Michael George

Browse 101-95 of 95 Available Recordings
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WORKS ALBUMS
TITLE/COMPOSER
LABEL
Overture
Welcome to all the pleasures
"Here the deities approve" - "While joys celestial"
"Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Beauty, thou scene of love
In a consort of voices
Symphony
"Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
The bashful Thames, for beauty so renowned
The pale and the purple rose
And in each track of glory since
Symphony
And now when the renown'd Nassau
They did no storms, nor threat'nings fear
So when the glitt'ring Queen of Night
Let music join
Sound, trumpets, sound!
Sound all to him
At the Boar's Head, Op.42/H.156 (1995 Remastered Version): For God's sake (Doll)
At the Boar's Head, Op.42/H.156 (1995 Remastered Version): Now comes in the sweetest morsel (Falstaff)
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Symphony
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hark! hark! each tree -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: 'Tis Nature's voice -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Soul of the world!
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Thou tun'st this world below -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With that sublime celestial lay
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Voluntary in D minor Z718 - Wondrous machine! -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The airy violin -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: In vain the am'rous flute
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The fife and all the harmony of war
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Let these amongst themselves contest
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With rapture of delight - Hail! Bright Cecilia
Timon of Athens, Z.632 : Overture to The Masque
Timon of Athens, Z.632 : I "Hark! how the songsters of the grove" (Two Nymphs)
Timon of Athens, Z.632: II "Love in their little veins inspires" (Nymph)
Timon of Athens, Z.632: The Masque "But ah! how much are our delights" (Two Nymphs, Shepherd)
Timon of Athens, Z.632: IV "Hence with your trifling deity!" (A Bacchanal) "But over us no griefs prevail" (Three Bacchanals)
Timon of Athens, Z.632: V "Come all, come all to me" (Cupid)
Timon of Athens, Z.632: VI "Who can resist" (Chorus)
Timon of Athens, Z.632: VII "Return, revolting rebels!" (Bacchus)
Timon of Athens, Z.632: VIII "The care of lovers" (A Nymph)
Timon of Athens, Z.632: IX "Love quickly is pall'd" (A Bacchanal)
Timon of Athens, Z.632: X "Come, let us agree" (Cupid, Bacchus, Chorus)
Timon of Athens, Z.632: Curtain Tune
Dioclesian, Z.627 : First Music
Dioclesian, Z.627: Second Music
Dioclesian, Z.627: Overture to Act 1
Dioclesian, Z.627, Act 1: First Act Tune
Dioclesian, Z.627, Act 2: "Great Diocles" (Bass, Chorus)
Dioclesian, Z.627, Act 2: "Charon, the peaceful shade" (Woman) "Let all mankind the pleasure share" (Chorus, Soprano, Bass)
Dioclesian, Z.627, Act 2: "Let the soldiers rejoice" (Tenor, Chorus)
Dioclesian, Z.627, Act 2: "To Mars let'em raise" (Tenor, Bass, Chorus)
Dioclesian, Z.627, Act 2: "Since the tolis " (Tenor) "Let the priests" (Soprano, Tenor, Bass, Chorus)
Dioclesian, Z.627, Act 2: Dance of Furies
Dioclesian, Z.627, Act 2: Second Act Tune
Dioclesian, Z.627, Act 3: Chaconne
Dioclesian, Z.627, Act 3: "When first I saw" (Soprano)
Dioclesian, Z.627, Act 3: The Chair Dance
Dioclesian, Z.627, Act 3: "What shall I do" (Soprano)
Dioclesian, Z.627, Act 3: Third Act Tune
Dioclesian, Z.627, Act 4: Butterfly Dance
Dioclesian, Z.627, Act 4: Trumpet Tune
Dioclesian, Z.627, Act 4: "Sound, Fame" (Tenor, Chorus)
Dioclesian, Z.627, Act 4: Fourth Act Tune
Dioclesian, Z.627, Act 5: Country Dance
Dioclesian, Z.627, Act 5: Prelude to The Masque: "Call the Nymphs" (Cupid, Chorus)
Dioclesian, Z.627, Act 5: "Come, come away" (A Bacchanalian, A Silvan)
Dioclesian, Z.627, Act 5: Prelude & Chorus: "Behold, O mightiest of Gods"
Dioclesian, Z.627, Act 5: "Ah the sweet delights of love" (2 Wood-Gods)
Dioclesian, Z.627, Act 5: "Let monarchs fight" (A Faun)
Dioclesian, Z.627, Act 5: "Since from my dear" (Another Faun)
Dioclesian, Z.627, Act 5: "Make room" (Two of Bacchus' followers, Bacchus) "Give to every one" (Tenor, Bass, Chorus) Dance of Bacchanals
Dioclesian, Z.627, Act 5: One of Cupid's Followers (Tenor)
Dioclesian, Z.627, Act 5: "Tell me why my charming fair" (Shepherd, Shepherdess)
Dioclesian, Z.627, Act 5: Dance
Dioclesian, Z.627, Act 5: "All our days" (Tenor, Chorus) "Let us dance" (Soprano)
