Dag Achatz

Biography

Born: 1942; Stockholm, Sweden  
Dag Achatz is widely admired not only for his keyboard virtuosity but for his amazing eclecticism in both repertory and performance practices. The Swedish-born virtuoso is at home in the solo works of Schumann and Liszt; in the glittery, jazzier pieces of Gershwin and Bernstein; in the piano concertos of little-known composers like Pierné and Boldemann; and in a wide variety of the two-piano repertory, especially transcriptions and arrangements Read more of well-known classical orchestral works. Achatz has made some of those transcriptions himself, including a highly praised rendition of Stravinsky's The Rite of Spring. Achatz has also fashioned a piano version of the Bernstein ballet Fancy Free, as well as a suite of numbers from West Side Story. He has often appeared in concert and on recordings in two-piano repertory with Japanese virtuoso Yukie Nagai. Achatz has made most of his nearly 30 recordings for the Swedish label BIS. A small number of earlier efforts was issued on EMI, Melodiya, and Americus Records.

Dag Achatz was born in Stockholm, Sweden, in 1942. His parents were musicians who early on relocated the family to Switzerland. Achatz was a child prodigy, divulging so extraordinary a keyboard talent as to allow him to enter the Geneva Conservatory at the age of eight.

After graduation, the gifted teenager returned to Stockholm for studies with Greta Erickson. Later teachers included an iconic pair of keyboard giants: Alfred Cortot and Vlado Perlemuter.

Achatz won the Lausanne-based Rudolf Ganz Competition in 1960 and the 1964 Maria Callas Competition in Barcelona. His reputation steadily grew, as his interest in transcribing also took wing. His 1981 BIS recording of Stravinsky's The Rite of Spring was a sensation, and throughout the decade he turned out several additional important recordings, including a CD of the complete works of George Gershwin (1989).

After hearing the Stravinsky Rite, Bernstein asked Achatz to do the transcription of Fancy Free, which was issued on an all-Bernstein CD in 1986.

By 2000 Achatz had appeared in many of the major concert venues in Europe, the United States, and the Far East. He has regularly conducted master classes (Umea Conservatory, Sweden; Osaka Conservatory, Japan). While Achatz has remained busy in the new century both concertizing and teaching, he has been less active in the recording studio. Among his later CDs is the 1999 BIS release of Wagner transcriptions (two-piano arrangements by Max Reger) with Yukie Nagai. Read less
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Biography

