John Mark Ainsley

Biography

Born: July 9, 1963; Cheshire, England  
John Mark Ainsley is a leading British tenor especially associated with repertory from the Classical era and earlier. He studied at Oxford, where his teacher was Diane Forlano. In his earliest professional appearances, he established himself as a Mozart tenor, including the role of Idomeneo at the Welsh National Opera and as Don Ottavio at the Aix-en-Provence and Glyndebourne Festivals. His first American appearances were in concerts in New York Read more and Boston, and in 1992 he debuted with the Berlin Philharmonic Orchestra.

His first Viennese appearances were in performances of both the St. Matthew and St John Passions by Bach with the Musik Verein in 1992. The conductor on those occasions was Peter Schreier, who is also one of the era's finest lieder and Bach tenors. Among his other leading roles are the title part of Gluck's Orfeo (his debut role at the Netherlands Opera, 1966), Tito in Mozart's La Clemenza di Tito (for his first appearance in Sydney, 1997), Fenton in Verdi's Falstaff, Lensky in Tchaikovsky's Eugene Onegin, and Jonathan in Nielsen's Saul and David. He has sung and recorded the role of Lysander in Britten's A Midsummer Night's Dream.

He is also an active recitalist and concert artist who has appeared with Les Musiciens du Louvre, the New York Philharmonic, the Berlin Philharmonic, L'Orchestre de Paris, the London Symphony, the Vienna Philharmonic, the San Francisco Symphony, and the Boston Symphony. He records for several labels, but is most closely associated with Hyperion, which has selected him to appear on six discs of its great series of the complete Schubert songs. His repertory for that company includes music of Stravinsky, Vaughan Williams, Warlock, William Lloyd Webber, Grainger, Britten, Ireland, Finzi, and Quilter. Read less
Browse 151-167 of 167 Available Recordings
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  • 151.
    Händel: Jephtha / Creed, Ainsley, George, Denley, Oelze
    Label: Berlin Classics   Catalog: 1057 Release Date: 06/28/1994   Number of Discs: 3
    Composer:  George Frideric Handel
    Performer:  John Mark Ainsley,  Catherine Denley,  Michael George,  Christiane Oelze  ... 
    Conductor:  Marcus Creed
    Orchestra/Ensemble:  Berlin RIAS Chamber Chorus,  Academy for Ancient Music Berlin
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  • 152.
    Purcell: Dido & Aeneas / Hogwood, Bott, Kirkby, Ainsley
    Label: L'oiseau Lyre   Catalog: 436992 Release Date: 06/07/1994   Number of Discs: 1
    Composer:  Henry Purcell
    Performer:  Emma Kirkby,  Sara Stowe,  John Mark Ainsley,  Catherine Bott  ... 
    Conductor:  Christopher Hogwood
    Orchestra/Ensemble:  Academy of Ancient Music Chorus,  Academy of Ancient Music
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  • 153.
    Vaughan Williams: Toward The Unknown Region, Etc / Best
    Label: Hyperion   Catalog: 66655 Release Date: 02/01/1994   Number of Discs: 1
    Composer:  Ralph Vaughan Williams
    Performer:  Matthew Souter,  John Mark Ainsley,  Thomas Allen,  Judith Howarth
    Conductor:  Matthew Best
    Orchestra/Ensemble:  Corydon Orchestra,  Corydon Singers
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  • 154.
    Handel: Joshua / King, Ainsley, Kirkby, Bowman, Et Al
    Label: Hyperion   Catalog: 66461/6 Release Date: 11/19/1993   Number of Discs: 2
    Composer:  George Frideric Handel
    Performer:  Aidan Oliver,  John Mark Ainsley,  Emma Kirkby,  Michael George  ... 
    Conductor:  Robert King
    Orchestra/Ensemble:  King's Consort,  Oxford New College Choir
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  • 155.
