, mia vita by Gioachino Rossini
Performer:
Franco Calabrese (Bass),
Nicola Rossi-Lemeni (Bass),
Maria Callas (Soprano)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
42.
Il turco in Italia: Credete alle femmine by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Franco Calabrese (Bass),
Franco Calabrese (Bass)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
43.
Il turco in Italia: Credete alle femmine by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicola Rossi-Lemeni (Bass),
Nicola Rossi-Lemeni (Bass),
Franco Calabrese (Bass),
Franco Calabrese (Bass)
Conductor:
Gianandrea Gavazzeni
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1814; Italy
44.
Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
45.
Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
46.
Il barbiere di Siviglia: Dunque io son la fortunata by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Tito Gobbi (Baritone),
Tito Gobbi (Baritone)
Conductor:
Alceo Galliera
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1816; Italy
47.
Il barbiere di Siviglia: Dunque io son la fortunata by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Tito Gobbi (Baritone),
Tito Gobbi (Baritone)
Conductor:
Alceo Galliera
Orchestra/Ensemble:
Philharmonia Orchestra,
Philharmonia Chorus
Period: Romantic
Written: 1816; Italy
48.
Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1823; Italy
49.
Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1823; Italy
50.
Guillaume Tell: Sombre forêt by Gioachino Rossini
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Language: Italian
51.
Guillaume Tell: Sombre forêt by Gioachino Rossini
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Language: Italian
52.
La Cenerentola: Nacqui all' affano...Non più mesta by Gioachino Rossini
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1817; Italy
53.
La Cenerentola: Nacqui all' affano...Non più mesta by Gioachino Rossini
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1817; Italy
54.
L'Elisir d'Amore: Prendi, per me sei libero by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1832; Italy
55.
L'Elisir d'Amore: Prendi, per me sei libero by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1832; Italy
56.
La fille du régiment: Il faut partir by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1840; Italy
Language: Italian
57.
La fille du régiment: Il faut partir by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1840; Italy
Language: Italian
58.
Anna Bolena: Al dolce guidami castel natio by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1830; Italy
59.
Anna Bolena: Al dolce guidami castel natio by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1830; Italy
60.
Lucrezia Borgia: Com' è bello! by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1833; Italy
61.
Lucrezia Borgia: Com' è bello! by Gaetano Donizetti
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1833; Italy
62.
I vespri siciliani: Mercè, dilette amiche "Bolero" by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1855; Italy
63.
I vespri siciliani: Mercè, dilette amiche "Bolero" by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1855; Italy
64.
Rigoletto: Caro nome by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1851; Italy
65.
Rigoletto: Caro nome by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1851; Italy
66.
Rigoletto: V'ho ingannato, colpevole fui by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Tito Gobbi (Baritone),
Tito Gobbi (Baritone),
William Dickie (Baritone),
William Dickie (Baritone),
Renato Ercolani (Tenor),
Renato Ercolani (Tenor),
Carlo Forti (Bass),
Carlo Forti (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1851; Italy
67.
Rigoletto: V'ho ingannato, colpevole fui by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Tito Gobbi (Baritone),
Tito Gobbi (Baritone),
William Dickie (Baritone),
William Dickie (Baritone),
Renato Ercolani (Tenor),
Renato Ercolani (Tenor),
Carlo Forti (Bass),
Carlo Forti (Bass)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1851; Italy
68.
La traviata: Ah, fors' è lui...Sempre libera by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Franco Ghione
Orchestra/Ensemble:
Lisbon San Carlos National Theater Orchestra
Period: Romantic
Written: 1853; Italy
69.
La traviata: Ah, fors' è lui...Sempre libera by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Franco Ghione
Orchestra/Ensemble:
Lisbon San Carlos National Theater Orchestra
Period: Romantic
Written: 1853; Italy
70.
Aida: Ritorna vincitor! by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1871; Italy
71.
Aida: Ritorna vincitor! by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1871; Italy
72.
Aida: O patria mia by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1871; Italy
73.
