Sergei Rachmaninov

Biography

Born: Apr 1, 1873; Russia   Died: Mar 28, 1943; USA   Period: 20th Century
Sergei Vasilyevich Rachmaninov, born in Semyonovo, Russia, on April 1, 1873, is today remembered as one of the most formidable pianists of all time and the last truly great composer in the Russian Romantic tradition. Rachmaninov came from a music-loving, land-owning family; young Sergey's mother fostered the boy's innate talent by giving him his first piano lessons. After a decline in the family fortunes, the Rachmaninovs moved to St. Petersburg, Read more where Sergei studied with Vladimir Delyansky at the Conservatory. As his star continued to rise, Sergei went to the Moscow Conservatory, where he received a sound musical training: piano lessons from the strict disciplinarian Nikolay Zverev and Alexander Siloti (Rachmaninov's cousin), counterpoint with Taneyev, and harmony with Arensky. During his time at the Conservatory, Rachmaninov boarded with Zverev, whose weekly musical Sundays provided the young musician the valuable opportunity to make important contacts and to hear a wide variety of music.
As Rachmaninov's conservatory studies continued, his burgeoning talent came into full flower; he received the personal encouragement of Tchaikovsky, and, a year after earning a degree in piano, took the Conservatory's gold medal in composition for his opera Aleko (1892). Early setbacks in his compositional career -- particularly, the dismal reception of his Symphony No. 1 (1895) -- led to an extended period of depression and self-doubt, which he overcame with the aid of hypnosis. With the resounding success of his Piano Concerto No. 2 (1900-1901), however, his lasting fame as a composer was assured. The first decade of the twentieth century proved a productive and happy one for Rachmaninov, who during that time produced such masterpieces as the Symphony No. 2 (1907), the tone poem Isle of the Dead (1907), and the Piano Concerto No. 3 (1909). On May 12, 1902, the composer married his cousin, Natalya Satina.
By the end of the decade, Rachmaninov had embarked on his first American tour, which cemented his fame and popularity in the United States. He continued to make his home in Russia but left permanently following the Revolution in 1917; he thereafter lived in Switzerland and the United States between extensive European and American tours. While his tours included conducting engagements (he was twice offered, and twice refused, leadership of the Boston Symphony Orchestra), it was his astounding pianistic abilities which won him his greatest glory. Rachmaninov was possessed of a keyboard technique marked by precision, clarity, and a singular legato sense. Indeed, the pianist's hands became the stuff of legend. He had an enormous span -- he could, with his left hand, play the chord C-E flat-G-C-G -- and his playing had a characteristic power, which pianists have described as "cosmic" and "overwhelming." He is, for example, credited with the uncanny ability to discern, and articulate profound, mysterious movements in a musical composition which usually remain undetected by the superficial perception of rhythmic structures.
Fortunately for posterity, Rachmaninov recorded much of his own music, including the four piano concerti and what is perhaps his most beloved work, the Rhapsody on a Theme of Paganini (1934). He became an American citizen a few weeks before his death in Beverly Hills, CA, on March 28, 1943. Read less
Rachmaninov: Piano Concerto No 2 / Gabriela Montero
Release Date: 06/09/2015   Label: Orchid Classics  
Catalog: 100047   Number of Discs: 1
On sale!
CD: $15.99
In Stock
MP3 Available
On sale!     CD:  $15.99 Add CD to Cart

MP3:  $9.99 Add MP3 to Cart

Rachmaninov: All-Night Vigil / Bruffy
Release Date: 03/10/2015   Label: Chandos  
Catalog: 5148   Number of Discs: 1
On sale! $19.99
SuperAudio CD: $17.99
In Stock
MP3 Available
On sale!   $19.99   SuperAudio CD:  $17.99 Add to Cart

MP3:  $9.99 Add MP3 to Cart

Rachmaninov: Piano  Concertos / Stewart Goodyear
Release Date: 04/14/2015   Label: Steinway & Sons  
Catalog: 30047   Number of Discs: 1
On sale! $17.99
CD: $15.99
In Stock
MP3 Available
On sale!   $17.99   CD:  $15.99 Add CD to Cart

MP3:  $9.99 Add MP3 to Cart

Work: Concerto for Piano no 2 in C minor, Op. 18

 

Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 1. Moderato
Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 2. Adagio sostenuto
Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 3. Allegro scherzando
About This Work
Rachmaninov composed this work in 1900, and played the first complete performance on November 9, 1901, with Alexandre Siloti conducting the Moscow Philharmonic Society.

He suffered a shattering career crisis in the 1897 massacre of his
Read more First Symphony in St. Petersburg, by its first conductor, Glazunov, who was reportedly disablingly drunk -- a fiasco the critics en masse, led by César Cui, laid at the composer's feet like an animal carcass. The audience -- ever mindful that Rachmaninov had been expelled in 1885 from the local temple of musical instruction -- listened stonily, glad for the failure of a young lion schooled elsewhere (in Moscow, he completed the Conservatory course in 1891, and graduated a year later with highest possible grades). Because of the failure of the Symphony No. 1, Rachmaninov began to drink immoderately. Believing himself unfit to compose, he tried concentrating on parallel courses as a concert soloist and opera conductor, but embroiled himself in a love affair that ended very badly. By the end of 1899, he was an alcoholic whose hands shook, imperiling his keyboard career. Between January and April 1900, Sergey Vassilyevich saw Dr. Dahl, a Moscow specialist in "neuropsychotherapy," daily, and was urged under hypnosis to compose the new piano concerto that a London impresario was asking for. Trance therapy roused the composer from his lethargy; indeed, he worked with great facility on an excellent new concerto -- the Second, in C minor, Op. 18 -- dedicated to Dr. Dahl in gratitude. Never again in the remaining four decades of his life was Rachmaninov immobilized by depression, despite several convulsive changes of fortune.