    Howells: Hymnus Paradisi, An English Mass / Handley, Et Al
    Label: Hyperion   Catalog: 66488 Release Date: 11/19/1993   Number of Discs: 1
    Composer:  Herbert Howells
    Performer:  Julie Kennard,  John Mark Ainsley
    Conductor:  Vernon Handley
    Orchestra/Ensemble:  Royal Liverpool Philharmonic Orchestra,  Royal Liverpool Philharmonic Choir
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  • 156.
    Vaughan Williams: Serenade To Music, Mystical Songs / Best
    Label: Hyperion   Catalog: 66420 Release Date: 11/17/1993   Number of Discs: 1
    Composer:  Ralph Vaughan Williams
    Performer:  Anne Dawson,  Linda Kitchen,  Amanda Roocroft,  Diana Montague  ... 
    Conductor:  Matthew Best
    Orchestra/Ensemble:  Corydon Singers,  English Chamber Orchestra
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  • 157.
    Handel: Acis And Galatea, Etc / King, Mcfadden, Ainsley
    Label: Hyperion   Catalog: 66361/6 Release Date: 11/16/1993   Number of Discs: 2
    Composer:  George Frideric Handel
    Performer:  John Mark Ainsley,  Robert Harre-Jones,  Rogers Covey-Crump,  Claron McFadden  ... 
    Conductor:  Robert King
    Orchestra/Ensemble:  King's Consort
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  • 158.
    Gilbert & Sullivan: The Pirates Of Penzance / Mackerras, Etc
    Label: Telarc   Catalog: 80353 Release Date: 10/26/1993   Number of Discs: 1
    Composer:  Arthur Sullivan
    Performer:  John Mark Ainsley,  Richard Van Allan,  Richard Suart,  Rebecca Evans  ... 
    Conductor:  Sir Charles Mackerras
    Orchestra/Ensemble:  Welsh National Opera Chorus,  Welsh National Opera Orchestra
    CD: $17.99
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  • 159.
    Purcell: The Complete Odes And Welcome Songs / Robert King
    Label: Hyperion   Catalog: 44031/38 Release Date: 09/01/1993   Number of Discs: 8
    Composer:  Henry Purcell
    Performer:  Rogers Covey-Crump,  Charles Daniels,  Tessa Bonner,  Gillian Fisher  ... 
    Conductor:  Robert King
    Orchestra/Ensemble:  King's Consort,  Oxford New College Choir
    Recommendation
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  • 160.
    The Hyperion Schubert Edition - Complete Songs Vol 12
    Label: Hyperion   Catalog: 33012 Release Date: 09/01/1993   Number of Discs: 1
    Composer:  Franz Schubert
    Performer:  Adrian Thompson,  Graham Johnson,  John Mark Ainsley,  Nancy Argenta  ... 
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  • 161.
    Britten: Gloriana / Barstow, Langridge, Kenny, Jones
    Label: Decca   Catalog: 440213 Release Date: 06/01/1993   Number of Discs: 2
    Composer:  Benjamin Britten
    Performer:  Jonathan Summers,  Bryn Terfel,  John Shirley-Quirk,  John Mark Ainsley  ... 
    Conductor:  Sir Charles Mackerras
    Orchestra/Ensemble:  Welsh National Opera Chorus,  Welsh National Opera Orchestra
    Recommendation
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  • 162.
    Mozart: Coronation Mass / Kirkby, Hogwood
    Label: L'oiseau Lyre   Catalog: 436585 Release Date: 03/16/1993   Number of Discs: 1
    Composer:  Wolfgang Amadeus Mozart
    Performer:  Catherine Robbin,  John Mark Ainsley,  Michael George,  Emma Kirkby
    Conductor:  Christopher Hogwood
    Orchestra/Ensemble:  Winchester Cathedral Choir,  Academy of Ancient Music
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  • 163.
    Britten, Finzi, Holst: Choral Works / Hickox, Et Al
    Label: Chandos   Catalog: 8997 Release Date: 10/28/1992   Number of Discs: 1
    Composer:  Gustav Holst,  Benjamin Britten,  Gerald Finzi
    Performer:  Stephen Varcoe,  John Mark Ainsley
    Conductor:  Richard Hickox
    Orchestra/Ensemble:  City of London Sinfonia,  Britten Singers
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  • 164.
