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Victory: Ultima Rerum / Pearce, Kerr, Greevy, Opie


Release Date: 10/04/1994 
Label:  Marco Polo   Catalog #: 223532   Spars Code: DDD 
Composer:  Gerard Victory
Performer:  Virginia KerrBernadette GreevyAlan OpieAdrian Thompson
Conductor:  Colman Pearce
Orchestra/Ensemble:  National Symphony Orchestra of IrelandIreland National Chamber ChoirDublin Radio Telefis Eireann Philharmonic Choir
Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 38 Mins. 

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This CD is reissued by ArkivMusic.

Notes and Editorial Reviews

The name at least of the Irish composer Gerard Victory (1921-95) should be familiar to most readers. His voice is not particularly distinctive, nor obviously Irish, but his music is accessible and broadly tonal in idiom, making use of a wide range of styles, as in the oratorio Ultimo Rerum ("The Last of Things"). This is a much-expanded setting of the Requiem Mass, not unlike Britten's War Requiem, into which have been interspersed texts from the Koran, Walt Whitman and the Eddas amongst others. Ultimo Rerum is divided into two halves, or cantos, each of five movements: the first moves from Kyrie to Offerwrium, the second from Sanctus (after an opening canzone setting words by Leopardi) to a radiant Agnus Dei. There is much to Read more enjoy throughout: the Kyrie, for example, contains some beautiful writing, although its operatic manner may not appeal to everyone.

Almost any of the ten individual movements could be performed satisfactorily as independent items, although the full kaleidoscopic range of Victory's conception only becomes apparent when heard complete. Herein, though, lies its weakness: in a work of this size and character, one needs a sense of the transcendent (think of, say, the War Requiem, The Vision of Si Augustine or Brian's Gothic. Symphony), yet in Ultimo Rerum I listened in vain for any real visionary quality. Is it the fault of the composer? Well, Victory's technical credentials cannot be doubted, his craftsmanship is impeccable, but one must question the wisdom of the division into two cantos, both of which traverse similar terrain in moving from darkness to light. In the first, the real problem lies in the Dies irae - it is just too comfortable. There is no "fear of eternal torment" here; mightily as the performers try, this is no Day of Wrath, more an Afternoon of Irritation. Firmer direction from Colman Pearce might have gone some way in redeeming this; as it is, the close of both this movement and the canto are undermined. The recording is fine and clear (Chris Craker), and overall the performance sounds committed and assured, one small false entry in the Dies irae aside. Unusually for this label, neither CD reaches 50 minutes in duration, but I imagine the addition of a meaningful coupling would have required unhappily splitting one of the cantos across discs.

-- Gramophone [6/1995]
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Works on This Recording

1.
Ultima Rerum by Gerard Victory
Performer:  Virginia Kerr (Soprano), Bernadette Greevy (Mezzo Soprano), Alan Opie (Baritone),
Adrian Thompson (Tenor)
Conductor:  Colman Pearce
Orchestra/Ensemble:  National Symphony Orchestra of Ireland,  Ireland National Chamber Choir,  Dublin Radio Telefis Eireann Philharmonic Choir
Period: 20th Century 
Written: 1975-1982; Ireland 
Length: 98 Minutes 0 Secs. 

Sound Samples

Ultima rerum: Kyrie
Ultima rerum: Canzone funebre
Ultima rerum: Dies irae
Ultima rerum: De profundis
Ultima rerum: Offertorium
Ultima rerum: Canzone a se stesso
Ultima rerum: Sanctus
Ultima rerum: In paradisum
Ultima rerum: Benedictus
Ultima rerum: Agnus Dei

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