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Italian Oratorios / Matthew White, Jeanne Lamon, Tafelmusik

White,Matthew / Tafelmusik Baroque Orchestra
Release Date: 09/16/2008 
Label:  Analekta   Catalog #: 22005   Spars Code: DDD 
Composer:  Jan D. ZelenkaAntonio VivaldiAlessandro ScarlattiAntonio Caldara
Performer:  Matthew [Countertenor Vocal] White
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 17 Mins. 

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Notes and Editorial Reviews


Following his outstanding Cannes Classical Award-winning CD Elegeia for this same label, countertenor Matthew White fully confirms the extraordinary performance standard he set on that recording. In fact, in these excerpts from Italian oratorios, White's voice seems even stronger and richer, his technique more fluid, his delivery more confident. In part this impression comes from the repertoire, which here is more operatic and thus more virtuosic than on the earlier disc. Just listen to the opening arias by Zelenka and you'll not only be impressed with White's commanding presence, golden sonority, and soaring lines, but also by Zelenka's stylish, sophisticated, and very attractive music, which ranks
Read more among the finest of the genre (and is the best on this well-chosen program).

White also shows his stuff in the slower, more lyrical arias, such as Vivaldi's sensuous "Noli ò cara te adorantis" ("Do not rebuff, o dearest..."), Scarlatti's "Perchè mormora il ruscello", and in the middle section of Zelenka's "A che riserbano", with the sensitively-set text "Great God, the tears of a wretched mother are asking you for mercy"--which is preceded and followed by some of the more exciting vocal writing (and performing) you'll ever hear, accompanying the irresistibly volatile words "For what do the Heavens save their lightning bolts, if they do not brandish them in the face of wickedness?"

As suggested in the liner notes, the three-movement opening to Alessandro Scarlatti's Cain, overo Il primo omicidio (The first murder) is nothing less than a "mini-concerto for solo violin", and Jeanne Lamon delivers an appropriately exciting interpretation that sets the stage for White's equally enthralling vocalism in four widely varied arias selected from the larger work. The program closes on a somber note, with a "tormented" Peter singing the opening aria from Caldara's Passion of our Lord Jesus Christ.

The sound is ideal--and you won't hear better baroque-repertoire vocalism, or countertenor singing, anywhere. And even though I said this last year when Elegeia was issued, I have to say it again: this is definitely a candidate for a disc of the year award. Don't miss it.

-- David Vernier, ClassicsToday.com [4/16/2004, reviewing original release]
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Works on This Recording

1.
Gesù al Calvario, oratorio for soloists, chorus, instruments & continuo, ZWV 62: Introduzione by Jan D. Zelenka
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1735 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 4 Minutes 8 Secs. 
2.
Gesù al Calvario, oratorio for soloists, chorus, instruments & continuo, ZWV 62: Aria. Se in te foss by Jan D. Zelenka
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1735 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 7 Minutes 49 Secs. 
3.
Gesù al Calvario, oratorio for soloists, chorus, instruments & continuo, ZWV 62: Aria. A che riserba by Jan D. Zelenka
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1735 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 7 Minutes 13 Secs. 
4.
Concerto for Strings in C major, RV 114 by Antonio Vivaldi
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 5 Minutes 19 Secs. 
5.
Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644: Aria. Agitata infido fl by Antonio Vivaldi
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1716 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 3 Minutes 30 Secs. 
6.
Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644: Noli ò cara te adoranti by Antonio Vivaldi
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1716 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 6 Minutes 5 Secs. 
7.
Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo: Introduzione. Spiritoso by Alessandro Scarlatti
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 0 Minutes 54 Secs. 
8.
Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo: Introduzione. Adagio by Alessandro Scarlatti
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 1 Minutes 11 Secs. 
9.
Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo: Introduzione. Allegro by Alessandro Scarlatti
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 1 Minutes 43 Secs. 
10.
Cain overo Il primo omicidio: Mascheratevi, o miei sdegni by Alessandro Scarlatti
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1707; Venice, Italy 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 2 Minutes 21 Secs. 
11.
Cain overo Il primo omicidio: Perchè mormora il ruscello by Alessandro Scarlatti
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1707; Venice, Italy 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 4 Minutes 38 Secs. 
12.
Cain overo Il primo omicidio: Bramo, insieme, e morte e vita by Alessandro Scarlatti
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 2 Minutes 53 Secs. 
13.
Cain overo Il primo omicidio: Miei genitori, addio by Alessandro Scarlatti
Performer:  Matthew [Countertenor Vocal] White ()
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 4 Minutes 24 Secs. 
14.
La Passione di Gesù Cristo Signor Nostro, oratorio: Introduzione by Antonio Caldara
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1730 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 2 Minutes 56 Secs. 
15.
La Passione di Gesù Cristo Signor Nostro, oratorio: Aria. Giacchè mi tremi in seno by Antonio Caldara
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik
Period: Baroque 
Written: 1730 
Date of Recording: 2003 
Venue:  Humbercrest United Church, Toronto, Onta 
Length: 8 Minutes 4 Secs. 

Featured Sound Samples

Gesù al Calvario (Zelenka): II. Aria: "Se in te fosse viva fede al veder"
Juditha triumphans (Vivaldi): I. Aria: "Agitata infido flatu diu"

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