    Monteverdi: L'Orfeo / Pickett, Ainsley, Bott, Gooding
    Label: L'oiseau Lyre   Catalog: 433545 Release Date: 10/20/1992   Number of Discs: 2
    Composer:  Claudio Monteverdi
    Performer:  Tessa Bonner,  Julia Gooding,  Christopher Robson,  Andrew King  ... 
    Conductor:  Philip Pickett
    Orchestra/Ensemble:  New London Consort
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  • 165.
    Vivaldi: Gloria;  Bach: Magnificat / Hickox, Kirkby, Et Al
    Label: Chandos   Catalog: 518 Release Date: 07/29/1992   Number of Discs: 1
    Composer:  Johann Sebastian Bach,  Antonio Vivaldi
    Performer:  Tessa Bonner,  John Mark Ainsley,  Stephen Varcoe,  Michael Chance  ... 
    Conductor:  Richard Hickox
    Orchestra/Ensemble:  Collegium Musicum 90
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  • 166.
    Handel: Dixit Dominus, Nisi Dominus, Salve Regina / Preston
    Label: Archiv Produktion (Dg)   Catalog: 423594 Release Date: 09/05/1988   Number of Discs: 1
    Composer:  George Frideric Handel
    Performer:  Arleen Augér,  Simon Birchall,  John Mark Ainsley,  Lynne Dawson  ... 
    Conductor:  Simon Preston
    Orchestra/Ensemble:  Westminster Abbey Choir,  Westminster Abbey Orchestra
    ArkivCD $16.99
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  • 167.
    Bach: St Matthew Passion / Ozawa, Ainsley, Quasthoff
    Label: Philips   Catalog: 462515 Release Date: 04/1999   Number of Discs: 3
    Composer:  Johann Sebastian Bach
    Performer:  Stanford Olsen,  Thomas Quasthoff,  Nathalie Stutzmann,  Christiane Oelze  ... 
    Conductor:  Seiji Ozawa
    Orchestra/Ensemble:  Tokyo Opera Singers Choir,  SKF Matsumoto Children's Choir,  Saito Kinen Orchestra
    On sale! $39.98
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1 2 3 4 5 6 7

Biography

Born: July 9, 1963; Cheshire, England  
John Mark Ainsley is a leading British tenor especially associated with repertory from the Classical era and earlier. He studied at Oxford, where his teacher was Diane Forlano. In his earliest professional appearances, he established himself as a Mozart tenor, including the role of Idomeneo at the Welsh National Opera and as Don Ottavio at the Aix-en-Provence and Glyndebourne Festivals. His first American appearances were in concerts in New York Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Amor mihi vitam donat
Amor est dolor meus
Amor est pax mea
Overture
Allegro - Adagio
Menuet
Act I Scene 1: Sinfonia: Largo e staccato - Scene 1: Recitative: Esci, esci, o Signore (Andronico) - Scene 1: Sinfonia: Largo e staccato
Act I Scene 1: Recitative: Prence, lo so: ti devo Questo di liberta brieve momento, (Bajazet, Andronico)
Act I Scene 1: Aria: Forte e lieto a morte andrei (Bajazet)
Act I Scene 2: Recitative: Non si perda di vista il disperato (Andronico, Tamerlano)
Act I Scene 2: Aria: Vuo dar pace a un'alma altiera (Tamerlano)
Act I Scene 3: Recitative: Il Tartaro ama Asteria (Andronico)
Act I Scene 3: Aria: Bella Asteria, il tuo cor mi difenda (Andronico)
Act I Scene 4: Recitative: Non e piu tempo, Asteria (Tamerlano, Asteria)
Act I Scene 4: Aria: Dammi pace, o volto amato (Tamerlano)
Act I Scene 5: Recitative: Serve Asteria di prezzo al Greco infido (Asteria)
Act I Scene 5: Aria: S' ei non mi vuol amar (Asteria)
Act I Scene 6: Recitative: Non ascolto piu nulla (Bajazet, Andronico, Asteria)