 The opening, C minor, movement in sonata form was composed last; structurally it is the most conventional. Ten bars of unaccompanied keyboard chords lead directly to a palpitant principal theme for violins, violas, and clarinets -- motivic rather than tuneful, despite a melismatic extension for cellos. An episode links this to the second theme, in E flat, one of Rachmaninov's most celebrated melodies, introduced by the piano. Following the development and a maestoso alla marcia reprise, there's a brilliant coda -- but no solo cadenza, yet.

In the E major, Adagio sostenuto movement, after four bars of Tchaikovskian string chords, piano arpeggios introduce a two-part principal theme, played first by the solo flute, then by the solo clarinet. Piano and orchestra develop both parts before a Tchaikovsky-like theme for bassoons nudges the tempo a bit. Further development goes even quicker, culminating in a solo cadenza that's been teasingly postponed, after which the original material returns, soulfully.

The finale is an Allegro scherzando in C major. The strings play a rhythmic figure that builds to a staccato climax. The piano enters with a flourish, setting up the principal subject -- again, as before in I, motivic rather than tuneful, but admirably constructed for developing. This is followed by another of Rachmaninov's signature melodies, lushly undulant, sung by the solo oboe and strings. (In the postwar 1940s, this was garnished with words and performed unrelentingly by big-band vandals as Full Moon and Empty Arms). A fugato brings back the principal subject, followed by a Maestoso statement of "The Tune." Accelerating fistfuls of piano chords set up a crowd-rousing conclusion.

-- Roger Dettmer Read less

Select a specific Performer, Conductor or Ensemble or browse recordings by Formats & Featured below

or
ArkivMusic Recommendation

Performers

Conductors

Ensembles

Sergei Rachmaninov


WORKS
Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 1. Moderato
Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 2. Adagio sostenuto
Rachmaninov: Piano Concerto No.2 In C Minor, Op.18 - 3. Allegro scherzando
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 1. Allegro ma non tanto
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 2. Intermezzo (Adagio)
Rachmaninov: Piano Concerto No.3 In D Minor, Op.30 - 3. Finale (Alla breve)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Introduction (Allegro vivace)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation I (Precedente)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Thema (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation II (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation III (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation IV (Piů vivo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation V (Tempo precedente)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation VI (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation VII (Meno mosso, a tempo moderato)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation VIII (Tempo I)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation IX (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation X
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XI (Moderato)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XII (Tempo di Minuetto)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XIII (Allegro)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XIV (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XV (Piů vivo. Scherzando)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XVI (Allegretto)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XVII
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XVIII (Andante cantabile)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XIX (A tempo vivace)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XX (Un poco piů vivo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XXI (Un poco piů vivo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XXII (Un poco piů vivo - Alla breve)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XXIII (L'istesso tempo)
Rhapsody on a Theme of Paganini Op. 43 (2001 Digital Remaster): Variation XXIV (A tempo un poco meno mosso)
Rachmaninov: Symphonic Dances, Op.45 - 1. Non allegro
Rachmaninov: Symphonic Dances, Op.45 - 2. Andante con moto (Tempo di valse)
Rachmaninov: Symphonic Dances, Op.45 - 3. Lento assai - Allegro vivace
1. Largo - Allegro moderato
2. Allegro molto
3. Adagio
4. Allegro vivace
1. Grave - Allegro ma non troppo
2. Allegro animato
3. Larghetto
4. Allegro con fuoco
Vespers (All-Night Vigil) Op. 37: Vosstanite...Slava svyatei - 1. Amin'
Vespers (All-Night Vigil) Op. 37: Priidite, poklonimysa
Vespers (All-Night Vigil) Op. 37: 2. Blagoslovi, dushe moya', Gospoda
Vespers (All-Night Vigil) Op. 37: 3. Blazhen muzh
Vespers (All-Night Vigil) Op. 37: 4. Svete tikhii
Vespers (All-Night Vigil) Op. 37: 5. Nyne otpushchaeshi
Vespers (All-Night Vigil) Op. 37: 6. Bogoroditse Devo
Vespers (All-Night Vigil) Op. 37: 7. Shestopsalmie
Vespers (All-Night Vigil) Op. 37: 8. Khvalite imya Gospodne
Vespers (All-Night Vigil) Op. 37: 9. Blagosloven esi, Gospodi
Vespers (All-Night Vigil) Op. 37: 10. Voskresenie Khristovo videvshe
Vespers (All-Night Vigil) Op. 37: 11. Velichit dusha moya Gospoda
Vespers (All-Night Vigil) Op. 37: 12. Slavoslovie velikoe
Vespers (All-Night Vigil) Op. 37: 13. Tropar': Dnes' spasenie
Vespers (All-Night Vigil) Op. 37: 14. Tropar': Voskres iz groba
Vespers (All-Night Vigil) Op. 37: 15. Vzbrannoi voevode
Sonata No. 2 in B-flat minor: I. Allegro Agitato
Sonata No. 2 in B-flat minor: II. Non Allegro - Lento
Sonata No. 2 in B-flat minor: III. Allegro Molto


YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In