Alice Coote

Browse 26-26 of 26 Available Recordings
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  • 26.
    Bel Canto Portrait / Nelly Miricioiu
    Label: Opera Rara   Catalog: 217 Release Date: 08/14/2001   Number of Discs: 1
    Composer:  Gaetano Donizetti,  Michael Costa,  Saverio Mercadante
    Performer:  Dominic Natoli,  Ildebrando D'Arcangelo,  Nelly Miricioiu,  Alice Coote  ... 
    Conductor:  David Parry
    Orchestra/Ensemble:  Geoffrey Mitchell Choir,  New Philharmonia Orchestra
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    CD: $24.99
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WORKS ALBUMS
TITLE/COMPOSER
LABEL
I. Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Misery)
II. Der Einsame im Herbst (The Lonely One in Autumn)
III. Von der Jugend (Of Youth)
IV. Von der Schonheit (Of Beauty)
V. Der Trunkene im Fruhling (The Drunkard in Spring)
VI. Der Abschied (The Farewell)
Messiah HWV56: Sinfony (Grave - Allegro moderato)
Messiah HWV56, PART 1: Comfort ye my people (tenor accompagnato: Larghetto e piano)
Messiah HWV56, PART 1: Ev'ry valley shall be exalted (tenor air: Andante)
Messiah HWV56, PART 1: And the glory of the Lord (chorus: Andante)
Messiah HWV56, PART 1: Thus saith the Lord (bass accompagnato)
Messiah HWV56, PART 1: But who may abide? (alto air: Larghetto - Prestissimo)
Messiah HWV56, PART 1: And He shall purify (chorus)
Messiah HWV56, PART 1: Behold! a virgin shall conceive (alto recitative)
Messiah HWV56, PART 1: O thou that tellest (alto air: Andante)
Messiah HWV56, PART 1: O thou that tellest (chorus)
Messiah HWV56, PART 1: For behold, darkness shall cover the earth (bass accompagnato: Andante larghetto)
Messiah HWV56, PART 1: The people that walked in darkness (bass air: Larghetto)
Messiah HWV56, PART 1: For unto us a child is born (chorus: Andante allegro)
Messiah HWV56, PART 1: Pifa (Pastoral Symphony: Larghetto e mezzo piano)
Messiah HWV56, PART 1: There were shepherds abiding in the field (soprano recitative)
Messiah HWV56, PART 1: Glory to God (chorus: Allegro, da lontano e un poco piano)
Messiah HWV56, PART 1: Rejoice greatly, O daughter of Zion (soprano air: Allegro)
Messiah HWV56, PART 1: Then shall the eyes of the blind (alto recitative)
Messiah HWV56, PART 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano)
Messiah HWV56, PART 1: His yoke is easy (chorus: Allegro)
Messiah HWV56, PART 2: Behold the lamb of God (chorus: Largo)
Messiah HWV56, PART 2: He was despised (alto air: Largo)
Messiah HWV56, PART 3: Since by man came death (chorus: Grave - Allegro)
Messiah HWV56, PART 3: Behold I tell you a mystery (bass accompagnato)
Messiah HWV56, PART 3: The trumpet shall sound (bass air: Pomposo, ma non troppo)
Messiah HWV56, PART 3: Then shall be brought to pass (alto recitative)
Messiah HWV56, PART 3: O death, where is thy sting (alto & tenor duet: Andante)
Messiah HWV56, PART 3: But thanks be to God (chorus: Andante)
Messiah HWV56, PART 3: If God is for us (soprano air: Larghetto)
Messiah HWV56, PART 3: Worthy is the lamb (chorus: Largo - Andante - Laghetto)
Messiah HWV56, PART 3: Amen (chorus: Allegro moderato)
Orfeo: Toccata