Act I Scene 6: Aria: Ciel e terra armi di sdegno (Bajazet)
Act I Scene 7: Recitative: Asteria non parlate? (Andronico, Asteria)
Act I Scene 7: Aria: Deh, lasciatemi il nemico (Asteria)
Act I Scene 8: Recitative: Cosi la sposa il Tamerlano accoglie? (Irene, Leone, Andronico)
Act I Scene 8: Aria: Dal crudel che m'ha tradita, Tentero con la mia vita (Irene)
Act I Scene 9: Recitative: Chi vide mai piu sventurato amante? (Andronico)
Act I Scene 9: Aria: Benche mi sprezzi (Andronico)
Act II Scene 10: Arietta: No, che del tuo gran cor io sono l'offenso (Andronico)
Act II Scene 10: Recitative: Amica, son quella superba donna? (Asteria)
Act II Scene 10: Arietta: No, che sei tanto costante Nella la fede a me promessa (Irene)
Act II Scene 10: Recitative: Si, si, son vendicata (Asteria)
Act II Scene 10: Aria: Se potessi un di placare Il mio fato si crudele (Asteria)
Cinq poe?mes de Paul Eluard: I. Peut-il se reposer celui qui dort
Cinq poe?mes de Paul Eluard: II. Il la prend dans ses bras
Cinq poe?mes de Paul Eluard: III. Plume d?eau claire
Cinq poe?mes de Paul Eluard: IV. Ro?deuse au front de verre
Cinq poe?mes de Paul Eluard: V. Amoureuses
Beati misericordes
Iesu parabola iam nobis fiat fabula
Bono nunc animo es, viator
En alter in conspectum venit
Ecce, tertius apparet
Refrain: The Unfolding of the Great Mystery
Ikon I
Ikon II
Ikon III - Refrain
Ikon IV
Ikon V - Refrain
Ikon VI
Ikon VII - Refrain
Ikon VIII
Ikon IX
The Tomb
Ikon X
Ikon XI
Part I: Chorale: Herr, unser Herrscher (Chorus)
Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist)
Part I: Chorale: O grosse Lieb (Chorus)
Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus)
Part I: Chorale: Dein Will gescheh, Herr Gott, zugleich (Chorus)
Part I: Recitative: Die Schar aber und der Oberhauptmann (Evangelist)
Part I: Aria: Von den Strikken meiner Sunden (Alto)
Part I: Recitative: Simon Petrus aber folgete Jesu nach (Evangelist)
Part I: Aria: Ich folge dir gleichfalls (Soprano)
Part I: Recitative: Derselbige Junger war (Evangelist)
Part I: Chorale: Wer hat dich so geschlagen (Chorus)
Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist)
Part I: Aria: Ach, mein Sinn, wo willt du endlich hin (Tenor)
Part I: Chorale: Petrus, der nicht denkt zuruck (Chorus)
Part II: Chorale: Christus, der uns selig macht (Chorus)
Part II: Recitative: Da fuhreten sie Jesum - Was bringet ihr - Redest du das (Evangelist, Pilatus, Jesus)
Part II: Chorale: Ach grosser Konig (Chorus)
Part II: Recitative: Da sprach Pilatus zu ihm - So bist du dennoch - Was is Wahrheit? (Evangelist, Jesus, Pilatus)
Part II: Arioso: Betrachte, meine Seel (Bass)
Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor)
Part II: Recitative: Und die kriegsknechte flochten - Sehet, ich fuhre - Du hattest keine (Evangelist, Pilatus, Jesus)
Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus)
Part II: Recitative: Die Juden aber schrieen (Evangelist)
Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass)
Part II: Recitative: Allda kreuzigten sie ihn - Was ich geschrieden habe (Evangelist, Pilatus)
Part II: Chorale: In meines Herzens Grunde (Chorus)
Part II: Recitative: Die Kriegsknechte aber - Lasset uns den nicht zerteilen - Auf dass erfullet wurde die Schrift (Evangelist, Jesus, Chorus)
Part II: Chorale: Er nahm alles wohl in acht (Chorus)
Part II: Recitative: Und von Stund an - Mich durstet! (Evangelist, Jesus)