Dioclesian, Z.627, Act 5: "Triumph, victorious love" (Tenor, Tenor, Bass, Chorus)
Part I: Herr, unser Herrscher (Chorus)
Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist, Jesus) ? Jesum von Nazareth (Chorus) ? Recitative: Jesus spricht ze ihnen (Evangelist, Jesus) ? Jesum von Nazareth (Chorus) ? Recitative: Jesus antwortete (Evangelist, Jesus)
Part I: Chorale: O grosse Lieb (Chorus)
Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus)
Part I: Chorale: Dein Will gescheh, Herr Gott, zugleich (Chorus)
Part I: Recitative: Die Schar aber und der Oberhauptmann (Evangelist)
Part I: Aria: Von den Stricken meiner Sunden (Alto)
Part I: Recitative: Simon Petrus aber folgete Jesu nach (Evangelist)
Part I: Aria: Ich folge dir gleichfalls (Soprano)
Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)
Part I: Chorale: Wer har dich so geschlagen (Chorus)
Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist) - Bist du nicht seiner Junger einer (Chorus) ? Recitative: Er leugnete aber und sprach (Evangelist, Petrus, Servus)
Part I: Aria: Ach, mein Sinn (Tenor)
Part I: Chorale: Petrus, der nicht denkt zuruck (Chorus)
Part II: Chorale: Christus, der uns selig macht (Chorus)
Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) ? Recitative: Da sprach Pilatus zu ihnen (Evangelist, Pilatus) - Wir durfen niemand toten (Chorus) ...
Part II: Chorale: Ach, grosser Konig (Chorus)
Part II: Chorale: Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) - Nicht diesen, sondern Barrabam (Chorus) ? Recitative: Barrabas aber war ein Morder (Evangelist)
Part II: Arioso: Betrachte, meine Seel (Bass)
Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor)
Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) ? Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) ...
Part II: Chorale: Durch dein Gefangnis, Gottes Sohn (Chorus)
Part II: Recitative: Die Juden aber schrieen und sprachen (Evangelist) - Lassest du diesen los (Chorus) ? Recitative: Da Pilatus das Wort horete (Evangelist, Pilatus) ? Weg, weg mit dem (Chorus) ? Recitative: Spricht Pilatus zu ihnen (Evangelist, Pilatus)
Part II: Aria: Eilt, ihr angefochtnen Seelen (Bass, Chorus)
Part II: Recitative: Allda kreuzigten sei ihn (Evangelist) - Schreibe nicht: der Juden Konig (Chorus) ? Recitative: Pilatus antwortet (Evangelist, Pilatus)
Part II: Chorale: In meines Herzens Grunde (Chorus)
Part II: Recitative: Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) ? Recitative: Auf dass erfullet wurde die Schrift (Evangelist, Jesus)
Part II: Chorale: Er nahm alles wohl in acht (Chorus)
Part II: Recitative: Und von Stund an nahm sie der Junger (Evangelist, Jesus)
Part II: Aria: Es ist vollbracht (Alto)
Part II: Recitative: Und neiget das Haupt (Evangelist)
Part II: Aria: Mein teurer Heiland, lass dich fragen (Bass, Chorus)
Part II: Recitative: Und siehe da, der Vorhang im Tempel zerriss (Evangelist)
Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor)
Part II: Aria: Zerfliesse, mein Herze (Soprano)
Part II: Recitative: Die Juden aber, dieweil es der Rusttag war (Evangelist)
Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus)
Part II: Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelist)
Part II: Ruht wohl, ihr heiligen Gebeine (Chorus)
Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Overture
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Welcome to all the pleasures
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Here the deities approve" - "While joys celestial"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Then lift up your voices" - "The pow'r shall divert us a pleasanter way"
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Beauty, thou scene of love
Purcell: Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - In a consort of voices
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - "Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine"
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The bashful Thames, for beauty so renowned
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The pale and the purple rose
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And in each track of glory since
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Symphony
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And now when the renown'd Nassau
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - They did no storms, nor threat'nings fear
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - So when the glitt'ring Queen of Night
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Let music join
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound, trumpets, sound!