Aida: O patria mia by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1871; Italy
74.
Aida: La fatal pietra...O terra, addio by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Fedora Barbieri (Mezzo Soprano),
Fedora Barbieri (Mezzo Soprano),
Richard Tucker (Tenor),
Richard Tucker (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1871; Italy
75.
Aida: La fatal pietra...O terra, addio by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Fedora Barbieri (Mezzo Soprano),
Fedora Barbieri (Mezzo Soprano),
Richard Tucker (Tenor),
Richard Tucker (Tenor)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1871; Italy
76.
Il trovatore: Tacea la notte placida...Di tale amor by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Luisa Villa (Soprano),
Luisa Villa (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1853; Italy
77.
Il trovatore: Tacea la notte placida...Di tale amor by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Luisa Villa (Soprano),
Luisa Villa (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1853; Italy
78.
Il trovatore: D'amor sull' ali rosee by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1853; Italy
79.
Il trovatore: D'amor sull' ali rosee by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1853; Italy
80.
Un ballo in maschera: Ecco l'orrido campo...Ma dall' arido stelo divulsa by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1859; Italy
81.
Un ballo in maschera: Ecco l'orrido campo...Ma dall' arido stelo divulsa by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1859; Italy
82.
Un ballo in maschera: T'eco io sto...Non sai tu by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1859; Italy
83.
Un ballo in maschera: T'eco io sto...Non sai tu by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1859; Italy
84.
I lombardi: O madre, dal cielo soccorri al mio pianto by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1843; Italy
85.
I lombardi: O madre, dal cielo soccorri al mio pianto by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1843; Italy
86.
Aroldo: Salvami, salvami tu gran Dio! by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1857; Italy
87.
Aroldo: Salvami, salvami tu gran Dio! by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1857; Italy
88.
Don Carlos: Non pianger, mia compagna by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1867/1884; Italy
89.
Don Carlos: Non pianger, mia compagna by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1867/1884; Italy
90.
Ave Maria by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1880; Italy
91.
Ave Maria by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1880; Italy
92.
Manon Lescaut: In quelle trine morbide by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1893; Italy
93.
Manon Lescaut: In quelle trine morbide by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1893; Italy
94.
Manon Lescaut: Sola, perduta, abbandonata by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1893; Italy
95.
Manon Lescaut: Sola, perduta, abbandonata by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1893; Italy
96.
La Bohème: Si, mi chiamano Mimì by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
97.
La Bohème: Si, mi chiamano Mimì by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
98.
La Bohème: O soave fanciulla by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Rolando Panerai (Baritone),
Giuseppe Di Stefano (Tenor),
Rolando Panerai (Baritone)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
99.
La Bohème: O soave fanciulla by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Rolando Panerai (Baritone),
Giuseppe Di Stefano (Tenor),
Rolando Panerai (Baritone)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
100.
La Bohème: Donde lieta uscì by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
101.
La Bohème: Donde lieta uscì by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
102.
La Bohème: Addio, dolce svegliare (Quartet) by Giacomo Puccini
Performer:
Anna Moffo (Soprano),
Anna Moffo (Soprano),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
103.
La Bohème: Addio, dolce svegliare (Quartet) by Giacomo Puccini
Performer:
Anna Moffo (Soprano),
Anna Moffo (Soprano),
Rolando Panerai (Baritone),
Rolando Panerai (Baritone),
Maria Callas (Soprano),
Maria Callas (Soprano),
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1896; Italy
104.
Tosca: Non la sospiri la nostra casetta by Giacomo Puccini
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1900; Italy
105.
Tosca: Non la sospiri la nostra casetta by Giacomo Puccini
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1900; Italy
106.
Tosca: Vissi d'arte, vissi d'amore by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1900; Italy
107.
Tosca: Vissi d'arte, vissi d'amore by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1900; Italy
108.
Tosca: Amaro sol per te m'era il morire by Giacomo Puccini
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1900; Italy
109.