Part II: Aria: Es ist vollbracht (Alto)
Part II: Recitative: Und neigte das Haupt und verschied (Evangelist)
Part II: Aria: Mein teurer Heiland (Bass)
Part II: Recitative: Und siehe da, der Vorhang (Evangelist)
Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor)
Part II: Aria: Zerfliesse, mein Herze (Soprano)
Part II: Recitative: Die Juden aber (Evangelist)
Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus)
Part II: Recitative: Darnach bat Pilatum (Evangelist)
Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus)
Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Part I: Chorale: O Mensch, bewein' dein Sunde gross (Chorus)
Part I: Aria: Himmel reisse, Welt erbebe (Bass)
Part I: Aria: Zerschmettert mich, ihr Felsen und ihr Hugel (Tenor)
Part II: Aria: Ach windet euch nicht so (Tenor)
Part II: Chorale: Christe, du Lamm Gottes (Chorus)
"Over hill, over dale"
"Oberon is passing fell and wrath"
"Well, go thy way"
"How now my love?"
"Be it on lion, bear, or wolf, or bull"
"Welcome wanderer!"
"Is all our company here?"
"Fair love, you faint with wand'ring in the wood"
"Through the forest have I gone"
"Stay, though thou kill me, sweet Demetrius"
"Come, now a roundel and a fairy song"
"You spotted snakes with double tongue"
"What thou seest when thou dost wake"
Introduction: The wood
"Are we all met?"
"I see their knavery"
"Be kind and courteous to this gentleman"
"Hail, mortal, hail!"
"I have a reas'nable good ear in music"
"How now, mad spirit?"
"Flower of this purple dye"
"Puppet? Why so?"
"This is thy negligence"
"Up and down, up and down"
"On the ground, sleep sound"
"My gentle Robin, see'st thou this sweet sight?"
"Helena! Hermi! Demetrius! Lysander!"
"When my cue comes, call me"
"Have you sent to Bottom's house?"
"Now, fair Hippolyta"
"If we offend, it is with our good will"
"Gentles, perchance you wonder at this show"
"In this same interlude it doth befall"
"O grim-look'd night, O night with hue so black"
"O wall, full often hast thou heard my moans"
"You ladies, you whose gentle hearts do fear"
"This lanthorn doth the horned moon present"
"Sweet moon, I thank thee for thy sunny beams"
"Asleep, my love?"
"Come, your Bergomask"
"Now the hungry lion roars"
Overture
"Shake the cloud from off your brow"
"Ah! Belinda. I am prest with torment"
"When monarchs unite"
"Whence could so much virtue spring?"
"Fear no danger"
"See, see, your royal guest appears"
"Cupid only throws the dart"
"If not for mine"
"Pursue thy conquest, love"
A Dance Gittars Chacony
"To the hills and the vales"
The triumphing dance
Prelude for the witches - "Wayward sisters"
"Harm's our delight"
"The Queen of Carthage, whom we hate"
"In our deep vaulted cell"
Echo dance of the Furies
Ritornelle - "Thanks to these lonesome vales"
Glitter ground - a dance
"Oft she visits" - Ritornelle
"Behold upon my bending spear"
"Haste, haste to town"
"Stay, Prince, stay"
Ritornelle
Prelude - "Come away, fellow sailors"
The Sailors' Dance
"See the flags and streamers curling"
"Destruction's our delight"
The Witches' Dance
"Your councel all is urg'd in vain"
"Great minds against themselves conspire"
"Thy Hand Belinda - When I Am Laid In Earth"
"With drooping wings"
Overture
Second Music: Air - Hornpipe
Overture
Trumpet Tune I
Wake Quivera, Wake
Why Should Men Quarrel?
By Ancient Prophecies
Trumpet Tune II
Symphony
I Come To Sing Great Zempoalla's Story
What Flatt'ring Noise Is This?
