Nathan Davis’ Hagoromo is a setting of a tale that has its roots in many cultures. In some form or another, the swan maiden archetype can be found in Western and Asian folklore, specifically in Germanic sources, Japanese Noh theatre, and Scottish traditional stories. The core plot of the story is consistent- a man steals a magic garment from an angel, robbing her of her connection to her native, mystical realm. The symbolism in the skeletal plot is rich, engaging with issues surrounding transactional versus enlightened interaction, boundaries of relationships, and lines between the earthly and the spiritual. Davis’ dance opera, written for dancers Wendy Whelan, Jock Soto, vocal soloists Katalin Karolyi and Peter Tantsits, the International Contemporary Ensemble, the Brooklyn Youth Chorus, and a puppet troupe, was premiered and recorded over several performances on BAM’s Next Wave Festival in November 2015.