Tosca: Amaro sol per te m'era il morire by Giacomo Puccini
Performer:
Giuseppe Di Stefano (Tenor),
Giuseppe Di Stefano (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Victor De Sabata
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1900; Italy
110.
Madama Butterfly: Spira sul mar [Entrance of Butterfly] by Giacomo Puccini
Performer:
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano),
Mario Borriello (Baritone),
Mario Borriello (Baritone)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1904; Italy
111.
Madama Butterfly: Spira sul mar [Entrance of Butterfly] by Giacomo Puccini
Performer:
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano),
Mario Borriello (Baritone),
Mario Borriello (Baritone)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra,
Milan Teatro alla Scala Chorus
Period: Romantic
Written: 1904; Italy
112.
Madama Butterfly: Vogliatemi bene...O quanti occhi fisi by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
113.
Madama Butterfly: Vogliatemi bene...O quanti occhi fisi by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano),
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
114.
Madama Butterfly: Un bel dì vedremo by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
115.
Madama Butterfly: Un bel dì vedremo by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
116.
Madama Butterfly: Con onor muore by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
117.
Madama Butterfly: Con onor muore by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1904; Italy
118.
Suor Angelica: Senza mamma, o bimbo, tu sei morto by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1918; Italy
119.
Suor Angelica: Senza mamma, o bimbo, tu sei morto by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1918; Italy
120.
Gianni Schicchi: O mio babbino caro by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1918; Italy
121.
Gianni Schicchi: O mio babbino caro by Giacomo Puccini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1918; Italy
122.
Turandot: Signore, ascolta by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
Date of Recording: 09/1954
Venue: Watford Town Hall, London
Language: Italian
123.
Turandot: Signore, ascolta by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
Date of Recording: 09/1954
Venue: Watford Town Hall, London
Language: Italian
124.
Turandot: In questa reggia by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
125.
Turandot: In questa reggia by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
126.
Turandot: Tu, che di gel sei cinta by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
127.
Turandot: Tu, che di gel sei cinta by Giacomo Puccini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1926; Italy
128.
Orfeo ed Euridice: Che farò senza Euridice? by Christoph W. Gluck
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Classical
Written: 1762/1774; Vienna, Austria
129.
Orfeo ed Euridice: Che farò senza Euridice? by Christoph W. Gluck
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Classical
Written: 1762/1774; Vienna, Austria
130.
Alceste: Divinités du Styx by Christoph W. Gluck
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Classical
Written: 1767; Vienna, Austria
131.
Alceste: Divinités du Styx by Christoph W. Gluck
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Classical
Written: 1767; Vienna, Austria
132.
Carmen: L'amour est un oiseau rebelle "Habañera" by Georges Bizet
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra,
René Duclos Chorus
Written: 1873-1874
133.
Carmen: L'amour est un oiseau rebelle "Habañera" by Georges Bizet
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra,
René Duclos Chorus
Written: 1873-1874
134.
Carmen: Près des ramparts de Seville "Seguidilla" by Georges Bizet
Performer:
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra
Period: Romantic
Written: 1873-1874; France
135.
Carmen: Près des ramparts de Seville "Seguidilla" by Georges Bizet
Performer:
Nicolai Gedda (Tenor),
Nicolai Gedda (Tenor),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra
Period: Romantic
Written: 1873-1874; France
136.
Carmen: Les tringles des sistres tintaient "Gypsy Song" by Georges Bizet
Performer:
Maria Callas (Soprano),
Nadine Sautereau (Soprano),
Jane Berbié (Mezzo Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra,
René Duclos Chorus
Period: Romantic
Written: France
137.
Carmen: Les tringles des sistres tintaient "Gypsy Song" by Georges Bizet
Performer:
Maria Callas (Soprano),
Nadine Sautereau (Soprano),
Jane Berbié (Mezzo Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Paris Opera Orchestra,
René Duclos Chorus
Period: Romantic
Written: France
138.