Scorn'd Envy, Here's Nothing
Trumpet Tune
We Come To Sing Great Zempoalla's Story
Dance
Second Act Tune (Trumpet Tune reprise)
Dance
Ye Twice The Hundred Deities - By The Croaking
Symphony - Seek Not To Know
Trumpet Overture
Ah, How Happy Are We
We The Spirits Of The Air
I Attempt From Love's Sickness To Fly
Third Act Tune: Rondeau
They Tell Us That Your Mighty Powers
Fourth Act Tune: Air
While Thus We Bow
You, Who At The Altar - All Dismal Sounds
Symphony
To Bless The Genial Bed - Come All, Come At My Call
I'm Glad I Have Met Him
The Joys Of Wedlock Soon Are Past - Sound, Sound The Trumpet
Make Haste, Make Haste To Put On Love's Chains
Trumpet Air - Let Loud Renown With All Her Thousand Tongues
No.1 Choeur de la populace troyenne: "Ha! Ha! Après dix ans"
No.2 Récitatif et air: "Les Grecs ont disparu" - "Malheureux roi!"
"Chorèbe..." - No.3 Duo: "C'est lui!" - "Quitte-nous dès ce soir"
Reviens à toi, vierge adorée
Signes trompeurs! . . . Quitte-nous dès ce soir
No.4 Marche et hymne: "Dieux protecteurs"
No.5 Combat de ceste - Pas de lutteurs
No.6 Pantomime: "Andromaque et son fils!"
Un traître, un espion!
No.7 Narration: "Du peuple et des soldats"
No.8 Ottetto et double choeur: "Châtiment effroyable!"
No.9 Récitatif et choeur: "Que la déesse" - "A cet objet sacré"
No.10 Air: "Non, je ne verrai pas"
Du roi des dieux, ô fille aimée
Introduction
No.12 Scène et récitatif: Introduction - "O lumière de Troie!" - "Ah!... fuis, fils de Vénus"
No.13 Récitatif et choeur: "Quelle espérance" - "Le salut des vaincus"
No.14 Choeur-prière: "Ah! Puissante Cybèle"
No.15 Récitatif et choeur: "Tous ne périront pas" - "O digne soeur d'Hector"
No.16 Final: "Complices de sa gloire" - "Le trésor! le trésor!"
Cassandre, avec toi nous mourrons!
Prélude - Les Troyens à Carthage
No.17 Choeur: "De Carthage les cieux"
No.18 Chant national: "Gloire à Didon"
No.19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens"
No.20 Entrée des constructeurs
No.21 Entrée des matelots
No.22 Entrée des laboureurs
Peuple! Tous les honneurs
Les chants joyeux
Sa voix fait naître dans mon sein
No.25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers"
No.26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience"
No.27 Récitatif: "Auguste reine, un peuple"
No.28 Final: "J'ose à peine annoncer" - "Annonce à nos Troyens" - "Des armes! des armes!"
Annonce à nos Troyens l'entreprise nouvelle
No.29 Chasse royale et orage - Pantomime
No.30 Récitatif: "Dites Narbal, qui cause"
No.31 Air et duo: "De quel revers" - "Vaine terreur!"
No.32 Marche pour l'entrée de la reine
No.33 Ballet: a) Pas des almées
No.33 Ballet: b) Danse des esclaves
No.33 Ballet: c) Pas d'esclaves nubiennes
No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès"
No.35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!"
No.36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix"
No.37 Duo: "Nuit d'ivresse et d'extase"
No.38 Chanson d'Hylas: "Vallon sonore"
No.39 Récitatif et choeur: "Préparez tout" - "Chaque jour voit grandir la colère"
No.40 Duo: "Par Bacchus! ils sont fous"
No.41 Récitatif mesuré et air: "Inutiles regrets" - "Ah! quand viendra"
Ah! quand viendra l'instant des suprêmes adieux
No.42 Scène: "Enée!..."
No.43 Scène et choeur: "Debout, Troyens" - "Alerte!"