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Dal Moi Permesso' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io la Musica son' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Io su cetera' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Quinci a dir d'Orfeo' (La Musica)
Orfeo, Prologue: Ritornello
Orfeo, Prologue: 'Hor mentre i canti alterno' (La Musica)
Orfeo, Atto Primo: 'In questi lieto fortunato giorno' (Pastore)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Ma tu gentil cantor' (Pastore)
Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo
Orfeo, Atto Primo: 'Io non diro qual sia' (Euridice)
Orfeo, Atto Primo: 'Lasciate i monte, lasciate i fonte' (Choro)
Orfeo, Atto Primo: 'Vieni Imeneo, deh vieni' (Choro)
Orfeo, Atto Primo: 'Ma s'il nostro gioir dal ciel deriva' (Pastore)/Ritornello
Orfeo, Atto Primo: 'Alcun non sia che disperato in preda'/Ritornello
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Primo: 'E dopo l'aspro gel del verno ignudo'
Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi'
Orfeo, Atto Secondo: Sinfonia/'..Ecco pur ch'a voi ritorno' (Orfeo)
Orfeo, Atto Secondo: Ritornello/'..Mira ch'a se n'alletta' (Pastore)
Orfeo, Atto Secondo: Ritornello/'In questo prato adorno' (Due Pastori)
Orfeo, Atto Secondo: Ritornello/'Qui le Nappe e vezzose' (Due Patori)
Orfeo, Atto Secondo: Ritornello/'Vi ricorda o boschi ombrosi' (Orfeo)
Orfeo, Atto Secondo: 'Mira deh mira Orfeo' (Pastore)
Orfeo, Atto Secondo: 'In un fiorito prato' (Messagiera)
Orfeo, Atto Secondo: 'Tu se' morta' (Orfeo)
Orfeo, Atto Secondo: 'Ahi caso acerbo' (Choro)
Orfeo, Atto Secondo: 'Ma io ch'in questa lingua' (Messagiera)
Orfeo, Atto Secondo: Sinfonia/'Chi be consoal ahi lassi?' (Due Pastori)
Orfeo, Atto Secondo: Ritornello
Orfeo, Atto Quinto: 'Padre cortese al maggior uopo arrivi' (Orfeo)
Orfeo, Atto Quinto: 'Troppo gioisti di tua lieta ventura' (Apollo)
Orfeo, Atto Quinto: 'Si non vedro piu mai...' (Orfeo/Apollo)
Orfeo, Atto Quinto: 'Saliam d'al Cielo' (Orfeo/Apollo)
Orfeo, Atto Quinto: Ritornello/'Vanne Orfeo felice a pieno' (Choro)
Orfeo, Atto Quinto: Moresca
Act I Scene 1: Falstaff! (Dr Caius, Falstaff, Bardolph, Pistol)
Act I Scene 1: Your bill, sir (Landlord, Falstaff, Bardolph, Pistol)
Act I Scene 1: Are you acquainted with a merchant whose name is Ford? (Falstaff, Bardolph, Pistol)
Act I Scene 1: So now, convey these scorching letters (Falstaff, Pistol, Bardolph)
Act I Scene 1: Your honour? Vermin! (Falstaff)
Act I Scene 2: Dear Alice! (Meg, Alice, Quickly, Nannetta)
Act I Scene 2: Heavenly Alice, let me love you ... (Meg, Alice, Quickly, Nannetta)
Act I Scene 2: Monster! (Quickly, Meg, Nannetta, Alice, Dr Caius, Bardolph, Fenton, Pistol, Ford)
Act I Scene 2: Again please (Ford, Pistol, Dr Caius, Bardolph, Fenton, Nannetta, Alice, Meg, Quickly)
Act I Scene 2: Pst, pst, Nannetta (Fenton, Nannetta)
Act I Scene 2: Falstaff has dared to mock me! (Alice, Meg, Nannetta, Quickly)
Act I Scene 2: Back to the jousting ... (Fenton, Nannetta)
Act I Scene 2: You'll gather from his boasting (Bardolph, Ford, Pistol, Dr Caius, Fenton)
Act I Scene 2: Enough of this chattering (Alice, Nannetta, Quickly, Meg)
Act II Scene 1: We're converted, we've reverted (Bardolph, Pistol, Falstaff)