Purcell: Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound all to him
Wachet auf, ruft uns die Stimme BWV 140: Chorus: Wachet auf, ruft uns die Stimme
Wachet auf, ruft uns die Stimme BWV 140: Recitative: Er kommt, er kommt
Wachet auf, ruft uns die Stimme BWV 140: Duet: Wenn kömmst du, mein Heil?
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Zion hört die Wächter singen
Wachet auf, ruft uns die Stimme BWV 140: Recitative: So geh herein zu mir
Wachet auf, ruft uns die Stimme BWV 140: Aria duetto: Mein Freund ist mein! (soprano/tenor/oboe)
Wachet auf, ruft uns die Stimme BWV 140: Chorale: Gloria sei dir gesungen
Magnificat in D BWV243: Magnificat
Magnificat in D BWV243: Et exultavit (soprano 2)
Magnificat in D BWV243: Quia respexit (soprano 1/Oboe)
Magnificat in D BWV243: Omnes generationes
Magnificat in D BWV243: Quia fecit mihi magna (Bass)
Magnificat in D BWV243: Et misericordia (countertenor/tenor)
Magnificat in D BWV243: Fecit potentiam
Magnificat in D BWV243: Deposuit potentes (tenor)
Magnificat in D BWV243: Esurientes (countertenor)
Magnificat in D BWV243: Suscepit Israel (Sopranos 1&2/countertenor)
Magnificat in D BWV243: Sicut locutus est
Magnificat in D BWV243: Gloria
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Christe (soprano 2/countertenor/tenor/bass)
Missa brevis in A BWV 234: Kyrie
Missa brevis in A BWV 234: Gloria (countertenor/tenor/bass)
Missa brevis in A BWV 234: Et in terra pax (flute soli)
Missa brevis in A BWV 234: Domine Deus (bass)
Missa brevis in A BWV 234: Qui tollis peccata mundi (soprano 2/flute soli)
Missa brevis in A BWV 234: Quoniam tu solus (countertenor)
Missa brevis in A BWV 234: Cum Sancto Spiritu
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sinfonia
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Weinen, Klagen, Sorgen, Zagen
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Wir müssen durch viel Trübsal (countertenor)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Kreuz und Krone sind verbunden
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Ich folge Christo nach (bass/Violin soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Sei getreu, alle Pein (tenor/trumpet soli)
Weinen, Klagen, Sorgen, Zagen BWV 12 [version in G minor]: Was Gott tut, das ist wohlgetan
Part I: Wie ist dein Name so gross (Choir)
Part I: Bringt her, ihr Helden aus gottlichem Samen (Soprano)
Part I: Fallt vor ihm hin (Alto)
Part I: Die Stimme Gottes erschuttert die Meere (Tenor)
Part I: Die Stimme Gottes zerschemettert die Zedern (Bass 1)
Part I: Sie sturzt die stolzen Gebirge zusammen (Bass 2)
Part I: Er donnert, dass er verherrlichet werde (Bass 1 and 2)
Part II: Mein Herz ist voll, vom Geiste Gottes erhoben (Choir)
Part II: Schonster von allen Geschlechten (Soprano)
Part II: Gurt an dein Schwert! (Bass 1)
Part II: Scharf sind deine Geschosse (Bass 2)
Part II: Dein Zepter ist ein richtig Zepter (Choir)
Part II: Deines Namens, des herrlichen (Tenor)
Part II: Dein Nam' ist zuckersuss Honig im Munde (Choir)
Part II: Wie ist dein Name so gross (Choir)
Deus, judicium tuum regi da (Choir)
Suscipiant montes pacem populo (Soprano)
Et permanebit eum sole (Bass)
Descendet sicut pluvia in vellus (Tenor)
Et dominabitur a mari usque ad mare (Choir)
Coram illo procident Aethiopes (Bass)
Et adorabunt eum omnes reges terrae - (Soprano)
Parcet pauperi et inopi (Soprano 1 and 2)
Benedictus Dominus, Deus Israel (Choir)
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Symphony
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hark! hark! each tree -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: 'Tis Nature's voice -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Soul of the world!
