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Donizetti Maria Stuarda / Cillario, Caballe, Verrett, Garaventa, Arie

Donizetti / Caballe / Verett / Gillario
Release Date: 01/11/2011 
Label:  Opera D'oro   Catalog #: 7079   Spars Code: DDD 
Composer:  Gaetano Donizetti
Performer:  Shirley VerrettOttavio GaraventaMontserrat CaballéNella Verri,   ... 
Conductor:  Carlo Felice Cillario
Orchestra/Ensemble:  Milan Teatro alla Scala OrchestraMilan Teatro alla Scala Chorus
Number of Discs: 2 
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Notes and Editorial Reviews

Recording contains liner notes by Robert Levine, a complete libretto in Italian and English and a listing and timing of the arias.

3452970.az_DONIZETTI_Maria_Stuarda_Carlo.html
DONIZETTI Maria Stuarda Carlo Felice Cillario, cond; Montserrat Caballé ( Maria ); Shirley Verrett ( Elisabetta ); Ottavio Garaventa ( Roberto ); Read more Raffaele Ariè ( Lord Talbot ); Giulio Fioravanti ( Lord Cecil ); Nella Verri ( Anna ); La Scala O & Ch OPERA D’ORO GRAND TIER OPD7079 (2 CDs: 126:01 Text and Translation) Live: Milan 1971


In Fanfare 28:3 I reviewed two other recordings of Maria Stuarda with Montserrat Caballé in the title role. Legato Classics also issued another recording with her and José Carreras, conducted by Nello Santi. This recording was previously issued on the Myto label. As I have previously stated, this opera had an interesting history. It was banished by the King of Naples, and Donizetti revised the work, calling it Buondelmonte; it premiered in 1834 and was not a success. The original version premiered at La Scala in 1835 starring an ill Maria Malibran. Harold Rosenthal wrote in Opera magazine (March 1966), “The audience was hostile, mostly because of Malibran’s poor vocal condition, and although subsequent performances went better, the opera was withdrawn after seven performances and seems to have vanished from the repertory until it was revived at Bergamo in the autumn of 1958.” The cast of that revival was Dina Soresi as Mary Stuart, Renata Heredia Capnist as Elisabetta, Antonio Zerbini as Talbot, Nicola Tagger as Leicester, and Laura Zannini as Anna. The conductor was Oliviero de Fabritiis.


In this recording the two leading ladies are excellent. Montserrat Caballé shines as Maria, and Shirley Verrett is a great Elisabetta. Ottavia Garaventa is a suitable Roberto, and both Raffaele Ariè and Giulio Fioravanti are strongly voiced characters. Nella Verri is a good Anna, and the conducting by Carlo Felice Cillario is an example of the bel canto style necessary for Donizetti’s music, although he uses the traditional cuts made in those years.


This recording was obviously taped in the audience. Thus the sound is variable. The orchestra at times drowns out the singers, and the quality of vocal sound varies probably due to the place on the stage of the singer. The applause is forceful and very loud. The excellent booklet has notes by Robert Levine, a complete libretto in Italian and English, and a listing and timing of the bands.


Since its revival Maria Stuarda has been often performed and recorded. Not only are there now four recordings featuring Caballé, but there is a complete recording featuring Beverly Sills and Eileen Farrell that was reviewed in Fanfare 24:4. Other sopranos who have recorded the title role are Joan Sutherland, Edita Gruberova, and Janet Baker. There are also two more recent recordings; Naxos has one with Laura Polverlli as Elisabetta and Maria Pia Piscitelli as Maria conducted by Riccardo Frizza; and Dynamic has issued a performance conducted by Fabrizio Maria Carminati, with Carmelia Remigio as Maria, Sonia Ganassi as Elisabetta, and Joseph Celleja as Leicester. The CD issue was reviewed in Fanfare 30:1 by David L. Kirk and the DVD issue was reviewed in 27:1 by Joel Kasow. It features a new critical edition and was favorably reviewed by both critics.


Still, my first choice is the Beverly Sills, Eileen Farrell, and Stuart Burrows complete recording. Caballé fans will enjoy this recording.

