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Rossini: L'assedio Di Corinto / Schippers, Sills, Horne, Diaz


Release Date: 10/14/2008 
Label:  Opera D'oro   Catalog #: 7065   Spars Code: n/a 
Composer:  Gioachino Rossini
Performer:  Milena PauliGiovanni FoianiPaolo WashingtonJustino Diaz,   ... 
Conductor:  Thomas Schippers
Orchestra/Ensemble:  Milan Teatro alla Scala OrchestraMilan Teatro alla Scala Chorus
Number of Discs: 2 
Length: 2 Hours 27 Mins. 

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Notes and Editorial Reviews



ROSSINI L’assedio di Corinto Thomas Schippers, cond; Beverly Sills ( Pamira ); Marilyn Horne ( Neocle ); Franco Bonisolli ( Cleomene ); Justino Diaz ( Maometto II ); Paolo Washington ( Jero ); La Scala O & Ch OPERA D’ORO 7065 (2 CDs: 142:23 Read more Text and Translation) Live: Milan 4/14/1969


For his first effort for the Paris Opera, Rossini chose to revise his Neapolitan opera Maometto II . It premiered in 1826. In the revised opera, Le siége de Corinthe , the action was moved back 11 years to provide a parallel with the then-current conflict in Greece. For the Italian version produced two years later, the role of Neocle (an alto in Maometto II , but a tenor in Paris) was provided with alternate vocal lines so that it could be sung by either voice. The edition of the opera prepared for these La Scala performances takes this Italian version as its base, using the alto (or mezzo) option for Neocle. However, to beef up the role for Horne, it incorporates a virtuoso aria from Maometto II ; one of Pamira’s arias suffered a similar replacement. The two replacement arias sound out of place in their new contexts. In addition, the Paris score is subjected to cuts small and large, mostly the latter.


Thus, anyone considering purchasing this recording will primarily be interested in the performances. Beverly Sills made a studio recording of this edition of the opera, revised somewhat, at the time of her Metropolitan Opera debut in the role. By the time of that recording her voice had declined from the strain of taking on roles that were too heavy for her voice. Here she is caught in her prime. This production is the only time Sills and Horne sang together. Horne also sings beautifully. It must have been a real treat to hear them in the theater.


Franco Bonisolli has no problem with the florid music Rossini wrote for him, and this at a time when there were not many tenors specializing in this repertoire. Justino Diaz makes heavy work of his role; he doesn’t have the agility necessary for the music and needs to simplify the coloratura. The other roles are performed adequately or better.


Thomas Schippers supports the singers well. As might be expected, there are occasional times when singers and orchestra get momentarily out of sync. When the chorus is offstage, their words cannot be distinguished. Otherwise, the sound is very good. According to beverlysillsonline.com, all tapes circulating with the date April 14, 1969, which Opera d’Oro gives as the date of this performance, are actually recordings of the April 11 premiere.


Opera d’Oro has previously issued this performance in its budget line. For this issue, we get notes and a libretto with translation. There was at one time a performance of the French version available on Nuova Era, but it has been discontinued. Rossini’s French operas have been relatively neglected by the recording companies. For now, this adulterated version sung in Italian is the only recording available. Enjoy it for the generally superb singing, especially from Sills, Horne, and Bonisolli.


FANFARE: Ron Salemi
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Works on This Recording

1.
L'assedio di Corinto by Gioachino Rossini
Performer:  Milena Pauli (Soprano), Giovanni Foiani (Bass), Paolo Washington (Bass),
Justino Diaz (Baritone), Beverly Sills (Soprano), Justino Diaz (Bass),
Marilyn Horne (Mezzo Soprano), Franco Bonisolli (Tenor), Piero de Palma (Tenor)
Conductor:  Thomas Schippers
Orchestra/Ensemble:  Milan Teatro alla Scala Orchestra,  Milan Teatro alla Scala Chorus
Period: Romantic 
Written: 1826; Italy 
Date of Recording: 1969 
Venue:  Live  La Scala Theater, Milan 
Language: Italian 

Featured Sound Samples

Act I: "Cielo! Che diverrò?"

Sound Samples

L'Assedio Di Corinto: Overture
L'Assedio Di Corinto: Act I, "Signor, un sol tuo cenno" (Chorus)
L'Assedio Di Corinto: Act I, "Del vincitor superbo" (Cleomene, Chorus, Neocle, Jero)
L'Assedio Di Corinto: Act I, "Tua figlia m'è promessa" (Neocle, Cleomene, Pamira)
L'Assedio Di Corinto: Act I, "Di morte il suon mandò" (Chorus, Pamira, Cleomene, Neocle)
L'Assedio Di Corinto: Act I, "Dal ferro del forte" (Chorus)
L'Assedio Di Corinto: Act I, "Duce di tanti eroi" (Maometto, Chorus)
L'Assedio Di Corinto: Act I, "Trionfammo, signor" (Omar, Maometto, Cleomene, Pamira, Ismene, Chorus)
L'Assedio Di Corinto: Act I, "Pamira, mi sei resa" (Maometto, Pamira, Cleomene, Chorus, Ismene)
L'Assedio Di Corinto: Act II, "Cielo! Che diverrò?" (Pamira)
L'Assedio Di Corinto: Act II, "Sgombra il timor" (Maometto, Pamira)
L'Assedio Di Corinto: Act II, "Vinci, Pamira" (Maometto, Ismene, Chorus)
L'Assedio Di Corinto: Act II, "Divin Profeta" (Chorus)
L'Assedio Di Corinto: Act II, "Pamira... Questo altar" (Maometto, Pamira, Neocle, Omar)
L'Assedio Di Corinto: Act II, "Sian tolti a lui quel ferri" (Maometto, Neocle, Pamira, Omar, Ismene, Chorus)
L'Assedio Di Corinto: Act III, "Avanziam... questo è il luogo!" (Neocle, Addrasto)
L'Assedio Di Corinto: Act III, "Signor, the tutto puoi" (Pamira, Chorus, Neocle)
L'Assedio Di Corinto: Act III, "Signor, ben credo" (Neocle)
L'Assedio Di Corinto: Act III, "O mio Cleomene!" (Neocle, Cleomene, Pamira)
L'Assedio Di Corinto: Act III, "Celeste provvidenza" (Pamira, Neocle, Cleomene)
L'Assedio Di Corinto: Act III, "Tuatto percorsi il marzial recinto" (Jero, Cleomene, Pamira, Ismene, Neocle, Chorus)
L'Assedio Di Corinto: Act III, "Nube di sangue intrisa" (Jero, Ensemble)
L'Assedio Di Corinto: Act III, " Questo nome, che suona vittoria" (Jero, Ensemble)
L'Assedio Di Corinto: Act III, "L'ora fatal s'appressa" (Pamira, Chorus)
L'Assedio Di Corinto: Act III, "Ma qual mai suona funebre accento?" (Pamira, Chorus, Ismene, Maometto)

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