Carmen: Carreau, pique...la mort! by Georges Bizet
Performer:
Jane Berbié (Mezzo Soprano),
Jane Berbié (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano),
Nadine Sautereau (Soprano),
Nadine Sautereau (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
National Theater Opera Orchestra of Paris
Period: Romantic
Written: 1873-1874; France
139.
Carmen: Carreau, pique...la mort! by Georges Bizet
Performer:
Jane Berbié (Mezzo Soprano),
Jane Berbié (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano),
Nadine Sautereau (Soprano),
Nadine Sautereau (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
National Theater Opera Orchestra of Paris
Period: Romantic
Written: 1873-1874; France
140.
Roméo et Juliette: Je veux vivre dans le rêve "Waltz Song" by Charles Gounod
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1867; France
141.
Roméo et Juliette: Je veux vivre dans le rêve "Waltz Song" by Charles Gounod
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1867; France
142.
Mignon: Je suis Titania la blonde by Ambroise Thomas
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1866; France
143.
Mignon: Je suis Titania la blonde by Ambroise Thomas
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1866; France
144.
La damnation de Faust, Op. 24: D'amour, l'ardente flamme by Hector Berlioz
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1845-1846; France
145.
La damnation de Faust, Op. 24: D'amour, l'ardente flamme by Hector Berlioz
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1845-1846; France
146.
Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1892; France
147.
Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1892; France
148.
Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1859; France
149.
Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1859; France
150.
Samson et Dalila, Op. 47: Printemps, qui commence by Camille Saint-Saëns
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1877; France
151.
Samson et Dalila, Op. 47: Printemps, qui commence by Camille Saint-Saëns
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1877; France
152.
Samson et Dalila, Op. 47: Mon coeur s'ouvre à ta voix by Camille Saint-Saëns
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1877; France
153.
Samson et Dalila, Op. 47: Mon coeur s'ouvre à ta voix by Camille Saint-Saëns
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1877; France
154.
Manon: Adieu, notre petite table by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1883-1884; France
155.
Manon: Adieu, notre petite table by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1883-1884; France
156.
Manon: Je marche sur tous chemins "Gavotte" by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1883-1884; France
157.
Manon: Je marche sur tous chemins "Gavotte" by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1883-1884; France
158.
Louise: Depuis le jour by Gustave Charpentier
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1900; France
159.
Louise: Depuis le jour by Gustave Charpentier
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1900; France
160.
Andrea Chénier: La mamma morta by Umberto Giordano
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1896; Italy
161.
Andrea Chénier: La mamma morta by Umberto Giordano
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1896; Italy
162.
Adriana Lecouvreur: Io son l'umile ancella by Francesco Cilèa
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1902; Italy
163.
Adriana Lecouvreur: Io son l'umile ancella by Francesco Cilèa
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1902; Italy
164.
Adriana Lecouvreur: Poveri fiori by Francesco Cilèa
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1902; Italy
165.
Adriana Lecouvreur: Poveri fiori by Francesco Cilèa
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1902; Italy
166.
Cavalleria Rusticana: Voi lo sapete, o Mamma by Pietro Mascagni
Performer:
Ebe Ticozzi (Mezzo Soprano),
Ebe Ticozzi (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1890; Italy
167.
Cavalleria Rusticana: Voi lo sapete, o Mamma by Pietro Mascagni
Performer:
Ebe Ticozzi (Mezzo Soprano),
Ebe Ticozzi (Mezzo Soprano),
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1890; Italy
168.
I Pagliacci: Qual fiamma avea nel guardo by Ruggero Leoncavallo
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1892; Italy
169.
I Pagliacci: Qual fiamma avea nel guardo by Ruggero Leoncavallo
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1892; Italy
170.
Mefistofele: L'altra notte in fondo al mare by Arrigo Boito
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1868; Italy
171.
Mefistofele: L'altra notte in fondo al mare by Arrigo Boito
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1868; Italy
172.
La Wally: Ebben?... Ne andrò lontana by Alfredo Catalani
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1892; Italy
173.