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Thou tun'st this world below -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With that sublime celestial lay
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Voluntary in D minor Z718 - Wondrous machine! -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The airy violin -
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: In vain the am'rous flute
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: The fife and all the harmony of war
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Let these amongst themselves contest
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: Hail! Bright Cecilia
Ode on St Cecilia's Day 1692 (Hail! Bright Cecilia) Z328: With rapture of delight - Hail! Bright Cecilia
Recitative: And they came to a place named Gethsemane (Tenor)
The Agony: Could ye not watch with Me one brief hour? (Bass, Chorus) - Recitative: And they laid their hands on Him (Tenor, Bass)
Processional to Calvary: Fling wide the Gates! For the Saviour waits (Tenor, Chorus)
Recitative: And when they were come (Bass)
Hymn: The Mystery of the Divine Humiliation
Recitative: He made Himself of no reputation (Bass)
The Majesty of the Divine Humiliation (Tenor)
Recitative: And as Moses lifted up the serpent (Bass)
Chorus: God so loved the world
Hymn: Litany of the Passion
Recitative: Jesus said, Father, forgive them (Tenor, Chorus)
Duet: So Thou liftest Thy divine petition (Tenor, Bass)
Hymn: The Mystery of the Intercession
Recitative: And one of the malefactors (Tenor, Bass, Chorus)
Hymn: The Adoration of the Crucified
Recitative: When Jesus therefore saw His mother (Tenor, Bass, Chorus)
Recitative: Is it nothing to you? (Bass)
Chorus: The Appeal of the Crucified
Recitative: After this, Jesus knowing that all things were now accomplished (Tenor, Chorus)
Hymn: For the love of Jesus
First Musick
Second Musick
Overture
Act I: First Act Tune (Hornpipe)
Act II: Song: Great Diocles the Boar has kill'd (Bass) - Sing Io's! (Chorus)
Act II: Song: Charon the peaceful Shade invites (Soprano)
Act II: Symphony for Trumpets and Violins
Act II: Duet (Soprano, Bass) - Let all mankind the pleasure share (Chorus)
Act II: Martial Song: Let the soldiers rejoice (Tenor) - Trio: Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello - Trio: To Mars let 'em raise (Tenor, Tenor, Bass) - Rejoice with a general voice (Tenor, Tenor, Bass) - Retornello
Act II: A Symphony of Flutes - Song: Since the toils and the hazards (Alto) - Quartet: Let the priests ... (Soprano, Alto, Tenor, Bass) - All sing ... (Chorus)
Act II: Dance of Furies
Act II: Second Act Tune
Act III: Chaconne: Two in one upon a Ground (Flutes)
Act III: The Chair Dance
Act III: Prelude for Hautboys - Song: What shall I do? (Tenor)
Act III: Third Act Tune
Act IV: Butterfly Dance
Act IV: Tune for Trumpets
Act IV: Song: Sound, Fame, thy brazen trumpet sound (Tenor)
Act IV: Let all rehearse (Chorus)
Act IV: Fourth Act Tune
Act V: Masque: Country Dance
Act V: Masque: Call the nymphs (Cupid, Chorus)
Act V: Masque: Duet: Come, come away (Bacchanalian, Silvan)
Act V: Masque: Behold, O mighty'st of Gods (Chorus)
Act V: Masque: Paspe: The first entry of heroes on the stage
Act V: Masque: Duet: Oh, the sweet delights of love! (Wood-Gods)
Act V: Masque: Let monarchs fight (Fawn, Chorus)
Act V: Masque: Make room (Bacchanals, Bacchus)
Act V: Masque: Dance of Bacchanals
Act V: Masque: Still I'm wishing (Follower of Cupid)
Act V: Masque: Canaries
Act V: Masque: Tell me why (Shepherd, Shepherdesses)
Act V: Masque: Dance
Act V: Masque: All our days (Pleasure, Chorus)
Act V: Masque: Let us dance (Pleasure, Chorus)
Act V: Masque: Dance
Act V: Masque: Trio and Chorus: Triumph, triumph, victorous Love
Appendices: Song: Since from my dear Astrea's sight (Soprano)
Appendices: Song: When first saw (Tenor)
Duet: Hark how the songsters
