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Murray Perahia Plays Franck & Liszt


Release Date: 09/26/1991 
Label:  Sony   Catalog #: 47180   Spars Code: DDD 
Composer:  César FranckFranz Liszt
Performer:  Murray Perahia
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 0 Mins. 

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This CD is reissued by ArkivMusic.

Notes and Editorial Reviews

A decade or so ago, a recital of Franck and Liszt from Murray Perahia might have caused some surprise. But one of the most refreshing things about this artist is his growing refusal to be typecast. The Franck (like all but two of the Liszt pieces) was recorded at The Maltings in Snape, a venue he knows and likes so well. This I enjoyed for its stylish reminders of the composer's long devotion to the Church—i.e. for a strain of simple devoutness, free from all heart-on-sleeve emotionalism, with which he invests the first two movements. The central choral is allowed an easy flow, and I liked his dynamic restraint in the first two statements of the chorale theme itself so as to leave plenty in reserve for the characteristically Franckian Read more emergence from darkness into light as the work progresses. Discreet pedalling ensures that texture never clots in the fugue, and the homecoming is truly joyous.

The rest of the 60 minutes go to Liszt, and here my only slight (but only very slight) disappointment came in the Mephisto Waltz, recorded in UCLA's Royce Hall in Los Angeles. Needless to say it is played with all Perahia's customary command, finesse and what I can only describe as aristocratic musical discernment. Yet I still felt that just that last touch of devilry was missing on the dance-floor (even more piquant accentuation might perhaps have helped), and likewise the ultimate in lingering sensuous seduction in Liszt's "lascivious, caressing dreams of love". For the rest I have nothing but praise—starting with the cutting intensity Perahia brings to the melodic line in Petrarch's tale of unrequited love ("Sonetto 104"). By comparison, Louis Lortie on Chandos (in a less forward and less sharp-cut sounding recent Maltings recording) seems to shrink from this sonnet's acutest disquiet and pain—such as in the passage marked agitato, and then crescendo and rinforzando from about 3'46"-4'17" in track 5 of Perahia's disc. Perahia's liquidity in "Au bard d'une source" and shimmering whispers in the first Concert Study, "Waldesrauschen" (as spacious as Arrau's—now part of the Philips Arrau Edition) are wholly ravishing as sound per se, while "Gnomenreigen" in its turn brings reminders of that delicately scintillating brilliance that always gave him a place apart when gambol ling with Mendelssohn in concerto finales. His range of keyboard colour in the concluding Rhapsodic espagnole (the second and finer of Liszt's pair) is as ear-catching as are his rhythmic spring, his teasing caprice and his exuberant climaxes.

Full marks to his engineers for so faithfully capturing so wide a dynamic range—and, incidentally, to Sony for including so generously spacious a booklet (with full quotations from Lenau, Petrarch and Schiller).

-- Joan Chissell, Gramophone [10/1991]
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Works on This Recording

1.
Prelude, Chorale and Fugue for Piano, M 21 by César Franck
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: 1884; France 
Venue:  The Maltings, Snape, Aldeburgh 
2.
Der Tanz in der Dorfschenke, S 514 "Mephisto Waltz no 1" by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: 1859-1860; Weimar, Germany 
Venue:  Royce Auditorium, U of Cal, Los Angeles 
3.
Années de pèlerinage, deuxième année, S 161 "Italie": no 5, Sonetto 104 del Petrarca by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: 1837-1849; Weimar, Germany 
4.
Concert Etudes (2) for Piano, S 145: no 1, Waldesrauschen by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: ?1862-63; Rome, Italy 
5.
Concert Etudes (2) for Piano, S 145: no 2, Gnomenreigen by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: ?1862-63; Rome, Italy 
6.
Années de pèlerinage, première année, S 160 "Suisse": no 4, Au bord d'une source by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: 1848-1854; Weimar, Germany 
7.
Rhapsodie espagnole for Piano, S 254 by Franz Liszt
Performer:  Murray Perahia (Piano)
Period: Romantic 
Written: circa 1863; Rome, Italy 

Sound Samples

Prelude: Moderato;
Choral: Poco piu lento;
Fugue: Tempo I (largamente)
Mephisto Waltz No. 1 (Der Tanz in der Dorfschenke, S. 514, R. 181)
Sonetto 104 Del Petrarca: Agitato assai #5 from Annees de Pelerinage, 2 annee, "Italie", S. 161, R. 10b, No. 5
No. 1 - Waldesrauschen/Forest Rustling: Vivace
No. 2 - Gnomenreigen/Dance of the Gnomes Presto Scherzando
Au Bord D'une Source: Allegretto grazioso, #4 from Annees de Pelerinage,1re Annee, "Suisse" S. 160, R. 10a, #4
Rhapsodie Espagnole ("Folies d' Espagne et jota aragonesa") S. 254, R. 90

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