FANFARE: Bob Rose
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Works on This Recording

1.
Maria Stuarda by Gaetano Donizetti
Performer:  Shirley Verrett (Mezzo Soprano), Ottavio Garaventa (Tenor), Montserrat Caballé (Soprano),
Nella Verri (Mezzo Soprano), Raphael Arie (Bass), Giulio Fioravanti (Baritone)
Conductor:  Carlo Felice Cillario
Orchestra/Ensemble:  Milan Teatro alla Scala Orchestra,  Milan Teatro alla Scala Chorus
Period: Romantic 
Written: 1835; Italy 
Date of Recording: 1971 
Venue:  Milan 

Sound Samples

Maria Stuarda: Act I, Introductino
Maria Stuarda: Act I, "Qui si attenda, ell'è vicina"
Maria Stuarda: Act I, "Sì, vuol di Francia il Rege"
Maria Stuarda: Act I, "Ah, quando all'ara scorgemi"
Maria Stuarda: Act I, "In tal giorno di contento"
Maria Stuarda: Act I, "Ah, dal ciel discenda un raggio"
Maria Stuarda: Act I, "Fra voi perchè non veggio Leicester?"
Maria Stuarda: Act I, "Ah, rimiro il bel sembiante"
Maria Stuarda: Act I, "Se fida tanto colei mi amò"
Maria Stuarda: Act I, "Sei tu confuso?"
Maria Stuarda: Act I, "Quali sensi!"
Maria Stuarda: Act I, "Era d'amor l'immagine"
Maria Stuarda: Act I, "Vieni...Lo chiede il barbaro"
Maria Stuarda: Act I, "Sul crin la rivale al man mi stendea"
Maria Stuarda: Act II, "Allenta il piè, Regina"
Maria Stuarda: Act II, "O nube! Che lieve per l'aria ti aggiri"
Maria Stuarda: Act II, "Qual suono!...Al bosco, alla caccia!"
Maria Stuarda: Act II, "Nella pace del mesto riposo"
Maria Stuarda: Act II, "Ah, non m'inganna la gioia!"
Maria Stuarda: Act II, "Da tutti abbandonata"
Maria Stuarda: Act II, "Del suo core convinta io sono!"
Maria Stuarda: Act II, "Qual loco è questo?"
Maria Stuarda: Act II, "È sempre la stessa"
Maria Stuarda: Act II, "Deh, l'accogli"
Maria Stuarda: Act II, "Morta al mondo, e morta al trono"
Maria Stuarda: Act II, "An, no no! Figlia impura di Bolena"
Maria Stuarda: Act II, "Va, preparati, furente"
Maria Stuarda: Act III, "E pensi? E tardi?"
Maria Stuarda: Act III, "Quella vita a me funesta"
Maria Stuarda: Act III, "Sì...Regina!"
Maria Stuarda: Act III, "Ah, deh, per pietà sospendi"
Maria Stuarda: Act III, "D'una sorella, o barbara"
Maria Stuarda: Act III, "Vanne, indegno; t'appare sul volto"
Maria Stuarda: Act III, "La perfida insultarmi volea"
Maria Stuarda: Act III, "Che vuoi?"
Maria Stuarda: Act III, "Ah no, Talbot, giammai"
Maria Stuarda: Act III, "Quando di luce rosea"
Maria Stuarda: Act III, "Un'altra colpa a piangere"
Maria Stuarda: Act III, "No, giammai sottrarsi al cielo"
Maria Stuarda: Act III, "Lascia contenta al carcere"
Maria Stuarda: Act III, "Vedeste? Vedemmo. O truce apparato!"
Maria Stuarda: Act III, "Anna!...Qui più sommessi favellate"
Maria Stuarda: Act III, "Io vi rivedo alfin"
Maria Stuarda: Act III, "Deh, tu di un'umile preghiera il suono"
Maria Stuarda: Act III, "O colpo!"
Maria Stuarda: Act III, "D'un cor che muore reca il perdono"
Maria Stuarda: Act III, "Giunge il Conte"
Maria Stuarda: Act III, "Ah, se un giorno da queste ritorte"

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