Love in their little veins (Cupid)
Trio: But ah! How much are our delights
Solo: Hence with your trifling deity (Bass)
Trio: But over us no griefs prevail
Come, come all to me (Cupid)
Chorus: Who can resist such mighty charms
Return, revolting rebels (Bacchus)
The cares of lovers (Cupid)
Solo: Love quickly is pall'd (Alto)
Duet: Come, let us agree (Cupid, Bacchus)
Chorus: Come, let us agree
Curtain Tune on a Ground
I. Recitative: La terra e liberata! (The earth is freed!) (Apollo)
II. Aria: Pende il ben dell'universo (The well-being of the universe) (Apollo)
III. Recitative: Ch'il superbetto Amore (Let proud little Cupid) (Apollo)
IV. Aria: Spezza l'arco e getta l'armi (Break your bow and throw away your arrows) (Apollo)
V. Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)
VI. Recitative: Che voce! Che belta! (What a voice! What a beauty!) (Apollo, Dafne)
VII. Aria: Ardi, adori, e preghi in vano (You desire, adore and beseech in vain) (Dafne)
VIII. Recitative: Che crudel! (How cruel!) (Apollo, Dafne)
IX. Duet: Una guerra ho dentro il seno (A war rages in my breast) (Dafne, Apollo)
X. Recitative: Placati al fin, o cara (Calm yourself, O dear one) (Apollo)
XI. Aria: Come rosa in su la spina (Like the rose on its stem) (Apollo)
XII. Recitative: Ah! ch'un Dio non dovrebbe (Ah! A God should love nothing) (Dafne)
XIII. Aria: Come in ciel benigna stella (As Neptune's star in heaven) (Dafne)
XIV. Recitative: Odi la mia ragion! (Hear my reason!) (Apollo, Dafne)
XV. Duet: Deh! lascia addolcire quell'aspro rigor (Pray! Soften your unbending severity) (Apollo, Dafne)
XVI. Recitativo: Sempre t'adorero! (I shall always adore you!) (Apollo, Dafne)
XVII: Aria: Mie piante correte (My feet run) (Apollo)
XVIII: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo)
I. Aria: Crudel tiranno Amor (Cruel tyrannous Love)
II. Recitative: Ma tu mandi al moi core (But you send my heart)
III. Aria: O dolce mia speranza (O my sweet hope)
IV. Recitative: Senza te, dolce speme (Without you, sweet hope)
V. Aria: O cara speme del mio diletto (O dear hope of my delight)
Sonata
O be joyful in the Lord ... (Tenor, Chorus)
Serve the Lord with gladness ... (Chorus)
Duet: Be ye sure that the Lord he is God ... (Soprano, Tenor)
O go your way into his gates ... (Chorus)
Trio: For the Lord is gracious ... (Soprano, Tenor, Bass)
Glory be to the Father ... (Chorus)
As it was in the beginning ... (Chorus)
Sonata
My song shall be alway ... (Soprano, Chorus)
For who is he among the clouds ... (Tenor)
God is very greatly to be feared ... (Soprano, Tenor, Bass)
Duet: The heav'ns are thine ... (Alto, Bass)
Righteousness and equity are the habitation of thy seat ... (Chorus)
Blessed is the people, O Lord ... (Soprano)
Thou art the glory ... (Chorus)
O praise the Lord with 1 consent ... (Chorus)
Praise him, all ye that in his house ... (Alto)
For this our truest int'rest is ... (Tenor)
That God is great ... (Bass)
With cheerful notes let all the earth ... (Chorus)
God's tender mercy knows no bounds ... (Soprano)
Ye boundless realms of joy ... (Chorus)
Your voices raise, ye Cherubim and Seraphim ... (Chorus)
Sonata
O be yofdul in the Lord, all ye lands (Tenor, Chorus)
Serve the Lord with gladness, and come from his presence with a song. (Chorus)
Duet: Be ye sure that the Lord he is God: it is he that has made us, and now we ourselves; we are his people, and the sheep of his pasture. (Soprano, Tenor)
O go your way into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and speak good of his Name (Chorus)
Trio: For the Lord is gracious, His mercy is everlasting: and His truth endureth from generation to generation. (Soprano, Tenor, Bass)
Glory be to the Father, glory be to the Son: and to the Holy Ghost; (Chorus)
As it was in the beginning, is now, and ever shall be; world without end. Amen. (Chorus)
Overture
Menuet
Act I Scene 1: Accompagnato: It must be so (Zebul)