Act II Scene 1: Sir, your servant! (Quickly, Falstaff)
Act II Scene 1: I've another commission to bring your worship (Quickly, Falstaff)
Act II Scene 1: Alice is mine! (Falstaff)
Act II Scene 1: Sir John, outside there is a certain Master Brook (Bardolph, Falstaff)
Act II Scene 1: Good sir, may God be with you! (Ford, Falstaff, Bardolph, Pistol)
Act II Scene 1: In Windsor there's a lady (Ford, Falstaff)
Act II Scene 1: This cruel beauty has a reputation (Ford, Falstaff)
Act II Scene 1: I'm dreaming! Or is this true? (Ford)
Act II Scene 1: How do I look? I'm ready (Falstaff, Ford)
Act II Scene 2: I think we should propose a bill (Alice, Quickly, Meg)
Act II Scene 2: I hurry down the river to the Garter (Quickly)
Act II Scene 2: It's really very simple (Quickly, Meg, Alice, Quickly)
Act II Scene 2: Witty young women of Windsor ... (Nannetta, Meg, Alice, Quickly)
Act II Scene 2: At last I've caught you (Falstaff, Alice)
Act II Scene 2: When I was page to the noble Duke of York (Falstaff, Alice, Quickly)
Act II Scene 2: Mistress Alice, it's Mistress Meg (Quickly, Falstaff, Alice, Meg)
Act II Scene 2: He jumped the hedge, and he trampled the hydrangea (Quickly, Ford, Falstaff, Bardolph, Pistol, Alice, Meg)
Act II Scene 2: Come here! (Nannetta, Fenton)
Act II Scene 2: I'll kill him! I'll slaughter him! (Dr Caius, Ford, Pistol, Bardolph, Nannetta, Fenton)
Act II Scene 2: When I catch you ... (Ford, Dr Caius, Quickly, Meg, Bardolph, Pistol, Fenton, Nannetta, Chorus, Alice)
Act II Scene 2: It's not him! (Dr Caius, Alice, Meg, Quickly, Bardolph, Ford, Pistol, Chorus, Nannetta, Fenton)
Act III Scene 1: Hey! Landlord! (Falstaff)
Act III Scene 1: Sir, your servant! (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr Caius)
Act III Scene 1: Just as the chimes of midnight are resounding (Quickly, Ford, Alice, Nannetta, Meg, Fenton)
Act III Scene 1: Don't forget the lanterns (Alice, Ford, Dr Caius, Meg, Quickly, Nannetta)
Act III Scene 2: (Introduction)
Act III Scene 2: From lover's lips a happy song (Fenton, Nannetta)
Act III Scene 2: Master Fenton, put on this friar's habit (Alice, Fenton, Nannetta, Quickly, Meg)
Act III Scene 2: One, two, three, four, five, six, seven chimes (Falstaff)
Act III Scene 2: I hear a nimble footstep (Falstaff, Alice, Meg)
Act III Scene 2: Woon-nymphs, elfins, naiads, leprechauns and sirens (Nannetta, Chorus, Falstaff, Alice)
Act III Scene 2: Upon a fragrant breath of night (Nannetta, Chorus)
Act III Scene 2: Who goes there? (Bardolph, Pistol, Falstaff, Quickly, Alice, Nannetta, Meg, Chorus, Ford)
Act III Scene 2: Pinch him and burn him (Alice, Meg, Quickly, Falstaff, Chorus)
Act III Scene 2: Buffoon! (Dr Caius, Ford, Bardolph, Pistol, Alice, Quickly, Meg, Chorus)
Act III Scene 2: Nose incandescent! Nozzle rubescent! (Falstaff, Quickly, Ford, Meg, Alice)
Act III Scene 2: So the commonest rabble have collected (Falstaff, Chorus, Ford)
Act III Scene 2: Now the bride is approaching with her bridegroom (Ford, Falstaff, Chorus, Alice)
Act III Scene 2: Ha, ha! (Falstaff, Pistol, Chorus, Dr Caius, Ford, Alice, Bardolph, Fenton, Nannetta)
Act III Scene 2: Life is a burst of laughter (Falstaff, All)