La Wally: Ebben?... Ne andrò lontana by Alfredo Catalani
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Philharmonia Orchestra
Period: Romantic
Written: 1892; Italy
174.
Medea: Dei tuoi figli la madre by Luigi Cherubini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Classical
Written: 1797; France
175.
Medea: Dei tuoi figli la madre by Luigi Cherubini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Classical
Written: 1797; France
176.
La Vestale: O nume tutelar by Gasparo Spontini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1807; Paris, France
177.
La Vestale: O nume tutelar by Gasparo Spontini
Performer:
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1807; Paris, France
178.
La Vestale: Caro oggetto by Gasparo Spontini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1807; Paris, France
179.
La Vestale: Caro oggetto by Gasparo Spontini
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Tullio Serafin
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1807; Paris, France
180.
Iphigénie en Tauride: O malheureuse Iphigénie! by Christoph W. Gluck
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1778-1779; Vienna, Austria
181.
Iphigénie en Tauride: O malheureuse Iphigénie! by Christoph W. Gluck
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1778-1779; Vienna, Austria
182.
Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1787; Prague, Czech Republ
183.
Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1787; Prague, Czech Republ
184.
Don Giovanni, K 527: In quali eccessi...Mi tradì quell' alma ingrata by Wolfgang Amadeus Mozart
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1787; Prague, Czech Republ
185.
Don Giovanni, K 527: In quali eccessi...Mi tradì quell' alma ingrata by Wolfgang Amadeus Mozart
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Classical
Written: 1787; Prague, Czech Republ
186.
Le Cid: Pleurez, mes yeux! by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1885; France
187.
Le Cid: Pleurez, mes yeux! by Jules Massenet
Performer:
Maria Callas (Soprano)
Conductor:
Georges Prêtre
Orchestra/Ensemble:
ORTF National Orchestra
Period: Romantic
Written: 1885; France
188.
La Gioconda: Suicidio! by Amilcare Ponchielli
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1876; Italy
189.
La Gioconda: Suicidio! by Amilcare Ponchielli
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Antonino Votto
Orchestra/Ensemble:
Milan Teatro alla Scala Orchestra
Period: Romantic
Written: 1876; Italy
190.
Un ballo in maschera: Morrò, ma prima in grazia by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1859; Italy
191.
Un ballo in maschera: Morrò, ma prima in grazia by Giuseppe Verdi
Performer:
Maria Callas (Soprano),
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Period: Romantic
Written: 1859; Italy
192.
Don Carlos: O don fatale by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
193.
Don Carlos: O don fatale by Giuseppe Verdi
Performer:
Maria Callas (Soprano)
Conductor:
Nicola Rescigno
Orchestra/Ensemble:
Orchestre de la Société du Conservatoire Paris
Sound Samples
La Sonnambula, - ACT 1: Come per me sereno
La Sonnambula (1997 Digital Remaster), ACT 1, Scene 1: Sovra il sen la man mi posa (Alessio/Amina/Lisa/Teresa/Coro/Notaro)
La Sonnambula (1997 Digital Remaster), ACT 1, Scene 2: D'un pensiero e d'un accento (Amina/Elvino/Coro/Alessio/Teresa)
La Sonnambula (1997 Digital Remaster), ACT 2, Scene 2: Ah! non credea mirarti (Amina/Elvino)
La Sonnambula (1997 Digital Remaster), ACT 2, Scene 2: Ah! non giunge uman pensiero (Amina/Tutti)
I Puritani (1997 Digital Remaster), ATTO PRIMO, Scena terza: Son vergin vezzosa (Elvira/Enrichetta/Arturo/Giorgio/Valton/Coro)
I Puritani (1997 Digital Remaster), ATTO PRIMO, Scena terza: Ah, vieni al tempio ... fedele Arturo (Elvira/Bruno/Coro/Riccardo/Giorgio)
I Puritani (1997 Digital Remaster), Atto Secondo: Qui la voce - extract (Elvira, Giorgio, Riccardo)
I Puritani (1997 Digital Remaster), ATTO SECONDO: Vien diletto, è in ciel la luna (Elvira)
I Puritani (1997 Digital Remaster), ATTO TERZO: Ch'ei provò lontan da me?