No.44 Duo et choeur: "Errante sur tes pas" - "Italie!"
No.45 Scène: "Va, ma soeur, l'implorer"
No.46 Scène: "En mer, voyez!" - "Dieux immortels!"
No.47: "Ah! Ah! Je vais mourir"
No.48 Air: "Adieu, fière cité"
No.49 Cérémonie funèbre: "Dieux de l'oubli" - "S'il faut enfin qu' Enée"
No.50 Scène: "Pluton... semble m'être propice"
No.51 Choeur: "Ah! au secours!" - No.52 Imprécation: "Rome... Rome.. immortelle"
Part I: Symphony
Part I: Comfort ye my people (Tenor)
Part I: Ev'ry valley shall be exalted (Tenor)
Part I: And the glory of the Lord shall be revealed (Chorus)
Part I: Thus saith the Lord of Hosts (Bass)
Part I: But who may abide the day of His coming (Alto)
Part I: And He shall purify (Chorus)
Part I: Behold, a virgin shall conceive (Alto)
Part I: O thou that tellest good tidings to Zion (Alto, Chorus)
Part I: For behold, darkness shall cover the earth (Bass)
Part I: The people that walked in darkness (Bass)
Part I: For unto us a child is born (Chorus)
Part I: Pifa (Pastoral Symphony)
Part I: There were shepards (Soprano)
Part I: And the angel said unto them (Soprano)
Part I: And suddenly there was with the angel (Soprano)
Part I: Glory to God in the highest (Chorus)
Part I: Rejoice greatly, O daughter of Zion (Soprano)
Part I: Then shall the eyes of the blind be open'd (Soprano)
Part I: He shall feed His flock like a shepherd (Soprano)
Part I: His yoke is easy, his burthen is light (Chorus)
Part II: Behold, The Lamb of God (Chorus)
Part II: He was despised (Alto)
Part II: Surely, He hath borne our griefs (Chorus)
Part II: And with His stripes we are healed (Chorus)
Part II: All we like sheep have gone astray (Chorus)
Part II: Recitative: All they that see Him (Tenor)
Part II: He trusted in God (Chorus)
Part II: Thy rebuke hath broken His heart (Tenor)
Part II: Behold, and see if there be any sorrow (Tenor)
Part II: He was cut off out of the land of the living (Soprano)
Part II: But Thou didst not leave His soul in hell (Soprano)
Part II: Lift up your heads, O ye gates (Chorus)
Part II: Unto which of the Angels (Tenor)
Part II: Let all the angels of God worship Him (Chorus)
Part II: Thou art gone up on high (Alto)
Part II: The Lord gave the word (Chorus)
Part II: How beautiful are the feet (Soprano)
Part II: Their sound is gone out into all lands (Chorus)
Part II: Why do the nations so furiously rage together (Bass)
Part II: Let us break their bonds asunder (Chorus)
Part II: He that dwelleth in heaven (Tenor)
Part II: Thou shalt break them (Tenor)
Part II: Hallelujah (Chorus)
Part III: I know that my redeemer liveth (Soprano)
Part III: Since by man came death (Chorus)
Part III: Behold, I tell you a mystery (Bass)
Part III: The trumpet shall sound (Bass)
Part III: Then shall be brought to pass the saying (Alto)
Part III: O death, where is thy sting (Alto, Tenor)
Part III: But thanks be to God (Chorus)
Part III: If God be for us (Soprano)
Part III: Worthy is the Lamb that was slain ... Amen (Chorus)
Overture
Welcome to all the pleasures
"Here the deities approve" - "While joys celestial"
"Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Beauty, thou scene of love
In a consort of voices
Symphony
"Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
The bashful Thames, for beauty so renowned
The pale and the purple rose
And in each track of glory since
Symphony
And now when the renown'd Nassau
They did no storms, nor threat'nings fear
So when the glitt'ring Queen of Night
Let music join
Sound, trumpets, sound!
Sound all to him
Semele HWV58: Where'er you walk
Semele HWV58: Where'er you walk