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Handel: Hercules / Minkowski, Von Otter, Croft, Et Al


Release Date: 04/02/2002 
Label:  Archiv Produktion (Dg)   Catalog #: 469532   Spars Code: DDD 
Composer:  George Frideric Handel
Performer:  Lynne DawsonGidon SaksDavid DanielsAnne Sofie von Otter,   ... 
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du LouvreChoeur des Musiciens du Louvre
Number of Discs: 3 
Recorded in: Stereo 
Length: 2 Hours 56 Mins. 

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Notes and Editorial Reviews


This is an untouchably great performance of one of Handel's most interesting oratorios: its examination of jealousy is on a par with what can be found in Otello and Pelléas. There's drama galore--in fact, during its first run it was referred to as a "musical drama" (rather than an oratorio), and Handel and his librettist, Thomas Broughton, always referred to its "acts" rather than "parts", as sections of oratorios were commonly known.

The role of Hercules, a bass, is taken by Gidon Saks, who has a voice of flexibility and power. An Israeli who studied in England and Canada, his English diction is superb, and he paints a picture of a leader who is
Read more trying to keep his kingdom intact while dealing with his unstable wife, Dejanira. As his son, Hyllus, Richard Croft's tenor is amazingly agile, and he easily executes all of the runs and fiorature in his many arias. He also paints the text well, and we believe him whether he is declaring love for Iole or feeling grief for Hercules. Iole, the captive brought back from the wars by Hercules and who is the object of Dejanira's jealousy, is sung by Lynne Dawson at her absolute best--tonally pure, angry, fluent. David Daniels is remarkable in the small(ish) role of the Herald, Lichas (talk about luxury casting!).


But the star is Anne Sofie von Otter as Dejanira: the role is juicy beyond belief, her unrelenting jealousy and manipulation being superbly expressed. The huge mad scene, "Where shall I fly?", after Hercules goes up in flames because of her, is epic; here and throughout, Otter is animated, sincere, vocally impeccable, and totally committed. Marc Minkowski and his musicians are first rate, with tempos quick but never blurred and dramatic points artfully underlined. This set easily replaces one from the 1980s under John Eliot Gardiner--a German-language version (called "Herakles") that's good but not easy to find and not in a class with this one. This is a Rolls Royce of a show. Don't miss it.
--Robert Levine, ClassicsToday.com Read less

Works on This Recording

1. Hercules, HWV 60 by George Frideric Handel
Performer:  Lynne Dawson (Soprano), Gidon Saks (Bass), David Daniels (Countertenor),
Anne Sofie von Otter (Soprano), Richard Croft (Tenor), Marcos Pujol (Bass)
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre,  Choeur des Musiciens du Louvre
Period: Baroque 
Written: 1744; London, England 
Date of Recording: 04/2000 
Venue:  Salle Molière, Théâtre de Poissy, France 
Length: 176 Minutes 9 Secs. 
Language: Italian 

Sound Samples

Hercules: Overture
Hercules: Menuetto
Hercules / Act 1: Recit. acc. "See with what sad dejection"
Hercules / Act 1: Aria: "No longer, Fate, relentless frown"
Hercules / Act 1: Recit. acc.: "O Hercules! why art thou absent from me"
Hercules / Act 1: Aria: "The world, when day's career is run"
Hercules / Act 1: Recit: "Princess! be comforted, and hope the best"
Hercules / Act 1: Aria: "I feel, I feel the god"
Hercules / Act 1: Recit.: "He said, the sacred fury left his breast"
Hercules / Act 1: Aria: "There in myrtle shades reclined"
Hercules / Act 1: Recit.: "Despair not; but let rising hope suspend"
Hercules / Act 1: Aria: "Where congealed the northern streams"
Hercules / Act 1: Chorus: "O filial piety! O generous love!"
Hercules / Act 1: Recit.: "Banish your fears!"
Hercules / Act 1: Aria: "Begone, my fears, fly, hence, away"
Hercules / Act 1: Recit: "A train of captives, red with honest wounds"
Hercules / Act 1: Aria: "The smiling hours"
Hercules / Act 1: Chorus: "Let none despair"
Hercules / Act 1: March
Hercules / Act 1: Recit: "Thanks to the powers above"
Hercules / Act 1: Aria: "My father! Ah! methinks I see"
Hercules / Act 1: Recit.: "Now farewell, arms!"
Hercules / Act 1: Aria: "The god of battle"
Hercules / Act 1: Recit.: "Ah me! How soon the flatterer hope"
Hercules / Act 1: Aria: "Daughter of gods, bright liberty"
Hercules / Act 1: Chorus: "Crown with festal pomp the day"
Hercules / Act 2: Sinfonia
Hercules / Act 2: Recit.: "Why was I born a princess"
Hercules / Act 2: Aria: "How blest the maid ordained to dwell"
Hercules / Act 2: Recit.: "It must be so"
Hercules / Act 2: Aria: "When beauty sorrow's liv'ry wears"
Hercules / Act 2: Recit: "Whence this unjust suspicion?"
Hercules / Act 2: Aria: "Ah! think what ills the jealous prove"
Hercules / Act 2: Recit: "It is too sure that Hercules is false"
Hercules / Act 2: Recit.: "In vain you strive"
Hercules / Act 2: Chorus: "Jealousy! Infernal pest"
Hercules / Act 2: Recit: "She knows my passion"
Hercules / Act 2: Aria: "Banish love from thy breast"
Hercules / Act 2: Recit.: "Forgive a passion"
Hercules / Act 2: Aria: "From celestial seats descending"
Hercules / Act 2: Chorus: "Wanton god of amorous fires"
Hercules / Act 2: Recit.: "Yes, I congratulate"
Hercules / Act 2: Aria: "Alcides' name in latest story"
Hercules / Act 2: Recit.: "O glorious pattern of heroic deeds!"
Hercules / Act 2: Aria: "Resign thy club and lion's spoils"
Hercules / Act 2: Recit: "You are deceived! Some villain has belied"
Hercules / Act 2: Aria: "Cease, ruler of the day, to rise"
Hercules / Act 2: Recit: "Some kinder power inspire me to regain"
Hercules / Act 2: Aria: "As stars, that rise and disappear"
Hercules / Act 2: Recit.: "But see, the princess Iole"
Hercules / Act 2: Duet: "Joys of freedom, joys of power"
Hercules / Act 2: Recit.: "Father of Hercules"
Hercules / Act 2: Chorus: "Love and Hymen"

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