I Puritani (1997 Digital Remaster), ATTO TERZO: Vieni, fra queste braccia (Elvira/Arturo)
Norma (1997 Digital Remaster), Act 1, Scene 1: Casta Diva - extract (Norma/Coro)
Norma (1997 Digital Remaster), ACT 2, Scene 1: Mira, o Norma (Norma/Adalgisa)
Norma (1997 Digital Remaster), ACT 2, Scene 1: Cedi! ... deh! cedi! (Adalgisa/Norma)
Norma (1997 Digital Remaster), ACT 2, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso)
Norma (1997 Digital Remaster), ACT 2, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso)
Il Pirata: ... Col sorriso d'innocenza (Act 2)
Quel suono...Oh, Sole! (Imogene/Coro) (1997 Digital Remaster)
Lucia di Lammermoor (2004 Digital Remaster): Regnava nel silenzio...Quando rapito in estasi (Act I)
Lucia di Lammermoor (2004 Digital Remaster), ATTO SECONDO, Scena seconda: Chi mi frena in tal momento (Edgardo/Enrico/Lucia/Raimondo/Arturo/Alisa/Coro)
Lucia di Lammermoor (2004 Digital Remaster), ATTO TERZO, Scena prima: Spargi d'amaro pianto (Lucia/Raimondo/Coro/Enrico)
Il Turco in Italia (1997 Digital Remaster), ATTO PRIMO: Non si da follia maggiore
Il Turco in Italia (1997 Digital Remaster), ATTO PRIMO: Serva...Servo
Il Turco in Italia (1997 Digital Remaster), ATTO PRIMO: No, mia vita, mio tesoro
Credete alla femmine...In Italia certamente (Selim/Fiorilla) (1997 Digital Remaster)
Il Barbiere di Siviglia (1997 Digital Remaster): Una voce poco fa
Il Barbiere di Siviglia (1997 Digital Remaster): Dunque io son
Semiramide (Atto 1) (1997 Digital Remaster): Bel raggio lusinghier
Gugliemo Tell -extract (De Jouy & Bis) (1997 Digital Remaster), Act II: Selva opaca
La Cenerentola (1997 Digital Remaster), Act II: Non più mesta - extract (Angelina)
L'Elisir d'amore (1997 Digital Remaster): Prendi, per me sei libero (Atto 2)
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir
Anna Bolena (1995 Digital Remaster): Al dolce guidami castel natio
Lucrezia Borgia (1997 Digital Remaster), Act I: Com'è bello -extract (Lucrezia)
Customer Reviews
Average Customer Review: 
( 1 Customer Review )
A real musical treat! January 16, 2013
By Stephen Schoeman (Westfield, NJ) See All My Reviews
"There is about the voice of Maria Callas something very special. A unique voice, there is the extraordinary range, the plaintive sound, the dramatic appeal, the seeming knowledge of each and every note and word, and a warmth and richness the envy of the operatic world. The shame is that Ms. Callas was made to be seen as controversial as a person and in her voice and the result is that her artistry is a bit if more eclipsed. Here are 100 of her recordings of many of the outstanding arias. She could sing bel canto and she could sing Wagner. Quite an achievement. Her star ascended but like a comet disappeared all too soon. We are fortunate to have so many recordings of his magnificent dramatic voice. Imagine what it would be like to have recordings of the opera stars whom Rossini and Bellini and Donizetti among others knew? Or to hear recordings of performances by Beethoven and Mozart and Haydn for example? Or to hear the words of Julius Casear or Napoleon or George Washington? Whatever some people may say against the times in which we live we should be grateful to have recording equipment and be able, as could not ever been done in those former times, to listen to music when we want, where we want, and for how long we want. And have such vast choice thanks in good measure to ArchivMusic. How privileged we should feel that we can hear the likes of a Maria Callas! This six CD set is a must!"
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