Act I Scene 1: Air: Pour forth no more unheeded prayr's (Zebul)
Act I Scene 1: No more to Ammon's god and king (Chorus)
Act I Scene 2: Recitative: But Jephtha comes (Zebul, Jephtha)
Act I Scene 2: Air: Virtue my soul shall still embrace (Jephtha)
Act I Scene 2: Recitative: Twill be a painful separation (Storge)
Act I Scene 2: Air: In gentle murmurs will I mourn (Storge)
Act I Scene 3: Recitative: Happy this embassy, my charming Iphis (Hamor)
Act I Scene 3: Air: Dull delay, in piercing anguish (Hamor)
Act I Scene 3: Recitative: Ill suits the voice of love (Iphis)
Act I Scene 3: Air: Take the heart you fondly gave (Iphis)
Act I Scene 3: Recitative: I go, my soul (Hamor)
Act I Scene 3: Duet: These labours past, how happy we (Iphis, Hamor)
Act I Scene 4: Recitative: What mean these doubtful fancies (Jephtha)
Act I Scene 4: Accompagnato: If, Lord, sustain'd by thy almighty pow'r - Tis said. Attend, ye Chiefs (Jephtha)
Act I Scene 4: O God, behold our sore distress (Chorus)
Act I Scene 5: Recitative: Some dire event hangs o'er our heads (Storge)
Act I Scene 5: Air: Scenes of horror, scenes of woe (Storge)
Act I Scene 6: Recitative: Say, my dear mother (Iphis, Storge)
Act I Scene 6: Air: The smiling dawn of happy days (Iphis)
Act I Scene 7: Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jephtha)
Act I Scene 7: When his loud voice in thunder spoke (Chorus)
Act II Scene 1: Recitative: Glad tidings of great joy (Hamor)
Act II Scene 1: Cherub and Seraphim, unbodied forms (Chorus)
Act II Scene 1: Air: Up the dreadful steep ascending (Hamor)
Act II Scene 1: Recitative: Tis well. Haste, haste, ye maidens (Iphis)
Act II Scene 1: Air: Tune the soft melodious lute (Iphis)
Act II Scene 2: Recitative: Heav'n smiles once more (Jephtha)
Act II Scene 2: Air: His mighty arm (Jephtha)
Act II Scene 2: In glory high (Chorus)
Act II Scene 3: Symphony
Act II Scene 3: Hail, glorious conqueror! (Iphis)
Act II Scene 3: Air and Chorus: Welcome, as the cheerful light ... Welcome thou, whose deeds conspire (Iphis, Chorus)
Act II Scene 3: Recitative: Horror! Confusion! (Jephtha)
Act II Scene 3: Air: Open thy marble jaws, O tomb (Jephtha)
Act II Scene 3: Recitative: Why is my brother thus afflicted? (Zebul, Jephtha)
Act II Scene 3: Accompagnato and Arioso: First perish thou - Let other creatures (Storge)
Act II Scene 3: Recitative: If such thy cruel purpose (Hamor)
Act II Scene 3: Air: On me let blind mistaken zeal (Hamor)
Act II Scene 3: Quartet: O spare your daughter! (Storge, Hamor, Jephtha, Zebul)
Act II Scene 4: Recitative: Such news flies swift (Iphis)
Act II Scene 4: Accompagnato: For joys so vast (Iphis)
Act II Scene 4: Air: Happy they! (Iphis)
Act II Scene 4: Accompagnato: Deeper and deeper still (Jephtha)
Act II Scene 4: How dark, O Lord, are thy decrees! (Chorus)
Act III Scene 1: Arioso: Hide thou thy hated beams (Jephtha)
Act III Scene 1: Accompagnato: A father, off'ring up (Jephtha)
Act III Scene 1: Air: Waft her, angels (Jephtha)
Act III Scene 1: Accompagnato: Ye sacred priests (Iphis)
Act III Scene 1: Air: Farewell, ye limpid springs (Iphis)
Act III Scene 1: Doubtful fear and reverend awe (Chorus)
Act III Scene 1: Symphony
Act III Scene 1: Recitative: Rise, Jephtha (Angel)
Act III Scene 1: Air: Happy, Iphis, shalt thou live (Angel)
Act III Scene 1: Arioso: For ever blessed be (Jephtha)
Act III Scene 1: Theme sublime (Chorus)
Act III Scene 2: Recitative: Let me congratulate (Zebul)
Act III Scene 2: Air: Laud her, all ye virgin train (Zebul)
Act III Scene 2: Recitative: O let me fold thee (Storge)
Act III Scene 2: Air: Sweet as sight to the blind (Storge)
Act III Scene 2: Recitative: With transport, Iphis (Hamor)
Act III Scene 2: Recitative: My faithful Hamor (Iphis)
Act III Scene 2: Quintet: All that is in Hamor mine (Iphis, Hamor, Storge, Jephtha, Zebul)
Act III Scene 2: Ye house of Gilead (Chorus)