Born: 1942; Stockholm, Sweden  
Dag Achatz is widely admired not only for his keyboard virtuosity but for his amazing eclecticism in both repertory and performance practices. The Swedish-born virtuoso is at home in the solo works of Schumann and Liszt; in the glittery, jazzier pieces of Gershwin and Bernstein; in the piano concertos of little-known composers like Pierné and Boldemann; and in a wide variety of the two-piano repertory, especially transcriptions and arrangements Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
Overture
I. Adagio
II. Tema con variazioni
III. Intermezzo
IV. Finale
I. Ballade de Villon a s'amye (Triste et lent)
II. Ballade que Villon feit a la requeste de sa mere pour prier Nostre-Dame (Tres modere)
III. Ballades des femmes de Paris (Alerte et gai)
I. Prologue (Lent. Sostenuto molto risoluto)
II. Serenade (Moderement anime)
III. Finale (Anime)
I. La flute de Pan
II. La chevelure
III. Le tombeau des Naiades
I. Doctor Gradus ad Parnassum
II. Jimbo's Lullaby
III. Serenade of the Doll
IV. The Snow is Dancing
V. The Little Shepherd
VI. Golliwog's Cake Walk
I. Von fremden Landern und Menschen
II. Kuriose Geschichte
III. Hasche-Mann
IV. Bittendes Kind
V. Gluckes genug
VI. Wichtige Begebenheit
VII. Traumerei
VIII. Am Kamin
IX. Ritter vom Steckenpferd
X. Fast zu ernst
XI. Furchtesmachen
XII. Kind im Einschlummern
XIII. Der Dichter spricht
I. Durchaus phantastisch und leidenschaftlich vorgetragen
II. Massig. Durchaus energisch
III. Langsam getragen. Durchweg leise zu halten
I. Nuages
II. Fetes
III. Sirenes
I. En bateau
II. Cortege
III. Menuet
IV. Ballet
De l'aube a midi sur la mer
Jeux de vagues
Dialogue du vent de la mer
I. Andante - Allegro con anima
II. Andante cantabile con alcuna licenza
III. Valse: Allegro moderato
IV. Finale: Andante maestoso - Allegro vivace - Moderato assai e molto maestoso - Presto
The Man I love
The Man I love
Swanee
Swanee
Nobody but you
Nobody but you
I'll build a Stairway to Paradise
I'll build a Stairway to Paradise
Do it again
Do it again
Fascinating rhytm
Fascinating rhytm
Oh, Lady be good
Oh, Lady be good
Do do do
Do do do
Somebody loves me
Somebody loves me
Sweet and low down
Sweet and low down
Clap yo' hands
Clap yo' hands
My one and only
My one and only
S' wonderful
S' wonderful
I got rhytm
I got rhytm
Who cares?
Who cares?
Strike up the Band
Strike up the Band
That certain Feeling
That certain Feeling
Liza
Liza
Prelude I. Allegro ben ritmato e deciso
Prelude II. Andante con moto e poco rubato
Prelude III. Allegro ben ritmato e deciso
I. Prologue - Somewhere - Procession and Nightmare
II. Transition to scherzo - Scherzo
III. Cha-cha - Meeting scene - Cool
IV. The Rumble
I. Enter Three Sailors
II. Scene at the Bar
III.Enter Two Girls
IV. Pas de deux
V. Pantomime
VI. Three Variations: Galop - Waltz - Danzon
VII. Finale
Chorale
Variations I - VIII and Coda
Part I: L'adoration de la terre (Adoration of the Earth)
Part II: Le sacrifice
I. Introduction. II. Danse de l'Oiseau de Feu (The Firebird and Its Dance). III. Variation of the Firebird
IV. Ronde de Princesses (The Princesses' Khorovod)
V. Danse infernale (Infernal Dance of King Kashchei)
VI. Berceuse (Lullaby)
VII. Finale
I. Von fremden Landern und Menschen. II. Kuriose Geschichte. III. Hasche-Mann
IV. Bittendes Kind - V. Gluckes genug - VI. Wichtige Begebenheit
VII. Traumerei - VIII. Am Kamin - IX. Ritter vom Steckenpferd
X. Fast zu ernst - XI. Furchtesmachen
XII. Kind im Einschlummern - XIII. Der Dichter spricht
I. Doctor Gradus ad Parnassum
II. Jimbo's Lullaby
III. Serenade of the Doll
IV. The Snow of Dancing
V. The Little Shepherd
VI. Golliwogg's Cake-Walk
Book I, No. 1. Children at Play. No. 3. No. 5. Play. No.16. Old Hungarian Tune
Book I, No. 1. Children at Play. No. 3. No. 5. Play. No.16. Old Hungarian Tune
Book I, No. 1. Children at Play. No. 3. No. 5. Play. No.16. Old Hungarian Tune
Book I, No. 1. Children at Play. No. 3. No. 5. Play. No.16. Old Hungarian Tune
Book I, No. 35. Book II, No. 18. Teasing Song. No. 34. Farewell
Book I, No. 35. Book II, No. 18. Teasing Song. No. 34. Farewell
Book I, No. 35. Book II, No. 18. Teasing Song. No. 34. Farewell
I. Ouverture miniature
II. Marche
III. Fee dragee
IV. Danse russe, "Trepak"
V. Danse arabe, "Le cafe"
VI. Danse chinoise, "Le the"
VII. Danse des mirlitons
VIII. Valse des fleurs
I. Andantino
II. Allegro
I. Pan
II. Tityre
III. Krishna
IV. Mr de la Péjaudie
I. Allegro malinconico
II. Cantilena
III. Presto giocoso
Allegro (Maestoso - Allegro deciso)
Scherzando (Allegro scherzando)
Final (Allegro un poco agitato)
I. Pavane de la belle au bois dormant (Pavane of Beauty Sleeping in the Wood)
II. Petit poucet (Tom Thumb)
III. Laideronette, Imperatrice des pagodes (Laideronette, Empress of the Pagodas)
IV. Les entretiens de la belle et de la bete (The Conversations of Beauty and the Beast)
V. Le jardin feerique (The Fairy Garden)
I. Prelude a la nuit (Prelude to the Night) - (attacca)
II. Malaguena
III. Habanera
IV. Feria